In this two-part Halloween special, we talk about America’s Most Haunted House®, The Whaley House in San Diego, CA. Join us on this walking tour of haunted tourism, the "enchantment economy", and the history of the house's ghostly legends. Content Warning - Violet Whaley’s Suicide discussed from 1:16:54-1:28:40 Make contact: @ghostswerepeopletoo (tumblr/instagram) gwp2pod@gmail.com Bibliography (for both part 1 & part 2): Carlson, Marvin. The Haunted Stage: The Theatre as Memory Machine. University of Michigan Press, 2001.Chapman University. Survey of American Fears. 2018.Coleman, Ed, and Jenn Coleman. “The Whaley House.” Coleman Concierge, n.d. [Insert article URL.]Garrick, David. “Old Town San Diego’s Historic Whaley House May Shift to For-Profit Operator.” The San Diego Union-Tribune, 6 Jan. 2021, https://www.sandiegouniontribune.com/2021/01/06/old-town-san-diegos-historic-whaley-house-may-shift-to-for-profit-operator/ .Glass, Dean. “The Ghosts at the Whaley House Get All the Publicity.” Reflections, Save Our Heritage Organisation.Hanks, Michele M. Haunted Heritage: The Cultural Politics of Ghost Tourism, Populism, and the Past. Routledge, 2016.Houran, James, Sharon A. Hill, Everett D. Haynes, and Ursula A. Bielski. “Paranormal Tourism: Market Study of a Novel and Interactive Approach to Space Activation and Monetization.” Cornell Hospitality Quarterly, vol. 61, no. 3, 2020, pp. 287–311. https://doi.org/10.1177/1938965520909094 .Jackson, Shirley. The Haunting of Hill House. Viking Press, 1959.Magelssen, Scott. “Living History Museums and the Construction of the Real through Performance.” Theatre Survey, vol. 45, no. 1, 2004, pp. 61–74.Magelssen, Scott. Simming: Participatory Performance and the Making of Meaning.McDevitt-Irwin, Jesse, and James R. Irwin. “Infant Mortality among US Whites in the 19th Century: New Evidence from Childhood Sex Ratios.” Demographic Research, vol. 52, 2025, pp. 303–350. https://doi.org/10.4054/DemRes.2025.52.10 .Nunn, Robert. “Flickering Lights and Declaiming Bodies: Semiosis in Film and Theatre.” Theatre Research in Canada / Recherches théâtrales au Canada, vol. 17, no. 2, 1996.Phelan, Peggy. Unmarked: The Politics of Performance. Routledge, 1993.Piper, Liza. “When Scarlet Fever Came to This Country.” When Disease Came to This Country: Epidemics and Colonialism in Northern North America, Cambridge University Press, 2023, pp. 24–57.Rowen, Bess. The Lines Between the Lines: How Stage Directions Affect Embodiment. University of Michigan Press, 2021.Schneider, Rebecca. “Performance Remains.” Performance Research, vol. 6, no. 2, 2001, pp. 100–108.Slayyyter. “WOR$T GIRL IN AMERICA.” 2026. [Album or single details to verify.]Stone, Philip R. “A Dark Tourism Spectrum: Towards a Typology of Death and Macabre Related Tourist Sites, Attractions and Exhibitions.” Tourism: An International Interdisciplinary Journal, vol. 54, no. 2, 2006, pp. 145–160.Whaley House. Whaley House Official Website. Historic Tours of America, https://www.whaleyhousesandiego.com/ . Accessed 29 Oct. 2026.Whaley House. Whaley House Website Archives. Internet Archive, https://web.archive.org/ . Accessed 29 Oct. 2026.Wood, Byrd. “Haunted Houses: Preservation Help or Horror?” National Trust for Historic Preservation.The Journal of San Diego History. San Diego Historical Society Quarterly, vol. 6, no. 2, Apr. 1960.