Cinemental

The Jones Brothers
  • 5.0 (6)
  • TV & Film
  • Updated Weekly

Cinemental is a podcast about mental health and how it’s portrayed in cinema and television. What did they get right? What did they get wrong? And what do YOU need to know about mental health. Hosted by Jeffrey Jones (screenwriter and professor) and his brother Dr. Joshua Jones (psychiatrist), these two brothers tackle and all subjects such as depression, grief, anxiety, schizophrenia, even possession. They’ll discuss the triggers for mental health such as family drama, the role of stress, even mentorship. Cinemental is meant to start the conversation about mental health in a fun and entertaining way to let you know that whatever mental health issue you may be struggling with… you’re not alone.

  1. 4d ago

    093 Fight Club

    In this episode of Cinemental, Jeff and Josh dig into the psychology behind David Fincher’s Fight Club: whether support groups could realistically help with insomnia, what dissociative identity disorder actually is, how alternate personalities form, and whether Hollywood portrayals of DID do more harm than good. We also look at antisocial personality disorder, borderline personality disorder, Marla Singer and the manic pixie dream girl trope, and the deeper tragedy hiding beneath all the movie’s chaos. Josh explains DID from a psychiatric perspective and gives us a look at forensic psychiatry, while Jeff breaks down the film’s central theme and pulls out a screenwriting lesson from the way Fight Club connects character, conflict, and meaning. And, as always, we finish with the Top 5. CHAPTERS 00:00:18 - Intro 02:45:09 - Fight Club Recap 03:51:09 - Topics for Today 06:21:16 - Fight Club’s Theme 08:01:21 - Could Support Groups Really Fix His Insomnia? 09:40:09 - Numbness 14:58:06 - Diagnosing the Characters 21:38:22 - Does Hollywood Hurt People With DID? 22:57:19 - What Causes Dissociative Identity Disorder? 30:51:07 - How Are the Personalities Formed? 32:35:00 - Antisocial Personality Disorder 33:44:15 - Back to DID 37:34:00 - Borderline Personality Disorder 38:25:03 - The Manic Pixie Dream Girl Trope 39:58:22 - Let’s Talk About FIGHT CLUB 43:15:07 - What Is Forensic Psychiatry? 44:08:06 - Loneliness 50:53:18 - The Real Tragedy of the Film 54:22:10 - Will We Ever Find a Fix for the Brain? 58:34:22 - Jeff’s Screenwriting Lesson 01:06:01:15 - TOP 5 #FightClub #DavidFincher #BradPitt #EdwardNorton #HelenaBonhamCarter #DissociativeIdentityDisorder #Psychology #MentalHealth #Screenwriting #Filmmaking #Cinemental

    093 Fight Club

  2. Sep 3

    092 True Detective

    True Detective Season 1 is remembered for its murder mystery, Southern Gothic atmosphere, and unforgettable performances from Matthew McConaughey and Woody Harrelson—but underneath all of that is a story about trauma, depression, anger, coping, identity, and whether damaged people can still find meaning in the darkness. In this episode of Cinemental, filmmaker and professor Jeffrey Jones and psychiatrist Dr. Joshua Jones break down the psychology, characters, and storytelling behind one of television’s most celebrated seasons. We look at Rust Cohle and Marty Hart not simply as detectives, but as two deeply flawed men using very different strategies to survive their own emotional lives. Was Rust clinically depressed? Was Marty always the person we meet in the show, or did the job change him? And can certain forms of mental illness—or traits associated with them—actually make someone better at a demanding profession? Josh also explores the idea that anger is often a secondary emotion, covering fear, shame, grief, vulnerability, or other feelings a person is unwilling or unable to confront. That becomes especially important when looking at Marty’s behavior and the ways both men cope with trauma. We also dig into the famous idea of “light in the darkness” and how the ending reframes Rust’s worldview, asking whether the series ultimately argues for nihilism—or against it. On the filmmaking side, we talk about why these characters are so compelling, why theme matters so much to great storytelling, and then ask the dangerous question: Why did True Detective Season 2 go so wrong? We examine what happens when a project has incredible talent, style, and production value but lacks the thematic clarity that made the first season feel so cohesive. And for this week’s Top 5, we pick movies we’d love to see remade with Matthew McConaughey and Woody Harrelson taking over the lead roles. CHAPTERS 04:26 — True Detective Recap 06:11 — Light in the Darkness 11:37 — Some Great Characters 12:07 — How People Cope After Trauma 16:23 — Anger Is the Result of an Avoided Emotion 17:24 — Character Diagnosis 25:28 — Was Marty Always Like This? 27:58 — Were They Both Depressed? 31:23 — Can Mental Illness Make You Better at Your Job? 38:15 — Anger, Continued 46:57 — Why Did True Detective Season 2 Suck? 52:20 — Why Do Projects With Weak Themes Get Made? 57:57 — TOP 5 Movies to Remake With Matthew McConaughey & Woody Harrelson 1:05:03 — Final Thoughts #TrueDetective #MatthewMcConaughey #WoodyHarrelson #RustCohle #HBO #Psychology #MentalHealth #Screenwriting #Filmmaking #Cinemental

    092 True Detective

  3. Sep 1

    091 Point Break

    Point Break may look like a movie about surfing, bank robbery, skydiving, and Keanu Reeves chasing Patrick Swayze—but underneath all of that, it’s a story about addiction, identity, morality, transcendence, and the dangerous appeal of someone who seems completely free. In this episode of Cinemental, filmmaker and professor Jeffrey Jones and general and forensic psychiatrist Dr. Joshua Jones dive into Kathryn Bigelow’s 1991 action classic Point Break and break down one of its most fascinating characters: Bodhi. We start with adrenaline addiction and the psychology of people who continually seek more intense experiences. Is Bodhi simply a thrill seeker, or has his need for risk become something closer to an addiction? From surfing massive waves to skydiving and armed robbery, Bodhi seems to need increasingly extreme experiences just to feel fully alive. That leads us into the strange moral problem at the center of the movie: Bodhi is incredibly likable despite being a violent criminal. Patrick Swayze makes him charismatic, philosophical, warm, and magnetic, even as Bodhi manipulates Johnny Utah and endangers nearly everyone around him. We look at why audiences are drawn to characters like Bodhi—and how charisma can complicate our moral judgment. Josh brings in Erik Erikson’s theory of identity development to examine Johnny Utah’s transformation, while we also discuss the morality of undercover police work, the importance of character backstory, and what Point Break ultimately has to say about trying to possess something—or someone—that was never meant to be possessed. We also explore transcendence and Bodhi’s belief that extreme experiences offer access to something beyond ordinary life. Is his philosophy meaningful, or is it simply the story he tells himself to justify addiction and criminal behavior? On the filmmaking side, Jeff looks at the movie’s crucial Save the Cat moment, Gary Busey’s wonderfully unhinged performance, Kathryn Bigelow’s direction, and a screenwriting lesson about how great characters can be built around contradictions. And for this week’s Top 5, we count down the movies that should NEVER be remade. 02:30 Topics of the day 06:22 Adrenaline Addiction 13:29 Bohdi is an Addict. 16:06 The morality of undercover work 18:08 Breaking down Bohdi's Character 22:10 The difficulty of liking Bohdi's character 23:39 Eric Ericson's Theory 29:03 The importance of backstory 32:33 The lesson of Point Break 36:45 Transcendence 47:55 The SAVE THE CAT moment 51:28 Gary Busey 53:08 The director 54:37 Screenwriting lesson of the day 1:00:52 TOP 5 MOVIES NEVER TO RE-MAKE

    091 Point Break

  4. Aug 19

    090 Jaws

    Steven Spielberg’s Jaws isn’t just a movie about a shark—it’s a movie about fear, responsibility, trauma, and the power of filmmaking to turn a simple story into a cultural phenomenon. In this episode of Cinemental, filmmaker and professor Jeffrey Jones and general and forensic psychiatrist Dr. Joshua Jones dive into why Jaws still works more than 50 years later, even when the screenplay itself may not be doing all the heavy lifting. We start with the psychology of fear: what’s the difference between a normal fear and a true phobia? Chief Brody is terrified of the water, but his real journey isn’t simply about “getting over it.” It’s about taking responsibility despite fear. Brody confronts it, Hooper intellectualizes it through science, Quint buries it beneath obsession and bravado, and the town leaders deny it because acknowledging the danger would cost them money. Then we get into Quint, arguably the most fascinating character in the entire movie. Robert Shaw’s legendary USS Indianapolis monologue reveals a man shaped by wartime trauma, survivor’s guilt, and a lifelong obsession with the creatures that killed his friends. Is Quint’s shark hunting really courage—or is it an unresolved traumatic compulsion that ultimately drives him toward self-destruction? On the filmmaking side, Jeff breaks down the famous beach sequence and the ridiculous number of techniques Spielberg deploys in just a few minutes: axial cuts, the Vertigo/dolly zoom, foreground wipes, split-diopter photography, point-of-view shots, sound design, silence, framing, and camera movement. It’s a great example of the difference between a good screenplay and truly extraordinary direction. We also look at the psychology of the blockbuster. When Jaws arrived in 1975, millions of people experienced the same fear, at roughly the same time, and the movie became part of a shared cultural language. We talk about what happens psychologically when an entire society watches the same stories together—and whether the fragmented world of streaming, algorithms, and hyper-personalized media has made that kind of cultural phenomenon nearly impossible today. And for this week’s Top 5, Jeff commits cinematic heresy by arguing that modern audiences can probably skip a few sacred classics—including Taxi Driver, Chinatown, The Deer Hunter, 2001: A Space Odyssey, Citizen Kane, and Psycho—and watch newer films that explore many of the same ideas. Then we balance the scales with the classics we still think absolutely deserve your time: The Exorcist, Apocalypse Now, Rocky, The Godfather, and Seven Samurai. If you’re interested in Jaws, Steven Spielberg, filmmaking, cinematography, screenwriting, PTSD, phobias, movie psychology, classic films, or why certain movies become cultural touchstones, this episode is for you.

    090 Jaws

  5. Aug 10

    089 The Odyssey

    Christopher Nolan’s The Odyssey gives us a lot to talk about — from Zeus’s Law and the shame of returning home, to the idea that Homer’s epic may ultimately be one of the oldest and most powerful stories ever told about a soldier trying to find his way back to his family. In this episode of Cinemental, we dig into why the theme of being ashamed to come home works so well, how The Odyssey can be read as a metaphor for the soldier’s journey after war, and why the relationship between fathers and sons sits at the emotional center of the story. We also get into Zeus’s Law and the ancient concept of hospitality, the choices Nolan makes in adapting Homer for a modern audience, and why this story has survived for nearly three thousand years. We also have some opinions. Jeff explains why he thinks translator Emily Wilson is completely wrong in some of her criticism of the film, and why he has a very hard time taking seriously anyone who says they genuinely hated The Odyssey. You can dislike choices. You can argue about adaptation. But hate it? Come on. And for this week’s Top 5, we look beyond Homer and pick five stories from the classical world that deserve their own major film adaptation. Gods, warriors, monsters, tragedies, impossible choices — Hollywood has barely scratched the surface of what’s sitting there waiting to be adapted. If you’re interested in The Odyssey, Christopher Nolan, Homer, Greek mythology, classical literature, screenwriting, filmmaking, storytelling, film criticism, or the psychology behind great stories, this episode is for you. Cinemental is a podcast about movies, psychology, storytelling, and why the stories we love affect us the way they do.

    089 The Odyssey

  6. Jul 30

    088 Obsession

    In this episode of the Cinemental Podcast, we break down Obsession and explore how the film handles consent, romantic fixation, unhealthy desire, and the dangerous line between pursuing someone and refusing to respect their autonomy. Movies often portray obsession as proof of love: the hero refuses to give up, keeps pushing past rejection, and is eventually rewarded for being persistent. Obsession gives us an opportunity to examine what happens when that familiar romantic narrative becomes something darker. We discuss why consent must remain ongoing, enthusiastic, and freely given—and why attraction does not entitle anyone to another person’s attention, affection, or body. We also look at obsession from a psychological and storytelling perspective. When does intense attraction become fixation? How does someone begin rationalizing behavior they would normally recognize as wrong? And why are audiences sometimes encouraged to sympathize with characters who repeatedly ignore clear boundaries? As always, we approach the film from both sides of Cinemental: mental health and psychology, as well as screenwriting, filmmaking, and character development. A major part of the conversation focuses on Ian, the protagonist’s best friend and one of the film’s strongest supporting characters. Too many movies treat the best friend as a convenient storytelling device: someone who delivers exposition, gives perfect advice, makes a few jokes, and disappears whenever the plot no longer needs them. Ian works because he feels like an actual person. He is honest, observant, loyal, and often gives genuinely good advice—but he is also flawed, emotional, frustrated, and capable of reacting in messy, recognizably human ways. That complexity is a reminder that great supporting characters should be written with the same care as the leads. A believable side character needs personal motivations, contradictions, weaknesses, boundaries, and a life that seems to exist beyond the protagonist’s story. When writers take the time to fully develop the best friend character, they do more than strengthen the supporting cast—they make the entire movie feel more authentic. Join filmmaker and screenwriting professor Jeff and psychiatrist Josh as they analyze Obsession, discuss the psychology of fixation and consent, and explain why memorable side characters are essential to great storytelling. If you enjoy movie analysis, film psychology, screenwriting advice, character development, mental health discussions, and deeper conversations about the themes behind popular movies, subscribe to Cinemental for more episodes exploring where cinema and psychology collide.

    088 Obsession

  7. Jul 20

    087 World Cup

    The World Cup may look like a soccer tournament, but it's really a global experiment in identity, loyalty, competition, and collective insanity. In this episode of Cinemental, Jeff and Josh explore the psychology behind sports fandom and the thin line separating passionate support from full-blown fanatcism. Why does watching eleven strangers represent your country feel so personal? Why can a victory create national euphoria, and a loss feel like a genuine emotional betrayal? We discuss how the World Cup transforms healthy competition into tribal identity and why that might not be a bad thing. Why nationalism becomes especially poweful during international sports, and how belonging to a fanbase can give people community, meaning, and permission to behave in ways they never would alone. We also examine the emotional benefits of fandom, the dangers of dehumanizing rival teams and supporters, and why the World Cup can simultaneously bring the entire planet together while reminding everyone exactly how divided we are. Whether you love soccer (like Josh does) or think a low scoring game is ridiculously boring (like Jeff does) or only watch because someone promised there would be penalty, kicks, this episode breaks down why the World Cup matters far beyond the field.

    087 World Cup

  8. Jul 7

    086 Interstellar

    Christopher Nolan’s Interstellar is one of the most powerful science fiction films ever made because it is not really about space — it is about love, sacrifice, survival, and the impossible moral choices parents make for their children. In this episode of Cinemental, we break down why Interstellar works so well as a non-traditional love story between Cooper and Murph, and how Nolan turns the vastness of the universe into one of the most intimate father-daughter stories in modern cinema. We talk about the power of love as the emotional engine of the film, why Cooper’s decision to leave his kids is both heroic and devastating, and the brutal question at the heart of the movie: do you spend your final days with the people you love, or do you abandon them for the chance to save them? We also get into the darker side of Interstellar, including the power of propaganda, the government’s rewriting of history, and the way fear can reshape what a society is willing to believe. Josh also breaks down what he calls the “trust tax” — the hidden cost of lying to your team members, and why even well-intentioned deception can destroy relationships, leadership, and mission success. If you love Christopher Nolan, Interstellar, emotional science fiction, filmmaking, screenwriting, psychology, or stories about parents and children, this episode is for you. Subscribe to Cinemental for more conversations about movies, mental health, storytelling, psychology, and why the films we love hit us so hard. #Interstellar #ChristopherNolan #Cinemental #MatthewMcConaughey #AnneHathaway #JessicaChastain #ScienceFiction #FilmAnalysis #MoviePodcast #MentalHealthPodcast #Screenwriting #Storytelling #Parenting #Psychology #CooperAndMurph #NolanMovies

    086 Interstellar
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Ratings & Reviews

5
out of 5
6 Ratings

About

Cinemental is a podcast about mental health and how it’s portrayed in cinema and television. What did they get right? What did they get wrong? And what do YOU need to know about mental health. Hosted by Jeffrey Jones (screenwriter and professor) and his brother Dr. Joshua Jones (psychiatrist), these two brothers tackle and all subjects such as depression, grief, anxiety, schizophrenia, even possession. They’ll discuss the triggers for mental health such as family drama, the role of stress, even mentorship. Cinemental is meant to start the conversation about mental health in a fun and entertaining way to let you know that whatever mental health issue you may be struggling with… you’re not alone.

Information

  • Creator
    The Jones Brothers
  • Years Active
    2024 - 2026
  • Episodes
    88
  • Rating
    Explicit
  • Show Website
    Cinemental

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