MickeyJoTheatre

MickeyJoTheatre
MickeyJoTheatre
  • 4.8 (56)
  • Performing Arts
  • Updated Weekly

Join Mickey-Jo from MickeyJoTheatre as he reviews the latest show from the West End, Broadway, Off-Broadway, Off-West End, Edinburgh Fringe and across the globe. As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. Hosted on Acast. See acast.com/privacy for more information.

  1. 7h ago

    could WICKED close on Broadway? | thoughts on the musical's recent box office downturn and future

    When a Broadway show becomes a long-runner, its lifetime spanning multiple decades, it's hard to imagine that it could ever close. However, recent grosses for the musical Wicked seem to suggest that the show, which was recently adapted for screen, has been slowing down at the box office, with some of its lowest weekly earnings in years. Today, Mickey-Jo is posing the question "what would it take for Wicked to actually close on Broadway?" and what steps might we see the show taking over the next few years in response? check out Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 03:06 | what's going on? 08:07 | the reasons why 13:09 | the other factors 17:59 | the next steps 22:53 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

  2. 1d ago

    Game of Thrones: The Mad King (Royal Shakespeare Theatre, Stratford-Upon-Avon) - ★★★★ REVIEW

    A brand new stage play based on the "A Song of Ice and Fire" stories by George RR Martin has opened at the Royal Shakespeare Company in Stratford upon Avon. The hotly anticipated play, titled Game of Thrones: The Mad King, is adapted by Duncan Macmillan and directed by Dominic Cooke, and is an immediate prequel to "A Game of Thrones". Find out what Mickey-Jo thought of the story, the performances of this company, and the creative choices with which this has been brought to the stage. sign up to Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 02:38 | synopsis / writing 11:14 | staging / design 21:26 | performances 31:33 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

  3. 4d ago

    Cats (Regent's Park Open Air Theatre, London) - ★★★★ REVIEW

    A new production of Andrew Lloyd Webber's CATS opened last night at Regent's Park Open Air Theatre, in London. This new, outdoor production is directed and choreographed by the venue's artistic director Drew McOnie, and will embark subsequently on a UK Tour. Find out what this production of the show is like, how it compares creatively to recent revivals elsewhere and why the press night performance offered a surprise... • 00:00 | introduction 03:53 | this revival 09:42 | creative choices 20:45 | performances 29:40 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

  4. 5d ago

    Review Roundup (9 to 5, The Car Man, Love's Labours Lost and Grease: The Immersive Movie Musical)

    Last week Mickey-Jo saw four completely different productions in the space of 72 hours: • 9 to 5: the Musical on tour • Love's Labours Lost at Shakespeare's Globe • Grease: the immersive Movie Musical • The Car Man at Sadler's Wells Check out what Mickey-Jo thought of each of these productions, their new interpretations, and their creative choices... check out Mickey's weekly substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 01:51 | 9 to 5: the Musical 11:34 | Love's Labours Lost 20:12 | Grease: the immersive movie musical 28:51 | The Car Man 35:14 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

  5. Aug 5

    Mickey-Jo stood onstage for JESUS CHRIST SUPERSTAR | everything you need to know about the standing tickets

    Mickey-Jo recently headed back to JESUS CHRIST SUPERSTAR at the London Palladium, but this time he wasn't seated in the auditorium, but stood onstage. This production is offering dozens of audience members at each performance the chance to book onstage standing tickets and experience the show from an intimate, alternative vantage point. This experience came with many logistical requirements as well as a unique theatrical point of view, and today he’ll be sharing everything you may need to know about both... • 00:00 | introduction 02:58 | logistics 17:35 | experience 30:34 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

  6. Aug 3

    why Ariana Grande has left Sunday in the Park with George | the reason for the star's musical exit

    In a bombshell announcement, it has been confirmed this evening that Ariana Grande will not appear in next year's London revival of SUNDAY IN THE PARK WITH GEORGE. The pop star, who was set to make her London musical theatre debut alongside Wicked co-star Jonathan Bailey, will no longer star in the show as she concludes a concert tour and faces increased public commentary. Find out more about the potential reasons behind this decision, as well as its implications for the upcoming revival... sign up to Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 02:59 | the announcement 07:23 | why has Ariana left? 16:23 | the show's future 21:23 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

  7. Aug 2

    should controversial actors be fired? | thoughts on the backlash for Boy George and Geno Segers

    The theatre industry has recently seen casting controversy on either side of the Atlantic, with Boy George departing from his planned stint in the West End revival of Jesus Christ Superstar days before he was scheduled to perform, and Geno Segers announced as Broadway's newest Hades in the Tony Award winning musical Hadestown. While the reaction online to political statements from each actor has been decisive, there is a deeper conversation to be had about how he respond to these situations, what level of reprisal is proportionate, and what would be achieved by their dismissal? Share your thoughts as Mickey-Jo's attempt to share his and find some nuance in this challenging topic. sign up to Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 04:25 | Boy George / Jesus Christ Superstar 09:50 | Geno Segers / Hadestown 16:05 | the problems 23:39 | further thoughts 28:43 | conclusion About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

  8. Jul 31

    Cleansed (Almeida Theatre, London) - ★★★★ REVIEW

    Mickey-Jo headed to the Almeida Theatre, with some nervous anticipation, to see their new production of Sarah Kane's CLEANSED. This play, first seen at the Royal Court Theatre in the late 1990s, is preceded by its reputation for extreme cruelty and graphic violence, prompting audience members to faint, walk out and publicly decry it. Check out what Mickey-Jo thought of his first experience of the play in this new production from Rebecca Frecknall. sign up Mickey-Jo's weekly substack newsletter: www.mickeyjotheatre.substack.com • 00:00 | introduction 02:48 | the context 06:18 | this production 14:48 | the meaning 20:57 | final thoughts About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

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4.8
out of 5
56 Ratings

About

Join Mickey-Jo from MickeyJoTheatre as he reviews the latest show from the West End, Broadway, Off-Broadway, Off-West End, Edinburgh Fringe and across the globe. As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. Hosted on Acast. See acast.com/privacy for more information.

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