Rowling Studies The Hogwarts Professor Podcast

John Granger

The Artistry and Meaning of J. K. Rowling and Other Greats hogwartsprofessor.substack.com

  1. 6d ago

    Shanker's 'Old Man,' Leda Strike's Tattoo, Her First Husband's Real Name, and The Dress

    Late last month, John shared two theories about the Cormoran Strike series of novels, both from Katya Slonenko, a member of the Reddit r/CormoranStrike online fandom: Dementia, Jewelry, and a Nine Inch C**k: The Mystery of Shanker’s ‘Old Man,’ His Given Name, and Why He’s Never Killed Jeff Whittaker and Katya Slonenko: Leda Strike's 'Mistress of the Salmon Salts' Pudenda Tattoo. John corresponded with Katya while preparing those posts and invited her to join him and Nick for a discussion of her ideas, of life as a Redditor, and her thoughts about Rowling’s artistry and meaning. She accepted the invitation but said she wouldn’t be free until July to talk. Hence the wait! As expected, though, speaking with her about her own journey to expertise in Rowling Studies, her ideas about the clues Rowling has embedded so carefully within the first eight books and especially in Hallmarked Man, and the Reddit posts of which she thinks Hogwarts Professor readers need to be aware was well worth the wait. You’ll want to read those posts from June before listening to get the most out of this conversation, but, regardless of your preparation, John and Nick believe that every Serious Striker and Rowling Reader will be charmed and challenged by Katya’s remarkable insights, generous spirit, and winsome personality. The conversation includes three other Reddit community posts — about Leda’s ‘Carnival’ dress (Arachulia), about the real name of her first husband, and about the Harry Potter tattoo Rowling-Galbraith hid on a Strike novel character’s shoulder — which took the discussion above and beyond the two Katya theories in the June posts. Nick and John close the conversation by inviting her back and they hope readers here will share the questions they want us to be sure to ask her on her return visit in the comment thread below. Or just ask her yourself! As she demonstrated on the threads beneath the June posts, she is generous with her time in responding to other Strike fans. Can’t wait for more Katya Slonenko? Follow her at r/CormoranStrike, on Instagram (Tattoos!), on FaceBook, and check our her older, longer posts on Medium… The Ten Plus Questions with Links 1. Welcome, Katya, and thank you for joining us! The serious readers at Hogwarts Professor have been buzzing about your Shanker and Leda r/Cormoran Strike Reddit posts and we’re thrilled to be able to talk with you about those ideas. First, though, tell us about your first Rowling reading experiences and how you started posting on Reddit about the Strike series. 2. I’m guessing that Reddit Strike fandom may be as unfamiliar to Hogwarts Professor readers as it was to me. What is it about the Pelican_Girl and TopRequirement670 moderated posts and that international community that you love the most? 3. Shanker! I confess -- I hadn’t given him a thought really beyond a doppelganger twin for Strike before Fiona from Adelaide introduced me to the ideas that he had to be involved in the death of Leda Strike and that the Riccis were also somehow party to it. Ed Shardlow shared your Reddit post on the subject and my mind was blown; you made a compelling case soon after the publication of Hallmarked Man last year that Shanker is a Ricci, the illegitimate son of Nico ‘Muccy’ Ricci, but to avenge Leda Strike’s death he has become a Met or MI5 informer. Let’s start with the four pointers that Shanker gave Strike in one conversation that he is a Ricci-by-blood and what made you think of that connection: * Shanker’s statement that his father had dementia or was senile; * Shanker’s report that his dad taught that jewelry was the way to a woman’s heart; * Shanker’s claim that his ‘old man’ was said to have a “nine inch c**k;” and * Shanker’s saying that his begetter “‘ad kids wiv abou’ ten diff’rent women.” 4. I see the trigger now that you’ve detailed it but you dug and made four more connections that were buried in the texts of the series’ other books: * Shanker’s knowledge of the Ricci clan, especially Mucky, * his Strike-witnessed working with Mucky in drug deals, * “he deals cocaine and is good with a knife;” and, best of all, * the reaction Robin had to both Shanker and Luca at their first meeting, the fun-house mirror upside-down reflection of the attraction half-siblings feel for another intuitively. Robin is viscerally repulsed and afraid of the half-sibling Ricci boys. We cannot not see these connections after you point them out, but they’re nigh on invisible until they’re pointed out! Why do you think you saw them when we missed them -- and why do you think Rowling has taken such care to make them invisible in plain sight? 5. And Shanker is an MI5 informant? Where does that come from? 5.5 Let’s not forget that you also make an intelligent guess, the first one I’ve heard, about what Shanker’s given name really is, one based on the names of Nico Ricci’s two children out of ten for whom we have names. * Katya shared not only her reasoning about why Shanker’s name is John or an Italian variant of the Evangelist’s name but also her theory about the parentage and name of the other remaining character in the series who also remains nameless: the mysterious ‘Strike’ with whom Leda ran away from Cornwall! (Be sure to read the comment thread for Redditor conversation about other possible Ricci children…) 6. Your thoughts about Shanker all feed into theories about Leda Strike and her mysterious death in the end, which brings us to another aspect of her life and death about which you’ve brought an important and unique perspective. I’m talking about the Mistress of the Salmon Salt tattoo. Did you know anything about tattoos, Katya, before writing this piece? 7. As a tattoo artist yourself, what do you make of Leda’s tattoo placement? 8. Tattoos are meaningful, powerful reflections or revelations of the person’s interior life or self-understanding (see the post about Katya’s ‘Salmon Salt Tattoo’ theory for much more on this). What do you think this tattoo communicates about Leda? Is it another example of Rowling’s text-within-the-text or a variant of her using cryptonyms to signal important information about a character’s inner life? What Tattoos Mean in Cormoran Strike and a Catalog of Examples * From Katya’s 2023 ‘Mistress of the Salmon Salt Revisited:’ I hear you asking - why can’t Leda’s be just a tattoo, without any deeper meaning to it? That’s because all the other tattoos in the Strike books have meaning and provide a clue to their wearers’ characters. Here are some examples: * Kelsey Pratt’s One Direction tattoo is an obvious link to her being a One Direction fan. (How Leda’s tattoo is different? She chose the name of the particular song, not the more generic name of the band, to be tattooed on her) * Laing’s rose pierced with a dagger bluntly means violence to women. Rose is a woman in the language of symbols, while the dagger is… well, a dagger. * Polworth’s St Piran’s cross means he’s a Cornish patriot. I’ll be surprised if it also doesn’t mark him as The Hanged Man (a symbolic bearer of a cross) * Portia Bayliss’s trident refers to her Caribbean roots * Edie had a small black heart on the knuckles because she was the creator of ‘The Ink Black Heart’ cartoon. * Zoe’s tattoos are of ‘The Ink Black Heart’ characters she identifies with. * Pez Pierce has The Beatles quote around his neck - Strawberry Fields was (is?) a place in Liverpool. * Union Jack, a skull, and a Nordic “Chaos” rune give a good impression of what the Turisaz character will be about (all tattooed on visible spots like head or neck - he wears them proudly!); * Same with Algiz and Uruz, sans the Union Jack and the skull. * Noli Seymour’s tattoo stands for “Golden Prophet”. It denotes her connection to the Universal Humanitarian Church and her status there as the current Golden Prophet. * An ace of spades was inked onto his left cheek, and a tattooed tiger covered his throat. - Jordan Reaney’s tattoos are pretty telling, too. * Not a character, but still - JK herself has a tattoo, “Solve et Coagula”, which means - “I’m a writer of an alchemical detective series!” :D So you see, all these tattoos are chosen to reflect their owners’ personal histories. That’s generally a feature of Rowling’s writing: if she describes a character, every little detail works for the portrait she wants to paint. There are no details put there “just because” - everything is important. How the characters dress and speak, what they eat and drink, what music they listen to, and what tattoos they have tell us something about the character. What does Leda’s tattoo contribute to her portrait? Nothing! In Career of Evil, when we learn of its existence, the tattoo adds literally nothing to Leda’s portrait. Why is it mentioned in the story to which it makes zero contribution, except for serving as a plot device enabling the killer’s obsession? Because it will be important later. * Katya shared in her answer her theory from experience that Rowling-Galbraith had secretly marked a character as a Harry Potter fan by giving her a shoulder tattoo that Potter-heads would recognize! 9. Rowling’s Solve et Coagula tattoo: what do you think she is telling the world about herself? Is there a correspondence or tie between the author’s tattoo and its placement and Leda’s? 10. Whittaker quotes a line from the Salmon Salt song by the Blue Oyster Cult — “She was the Quicklime Girl” — while testifying at his trial on murder charges; what do you think that tells us about her death? Does it suggest it was suicide or murder? Do you think Whittaker did it? 11. And another one to make eleven! You thought at one point because of the meaning of ‘Mistress of the Salmon Salt’ that we had to take seriously the possibility that Leda herself was a se

  2. Jul 19

    A Pen to Change the World: Conversation with Solomon Schmidt, Rowling-Galbraith Biographer (Part Two)

    (Credit: Telegraph article, June 2017, J.K. Rowling at the Raisa Gorbachev Foundation party in 2007, wearing a floral diamond necklace and matching earrings, cf., Christmas Pig) Solomon Schmidt, author of A Pen to Change the World: The Life of J. K. Rowling (Skyhorse, June 2026), sat down with us again to discuss what challenges he faced in collating and synthesizing almost thirty years of interviews for his biography. He also shares the three questions he’d ask The Presence if she’d consent to an interview, questions that he thinks she might answer; Solomon turned the tables on his interviewers who had to improv questions they’d ask without being told their interview with Rowling was over. The necessary links to the book’s Amazon page and to the two Hogwarts Professor reviews are here: * A Pen to Change the World: The Life of J.K. Rowling (Amazon.com) * A Pen to Change the World: The Life of J.K. Rowling (Amazon.co.uk) Uk Edition * A Pen to Change the World – the Biography of J. K. Rowling by Solomon Schmidt (Nick Jeffery) * Book Review: A Pen to Change the World - The Life of J. K. Rowling (John Granger) Five Questions for Solomon Schmidt, Author of A Pen to Change the World: 5. I said you didn’t get to interview Rowling, which is true, but you did have access to all her interviews that she has done 1997 to the present as well as the interviews and articles with her family, friends, fans, and business associates. How did you find, assemble, and sift through those interviews?6. If you had been allowed inside the gates of Fortress Rowling and you were only allowed three questions, what would you ask her? (This is a game John and I regularly play, and usually John’s questions would get him thrown out of an interview!)7. What discoveries that you made in your research were the most exciting to you?8. Rowling has said repeatedly through the years that the critical negative events of her life that reshaped her thinking and her work were the death of her mother and the abusive relationship she had with her first husband. Agree or disagree? What do you think were the most important positive turns in her life?9. Very few people I meet don’t have a fixed opinion about Rowling; the world seems to love and hate her in equal measure with little grey area between the two: adoring fans and political allies on the one hand and those that despise her work, her political efforts, or both. Where do you fall in that divide and how hard was it to represent the other point of view in your biography?10. I assume you’ve started researching your next biography though you’ll be neck deep in this book’s launch for a few months. What will you be working on next? This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

  3. Jul 9

    A Pen to Change the World: Conversation with Solomon Schmidt, Rowling-Galbraith Biographer (Part One)

    (Credit: Neil Wilder, Edinburgh 1999, now in National Portrait Galley) Solomon Schmidt, author of A Pen to Change the World: The Life of J. K. Rowling (Skyhorse, June 2026), sat down with us this week to discuss what moved him to write a Rowling biography at the height of her radioactivity as a supposed “transphobe” and the obstacles that Rowling, Inc., puts in the way of unauthorized biographers. He also shares the kindness and circumspection of the people who did agree to speak with him, to include Neil Blair and Jorge Arantes. The necessary links to the book’s Amazon page and to the two Hogwarts Professor reviews are here: * A Pen to Change the World: The Life of J.K. Rowling (Amazon.com) * A Pen to Change the World: The Life of J.K. Rowling (Amazon.co.uk) Uk Edition * A Pen to Change the World – the Biography of J. K. Rowling by Solomon Schmidt (Nick Jeffery) * Book Review: A Pen to Change the World - The Life of J. K. Rowling (John Granger) The second part of our conversation with Mr Schmidt will be posted next week. The first five questions he answered were: 1. What moved you to start this project? You've already written a biography of Alan Dershowitz and many more in the History Bites series; what made J. K. Rowling an inviting subject to you? What made it different from the other biographies you've written?2. You wrote in the acknowledgements at book's end that you didn't write the biography as a work of "literary criticism," but you do discuss everything she has written or collaborated on, Philosopher's Stone to Ink Black Heart. What would you have included in those discussions if you had been writing "literary criticism"?3. This is an "Unauthorized" biography which means you were researching and writing outside the gates of Team Rowling, simultaneously shut off from Rowling and her circle of friends and, one would hope, outside her ability to shape the narrative you put together of her life. You did, though, get some push-back from Rowling, Inc.'s legal arm at one point; what was that about?4. You weren't able to interview Rowling, her sister, her husband, her father, her daughter Jessica, Sean Harris, the Sisters of Swing, Michael the boyfriend, Lucy Shepherd, Pearl Biddle, or 'Starsky and Cox.' You did find and scored interviews with Jorge Arantes, Barry Cunningham (the publisher who signed J. K. Rowling to Bloomsbury), Steve Eddy (one of Rowling’s English teachers), Neil Blair (sort of!), and her American cousins, Ben and Bryony Rowling. How did you find these sources and what was it like sitting down to speak with them?5. I said you didn't get to interview Rowling, which is true, but you did have access to all her interviews that she has done 1997 to the present as well as the interviews and articles with her family, friends, fans, and business associates. How did you find, assemble, and sift through those interviews? Please share your thoughts below as well as follow-up questions you wish we had asked! Part Two will be up in a week… This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

  4. Jun 19

    The Mysterious Suicides of Leda Strike and Charlotte Campbell Revisited Post Hallmarked Man

    ‘Fiona F’ is a Hogwarts Professor subscriber in Adelaide, Australia, the truly down under capitol of the South Pacific island-continent. She works as an environmental scientist on the days she isn’t combing through the Cormoran Strike novels of Rowling-Galbraith in search of answers to the over-arching mysteries of that series. The Hogwarts Professor Talking Heads duo invited her to a discussion of her potential solutions to two of the unresolved questions that have to be answered before the epilogue of Strike 10, namely, ‘What really happened in the ruled-a-suicide deaths of Leda Strike and Charlotte Campbell?’ Fiona seems to have broken both cases using information dropped as asides in Hallmarked Man. The Ten Questions that guided their conversation are below with the promised links and Fiona’s time-lines and comments on the Moderator Backchannel they discuss. In brief, about Leda’s death Fiona notes that we learn in Strike 8 that Shanker is familiar with ‘Barnaby’s, the preferred body-disposal business used by the London under-world, to include the Ricci Crime Syndicate. She connects that dot with (1) Strike’s memory of making a drug delivery for Shanker to the Ricci Godfather way back in the day when the two shared a flat and (2) Shanker’s near panicked warnings to Strike not to investigate the Riccis in Troubled Blood. Fiona’s theory? Means, motive, and opportunity point to the possibility that Leda’s heroin overdose was a Ricci ‘message’ to Shanker that he had better not cross them in a drug deal. Readers have missed this possibility because Shanker loved Leda like a mother, which love unfortunately made her a perfect target for the gangsters to ‘get at’ Strike’s adopted brother. And Charlotte’s death? Fiona, unlike much of Strike fandom, accepts the Jeffery hypothesis (see here, here, and here) that Ms Campbell-Ross did not kill herself but was murdered in a staged-suicide (a la Leda Strike, Lula Landry, Jasper Chiswell, and Kevin Pirbright). After a close reading of Hallmarked Man, Fiona realized that Dino Longcaster, whom Tara Campbell married after she had divorced Charlotte’s supposed biological father, may have been, based on his fathering Rupert Fleetwood in an adulterous relationship, Milady Bezerko’s real sperm-donor daddy (and at home molester). Which possible parentage would have made Charlotte and Valentine Longcaster half-siblings. Fiona theorizes from there that the baby Charlotte says was Strike’s was Valentine’s (a la Rupert and Decima’s Lion), that Jago Ross’ children might have been Valentine’s, or both. Valentine, Jago, and Tara shoot to the top of the ‘Charlotte Murder’ suspect list, with Sasha, Rupert, and Amelia as Tara’s agents all possibilities. Fiona, Nick, and John discuss the various Rowling Golden Threads in play with each of these theories — incest, pregnancy traps, staged suicides — and how both Fiona’s Ricci-Shanker and Secret Charlotte theories are textbook illustrations of Rowling misdirection while planting clues in plain sight. John and Nick are grateful to Fiona for getting up as early as she did to chat with them and for sharing her theories here with the Serious Strikers at Hogwarts Professor. Hats doffed with a bow from the waist in admiration and gratitude! The Ten Questions With Links and Notes 1. Fiona, you, Nick, and I have been chatting on the moderator back channels since May and we’ve shared your Daddy Dino theory in which Charlotte was another Longcaster child conceived in adultery and Valentine was her incestuous lover and abuser. Nick and I discussed that idea on our ‘Incest Golden Thread’ program. But none of us know who you are really and I just learned you’re living in Central Australia. Tell us about Fiona, a Welsh name?, and what brought you to Serious Striker land? 12 April Fiona Comments on Moderator Backchannel: In response to a post by Cheryl Rose Orrocks on 17 Feb 2026, my current theory is that Dino Longcaster is Charlotte’s father and that his son, Valentine Longcaster, will be revealed as her abuser and the possible biological father of Charlotte’s children. Hence the 2nd incest storyline will also involve the Langcaster family. This could be why Charlotte’s mother, Tara, despised Charlotte so much. If Jago Ross is somehow linked to the matter of the DNA test involving Bijou and Strike, it may be because he had Charlotte’s birth children DNA tested to confirm parentage. Maybe Jago discovers he is not the biological father and assumes Strike is, hence the reason he wants to obtain Strike’s DNA results. 2. Nick was telling me the other day that he has been re-reading the series and it’s changed his thinking about how he would rank the books, especially in light of Hallmarked Man. I hope he’ll clarify what he means by that – and that you’ll share, Fiona, where Strike 8 is on your list of best to worst Strike novels and if or how it changed your thoughts about the first seven. 3. By the time this conversation is posted, I hope to have put up a short summary of your Birthday Party Theory, Fiona, or else it will be the text beneath this conversation. In brief, you lay out the calendar dates after Sacha Legard’s birthday party with respect to Charlotte’s death. Can you tell us why you thought that party had something to do with her death and how you went about setting up the time-line? May 6 Fiona note on Moderator Backchannels: In this video, your comments regarding Rupert Fleetwood and Charlotte’s murder (1:00:17) got me thinking. If Charlotte was murdered, her murderer was likely present at Sacha Legard’s birthday party. After checking out several sources (books (physical copies) 7 TRG and 8 THM, Strike Fans, the Farting Faculty Lounge and Hogwarts Professor) I put together a rough timeline to assemble my thoughts. * Saturday 21 May 2016: Sacha Legard’s birthday. Valentine and Cosima Longcaster are at the party. Rupert Fleetwood gatecrashes and he and Valentine have some kind of confrontation (refer THM Chapter. 36, pages 291 and 292). I presume Charlotte and Amelia would have been at the party as they are Sacha’s half siblings, however I have no evidence to support this. * Friday, 27 May 2016: Strike listens to Charlotte’s voicemail messages. (TRG, Chapter 55, pages 421 and 423). * Tuesday, 14 June 2016: Charlotte is arrested for assault on Landon Dormer (TRG, Chapter 59). * Thursday, 23 June 2016: Strike deletes three voicemails from Charlotte before heading up to his attic flat (Chapter 61). Charlotte Campbell dies (commits suicide?). * Friday, 23 December 2016: When Strike goes to the National Theatre to interview Sacha Legard (THM, Chapter 36, pg. 289). Sacha says he ‘was shooting a film in Mexico (Conquest?) when all this business with him [Rupert] and Dessie happened.’ I’m unsure when Sacha was in Mexico (before and/or after his birthday party on 21 May 2016). If he was filming in Mexico after his birthday then he may not have been in London when Charlotte died. If filming in Mexico finished before his birthday, he would have to be on the short-list of murder suspects. As Charlotte loved tension, conflict, and rows, she may have overheard the confrontation between Rupert and Valentine. Presuming the confrontation was about DNA testing and Dino Longcaster being Rupert’s biological father, maybe the DNA results also contained information about other unknown (and related) people with a similar DNA profile to Rupert and the Longcaster’s (Dino, Valentine, Decima and Cosima) and Rupert threatened Valentine with this information. Valentine is scared of his father, Dino, and wouldn’t want the DNA paternity information to reach Dino. If Valentine Longcaster (as possible Charlotte abuser), finds out he is the biological father of Charlotte’s children and realises that Charlotte has found this out, that could be a strong motive for murder, particularly as he was appalled by the incest between Decima and Rupert. It will be interesting to see if Rupert makes an appearance in Book 9. * See Louise Freeman Davis’ Strike and Ellacott Timelines at The Farting Sofa Faculty Lounge. 4. Your conclusion is a mind-blower as I’ve written in my notes you to invite you to wake up early down under to talk about it. To skip to the Big Reveal, you think, if Charlotte was at the birthday party or learned from Cosima or Valentine about the Dino-Decima-Rupert genetic conjunction, that Valentine Longcaster has to jump to the top of the Campbell-Ross ‘assisted suicide’ list. How so? 5. This is fascinating theorizing, Fiona, and it highlights what Nick has said that the complexity and crowdedness of Hallmarked is a marker of Rowling crafting a “target rich” environment for Books 9 and 10 possibilities. You wrote on 4 June that what if, instead of being molested at home by Trevik, her supposed biological father, she had been abused by a schoolteacher. Why did you think that was possible and how would it color your thinking about her life and death? 4 June Fiona Comment Have you considered the possibility that Leda Strike (Peggy Nancarrow) was molested by a school teacher, rather than a victim of incest. Both scenarios are obviously awful. I have been pondering this because Leda/Peggy packed up and moved so often and Cormoran and Lucy never stayed in the same school for very long. 6. On 10 June you sent your magnum opus, the Leda Strike life timeline and a ‘Means Before Motive’ examination of her death. Again, why bother and how did you track down the dates? 7. What did the data reveal about Leda that you hadn’t seen before? 10 June Fiona Timeline for Leda Strike I have been systematically going back through the Strike books using the JKR finder in an attempt to work out who killed Leda Strike. I am relying on Rowling playing fair and that the answer to the question of Leda’s death and the evidence to support this has already been given

    The Mysterious Suicides of Leda Strike and Charlotte Campbell Revisited Post Hallmarked Man
  5. Jun 5

    The First Seven Strike Novels Paralleled Their Seven Harry Potter Equivalents; What Rowling Work Did The Hallmarked Man Parallel?

    Last week Ed Shardlow posted his thoughts about The Hallmarked Man being written in playful but meaningful parallel with Rowling’s “political fairy tale,” ‘The Hallmarked Man Meets The Ickabog.’ Nick Jeffery and John Granger called him up both to congratulate him on Arsenal winning the Premier League Cup — Go, Gunners! — and to learn as much as they could about the parallels he noted. After acknowledging the correspondences with Casual Vacancy, the trio explored Ed’s argument about the Ickabog echoing just beneath the surface of Hallmarked Man, straight up and in inversion. The Ten Questions, Links, and Helpful Notes 1. Nick, can you provide some context for this conversation? How did we get to the point that we expected Hallmarked Man to echo in characters, plot points, and themes either Casual Vacancy or The Ickabog? No one thought that was in the cards when Rowling-Galbraith and her publishers locked down the series at ten books. * ‘Parallels Series Idea’ Pillar Post * Evan Willis’ Tetractys Theory: Part 1, Part 2, Part 3 2. Open subject for the triumvirate to discuss here: there are a bunch of Casual Vacancy parallels in Strike 8 that have to be acknowledged. Name your favorites; I’ll start this ball Rowling… * Ironbridge and Pagford seemed to be sister cities * each book ‘begins’ with the sudden and tragic death of a man who haunts the rest of the novel, Barry Obama Fairbrother and Tyler Powell * The peanut allergy that Tyler and Andrew Price have; and * The incest secret in the Longcaster and Wall families 3. Having noted those, Ed, why are you so sure that it’s The Ickabog which is the parallel text with Hallmarked Man? Is the quantity of the parallels you and others have found, their quality, or the overarching feel of the works? * Ed’s Post: ‘The Hallmarked Man Meets The Ickabog’ 4. I was surprised by your sheep parallel. I know my Ickabog memories are not fresh, but were there a lot of lambs and ewes in Strike 8? * Ed’s Post: ‘The Hallmarked Man Meets The Ickabog’ 5. And the fish? * Ed’s Post: ‘The Hallmarked Man Meets The Ickabog’ 6. Is there something akin to the Freemasonry of Hallmarked Man in The Ickabog? * Inversion of ‘Political Fairy Tale’ with modern touches and gritty detective novel and Medieval coloration via Freemasonry symbolism and ritual 7. Sandy Hope, our partner in the Group Adventure of charting Hallmarked Man, had a bunch of parallels that she shared in the comment thread to your post: * One of my favorite parallels you mention is the Old Forge and the Ickabog’s cave, in which both Robin and the Ickabog tell tragic stories of birth. The Old Forge also reminds me of the transformation of the dungeon once Mrs. Beamish gets a stove installed and starts baking and feeding the prisoners. Mr. Dovetail’s broken mind is restored by Mrs. Beamish helping him remember better times, and Robin’s own brokenness is soothed by Strike’s transformation from a self-serving, manipulative jerk to a selfless, compassionate listener and genuine friend. In both stories the fire is warm and purifying. Comment Url * One of my favorite parallels was “sticking to the game plan,” the ill-fated idea shared by Strike via Uncle Ted and also Lord Spittleworth. RFM reminds me of Ma Grunter, trying to appear sober when they’re actually drinking on the sly. Dangerous Dick de Lion is not unlike King Fred the Fearless, who both have to learn about being contrite. Robin’s bracelet is rather like Daisy’s bandalore: both gifts are initially a hit but end up secretly hidden or stolen. Comment Url 8. My favorite parallels were between the incest and ectopic pregnancy in Hallmarked Man and the Ickabog’s manner of conceiving children and birthing them. Did you laugh out loud when you figured that out? I did when I read your post -- but it bears some explaining -- * Ed’s Post: ‘The Hallmarked Man Meets The Ickabog’ 9. Let’s go around the table again and talk about the connection between the two books we haven’t talked about yet -- * Avenging Ghost of Beamish and Powell * Eslanda/Jolanda * Sandy Hope’s Footprint Clue * Image of St George * The monster’s cave, the Old Forge on Sark, and an ectopic pregnancy * Woman talking monster into returning to human society * Ed’s brilliant parallel Character list 10. You discuss in your post that you went through two stages before arriving at your conviction that The Ickabog was the model: first the overarching story and then on re-reading The Ickabog for specific detailed parallels. Do you think we should do a re-read of Casual Vacancy -- Nick is always ready for a trip to Pagford -- to see if there aren’t specifics there, too? This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

  6. May 22

    The Hidden Narratives and Interpretive Ciphers Beneath the Surface Story of Hallmarked Man

    In yesterday’s Hallmarked Man Notes: The Christmas Charm Bracelet Decoded, Tod Jameson and the Ectopic Pregnancy, and Venetian Blinds, Ed Shardlow explained three sub-texts within Strike 8 that, though invisible on first and second reading, pop up during structural analysis and in light of other Rowling-Galbraith notes. * The Christmas gift charm bracelet that Strike gives to Robin, for example, appears to be a ring and a key to Hallmarked Man, a meaning that occurred to Ed in light of Rowling’s own bracelet gift to fandom last year as a key to Sleep Tight, Evangeline; * John Granger’s posts about Strike 8’s cryptonyms similarly encouraged Ed to think about the meaning of ‘Todd Jameson’ and how the “egg-shaped” man had several names and seemed to be stuck on the Tube; and * Ed’s efforts to finish his charting of each Part of Hallmarked Man brought up the theme of Robin’s blindness and mental struggles in Part Three’s chapter correspondences. In conversation with Nick and John explore these ideas as well as the potential importance of A. H. Murdoch, a historical figure that Rowling-Galbraith invented whole-cloth, the meaning of his name (‘Alexander Hughson’), and the passages from his book, Secrets of the Craft, which of course are also Rowling-written. Below are relevant links to the subjects the trio discuss and copies of the ten questions John and Nick asked Ed. Enjoy! Links to Conversation Subjects * Hallmarked Man Notes: The Christmas Charm Bracelet Decoded, Tod Jameson and the Ectopic Pregnancy, and Venetian Blinds Charm Bracelets * The Christmas Charm Bracelet of Strike 9 Clues (Part One) * The Christmas Charm Bracelet of Strike 9 Clues (Part Two) * 'Sleep Tight, Evangeline,' Miniature Psalters, and the Head of Persephone: A Conversation with Dimitra Fimi Cryptonyms of Hallmarked Man * The Allegorical Cryptonyms of The Hallmarked Man, Part One * What do Tyler Powell, Rupert Fleetwood, Jolanda Lindvall, and Lady Jensen Have in Common? * The Allegorical Cryptonyms of The Hallmarked Man, Part Two * Wet Squibs, Islamic Cub Names, the Seven Strike Series Structure Theories, and How a Human Being Reads a Story * The Lost Child Golden Thread in the Work of J. K. Rowling (Kanreki) * The Pre Natal Infanticide Theory Explaining the Lost Child Golden Thread (Kanreki) Rowling as Sacred Artist: A Perennialist Reading * Ray Livingston's 'The Traditional Theory of Literature' (Chapter 1: Preface and Prologue) * Ray Livingston's 'The Traditional Theory of Literature' (Chapter 2: Man, Society, Art ) * Ray Livingston's 'The Traditional Theory of Literature' (Chapter 3: The Creative Process) * Martin Lings’ The Sacred Art of Shakespeare * J. K. Rowling’s ‘G-Spot’ and ‘Triple Play:’ The Lake & Shed Secret of Her Success The Ring Readings of Rowling’s Hallmarked Man Chapter Sets * Index to the Group Adventure of Charting Hallmarked Man (scroll to bottom) * Ed Shardlow’s ring notes for Part Three A. H. Murdoch’s Secrets of the Craft Excerpt in Hallmarked Man: [Strike skim read the entry under Degree Thirty Two.] The Sublime Prince of the Royal Secret becomes with the degree’s endowment none other than a Christian Knight, the spiritual and legitimate successor of the Knights Templar… When she elevates and illuminates, a pure and chaste woman is as silver, or the moon. The […] Freemason is sure never to mistake base lead for the nobler metal, else he may find himself forever entombed in the dungeons of lust and lasciviousness. (ch 53, pp 400-401) The parenthetic ellipsis is in text, presumably there because “Murdoch’s book hadn’t been properly formatted, but scanned into digital form, so that the occasional word was illegible.” The Ten Questions 1. We have a special guest today, Ed Shardlow, the author of a commissioned post that went up this week, one we begged him to write up. It’s a weird post erven for a site that embraces the exotic, weird in the sense that it’s actually three posts rolled into one. What’s up with that, Ed? 2. So the three topics are: * The charms on the Christmas gift bracelet Strike gives to Robin; * The meaning of Todd Jameson’s name; and * Robin’s sight and memory issues, ‘Venetian Blinds’ Is there a thread running through these ideas? 3. Tell us your charm bracelet idea and the meaning you think each charm has -- 4. And it’s a ring, right? What a hoot. -- 5. I loved the charm bracelet piece, not only because you read it as a ring and showed that the charms together and separately act as something of a cipher for the book, but because you linked it with Rowling’s Strike 9 charm bracelet. Do you think per Shanker’s advice that Rowling-Galbraith is giving us jewelry as a gift, one that acts as a key to the work in Hallmarked and before Evangeline, because she wants to make up with us for the hardship readers are having with the book? 6. True confession, though I was laughing out loud and delighted with your breaking the Todd Jameson cryptonym, I was also pretty disappointed; that name was number 1 on my not-yet-written third cryptonym post. What consoles me is that I doubt I would have picked up on what you saw, which is mind-blowing. Tell us how you figured it out as well as what you found -- 7. Now this is a new variant of Rowling-Galbraith inserting a text within the text. This ectopic sub-story isn’t a written text, a fairy tale, an epigraph, a song playing in the background, an illustration based on a mad detective’s Tarot card throws, or the story the bad guy is selling that we have to unwind and re-write; we’ve seen those books-inside-the-book before. This is Rowling concealing a narrative inside the narrative with really only the name to act as the cipher for the coded message. Hence her talking up the importance of names in this book (e.g. Jolanda -- violets)? 8. You make a fascinating connection with Harry Potter, the Boy Who Lived, and Todd Jameson, the Son Who Killed His Mother (?). Do you think she finally wrote in a Chosen One echo in the Strike series via Jameson? 9. I want to leave the board here because I know you have to run -- thank you for joining us on such short notice! -- and talk about something you’ve been sharing on the Moderator’s Back Channels, namely, A. H. Murdock. His Secrets of the Craft is another text within a text, right? Have you thought about his name or why Rowling gave his book that title? 10. When will you be done with The Ickabog project? Inquiring minds want to know! This is a public episode. 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  7. May 14

    A Conversation about Cormoran Strike, Literary Alchemy, and Structural Models for the Ten Book Series

    Nick Jeffery and John Granger sat down last weekend to discuss John’s post, The Literary Alchemy of Hallmarked Man: What Do the Structural Models Tell Us? They’d talked about this subject briefly before John had written it up and he came to rather different conclusions in the process of writing and preparing slides for the post, all of which are rolled out in this inquisition. The questions Nick asked are below after the links in the post in case you want to follow up on what is said above about literary alchemy, the sequence of colors and symbols, and about the structural models for understanding the Strike series, especially Extended Play and Tetractys Theory. Enjoy! Links for Follow-Up and Easy Reference: Strike Alchemy * Literary Alchemy – A Primer for Those Interested in J. K. Rowling’s Artistry * ‘Literary Alchemy’ Pillar Post * Metallurgical, Literary, and Psychological Alchemy: Is Jung a Good Guide for Understanding J. K. Rowling’s Artistry and Meaning? * The Literary Alchemy of Hallmarked Man: What Do the Structural Models Tell Us? * , ‘The Connection of Ring Composition and Literary Alchemy in the Layout of the Seven Book Harry Potter Series.’ (William Sprague) * ‘Parallel Series Idea’ Pillar Post * Robin Ellacott and Reverse Alchemy: Transformation Through the First Three Strike Texts (Louise Freeman) * ‘Troubled Blood: Strike’s Transformation’ * ‘Water, water everywhere: Baptism, baths, rivers, rain and showers as unifying themes in The Running Grave’ (Louise Freeman) Seven Structural Theories for Strike Ten Book Series * (1) straight up Decalogy, no structural connection between books; * (2) Big Ring Composition, Double Wedding Band (Louise Freeman); * (3) Seven book series with Trilogy finale (Nick Jeffery, John Granger); * (4) Extended Play theory (John Granger per ‘Kathleen’), * (5) Sonnet Corona Form (Robyn Gomillion); * (6) Tetractys theory (Evan Willis with back-up explanations here, follow-up from Evan here); and * (7) Celtic Cross (John Granger) scroll down to bottom). Tetractys Theory in Depth: * Alastair Fowler’s Triumphal Forms * Why the Cormoran Strike Novels are a Ten Book Series: Mythological Clues and Tetractys Parallelism with a Touch of Tarot Reveal the Strike Series Structural Echoes with Rowling’s First Ten Book Set [Evan Willis, 10 July 2023] * Is Tetractys Theory the Best Explanation of Why the Cormoran Strike Series is Ten Books in Length? First Thoughts on Evan Willis’ Numerological Exegesis of Rowling’s Two Ten Novel Series and the Meaning of This Structure [John Granger, 18 July 2023] * Evan Willis: Running Grave Review In which the Tetractis theory is revisited in light of Strike 7 and the Theory is Updated [Evan Willis, 30 September 2023] * See The Literary Alchemy of Hallmarked Man: What Do the Structural Models Tell Us? for excerpts from and discussion of each. * The Tetraktys Tarot Card Spread! The Charts! The Ten Questions and John’s Answers (notes!) 1. So, John, you finally got the alchemy post you promised an age ago; what was the hold-up? · Tried to put too much into the posts… · Changed my mind several times as I was writing them! · had to relearn Tetractys ideas! 2. You start off this Alchemy of Hallmarked Man discussion with a review of the literary alchemy of the first three Harry Potter novels; why did you have to reach that far back? · Because of the Parallel Series Idea, not alchemy at all, oddly enough. · Rowling seems to be writing Strike decalogy in parallel with Potter to include its alchemical sequences so I reviewed the ‘Reverse Alchemy’ theory, how that worked for Strikes 1-3 but broke down at 6 and 7 · To get Hallmarked Man‘s alchemical stage right, I wanted to figure out why Ink Black Heart and Running Grave weren’t the alchemical stages we’d expect 3. Some of our listeners may not have the literary alchemy three stages firmly in mind; can you go over what they are and why they’re important in Rowling Studies? · Black, White, Red stages: what each represents in metallurgical and literary alchemy; · Rowling’s one interview comment about alchemy, her PotterMore notes about colors; · Rowling’s use in Harry Potter‘s last three books, fourth book, and first three books; · Galbraith’s use in Strike series’ first three books, fifth book, and six and seven; · Ward on astrology in CSL’s Narniad (’Donegality’); similar use of alchemy in Rowling-Galbraith 4. So the alchemical parallelism seemed to stop at Ink Black Heart but the other correspondences continued? · That’s right, the first seven books paralleled their Harry Potter apposite numbers in structure, plot points, and some symbolism but the last two broke from the alchemical pattern; · I decided that the best place to look for a way that the new pattern could be explained would be looking at the seven theories about the Strike-Ellacott series structure; · If a specific structure had a very clear idea about the alchemical stage sequencing in the books, then I’d have a real head-start in what to look for in Hallmarked Man. 5. The Seven theories -- last time we talked it was six! Remind me what they are and what each says about the alchemy... · No structure, Big Ring/Double Wedding Band, Septology and trilogy combo, Extended Play, Corona Sonnet, Tetractys, and Celtic Cross (see links above!); · Only Extended Play and Tetractys theories had clear theories about the alchemy; and · Oddly enough, they both explained why Hallmarked Man had to be considered an albedo or white novel even though they disagreed about what Ink Black Heart and Running Grave were... 6. We’ve got slides here that help make what seems hopelessly nerdy something you can see. We’ll start way back with the ring structure of The Harry Potter series and work our way toward Evan Willis’ Tetractys ideas. · Harry Potter series, Sprague/Thacker ‘Reverse Alchemy:’ Slides 1 and 2 (see above) 7. And via the Parallel Series Idea we should see those same relationships that were found in the Potter books in the Strike series? · Extended Play idea: Slides 3 and 4 (see above) · Where it breaks down -- Running Grave like Troubled Blood an “aquatic Nigredo“ 8. And you think the Tetractys idea is better. We really need to have Evan on the show to talk about where he learned about this figure, its use in English literature prior to Rowling, and why he thinks Rowling is writing her second ten book series. Can you summarize his two Hogwarts Professor posts on this subject and why Rowling Readers will benefit from learning about this ancient ten point peg board model? · See Tetractys pyramid slides above; · Four levels: meaning of monad, dyad, triad, quaternity symbolism; (first Evan Willis post above) · Pyramid to climb, something akin to four levels of reading and knowledge; [Fowler, Triumphal Forms] · Benefit to Rowling Readers: Willis thinks the second Quaternion parallels Rowling’s first -- and the differences explain the alchemical stage of Running Grave; · It also was used to predict three things about Hallmarked Man: it was all about silver, it would be an albedo or White stage novel, and it would parallel The Ickabog 9. Three bullseyes with a special merit badge for figuring out the silver part before the title was announced. Let’s go to the Tetractys slides for the Potter and Strike series: · All above! 10. Both the Extended Play and Tetractys theories, then, have Hallmarked Man as an albedo. How will that influence your examination of Strike 8 for its alchemical symbols and sequences as well as your interpretation of them? · I’ll be looking for the alchemical signatures of the second stage, leukosis or the ‘whitening,’ · I’ll be looking for evidence that contradicts the albedo dyad idea, and · I’ll be researching if alchemical ideas, as in, say, incest, ‘Jason and the Medea,’ and ‘dog and b***h,’ are best read as white stage tokens This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

  8. May 12

    Wet Squibs, Islamic Cub Names, the Seven Strike Series Structure Theories, and How a Human Being Reads a Story

    Nick Jeffery and John Granger sat down to discuss four Hogwarts Professor posts. Here are links to those posts with an excerpt from each and the most relevant urls embedded in them. Enjoy! What is a Squib, Really? And Where Would Rowling Have Met the Word? (John Granger, 27 April 2026) I confess that I assumed the word for barely magical witches and wizards born into magical families in J. K. Rowling’s Wizarding World, the folk she calls ‘Squibs,’ were given that name because of its onomatopoeic source in fireworks; per the Harry Potter Lexicon invaluable online resource, a squib is English idiom for “a dud firework that will not ignite properly.” It sounds like its meaning (as does “dud”) and a reader can feel in it the disappointment of magical parents when their child turns out not to have the gift that will make them full members of their community. I learned this morning, however, that a squib is not a dud firework, or wasn’t originally though it may have that meaning today, and that it is mentioned more than once in one of Rowling’s known literary influences. * ‘Squibbing’ at the Bridgewater Carnival Fireworks Festival (YouTube video) * Toyohashi Tengu: Japanese Quidditch Team (Harry Potter Lexicon) * Tengu — Japanese Fantastic Beast not in Newt Scamander’s textbook (Wikipedia) * Toyohashi Tezutsu fireworks 2022 (Tezutsu-hanabi — Wikipedia) * Dimitra Fimi’s ‘A Kind of Elvish Craft’ Substack site * The Fireworks of Gandalf: in which ‘squibs’ are discussed (not duds!) * ‘The Slow Lord of the Rings Re-Read’ Prof Fimi’s Tolkien Reading Day Introduction * Reading Rowling as Myth Maker and Myth Re-Writer: A Conversation with Dr Dimitra Fimi * ‘Sleep Tight, Evangeline,’ Miniature Psalters, and the Head of Persephone: A Conversation with Dimitra Fimi Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Ray Livingston's 'The Traditional Theory of Literature:’ Chapter 2: Man, Society, Art (John Granger, 30 April 2026) In brief, the Perennialist reading of literature begins with a different idea of what a human being is, which reflects the social environment or society and culture that best fosters his achievement of his end or telos, which reflects what role art in general and story specifically plays in his best life. The human being as primarily spiritual, his end as profound communion with what is most Real, and story as non-liturgical sacred art (not necessarily or even usually ‘religious’) which supports him in his vocation to that end are the premises of the traditional or theocentric understanding of man, society, and art. Which is the title of Livingston’s second chapter and a description of its organization as well as of its contents. It’s not easy reading; the subject matter is quite dense and he covers an enormous amount of ground relatively quickly so he can get to the ‘literature’ in the remaining chapters of the work. Without setting out the premises of the Perennialist understanding with respect to what it means to be human, how a community is designed to make a fully human life possible, and how the art of everyday objects as well as set pieces for appreciation or entertainment — there being no meaningful difference in the value of practical and fine arts here — bring that polity to fruition, discussion of literature from the traditional view would be a waste of time. The Allegorical Cryptonyms of Hallmarked Man, Part 2: Ten More Cratylic Character Names and Best Guesses about their Embedded Meanings (John Granger, 1 May 2026) This is the second part of at least a three part series of articles with supplementary video discussion in which I take a long look at Rowling-Galbraith’s choices for character names in the eighth Strike-Ellacott novel, The Hallmarked Man. For the first posts in this series, in which I explain why this is a worthwhile effort, one critical to Rowling’s intentional artistry and complementary to her other Shed tools, see ‘The Allegorical Cryptonyms of The Hallmarked Man, Part One’ and my conversation with Nick Jeffery about it ‘What do Tyler Powell, Rupert Fleetwood, Jolanda Lindvall, and Lady Jensen Have in Common?’ Almost half of today’s ten posts are about characters named ‘Lion’ or variants on the leonine theme. I think the number of lions prowling through Hallmarked Man, not to mention the dogs from Hell and the bears benign and grizzly, deserve their own post, especially to contrast it with the predominant swan symbolism of the first seven books. Or are they conjoined in Jonny Rokeby, whose middle name is the lionesque ‘Leonard’ and who plays the part of a Jovian swan in the Leda mating that produced Cormoran Strike (we think?). [Be sure to check out Ed Shardlow’s full catalogue of the lions afoot in the pages of Hallmarked Man!] * ‘I’m an Essex Girl’ (YouTube video) The Literary Alchemy of Hallmarked Man: What Do the Structural Models Tell Us? Seeking Pointers to the Hermetic Meaning of Strike 8 within (a) the Extended Play and Tetractys Ten Book Series Pictures and (b) the Parallel Series and Reverse Alchemy Ideas (John Granger, 8 May 2026) There are currently seven theories that I have read about of how best to think of the Strike-Ellacott series structure: * (1) straight up Decalogy, no structural connection between books; * (2) Big Ring Composition, Double Wedding Band (Louise Freeman); * (3) Seven book series with Trilogy finale (Nick Jeffery, John Granger); * (4) Extended Play theory (John Granger per ‘Kathleen’), * (5) Sonnet Corona Form (Robyn Gomillion); * (6) Tetractys theory (Evan Willis with back-up explanations here, follow-up from Evan here); and * (7) Celtic Cross (John Granger) scroll down to bottom). The first idea is that there isn’t a series structure worth noting, which is the default position of the great majority of readers. They (we?) enjoy each book and appreciate the over-arching story parts and conflicts without wondering about the author’s intentional narrative scaffolding. Rowling has repeatedly said that special sauce secret of her success is structure but as story organization artistry is very rarely discussed today in English classrooms even Literature wonks neglect it. The other six ideas have their advocates and rather than review each I’ve embedded links above to these proponents’ online arguments in favor of their best guesses. All of these structure theories have advantages and support from previous work we and others have done in the field of Rowling Studies; all of it, however, it must be remembered is laughably speculative guesswork – we’re not going to grasp the series structure with any certainty until it’s done or Rowling actually answers questions about it or shares the information gratis (neither of which is likely given her history). Those of us who give any time to this, not to name those who are pre-occupied with it, are hunting phantom fandom garlands (as well as having a lot of fun). There actually is, however, a reason beyond personal insecurities and a search for redemption for thinking about how the ten book series is organized before all the books are out. If you’re trying to figure out the alchemical quality or stage of a book already in print, understanding the sequence of books should theoretically reveal the sequence of stages (and vice versa). As explained above, Rowling seems to be writing the Strike series in parallel with her Harry Potter seven books. Until we got to the sixth book in Robin and Cormoran’s adventures, those parallels included the alchemical coloration or stage the Potter numerical equivalent had. Other correspondences between the series continued, most notably, the seven book ring structure and playful plot point parallels (see my conclusions post Running Grave here, here, and here). The alchemy did not. In terms of alchemy, the most compelling ideas I think are Extended Play (EP) and Evan Willis’ four-three-two-one pyramid, the Tetractys figure of the ancients, the ‘Great Quaternion.’ Let’s look at each. * Why the Cormoran Strike Novels are a Ten Book Series: Mythological Clues and Tetractys Parallelism with a Touch of Tarot Reveal the Strike Series Structural Echoes with Rowling’s First Ten Book Set [Evan Willis, 10 July 2023] * Is Tetractys Theory the Best Explanation of Why the Cormoran Strike Series is Ten Books in Length? First Thoughts on Evan Willis’ Numerological Exegesis of Rowling’s Two Ten Novel Series and the Meaning of This Structure [John Granger, 18 July 2023] * Evan Willis: Running Grave Review In which the Tetractis theory is revisited in light of Strike 7 and the Theory is Updated [Evan Willis, 30 September 2023] * Literary Alchemy – A Primer for Those Interested in J. K. Rowling’s Artistry * Metallurgical, Literary, and Psychological Alchemy: Is Jung a Good Guide for Understanding J. K. Rowling’s Artistry and Meaning? The Ten Questions! Introduction: It’s been a busy week, John, with posts on traditional reading, cryptonyms, and literary alchemy. I’ve got a bunch of questions about each subject so let’s jump right in -- with some thoughts about Squibs in Bridgewater and Toyohashi, Japan! 1. Ray Livingston: You’re sending out a chapter of The Traditional Theory of Literature every week to our Paid Subscribers which I think everyone has access to, at least for one or two chapters. It’s no small effort to type up this public domain book that isn’t available anywhere on the internet, especially with the embedded links to the obscure references in the footnotes; why are you bothering? 2. Ray Livingston: The first chapter you sent out went to everyone and included the glossary of terms as well as the Table of Contents, preface, and prologue (chapter one). I’m guessing this is more than throat-clearing and publisher’s data; why does a liter

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