I Love You But - latchkey sisters talk movies and tv

the Davis sisters

Some weeks, the Davis sisters, Heather and Rian, revisit relics of their childhoods to critically evaluate the crap that consumed their misspent youth.  Overeducated, lazy feminists, the sisters examine how their identities were informed by media while making fun of everything. 

  1. Jul 22

    Terrarium People Need Not Apply (Shakespeare Metafiction)

    Only a couple more Alt Shakespeare episodes remain, while Rian and Heather tackle Shakespeare Metafiction. Fiction about fiction. Specifically, they revisit television episodes from DOCTOR WHO, "The Shakespeare Code" (2007, S3.E2), and THE SANDMAN, "More Devils Than Vast Hell Can Hold" (2025, S2.E3), as well as the film, HAMNET (2025).  Topics vary widely and include Rian's reading Reclaiming Body Trust; nothing is more life-changing than a new notebook: an ADHD mantra; Heather discovered HAUTE SET, a movie costume podcast and also another 5-review, 5-star hidden gem; THE POOP LAB podcast (forthcoming) and poop social stratification; DOCTOR WHO vacation photo ops; QUEER AS FOLK; heart goggles for David Tennant (who supports the dolls); production values make cheap TV difficult; Heather has suggestions for new DOCTOR WHO showrunners; will fairy smut last or is it just a fad?; disagreement over Punk Rock Loki; the Shakespeare paradox; Noula vs. Martha: a study in subtlety and sophisticated writing; what is it about aloof, tall, slender men with dark, spiky hair?; a possible way forward for new adaptations of works by problematic artists; using metafiction to hold someone accountable; HAMNET is a master class on visual storytelling, metafiction, decentering over-admired geniuses, emotional storytelling, and excellence in all crafts that contribute to film; and more.  Note: There were a few MAX HEADROOM (1987-1988) audio moments, but this should be the last time (for these specific issues).  Source Neil Gaiman’s Faustian Bargain with William Shakespeare. A.J. Rocca. PopMatters. (2020) If you like this podcast, please consider offsetting production costs with a donation to https://buymeacoffee.com/iloveyoubutpod Follow us on IG, Threads & TikTok @iloveyoubutpod. More at our LinkTree.

    Terrarium People Need Not Apply (Shakespeare Metafiction)
  2. Jul 1

    We Don't Need Theater Kids Reading Shakespeare [10 Things I Hate About You (1999)]

    Continuing their Alt Shakespeare summer series, this week, Heather and Rian revisit 10 THINGS I HATE ABOUT YOU (1999), the meme-able nostalgia romcom. Topics include emotions living under your double chin; teaching is like a reality TV show with a new cast each year and graduation is the season finale; ALICE AND STEVE (2026-) and defining bingeing; introducing children to Flight of the Conchords; most normal people watched OFF CAMPUS (2026-) but Heather's into THE PITT (2025-) and WIDOW'S BAY (2026-); a teacher rant; send us some money; buh-bye Linktree; wasting time with audiobooks: MIDNIGHT IN THE GARDEN OF GOOD AND EVIL (1994), THE MINISTRY OF TIME (2024) and YESTERYEAR (2026); Gen Z loves the 90s; a shrew vs. a btch; a softer feminism; Allison Janney and her smut; David Krumholtz and Threads tea; movie trope: the cool girl, cool car; what in the cinematography? (Heather wants to know the bromance tea about Cronenberg and his cinematographers); hot take: stop teaching Shakespeare to teenagers; half this soundtrack sucks; our internalized misogyny; this more nuance than most teen movies; movie trope: the serenade; Heather hugs Shakespeare statues; so many behaviors that are no longer allowed in high school; Heath Ledger's silent bestie; paying for it and getting caught; and more. Note: We recorded this before whatever JGL did or didn't do.  If you like this podcast, please consider offsetting production costs with a donation to https://buymeacoffee.com/iloveyoubutpod Follow us on IG, Threads & TikTok @iloveyoubutpod. More at our LinkTree.

    We Don't Need Theater Kids Reading Shakespeare [10 Things I Hate About You (1999)]
  3. Jun 17

    The Price is Right Until the Soap Operas Started [Chimes at Midnight (1965)]

    Welcome to Season 5 of the I LOVE YOU BUT Davis Sisters Podcast! Heather and Rian celebrate summer with an Alt Shakespeare theme, starting with Orson Welles' bloated opus, CHIMES AT MIDNIGHT (1965). In this Mothers' and Fathers' Day Episode, topics include a book about Falstaff; baking misadventures and canned green beans; THE BOROUGHS (2026-); we are NOT THE GOONIES (1985)—we are the Cabbage Patch Kids; your kids aren't having a 90s summer; Heather's new favorite TV show: Aasha's first watch of BtVS on Threads; using movies as friend tests; much ado about actually something (school board tea); dragging our mother and our father; have you ever heard your mother say the word "orgasm?"; the shocking self-awareness of our father in choosing Falstaff as his grandparent name; to quote a Letterboxd review, "Orson truly was that btch"; 60s British ridiculousness; is this a 1980s music video?; the horns and Hotspur need to calm down; spot the twink; actual discussions about Shakespeare's Falstaff; did Shakespeare have ADHD and insomnia?; Orson Welles had a mad older brother who reappeared after being reported dead and more fun facts from Rian's book report on Orson Welles; and even more! Notable Sources Orson Welles: The Unfulfilled Promise. Barbara Leaming. The New York Times. (1985). Letterboxd users: Jake Cole and DanteKael's review pieced together from three sources: Orson Welles’s FALSTAFF: One of the Greatest Movies Ever Made; and 50 Years Ago This Week – Kael Lauds Orson WellesFalstaff and Equity: An Interpretation. Charles E. Phelps. (1901).If you like this podcast, please consider offsetting production costs with a donation to https://buymeacoffee.com/iloveyoubutpod Follow us on IG, Threads & TikTok @iloveyoubutpod. More at our LinkTree.

    The Price is Right Until the Soap Operas Started [Chimes at Midnight (1965)]
5
out of 5
4 Ratings

About

Some weeks, the Davis sisters, Heather and Rian, revisit relics of their childhoods to critically evaluate the crap that consumed their misspent youth.  Overeducated, lazy feminists, the sisters examine how their identities were informed by media while making fun of everything.