Ars Electronica Festival Podcast 2023-2024

Ars Electronica
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In 2023 and 2024, Ars Electronica and Ö1 produced a podcast to go along with the Ars Electronica Festival in Linz. It featured conversations with international festival guests—artists, researchers, developers, activists, and entrepreneurs—about their work, ideas, and encounters with new technologies. The podcast has since evolved into a year-round format: Art Is Not a Thing, the Ars Electronica podcast exploring art, technology, and society beyond the festival context. Check it out here: https://ars.electronica.art/podcast/en/

  1. 09/09/2024

    HOPE #8: Which Rules do we need in the Metaverse? A Conversation with Micaela Mantegna

    From 5 to 7 September, the Ars Electronica theme symposium served as a platform to explore innovative solutions to social challenges such as the climate crisis, the energy transition and the influence of artificial intelligence. Micaela Mantegna from Argentina appeared at the Prix Ars Electronica Forum on 7 September. She is a lawyer, video game enthusiast and international expert on digital ethics, XR policy and the intersection of AI, creativity and copyright. She is currently a researcher at the Berkman Klein Center for Internet & Society at Harvard University, where her research interests include the regulation of the metaverse. The metaverse describes a comprehensive, immersive digital world in which physical, virtual and augmented reality merge and in which people can interact in a variety of ways. At the Ars Electronica Festival 2024, Mantegna participated as an expert in an interactive discussion entitled ‘Building the Future of AI in Arts’. The discussion centred on the infrastructures and framework conditions required for the artistic environment to fully exploit the creative potential of AI technology.

    HOPE #8: Which Rules do we need in the Metaverse? A Conversation with Micaela Mantegna

  2. 09/08/2024

    HOPE #7: Are you ever afraid of Failure? A Conversation with Agnes Aistleitner Kisuule

    Ö1 editor Hannah Balber spoke to Agnes Aistleitner Kisuule, who appeared at the Ars Electronica Festival as part of the S+T+ARTS (Science, Technology and Arts) Day conference. Born in Upper Austria, she is a partner and co-founder of ‘First Circle Capital’, a venture capital company that invests in African fintech start-ups.

    HOPE #7: Are you ever afraid of Failure? A Conversation with Agnes Aistleitner Kisuule

  3. 09/02/2024

    HOPE #6: How technologically advanced is Africa? A Conversation with Russel Hlongwane and Amy Louise Wilson

    The winners of the first S+T+ARTS Prize Africa will be on show at the Ars Electronica Festival in Linz 4 to 8 September. With this prize, the European Commission honours projects that contribute to the positive development and digital transformation of the cultural sector in Africa. South African artists Russel Hlongwane, Amy Louise Wilson and Francois Knoetze will receive an award for their artistic research project ‘Dzata: The Institute of Technological Consciousness’. The project consists of a video, written text, sculptural masks, costumes, tools and a series of workshops for young people. From the perspective of a fictional research institute and its archives, they look at centuries-old technological practices from all over Africa. In addition to fictitious artistic components, the project is based on the real research of Clapperton Chakanetsa Mavhunga, Professor of Science, Technology and Society at MIT in Boston. ‘Dzata’ takes up Mavhunga's concept of a mobile laboratory, which is based on the historical practice of African transcendentalists who travelled from kingdom to kingdom to gather knowledge. The project offers an alternative view of Africa's technological history by presenting Africa not only as a recipient of technology, but as a fertile ground for scientific innovation and invention. Find out more about the festival here: https://ars.electronica.art/hope/en/ Follow Ars Electronica on Instagram: https://www.instagram.com/arselectronica/

    HOPE #6: How technologically advanced is Africa? A Conversation with Russel Hlongwane and Amy Louise Wilson

  4. 09/01/2024

    HOPE #5: How are Technology and Power connected? A Conversation with Vladan Joler

    Every year, the European Commission honours innovative projects at the interface of art, technology and science which contribute to economic and social innovation with the S+T+ARTS Prize. The main prize in the category ‘Artistic Exploration’ goes to Serbian scientist Vladan Joler and US researcher Kate Craword for their project ‘Calculating Empires: A Genealogy of Technology and Power Since 1500’. The large-format illustration sheds light on the complex interdependencies of technology and power over the last 500 years. The two researchers have created a detailed, densely annotated and illustrated map that traces the development and impact of colonialism, militarisation and automation. Their aim is to illustrate how empires use technology to centralise power, how these power structures persist to this day and how they could potentially be dismantled. The map can be viewed in detail during the Ars Electronica Festival from 4 to 8 September in Linz. Find out more about the festival here: https://ars.electronica.art/hope/en/ Follow Ars Electronica on Instagram: https://www.instagram.com/arselectronica/

    HOPE #5: How are Technology and Power connected? A Conversation with Vladan Joler

  5. 08/26/2024

    HOPE #4: Which Lies is the Oil Industry telling Us? A Conversation with Beatie Wolfe

    One of the key events on the annual Ars Electronica Festival is the presentation of the Golden Nicas of the Prix Ars Electronica, which will again be awarded to artists from all over the world. The main prize in the category ‘New Animation Art’ goes to the British conceptual artist, singer-songwriter and activist Beatie Wolfe for her video project ‘Smoke and Mirrors’. ‘Smoke and Mirrors’ is based on NASA's Blue Marble photo and visualises the increasing concentration of the greenhouse gas methane in the atmosphere with brown smoke emanating from the Earth's surface. At the same time, the video shows disinformation campaigns by large oil and gas companies since the 1970s. The topic of environmental protection and climate change has long been a recurring theme in Wolfe's interdisciplinary work. Her mission is to combine science and art, increase accessibility, make data and facts understandable and instil them with emotion. The United Nations appointed her as a role model for innovation in 2019. Her visualisation of 800,000 years of CO2 data was shown at the Nobel Prize Summit and the UN Climate Change Conference in Glasgow in 2021. Find out more about the festival here: https://ars.electronica.art/hope/en/ Follow Ars Electronica on Instagram: https://www.instagram.com/arselectronica/

    HOPE #4: Which Lies is the Oil Industry telling Us? A Conversation with Beatie Wolfe

  6. 08/25/2024

    HOPE #3: How creative is AI? A Conversation with Paul Trillo

    The winners of the annual Prix Ars Electronica, which honours outstanding achievements in the field of international media art, take centre stage at every Ars Electronica Festival. This year, for the first time, an award for 'AI in Art' was part of the competition. The first winner in this category, US director and video artist Paul Trillo, is known for his experimental and highly technical works of film. Trillo was the first person to create an official music video with the AI video generator SORA from OpenAI, which produces content based on text prompts. The song that belongs to the video, ‘The Hardest Part’ by Washed Out, tells the story of leaving a lost love behind. Trillo's music video spans several decades, starting in the early 80s, and traces the relationship of a couple who meet at school. The four-minute video appears as an infinite zoom through time. The surreal mixtures of environments and impossible transitions - from cars to buildings and landscapes - create a fluid drift through dream worlds.   Find out more about the festival here: https://ars.electronica.art/hope/en/ Follow Ars Electronica on Instagram: https://www.instagram.com/arselectronica/

    HOPE #3: How creative is AI? A Conversation with Paul Trillo

  7. 08/19/2024

    HOPE #2: What does Earth taste like? A Conversation with masharu

    At the Ars Electronica Festival 2024, visitors can experience new works created within the framework of the European Media Art Platform, such as the project 'Compost as Superfood' by masharu from the Netherlands. masharu has a doctorate in mathematics and a degree in photography. One of masharu's great passions, which has also brought the native Russian artistic fame, is the consumption of earth-like substances such as clay and lime. In 2017, masharu founded the 'Museum of Edible Earth', an interdisciplinary project with a corpus of earth samples consumed by different people around the world for a variety of reasons. The touring exhibition contains more than 500 samples of edible earth, mainly clay such as kaolin and bentonite, but also chalk, limestone, volcanic rock, diatomaceous earth and topsoil. The materials come from several continents, acquired by masharu via online platforms such as Ebay and Etsy and also while traveling. As part of the EMAP residency at Ars Electronica, masharu is currently researching the production of edible compost made from fresh vegetables. By consuming soil, masharu wants to engage in a direct dialogue with our soils and nature and also raise others' awareness of the effects of climate change and environmental pollution. Find out more about the festival here: https://ars.electronica.art/hope/en/ Follow Ars Electronica on Instagram: https://www.instagram.com/arselectronica/ EMAP is co-funded by the Creative Europe Programme of the European Union under grant agreement 101059046. Views and opinions expressed on this page are those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor the European Education and Culture Executive Agency (EACEA) can be held responsible for them.

    HOPE #2: What does Earth taste like? A Conversation with masharu

  8. 08/18/2024

    HOPE #1: How do you design a Festival? A Conversation with Gerfried Stocker

    Gerfried Stocker is a media artist and an engineer for communication technology and has been artistic director and co-CEO of Ars Electronica since 1995.  The title of this year's Ars Electronica festival is “HOPE - who will turn the tide”. For the artistic director, hope in this context is 'not the belief that things will somehow work out, but the trust in ourselves and in our society that we can bring about change'. Artificial intelligence, climate change, the erosion of democracy - these are just some of the themes of the festival. The program is extremely dense again this year. Several hundred different projects will be shown, with well over 1000 individual artists, speakers and activists performing. A major highlight every year is the Prix Ars Electronica, which is considered the most traditional and prestigious media art prize in the world. Find out more about the festival here: https://ars.electronica.art/hope/en/ Follow Ars Electronica on Instagram: https://www.instagram.com/arselectronica/

    HOPE #1: How do you design a Festival? A Conversation with Gerfried Stocker
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About

In 2023 and 2024, Ars Electronica and Ö1 produced a podcast to go along with the Ars Electronica Festival in Linz. It featured conversations with international festival guests—artists, researchers, developers, activists, and entrepreneurs—about their work, ideas, and encounters with new technologies. The podcast has since evolved into a year-round format: Art Is Not a Thing, the Ars Electronica podcast exploring art, technology, and society beyond the festival context. Check it out here: https://ars.electronica.art/podcast/en/

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