Two Guys Talking: An Abandoned Albums Podcast

Keith R. Higgons

"The only podcast that matters." www.abandonedalbums.com

  1. 10/08/2025

    Pete Droge

    It’s a tricky thing to do a podcast because to cover a career like Pete Droge’s, you’d need at least two hours, and I limit my show to one hour of interview, leaving room to cut in songs. Accordingly, as disappointing as it is, there will inevitably be some gaps in the conversation. Such was the case when Pete Droge recently stopped by Thunderlove Studio to discuss his life, career, and new album, Fade Away Blue, a collection of deeply personal songs. For the uninitiated, Pete Droge emerged from the Pacific Northwest in 1994 with the album Necktie Second. This debut delivered the hit “If You Don’t Love Me (I’ll Kill Myself)”. Pete Droge's songs are wry, tuneful, and often surprisingly tender, adult pop without the smarm. This made Hollywood take notice. In addition to his scoring work, his tracks, such as the aforementioned “If You Don’t Love Me (I’ll Kill Myself),” appeared in Dumb and Dumber. He also wrote the title song for the movie Beautiful Girls, “Two of the Lucky Ones” from Zombieland, and contributed “Small Time Blues” to the film Almost Famous, where he even managed to get a little screen time. Droge has also been a collaborator (with The Thorns, featuring Matthew Sweet and Shawn Mullins), a producer, and a general musical handyman, staying busy even when out of the spotlight. With his new album Fade Away Blue, he returns to the spotlight and proves, decades later, that he’s still at the top of his game. Droge continues to write with the kind of plainspoken emotional clarity that outlasts trends. And there’s a lot of emotional clarity on Fade Away Blue. I don’t want to give away too much in the preamble here, but Fade Away Blue is a deeply personal album about dealing with some of his experiences around his adoption, growing up, his chronic fatigue syndrome, and depression. Lest you be concerned, Pete is much better now. As a bit of an album sequencing nerd, Fade Away Blue is sequenced to tell a story, almost like a musical documentary. I won’t reveal too much here, but we covered a lot of ground in a short time, and our conversation was both candid and upbeat. During our conversation, I forgot to ask about upcoming dates, so if you are in the Seattle and Portland areas, you can check Pete out here: October 10, Friday - The Triple Door at 7:30 PMSeattle, WA October 11, Saturday- Aladdin Theater at 7:00 PMPortland, OR October 12, Sunday - Music Millennium at 3:00 PMPortland, OR October 13, Monday - Pete Droge on KINK fm at 12:00 PMPortland, OR October 16, Thursday - Pete Droge on Live Wire Radio at 7:30 PMPortland, OR October 18 Saturday - Pete Droge at The Frosty Badger at 7:00 PMOntario, OR Oct 19 Sunday - Pete Droge at Churchill School at 6:30 PMBaker City, OR TICKETS VIA PETE’S WEBSITE LINKS Pete Droge on Bandcamp Pete Droge on Substack Pete Droge on YouTube Pete Droge on Spotify Pete Droge on IG Get full access to Abandoned Albums at www.abandonedalbums.com/subscribe

  2. 10/01/2025

    Los Yesterdays

    Los Yesterdays sound like they stepped out of a time machine parked somewhere in East L.A., 1969. Drummer/composer Gabriel Rowland and singer-songwriter Victor “Bad Vic” Benavides started the band in 2017, and what began as a nod to old-school Chicano soul has evolved into something bigger - a little movement called souldies. It’s rare these days to catch something early enough before it evolves into something larger, so we were lucky to have a conversation with Los Yesterdays when we did. Their 2024 record Frozen in Time plays like a love letter to Motown, Latin soul, and Philly R&B, but with barrio fingerprints all over it. Horns, Spanish guitar, and the gentle scraping of a güiro (among other percussion instruments) lend texture; harp, piano, and a slow, emotional vocal delivery give it heart. You may even hear the ghost of a backyard party drifting through the grooves. Their music feels rooted: stories of longing, love lost, memories of cruising and porch lights, barrio life, and family. The imagery is vivid - summers in South-Central or East L.A., kids playing on blacktop, vinyl spinning in garages, communal heartbreak in whispered Spanish and English. You don’t have to be Chicano to feel the feels with Los Yesterdays, but it helps if you’ve ever grown up in a place where music blared from garage speakers all summer. Songs like “Nobody’s Clown” reminded the world that heartbreak never really goes out of style. Los Yesterdays carry that “old soul” warmth in service to romantic heartbreak, yearning, and cultural memory. The trick Los Yesterdays pull off is simple but rare: they honor the past without embalming it. This isn’t retro cosplay - it’s alive. Frozen in Time might sound vintage, but it sweats, sighs, and breaks your heart right here in the present. For fans of classic soul, Latin influence, and deeply felt nostalgia, this is a band that embodies both tribute and originality. Los Yesterdays don’t imitate the past - they extend it into the present. Get full access to Abandoned Albums at www.abandonedalbums.com/subscribe

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"The only podcast that matters." www.abandonedalbums.com