A People's History of the Guitar

Grant Samuelsen

A People's History of the Guitar is about people, guitars, people and their guitars, and guitars and their people. We'll be exploring histories, origins, innovation, triumphs, and tragedies, and talking to well-known, little known, and unknown people who make music with the guitar, and who make, and think about the instrument. A People's History of the Guitar starts with the idea that the guitar belongs to all of us, and it deserves a history for all of us. This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

  1. Jul 15

    Broken Guitars and Broken Hearts

    I've been thinking more and more about people and their relationships with their guitars (and their guitar-adjacent instruments), and what happens when those relationships break up. Or more specifically, when guitars get broken, and those broken guitars break hearts. There are different kinds of guitar breakage. Sometimes breaking a guitar is the thing ya gotta do to make a point. Then again, sometimes guitars break when you don't want them to break. This one runs from the ancient suburbs of Cairo to the stages of London, Leeds, and the Monterey Pop Festival. I also explore a work by the artist Christian Marclay, who destroyed a guitar to tell a heartbreaking story. And I couldn't help adding four stories of guitars that broke my own heart. All of that in under 30 minutes? I'm dedicated to making the most of your podcast listening time, and you're welcome. If YOU have any stories of broken guitars that broke your heart (or guitars you broke to make a point) I want to hear them. Tell that story to your phone, send that audio file to me at aphotguitar@gmail.com, and with your permission I'll include them in future episodes. I like this one. I hope you do, too. Thanks to Christian Marclay and Paula Cooper Gallery for providing permission to use the audio from Christian Marclay's Guitar Drag in this episode. Marclay's work has been a longstanding interest of mine, since I found his work Record Without a Cover around 1986, when I was working in a very good record store as a wee lad, and found it at the top of a box of indie rock and punk records from a distributor. I've been fortunate to see him perform twice. I'm really chuffed to be able to present this amazing work to you as a part of this episode. The complete audio of the piece is appended to the very end of the episode, and I encourage you to listen to it after you have a sense of the tragic story it tells. You can learn more about Marclay's work here. Support the project here! This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

  2. Feb 17

    The Lute of Har-Mose

    From The Lyres of Ur in episode 10, this episode takes us 1,000 years into the future, and 1,000 miles to the west of Mesopotamia, to ancient Egypt. Once we're there, we'll find a 3,500 year-old musical instrument, played by the in-house musician of the architect and polymath, Sen-en-Mut, who was in the employ of the first female Pharoah, Hat-Shepsut. Sen-en-Mut's favorite musician was named Har-Mose. His instrument was a type of Lute, and it was buried at his side. This accident of history meant that this ancient, delicate instrument, made of wood and animal byproducts, survived the centuries, alongside the stone pyramids and temples of ancient Egypt. The Lute of Har-Mose is the second-oldest extant string musical instrument in the world. The way it was designed, constructed, and played makes it a critical step in the long history of people and their guitars: it's not just a distant cousin of the guitar, it's almost a kind of prototype. It points us directly to the guitar, and the episodes to come, when we'll move through the ancient world and the Middle East, to North Africa and southern Europe, as we continue to follow the trail of the guitar's DNA and the cultures it helped to create. ------ Click here to support A People's History of the Guitar! Even $4/month, or a one-time contribution, goes a long way. If you want to see where this goes as much as I do, it'll help me build this project, create more episodes, license music, conduct interviews, and reach more people. I'm always interested in direct feedback and ideas, so get in touch at aphotguitar@gmail.com. This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

  3. 07/14/2025

    Strung Theory II: The Musical Bow

    This is the second in a short series of episodes and interviews about that thing we made, that if we hadn't made, there would be no guitar. Episode six is about how we learned to make a string and pull it tight between two fixed points to make a weapon. The bow and arrow changed the way we lived, ate, and killed each other. And the bow part of the bow and arrow might be a prototype for future stringed musical instruments (chordophones). That's because until we taught ourselves how to make string, and pull it tight enough to do something, we would never have learned to pull those strings tight enough to make pitched sounds when we pluck, strum, and bow them. Without tensioned strings there are no bows and arrows. Without bows and arrows, there are no harps, lyres, lutes, shoelaces, or Diddley Bows. And there are no guitars. So let's travel from an obscure book from 1899 back to a hunter on a grassy plain 65,000 years ago, to a guitar player in New York in 1978, and think about why and how each of our guitar strings might have an ancient weapon inside of it. Click here to support A People's History of the Guitar with a one-time or recurring contribution, or maybe both. If you want to see where this goes as much as I do, you can help me to produce unique new content and reach more people with a broader perspective on an instrument that changed the world. Go back and check out the previous episodes in order if you haven't already, because this thing is initially best understood if you go from first to last. Thanks for being curious about what I'm trying to do here. This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

4.4
out of 5
12 Ratings

About

A People's History of the Guitar is about people, guitars, people and their guitars, and guitars and their people. We'll be exploring histories, origins, innovation, triumphs, and tragedies, and talking to well-known, little known, and unknown people who make music with the guitar, and who make, and think about the instrument. A People's History of the Guitar starts with the idea that the guitar belongs to all of us, and it deserves a history for all of us. This podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy