The Bandwich Tapes

Brad Williams
  • 5.0 (16)
  • Music Interviews
  • Updated Semiweekly

The Bandwich Tapes is a podcast where host Brad Williams sits down with musicians for thoughtful conversations about the craft of making music. Each episode explores the experiences, influences, and creative decisions that shape an artist’s work. From improvisation and songwriting to collaboration, recording, and life on the road, the conversations go beyond biography to focus on how music actually gets made. Guests include instrumentalists, composers, songwriters, and producers from across the musical landscape. The tone is relaxed, curious, and musician-to-musician—an opportunity to hear artists reflect on their process, their collaborators, and the musical moments that have stayed with them. Whether you're a seasoned musician, a die-hard music fan, or simply someone who loves a good story, The Bandwich Tapes has something for everyone. So, come along for the ride as we explore the magic of music and the incredible journeys of the people who bring it to life.

  1. 1d ago

    Chad and James Hampton: Hunting for Purpose

    On this episode of The Bandwich Tapes, I sit down with twin brothers Chad and James Hampton, founders of Huntin’ the Truth Ministries, pastors, outdoorsmen, authors, and hosts of Twin Factor. Their work brings together faith, hunting, mentorship, and a simple question that has become central to their ministry: What are you hunting for? Chad and James grew up hunting with their father, beginning with bow hunting when they were seven years old. What started as a shared love of the outdoors eventually became the foundation for Huntin’ the Truth Ministries in 2004. We talk about how they began using hunting as a way to connect with people, share their faith, and mentor young people—including kids growing up without fathers and children with disabilities. We also spend time discussing their new devotional, 100 Days of Strength for Hunters. Chad and James explain why they believe everyone is hunting for something, whether or not they ever step into the woods. The devotional encourages readers to slow down, spend time with God, and think intentionally about what they are pursuing and where that pursuit is leading them. Our conversation also gets into the challenges facing young people in a world increasingly dominated by technology, social media, and constant distraction. Chad and James share why they return to the biblical story of Solomon as an example of the difference between pursuing things that appear fulfilling and pursuing a life grounded in purpose, faith, and relationships. Finally, we talk about what it has meant to spend their lives working together as twins. They share how their different strengths complement one another, how they have supported each other through difficult seasons, and why living out the principles they teach matters more than simply talking about them. We also discuss Twin Factor, their work with Gold Star families, and their upcoming talk show, What Do You Hunt For with the Twins? Key Takeaways • Chad and James began hunting with their father at seven years old, long before they realized the outdoors would eventually become central to their ministry. • Huntin’ the Truth Ministries began in 2004 with a vision of using hunting and the outdoors as a way to share their faith, build relationships, and mentor others. • Their devotional, 100 Days of Strength for Hunters, is built around the idea that everyone is pursuing something and encourages readers to intentionally consider what they are “hunting” for in life. • Mentoring young people, particularly those without strong father figures in their lives, has been an important part of Chad and James’ work from the beginning. • Through Twin Factor, the brothers have used television as an extension of their ministry, including helping create hunting experiences for Gold Star children who lost fathers on active duty. • Chad and James see their twin relationship as both a source of accountability and a partnership in which their different strengths allow them to accomplish more together. • Difficult seasons in their own lives have challenged them to live out the same lessons about faith, perseverance, and endurance that they share with others. Theme music: "Playcation" by Mark Mundy About the Podcast The Bandwich Tapes is a podcast about music, creativity, and the people behind the work, but the conversations often reach beyond music into the experiences, relationships, and ideas that shape our lives. I sit down with musicians, songwriters, artists, authors, and other guests for thoughtful conversations about their work, their stories, and what they have learned along the way. Connect with the Show contact@thebandwichtapes.com

    Chad and James Hampton: Hunting for Purpose

  2. 1d ago

    James Woods: The Killer’s Wife – Inside the Songs (Part Two)

    Episode Summary On this episode of The Bandwich Tapes, I'm joined once again by actor, writer, and songwriter James Woods for the second installment of our three-part conversation about his new album, The Killer's Wife. After exploring James's transition into songwriting and the beginnings of this remarkable project in our first conversation, we return to take a closer look at the music itself, the stories behind the songs, and the creative partnership that brought the album to life. James takes us inside his collaboration with songwriter and musician Bob Wayne and Grammy-winning producer Shooter Jennings. We discuss how James's lyrics become the foundation for Bob's compositions, how Shooter approaches the recording process, and why the three have developed such a strong creative relationship. James also shares stories from the sessions at Sunset Sound, the musicians who helped shape the record, and the importance of allowing a song to develop naturally rather than forcing it into a predetermined structure. Much of our conversation focuses on the cinematic nature of The Killer's Wife. James explains how the album gradually developed into a larger narrative built around a fictional radio broadcast and tent revival, with themes of good and evil, faith, violence, redemption, and hope. We explore the origins of "I Am the Blazing Sun" and "Hearts of Men," two songs that eventually became the album's musical and thematic bookends, and how an unexpected creative breakthrough helped bring the entire concept together. We also dig into the songwriting itself, including "Shadows of the Past," "Early Ripe, Early Rotten," "The Killer's Wife," and "Harm's Way." James shares how personal memories, literature, mythology, film, and even something as simple as a street sign can become the starting point for a song. He explains why a single word can transform a lyric, how he decides what to reveal to the listener, and why he's willing to let the music reshape the structure of his writing. What I enjoyed most about this conversation was hearing James examine his own creative process, sometimes discovering connections and influences he hadn't consciously considered while writing. It's a fascinating look at an artist finding a new form of expression, and at a group of collaborators who trust one another enough to take creative risks. This is part two of our three-part series with James Woods. We'll continue our exploration of The Killer's Wife in the next episode, going further into the songs, the production, and the stories behind the album. Key Takeaways A different kind of creative expression: James discusses how writing lyrics differs from acting and how songwriting has allowed him to explore personal memories, emotions, and experiences in ways he hadn't anticipated.The partnership with Bob Wayne and Shooter Jennings: James explains how his lyrics inspire Bob's compositions, how Shooter brings his instincts as a producer to the recording process, and why trust and creative freedom are essential to their collaboration.Building a cinematic concept album: The Killer's Wife evolved into a larger narrative framed by a fictional radio broadcast and tent revival, connecting individual songs through themes of good, evil, redemption, and hope.The origins of "I Am the Blazing Sun" and "Hearts of Men": Written at different points in the creative process, these songs eventually became the album's opening and closing statements, giving the project its larger thematic structure.Writing from experience and imagination: From the personal reflections of "Shadows of the Past" to the darker storytelling of "Early Ripe, Early Rotten," James explores how lived experiences, literary influences, and fictional narratives inform his lyrics.The power of a single word: James explains how changing a lyric from "bodies" to "secrets" in "The Killer's Wife" transformed a literal description into something more poetic and evocative.Authenticity over perfection: James discusses the importance of preserving the human element in recordings, embracing spontaneous performances, and allowing the musicians to bring their individual personalities to the music.Music from the Episode The Hearts of Men - James WoodsThe Killer's Wife - James WoodsShadows of the Past - James WoodsHarm's Way - James Woods About the Podcast The Bandwich Tapes is a music interview podcast hosted by musician Brad Williams. Each episode features conversations with musicians, songwriters, producers, and artists about their careers, creative processes, musical influences, and the experiences that shape their work. Through thoughtful, musician-to-musician conversations, the show explores not just the music people make, but how and why they make it. Connect with the Show Have a question, comment, or guest suggestion? contact@thebandwichtapes.com

    James Woods: The Killer’s Wife – Inside the Songs (Part Two)

  3. 4d ago

    Oz Noy: Clarity, Groove, and Finding Your Own Sound

    On this episode of The Bandwich Tapes, I sit down with guitarist Oz Noy for a conversation about the musical path he has built over three decades in New York, the players who have helped shape his music, and why clarity and groove remain at the center of his approach. Oz talks about arriving in New York after already establishing himself as a working musician in Israel. Interestingly, becoming a solo artist was never really the plan. He simply wanted to play well, work with great musicians, and get gigs. His regular performances at the Bitter End gradually became a laboratory for developing his own music, eventually leading to recordings and a career as a bandleader. We also get into Oz's fascination with great rhythm sections and the remarkable drummers he has worked with over the years, including Keith Carlock, Dave Weckl, Vinnie Colaiuta, Dennis Chambers, Anton Fig, and others. Oz's music has always been rooted in groove, and he talks about how moving to New York put him in the orbit of many of the musicians he had admired. Oz also discusses his approach to practicing, improvisation, and teaching, along with his new instructional book on triad comping. For Oz, complexity isn't necessarily the goal. He is drawn to musical ideas that are clear and focused—whether that's an improvised line, a chord voicing, or an entire composition. We finish by talking about his growing interest in the organ trio format, an upcoming organ trio album planned for 2027, and his loose, collaborative project with Joe Bonamassa, Will Lee, and Steve Ferrone. It's a conversation about developing a voice over time, finding the right musicians, and allowing musical ideas to evolve naturally. Key Takeaways • Oz never initially set out to become a solo artist. His career as a bandleader grew organically from playing his own gigs after moving to New York. • His regular performances at the Bitter End became an important laboratory for developing his compositions, sound, and musical identity. • Groove is central to Oz's music, which has led to long-running collaborations with drummers including Keith Carlock, Dave Weckl, Vinnie Colaiuta, Dennis Chambers, and Anton Fig. • Oz believes musical ideas need time to develop. Concepts often have to "marinate" before they become a natural part of a musician's playing. • His approach to triads and comping reflects a larger musical philosophy: clarity can often be more effective than density or unnecessary complexity. • Hearing The Beatles helped ignite Oz's interest in electric guitar, while seeing the Pat Metheny Group's Still Life (Talking) tour in Israel became a life-changing musical experience. • Oz's current interest in organ trio playing has opened up a different musical space, giving him another improvising voice in the band while changing the overall texture and feel of the music. Music from the Episode Get Down - Oz NoySolar - Oz NoyAll the Things You Are - Oz NoyZig Zag - Oz Noy About the Podcast The Bandwich Tapes is a podcast about the people who make music and the experiences that shape them. Hosted by musician Brad Williams, the show features conversations with artists, songwriters, producers, engineers, and other creative voices about their careers, influences, collaborations, creative process, and the craft behind the music. Connect with the Show Questions, comments, or guest suggestions? contact@thebandwichtapes.com

    Oz Noy: Clarity, Groove, and Finding Your Own Sound

  4. Oct 15

    Ethan Setiawan: Finding the Groove in Little Storms

    On this episode of The Bandwich Tapes, I sit down with mandolinist, singer, and recording engineer Ethan Setiawan to talk about his new album, Little Storms, and the musical relationships that have shaped the band behind it. Ethan talks about meeting his bandmates during his years in Boston and why chemistry, listening, and simply getting along can be every bit as important as technical ability when putting a group together. We also trace Ethan’s path on the mandolin, from learning bluegrass and old-time music as a young player to winning the National Mandolin Championship at seventeen. He reflects on the value of competitions as developmental milestones, the communal nature of bluegrass festivals, and the musicians who helped expand his idea of what the mandolin could do, including Mike Marshall and Jacob Jolliff. Ethan takes me inside the making of Encyclopedia Mandolinica, his collection of mandolin duets and trios, and explains what recording with different players taught him about working efficiently in the studio. We also talk about his experience as an engineer and mixer, the importance of stepping away from a project to regain perspective, and the value of working with an engineer you trust. With Little Storms, Ethan has also stepped more fully into the role of lead singer. We talk about recording the band live in a room together, the concentration required to sing and play mandolin simultaneously, and why he is particularly proud of the way his vocals and the ensemble came together on the record. Along the way, we discuss Ethan’s years at Berklee, the changing realities of building a career as an independent musician, and the tension between music that develops slowly and a social media culture built around short-form content. For Ethan, the heart of it still comes back to playing live, listening closely, and making music with people he trusts. Key Takeaways • Ethan believes a successful band depends heavily on chemistry, listening, and the ability of musicians to adapt to one another—not simply individual technical ability. • Bluegrass and old-time music were Ethan’s entry points into the mandolin, and after exploring jazz and other styles, he has increasingly returned to those roots. • Winning the National Mandolin Championship at seventeen gave Ethan a valuable developmental benchmark, although he sees competition as very different from the collaborative spirit of making music. • Mike Marshall has been a major influence on Ethan because of his ability to move naturally between bluegrass, jazz, Brazilian choro, and other musical traditions. • Recording Encyclopedia Mandolinica taught Ethan how to enter a studio, focus quickly, and create strong performances within relatively short sessions. • Ethan’s engineering experience has helped him make records more independently, while also teaching him the importance of leaving time between recording, editing, and mixing to regain perspective. • On Little Storms, Ethan challenged himself to sing lead while playing mandolin live with the band, an experience that changed how he thinks about simplicity, concentration, and serving the music. Music from the EpisodeI Didn't Try Hard Enough - Ethan SetiawanThe Harbor Walk - Ethan SetiawanWhiskey Boys - Ethan Setiawan About the Podcast The Bandwich Tapes is a music interview podcast hosted by Brad Williams featuring conversations with musicians, songwriters, producers, and other creative artists. Each episode explores the experiences behind the music—from influences and collaboration to technique, creativity, recording, touring, and the lifelong process of becoming a better musician. Connect with the Show contact@thebandwichtapes.com

    Ethan Setiawan: Finding the Groove in Little Storms

  5. Oct 15

    Heavy Diamond Ring: Let Love Be Enough

    On this episode of The Bandwich Tapes, I sit down with Sarah Anderson and Paul DeHaven of Heavy Diamond Ring for a conversation about a musical partnership that has lasted more than two decades, the evolution of their approach to making records, and the band’s new EP, Let Love Be Enough. Sarah and Paul first met when they were young musicians in Colorado and quickly began making music together. Their partnership eventually led to more than a decade in Paper Bird and, later, Heavy Diamond Ring. We talk about what allows a musical relationship to survive that long, why friendship and humor matter as much as musicianship, and how Heavy Diamond Ring developed into a band where listening to one another is more important than filling every available space. That idea of space becomes a big part of our conversation. Paul talks about moving away from a more cerebral approach to playing and becoming increasingly interested in restraint, feel, and music that creates a place for the listener to inhabit. Sarah describes a similar evolution, from wanting to fill every space and make everything perfect to realizing that sometimes the most powerful thing a band can do is simply let a song breathe. We also dig into the making of Let Love Be Enough, which began when the band took advantage of some extra time on tour in Minnesota and decided to experiment with recording away from their usual environment. That experience eventually brought them back to Minnesota to finish the EP, giving the band a chance to rethink some of its usual studio habits. Sarah talks about gaining confidence as a singer in a different recording environment, while Paul discusses the creative value of limitations and treating each record as a snapshot of who the band is at that particular moment. Throughout the conversation, we keep returning to the idea of capturing something human. Sarah and Paul talk about imperfection, live performance, musical communication, and why a record doesn’t have to be polished into perfection to be right. We also discuss Sarah’s vocal influences, including Dolly Parton, Joni Mitchell, Fleetwood Mac, and Courtney Marie Andrews, the band’s connection to the sounds of the 1970s, and why Heavy Diamond Ring ultimately wants its records to sound and feel like people making music together. Key Takeaways • Sarah Anderson and Paul DeHaven have been making music together for more than two decades, beginning when they were young musicians in Colorado and continuing through Paper Bird and Heavy Diamond Ring. • Friendship, communication, and humor have been essential to their musical partnership and to the chemistry of Heavy Diamond Ring. • The band has gradually moved toward a more spacious approach to arranging, where restraint, listening, and knowing when not to play are as important as the notes themselves. • Let Love Be Enough began during a tour stop in Minnesota, giving Heavy Diamond Ring an opportunity to experiment with recording away from its usual studio environment. • Sarah found that working in a different studio and without the familiarity of recording with her brother helped build her confidence as a vocalist. • The band increasingly views recording as capturing a moment rather than creating a definitive, perfect version of a song. Imperfection can preserve the humanity and communication of musicians playing together. • Heavy Diamond Ring draws inspiration from the feel and sound of classic recordings while keeping the focus on songs, dynamics, collaboration, and the musical relationship between the players. Music from the Episode The One You Use - Heavy Diamond RingProblems Got Problems - Heavy Diamond RingWhatever You Need - Heavy Diamond Ring About the Podcast The Bandwich Tapes is a podcast about music, the people who make it, and the experiences that shape their creative lives. I sit down with musicians, songwriters, producers, and other artists for thoughtful conversations about craft, collaboration, careers, influences, and the stories behind the music. Connect with the Show contact@thebandwichtapes.com

    Heavy Diamond Ring: Let Love Be Enough

  6. Oct 14

    Joel Rosenblatt: Pocket, Perspective, and the Next Chapter

    On this episode of The Bandwich Tapes, I sit down with drummer, recording engineer, and educator Joel Rosenblatt for a conversation that goes well beyond drumming. Joel has spent his career moving between remarkably different musical environments, including Michel Camilo, Spyro Gyra, Pure Prairie League, Blood, Sweat & Tears, Broadway productions including In the Heights and Hamilton, and countless recording sessions. We talk about the experiences that shaped Joel as a musician, including stepping into Michel Camilo’s band after a recommendation from Dave Weckl and suddenly finding himself in a rhythm section with Anthony Jackson. Joel shares what he learned about pocket, feel, and playing inside a great arrangement, and how those lessons changed when he joined Spyro Gyra and had to learn how to help build an entire musical arc over a vamp. Joel also takes me inside the making of Spyro Gyra’s live album Road Scholars, his approach to playing with percussionists, and why hearing everyone onstage is essential to being a good ensemble musician. We get into his time with Pure Prairie League, where a very different kind of music taught him about feel, simplicity, and connecting with an audience. We also talk about Joel’s work as a recording engineer and how working on the other side of the glass changed the way he hears his own playing. From recording drums at home to performing Broadway shows such as In the Heights, Mamma Mia!, On Your Feet!, and Hamilton, Joel explains why professionalism sometimes means bringing your personality to the music—and other times means playing exactly what the music requires. Most importantly, this becomes a conversation about identity and change. Facing significant back problems and uncertainty about whether he will be able to continue playing drums, Joel speaks candidly about what happens when the thing you have done for most of your life may no longer define what comes next. We talk about career transitions, relationships, aging, creativity, and the possibility that a musician's next chapter can look very different without being any less meaningful. Key Takeaways Joel explains how playing with Anthony Jackson reshaped his understanding of pocket and the role of the rhythm section.His transition from Michel Camilo to Spyro Gyra required learning how to create musical development over vamps rather than relying on the composition to provide the entire arc.Joel discusses the making of Spyro Gyra’s Road Scholars and why he personally listened through recordings from dozens of shows to help choose the performances used on the album.Great ensemble playing begins with listening. Joel explains why he wants to hear the entire band in his monitors rather than focusing only on his own instrument.Recording and engineering exposed details in Joel’s own playing and helped refine his relationship with time, feel, and the click.Broadway taught him a different kind of musicianship: respecting the written part, eliminating ego, and delivering the performance the production requires every night.Joel reflects candidly on physical limitations, aging, musical identity, and the difficult yet potentially rewarding process of reinventing oneself when life forces change.Music from the Episode Heart of the Night - Spyro GyraWhy Not - Michel Camilo TrioShaker Song - Spyro GyraNo Strings Attached - Double B Double VAbout the Podcast The Bandwich Tapes is a podcast about the people who make music and the experiences that shape them. Hosted by musician Brad Williams, the show features conversations with artists, songwriters, producers, engineers, and other creative people about their careers, craft, collaborations, influences, and the realities of a life spent making music. Connect with the Show Questions, comments, or guest suggestions? contact@thebandwichtapes.com

    Joel Rosenblatt: Pocket, Perspective, and the Next Chapter

  7. Oct 13

    David Garfield: Fifty Years of Music Outside the Box

    On this episode of The Bandwich Tapes, I sit down with keyboardist, composer, producer, and bandleader David Garfield for a conversation that quickly turns into a history lesson, a rhythm-section master class, and a look at what it actually means to spend a lifetime making music with other people. David takes me back to his formative years in St. Louis, where he started on drums, discovered jazz through his high school stage band, and learned by getting on bandstands with working musicians around the city. Those experiences eventually led him to Los Angeles, where, still a teenager, he landed a gig with Freddie Hubbard and found himself immersed in one of the richest musical communities imaginable. A major thread throughout our conversation is David’s relationship with drummers. We talk extensively about Carlos Vega, Jeff Porcaro, Vinnie Colaiuta, Jim Keltner, John “JR” Robinson, Greg Bissonette, Simon Phillips, Steve Ferrone, Joe Porcaro, and others. David explains how starting as a drummer shaped his approach to keyboards, timing, note placement, and groove—and why every great drummer requires a slightly different musical response. We also dig into David’s Tribute to Jeff project and the philosophy behind assembling an extraordinary group of musicians to honor Jeff Porcaro through the thing that mattered most: the groove. David shares stories about Bernard Purdie, Don Henley, Eddie Van Halen, Greg Phillinganes, Carlos Vega, and the Porcaro family, while explaining why the project had to remain centered on Jeff rather than the famous musicians participating in it. More than anything, this conversation is about listening. David talks about playing with bassists and guitarists, leaving room for other musicians, choosing the right people for a session, and creating an environment where musicians can bring their own personalities to the music. We also discuss his expansive Outside the Box recordings and his determination to document performances with musicians he admires while there is still an opportunity to get everyone into a room and make music together. Key Takeaways • David’s early years playing drums continue to shape his keyboard playing, particularly his sense of timing, groove, articulation, and interaction with a rhythm section. • Growing up in St. Louis gave David an education that extended well beyond formal instruction. Playing jazz and R&B gigs with experienced musicians taught him how to listen, react, and function on a real bandstand. • His friendship with Carlos Vega became a defining musical relationship. Carlos influenced David’s decision to focus on keyboards and later helped introduce him to the professional studio and touring world in Los Angeles. • David approaches playing as a conversation. Rather than forcing every musician into a predetermined arrangement, he creates a framework and leaves room for musicians to respond to one another in real time. • Tribute to Jeff was intentionally built around Jeff Porcaro’s musical legacy and the groove. David invited drummers connected to Jeff to choose grooves and musical ideas that reflected their relationships with him. • For David, great rhythm-section playing depends as much on restraint as technique. Bassists, keyboardists, guitarists, and drummers have to listen to one another and understand when not to fill the available space. • David’s Outside the Box recordings grew from a desire to document music with players he admired, ultimately expanding into a large collection that moves through jazz, funk, R&B, rock, vocal music, and other styles. Music from the Episode Hero with a 1000 Eyes - David GarfieldE Minor Shuffle - David GarfieldBabylon Sisters - David GarfieldWhat You Won't Do for Love - David GarfieldTeen Town - David Garfield About the Podcast The Bandwich Tapes is a podcast about the people who make music and the experiences that shape them. I sit down with musicians, songwriters, producers, engineers, and other creative voices to talk about their careers, their craft, the records and performances that mattered, and the lessons they have learned along the way. Connect with the Show contact@thebandwichtapes.com

    David Garfield: Fifty Years of Music Outside the Box

  8. Oct 8

    Coyle Girelli: Songs, Soul, and the Long Road to Out of This Town

    On this episode of The Bandwich Tapes, I sit down with singer-songwriter Coyle Girelli for a conversation about melody, singing, collaboration, and the experiences that have shaped his songwriting. We spend a lot of time talking about his album Out of This Town and its deluxe edition, a collection with an unusual history that stretches back roughly a decade and grew out of his remarkable songwriting partnership with the late Mac Davis. Coyle talks about meeting Mac after Mac saw him perform “Champion” with The Chevin on Letterman, and how their connection quickly developed into a prolific writing partnership. The songs often came together in an hour or two, but the experience had a lasting effect on Coyle. He describes his songwriting life as essentially “pre- and post-Mac,” crediting Mac with teaching him to pay closer attention to the craft and care behind every part of a song. We also get into Coyle’s wide range of musical influences, his obsession with melody, and the quality he hears connecting artists as different as Bruce Springsteen, Bob Dylan, Tom Petty, Nirvana, Puccini, and Verdi: soul. For Coyle, great music ultimately comes down to sincerity, believing the song and communicating something genuinely human through it. Coyle also shares stories from his years of collaborating with other artists and songwriters, including Linda Perry, Amy Allen, LP, and others, as well as the unexpected journey of BTS recording one of his songs. We talk about his move from Yorkshire to New York, the pressures of working within the major-label system, his approach to recording vocals, and why he prefers to capture performances before overthinking them. We close with a fascinating look at Calm + Collected, the music group Coyle co-founded to support artists working in jazz, classical, ambient, wellness, and other listening spaces. That leads us into a broader conversation about streaming, the changing music business, artificial intelligence, albums, and why Coyle believes that no matter how technology changes, people will continue to need music made by other human beings. Key Takeaways • Coyle sees melody as one of the central elements of his musical life, both as a songwriter and as a listener. • Working with Mac Davis fundamentally changed the way Coyle approached songwriting, adding a deeper level of attention and craftsmanship to instincts he had already developed. • Out of This Town was never originally conceived as an album. It emerged naturally from Coyle and Mac spending time together and writing songs, some of which were completed in only an hour or two. • The album’s long journey ultimately led to Sun Records, a fitting home given Mac Davis’ connection to Elvis Presley and Sun’s place in music history. • Writing with artists and songwriters including Linda Perry, Amy Allen, and LP helped Coyle expand his creative vocabulary and reinforced his belief that every collaboration offers something to learn. • As a singer, Coyle prefers capturing vocals in one or two takes, believing that overthinking or oversinging can gradually diminish the performance. • Despite enormous changes in technology, distribution, streaming, and AI, Coyle believes the essential purpose of music remains unchanged: one human translating experience and emotion into sound for another human to receive. Music from the EpisodeOut of This Town - Coyle GirelliIt Only Hurts When I'm Awake - Coyle GirelliLost To the River - Coyle Girelli (with KT Tunstall) About the Podcast The Bandwich Tapes is a podcast about music, the people who make it, and the experiences that shape their creative lives. I sit down with musicians, songwriters, producers, and other artists for thoughtful conversations about craft, collaboration, careers, influences, and the stories behind the music. Connect with the Show contact@thebandwichtapes.com

    Coyle Girelli: Songs, Soul, and the Long Road to Out of This Town
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Ratings & Reviews

5
out of 5
16 Ratings

About

The Bandwich Tapes is a podcast where host Brad Williams sits down with musicians for thoughtful conversations about the craft of making music. Each episode explores the experiences, influences, and creative decisions that shape an artist’s work. From improvisation and songwriting to collaboration, recording, and life on the road, the conversations go beyond biography to focus on how music actually gets made. Guests include instrumentalists, composers, songwriters, and producers from across the musical landscape. The tone is relaxed, curious, and musician-to-musician—an opportunity to hear artists reflect on their process, their collaborators, and the musical moments that have stayed with them. Whether you're a seasoned musician, a die-hard music fan, or simply someone who loves a good story, The Bandwich Tapes has something for everyone. So, come along for the ride as we explore the magic of music and the incredible journeys of the people who bring it to life.

Information

  • Creator
    Brad Williams
  • Years Active
    2023 - 2026
  • Episodes
    194
  • Rating
    Explicit
  • Copyright
    © 2026 BSW Productions
  • Show Website
    The Bandwich Tapes

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