The Cinema Goodness Podcast

Cinema Goodness

Weekly podcast focused on the movies, reviews, trailer reactions, current events in Hollywood, and all things cinema.

  1. Aug 14

    The Weight of Carrying It Alone | Spider-Man Brand New Day & House of the Dragon S3E7

    When does protecting everything start costing you yourself? Tonight on The Cinema Goodness Podcast Kahim and JP ask the question connecting three completely different stories. When does carrying the weight alone stop being strength — and start becoming the very thing that breaks you? SPIDER-MAN: BRAND NEW DAY Four years. No Stark tech. No team. No one who even knows his name. Peter Parker built an AI companion named Eevee as his only friend. He quietly watched Ned and MJ live their lives from the outside. He chose the isolation because he believed it was protecting them. But here's what Brand New Day is really saying. Strong people always try to do it alone. And it always costs them more than they saved. Tom Holland delivers the best performance of his career in a film that finally understood — Peter Parker and Spider-Man are two different responsibilities. And you cannot honor one by abandoning the other. CHILDREN OF BLOOD AND BONE Tomi Adeyemi carried her story for years. Through Fox. Through Lucasfilm. Through Paramount. And somewhere in that decade of development the weight of what Hollywood wanted shifted what she had built. The trailer is beautiful. The world is alive. But the question underneath it remains — when does protecting your creative vision stop being possible? And what happens when it is? HOUSE OF THE DRAGON S3E7 Rhaenyra walked through blood to claim the Iron Throne. And is now carrying the weight of a kingdom that is fracturing beneath her. Ulf White turned. Corlys was captured. Aegon resurrected Sunfyre with a speech that nobody saw coming. And every character in this episode is being broken by the weight of something they refused to put down. The penultimate episode moved every piece into position. The finale is going to be devastating.

    The Weight of Carrying It Alone | Spider-Man Brand New Day & House of the Dragon S3E7
  2. Aug 6

    Criston Cole Is Dead. Nobody Comes Home The Same — HOTD & Nolan's The Odyssey

    Criston Cole is dead. No final duel. No last words. Just a muddy field and the internet losing its mind over how it happened. Meanwhile a queen is discovering that the throne she bled for isn't the home she thought she was fighting for. And three thousand years ago, a man crossed the wine-dark sea for ten years only to find out the hardest part wasn't the journey home. It was figuring out who was waiting when he got there. Tonight on The Cinema Goodness Podcast, Kahim and JP ask the question connecting all three stories: can you ever really go home after everything you've survived? HOUSE OF THE DRAGON S3E6 "FACELESS MEN" Criston Cole marches the Green remnant into an ambush and dies before the grand duel he spent the whole series expecting. Book readers are furious the show cut his iconic final line. TV critics are calling the unheroic exit the entire point. Does an anticlimactic death actually serve the story better than a "worthy" one? Plus: Alys Rivers reveals five unhatched dragon eggs at Harrenhal, and Alicent is handed an ultimatum that could break her completely. HOUSE OF THE DRAGON S3E7 TRAILER War is basically here. We break down every second — Aemond back in armor, Alicent walking straight into Harrenhal, Ormund's hidden weapon, and our predictions for who dies first. NOLAN'S THE ODYSSEY Nearly $800M worldwide. A 94% Tomatometer score. And an actual literary war breaking out over the script. Emily Wilson says Nolan flattened Homer's most complex character. Joyce Carol Oates says perfect fidelity was never the point. We tell you why this is the exact same conversation as Criston Cole's death — just three thousand years apart.

    Criston Cole Is Dead. Nobody Comes Home The Same — HOTD & Nolan's The Odyssey
  3. Aug 3

    Who Owns The Story? Avengers Doomsday, HOTD & The Author Who Walked Away

    Marvel just showed its hand.An author watched her life's work travel through three studios across a decade and come out the other side as something she doesn't fully recognize.And an entire kingdom is tearing itself apart — not because of dragons — but because every person on every side is being run by resentment they refuse to let go of.Tonight on The Cinema Goodness Podcast Kahim and JP ask the question connecting all three stories.Who actually owns a story — the person who made it, the person who bought it, or the person living it?AVENGERS: DOOMSDAYRobert Downey Jr didn't come back to play a hero. He came back to play the shadow of everything Tony Stark built. What does it mean when the face that built the entire MCU becomes its biggest villain? Does bringing Steve Rogers back make Endgame stronger or weaker? And is Marvel finally making the multiverse understandable — or are they just promising something completely different from what we've seen before?CHILDREN OF BLOOD AND BONETomi Adeyemi spent years building a world rooted in West African mythology. It became a phenomenon. It got optioned. It went through Fox. Then Lucasfilm. Then Paramount. And somewhere in that journey the author walked away. When a creator says this isn't my story anymore — what responsibility does the audience have? Can a story be great and also be a betrayal simultaneously?HOUSE OF THE DRAGON S3E5The fandom is saying nothing happened in Episode 5. We're pushing back. Every storyline in this episode is resentment. Rhaenyra — resentment. Daemon — resentment. Criston Cole — resentment. Aegon — resentment. Alicent — resentment. Nobody in this episode is actually fighting the other side. They're fighting themselves. And resentment held long enough stops being a feeling and starts making decisions.

    Who Owns The Story? Avengers Doomsday, HOTD & The Author Who Walked Away

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Weekly podcast focused on the movies, reviews, trailer reactions, current events in Hollywood, and all things cinema.