Piano, finally

David Reidy

Piano Finally is a podcast by an old bloke who is learning the piano, finally. I cover the process of learning the piano and music theory as an adult learner. I also review piano books, hardware and other materials from an adult learner's perspective.

  1. 3d ago

    Episode 105 - Adaptations

    G'day, everyone! Welcome to show 105 of Piano, finally, a podcast by an old bloke who is discovering music because he got around to learning the piano, finally. This week, we're diving into the world of adaptations. It's easy to just go along with the flow of mass-produced stuff, but often the most satisfying path is throwing out those standard offerings and going your own way. We'll look at how we adapt music, and how we adapt our setups to get our practices just the way we want them. What's Been Playing: I've spent a lot of time exploring the Montage M synthesiser. If you have one, or are thinking of getting a Montage or MODX keyboard, Keir Darby's video series, Montage M Demystified, is a really valuable resource. I also highly recommend checking out a video from Woody over at Woody's Piano Shack. He got a chance to play a real CFX—Yamaha's top-of-the-line concert grand piano—and talk with a piano technician. It's a beautiful instrument, which is good considering a CFX in Australia costs around a quarter of a million dollars! Watch Woody's CFX video here: https://www.youtube.com/watch?v=TVveFcY2Uqo Essay - Adaptations. Adaptations have long been a part of music. Sometimes it's taking a piece written for three violins and basso continuo, like Pachelbel's Canon, and turning it into a staple of the piano repertoire. In my choir, not one piece of our repertoire was originally written for a choir; they are all adapted from single-voice songs. Being in the bass section means we often get stuck with the root notes and the rhythm—there are a lot of pum-rapa-pum-pums in the ABBA song Fernando—but it makes those times we get an important part of the song even more special. My playing has also led me to adapt my music furniture. Because the Montage is a stage keyboard, it doesn't have speakers or a music stand. So, I got out the CAD software and used my 3D printer to over-engineer a pair of small shelves that clamp to my Liquid Stands frame to hold my Adam D3V speakers. I also designed two interchangeable music stands that fit above the keyboard. Adaptations give us a way of making one-size-fits-all designs into truly personal pieces! Learning - What's New: The singing lessons are showing results! We performed Ain't No Mountain High Enough this weekend, and I found I could get through it quite comfortably and sound pretty reasonable, even on the higher notes. On the keyboard front, I've adopted the Rockschool syllabus from RSL Awards for some more contemporary music practice. I picked up the Grade 1 Keyboard and Grade 1 Voice books online, which include great backing tracks. Check out Rockschool here: https://rockschool.io/ I'm also doing the next lesson in Guy Michelmore's melody writing course, and getting reacquainted with Mathematica to make some diagrams for the new Physics course. Closing: The rain went away, and the weather turned lovely for our performance at the Parramatta Pride Picnic. It was a fun performance, and the audience seemed to enjoy it! Looking ahead, I'm not sure if there will be a show next week, as the choir has been invited to sing at a memorial service for our founder. The following week I am doing the St Vincent de Paul van on Sunday evening, which will mean no show on the 25th. If you'd like to contact me, the email is david@pianofinally.show, and the website is www.pianofinally.show. Let me know where you are in your journey, what's going well, and what the challenges are! This podcast is produced on the lands of the Dharug and Gundungarra peoples, land that always was and always will be traditional Aboriginal land. I pay my respects to their elders, past and present, and extend that respect to all Aboriginal and Torres Strait Islander people listening to the podcast. The contents of the podcast were entirely generated by David Reidy, but these show notes were created by Gemini. Send me a text message. You can contact me: via email at david@pianofinally.show; this is probably the best optionthe show website, www.pianofinally.showInstagram and Threads @pianofinallyand on YouTube all the podcast directories - listhere's the RSS feedSome of the links to books and other items mentioned in the podcast may affiliate links for Amazon or other providers. If you use one of these links, a commission may be paid to me at no additional cost to you. Thank you if you use a link.  All reviews of products, websites and services are unpaid, and no sponsorship has been received for any content on this podcast.

  2. Oct 4

    Episode 104 - On Paper

    G'day, everyone. Welcome to show number one hundred and four of Piano, finally. Let's see if I can get everything right this week! Welcome, I share some thoughts on renewing my Sydney Symphony Orchestra subscription and provide an update on the choir's progress for our December concert. We've got the repertoire sorted, and thankfully Sweet Disposition is reserved for the Perth festival, so I get a pass on that bass part! Also, a quick reminder that early-bird tickets for the 30th Blue Mountains Music Festival are available until mid-November: https://www.bmff.org.au/ What's been playing I have been enjoying Daniel Thrasher's fun classical pieces (https://www.youtube.com/watch?v=gStpYu84aRQ), a brilliant one-take cover of Pink Floyd's Money by sina-drums at Abbey Road Studios (https://www.youtube.com/watch?v=OMuG3XoOw0l), and Pierre Piscitelli's fascinating behind-the-scenes look at how he makes his videos (https://www.youtube.com/watch?v=OSYpQPZH43s). Essay - On Paper: This week, I explore my approaches to using sheet music, and whether it is better on paper or digitally.I share my current setup, which involves some very nice Blackwing pencils (https://thesydneyartstore.com.au/collections/graphite/products/palomino-blackwing-soft-graphite) for paper scores, and a 13" iPad Pro running Newzik for digital scores.[cite: 4, 5] While digital is incredibly convenient for syncing finger numbers and annotations across devices, paper still has its place.[cite: 5, 6] Electronics will never replace browsing through Sappho Books (https://www.sapphobooks.com.au/) or DaCapo (https://www.dacapo.com.au/). Let's embrace both! Learning - What's new: I've got the new practice space set up, placing the Yamaha Montage M8x in a spot where it gets played numerous times a day.[cite: 6, 7] I'm slowly but steadily working on Pierre Piscitelli's tutorial for Candle in the Wind. I'm also preparing to dive into Guy Michelmore's new course on Harmony. Closing & Progress I'll be taking the Montage to the repairer to get the broken knob fixed. We also have a choir performance at the Parramatta Pride Picnic coming up. Finally, I share my progress with the Montage, experimenting with the opening of Candle in the Wind and the Trumpet Tune. The contents of the podcast were entirely generated by David Reidy, but these show notes were created by Gemini. Send me a text message. You can contact me: via email at david@pianofinally.show; this is probably the best optionthe show website, www.pianofinally.showInstagram and Threads @pianofinallyand on YouTube all the podcast directories - listhere's the RSS feedSome of the links to books and other items mentioned in the podcast may affiliate links for Amazon or other providers. If you use one of these links, a commission may be paid to me at no additional cost to you. Thank you if you use a link.  All reviews of products, websites and services are unpaid, and no sponsorship has been received for any content on this podcast.

  3. Sep 27

    Episode 103 - Background Music

    G'day, everyone. Welcome to show number one hundred and three of Piano, finally. I'm on holidays! Term 3 is over, and I'm planning to use the break to get the secondary music spot better organised for some short practice sessions. My new Yamaha Montage M8x keyboard has arrived, though it has a slightly broken knob that I'm getting sorted. I also picked up a hard case for it, which is quite a bit heavier than the case for the MODX M6! Just a quick reminder that early bird tickets for the 30th Blue Mountains Music Festival are now available. You can grab yours here: https://www.bmff.org.au/ What's been playing Last week, ABC Radio's The Music Show covered a fascinating family singing continuously for 400 years, alongside Brian Dessner's new cello concerto, The Trembling Earth. I also had a fantastic workshop with the Luminescence Chamber Singers who travelled up from Canberra to help us with phrasing and timing for our upcoming choir concert. Check out their October concerts and a video of them performing All is Well here: https://www.luminescence.org.au/ On YouTube, I found two great videos. Pierre Piscitelli has a wonderful tutorial on Candle in the Wind, which is definitely on my list to learn. You can watch it here: https://www.youtube.com/watch?v=uKFhbSLn-Vs. Also, check out Every Piano Player's Worst Nightmare... (Here's what to play) by Piano with Melanie: https://www.youtube.com/watch?v=OfNZ4rvYTsA. I might give her suggested piece a try next time I'm early to choir practice! Background Music This week, I've been pondering a question: is music always meant to be listened to? At a recent school building opening, two brilliant Year 10 students played live background music. They were fantastic, yet mostly ignored as people mingled. It got me thinking about how background music is everywhere—from supermarkets to weddings—and whether having live musicians fade into the background is a good thing for them financially, or just frustrating when their hard work is overlooked. Let me know how you balance live music and paying musicians proper respect! What's New I've started working on the opening bars of Candle in the Wind and slowly navigating the hundred-plus controls on my new Yamaha Montage keyboard. My long-term goal is to learn the process of picking up a lead sheet and producing something decent, rather than just playing the right notes from a full score. Closing I went to see some of my students in a local, cut-down production of Beauty and the Beast by Fantasia Showstoppers, and I was pleasantly surprised by the exceptional singing! Find out more about them here: https://www.fantasiashowstoppers.com.au/ If you'd like to reach out, email me at david@pianofinally.show or visit www.pianofinally.show. Let me know where you are in your musical journey! The contents of the podcast were entirely generated by David Reidy, but that these show notes were created by Gemini. Send me a text message. You can contact me: via email at david@pianofinally.show; this is probably the best optionthe show website, www.pianofinally.showInstagram and Threads @pianofinallyand on YouTube all the podcast directories - listhere's the RSS feedSome of the links to books and other items mentioned in the podcast may affiliate links for Amazon or other providers. If you use one of these links, a commission may be paid to me at no additional cost to you. Thank you if you use a link.  All reviews of products, websites and services are unpaid, and no sponsorship has been received for any content on this podcast.

  4. Sep 13

    Episode 102 - Short

    G'day, everyone. Welcome to show number one hundred and two of "Piano, finally", a podcast by an old bloke who is discovering music because he got around to learning the piano. It’s been a relatively quiet week musically, consisting mostly of a voice lesson, choir rehearsal, and some evening practice. However, this week’s show is shorter than usual. With fun events happening after work every day next week and finalising all the marking for the term, there wasn't enough time to write the planned essay on what goes on behind the scenes when putting something big together. The new school building was also opened on Friday, complete with open day events and fantastic background music provided by students to celebrate the school's fortieth birthday. Festivals and Summits This weekend is the AltStrings Practice Summit. While primarily aimed at string players, this free summit for amateur adult musicians has a lot to offer, so I opted for the paid version to access the recordings rather than paying attention at 2:30 in the morning. Also, early bird tickets are now available for the 30th Blue Mountains Music Festival happening next March. Grab them here: https://www.bmff.org.au/. What's been playing The third season of the ABRSM "Start Here" podcast has surprisingly dropped two new episodes covering Punk and House music. The series is comprehensive and an excellent way to expand your musical horizons. You can listen here: https://shows.acast.com/abrsm-start-here. On ABC Radio, "The Music Show" featured a look back at the career of John Farnham, diving deep into "You're the Voice". Check out the episode here: https://www.abc.net.au/listen/programs/musicshow/john-farnham-whispering-jack/107070578. This ties into a new biography and an upcoming musical based on his life premiering in November. Get tickets to the musical here before it sells out: https://www.sydneytheatre.com.au/whats-on/2026/productions/whispering-jack. Other than that, I'm listening to choir practice tracks like "Barefoot" and "The Day You Went Away" to get a proper feel for the music. Learning - What's new I've made a bit of progress in the "How to Write A Great Melody" course by Guy Michelmore. I've been using the motif generator to come up with short, one-bar phrases that will form the basis of my next exercises. To get closer to playing familiar pop music, I've been exploring the types of keyboards used in classic recordings. David Bennett recently released "Top 10 Rhodes Songs of All Time", which covers the development of Rhodes pianos. You can watch it here: https://www.youtube.com/watch?v=8CV0Jv1Z0To. Pierre Piscitelli also has his own version of Rhodes intros, which you can check out here: https://www.youtube.com/watch?v=CimnsB-IHpk. I’ve been using these videos to play with the settings on the Nord and MODX. Progress at the Keys The Trumpet Tune is coming along nicely, and I finally have the timing of the trills working properly into the next notes. With the right-hand working, I'm starting to bring in the left-hand chords. Excitingly, I'm making a start on a cover of Pink Floyd's "Wish You Were Here". With the Montage M8X arriving this coming week, I've purchased a package of settings based around Pink Floyd's music and am testing them out. Closing Piano practice will take a back seat this week as I attend the 2027 season launches for the Sydney Theatre Company and Bell Shakespeare, plus a read performance of Henry VI Pt 2, the annual Astronomy evening at Macquarie University, and a vocal workshop. If you want to reach out, email david@pianofinally.show or visit www.pianofinally.show. The contents of the podcast were entirely generated by David Reidy, but these show notes were created by Gemini. Send me a text message. You can contact me: via email at david@pianofinally.show; this is probably the best optionthe show website, www.pianofinally.showInstagram and Threads @pianofinallyand on YouTube all the podcast directories - listhere's the RSS feedSome of the links to books and other items mentioned in the podcast may affiliate links for Amazon or other providers. If you use one of these links, a commission may be paid to me at no additional cost to you. Thank you if you use a link.  All reviews of products, websites and services are unpaid, and no sponsorship has been received for any content on this podcast.

  5. Sep 6

    Episode 101 - Listen widely

    Welcome to show number one hundred and one! Thanks to everyone who stuck around, and a special thanks to Bill Hilton for mentioning the milestone in his newsletter. Over the next hundred episodes, I'm introducing two new sections: what I've been looking at and listening to for general musical education, and an in-depth look at something I've learned during the week. I'll still occasionally review equipment like the Yamaha Montage M8X when it arrives to pair with my MODX M6.  What's been playing Over the last few weeks, I’ve added new tracks for the upcoming choir concert. Singing in the choir has forced me to learn music I'd never normally consider, like the K-pop Demon Hunters track Golden. I've also been enjoying The Whitlams' Blow Up the Pokies, kd lang's Barefoot, Tainted Love, and Moon River.  On the piano side, I attended a brilliant concert in Newtown featuring improvised music by Mark Isaacs and performances by my piano teacher, Devi Mammak. She played her own compositions, along with Beethoven and Chopin, and finished with a wonderful interpretation of the second movement of Beethoven's Pathetique sonata played in the style of Chopin. If you're around Sydney in September, try to catch these Wednesday evening concerts in a great acoustic space: https://events.humanitix.com/host/eight-o-clock-sharp https://www.emus.space/events/2026-09-02-88x8-mark-isaacs-and-devi-mamak/  I also saw Lucas and Arthur Jussen brilliantly perform Francis Poulenc's Concerto for 2 pianos in D minor with the Sydney Symphony Orchestra. We also heard selections from Poulenc's Les Animaux Modèles and Ottorino Respighi's Pines of Rome. Conductor Stéphane Denève even brought an original 78rpm record of a nightingale to play on an era-appropriate gramophone during the Respighi piece! (Catch the broadcast on ABC Classic FM on 18 November).  Listen widely It’s common to stick to safe, comfortable music, but being adventurous pays off. Whether through choir repertoire, SSO concert series, or podcasts like the ABRSM's Start Here and the ABC's The Music Show, there are countless ways to discover incredible new pieces and artists. For less than the cost of an album each month, you can access almost everything ever recorded, so get out there and listen widely.  Learning - What's new I've started a new online course from Thinkspace Education by Guy Michelmore called How to Write a Great Melody. I'm not planning to become a composer, but it’s a fun way to understand the process. So far, we've analyzed melodies like Baby Shark and Schindler's List.  Progress I'm working towards the November piano recital. This week, I practiced the right-hand melody for Pink Floyd's Wish You Were Here on the synth and worked on the Purcell-based piano piece Trumpet Tune.  If you'd like to contact me, email me at david@pianofinally.show or visit www.pianofinally.show.  The contents of the podcast were entirely generated by David Reidy, but that these show notes were created by Gemini. Send me a text message. You can contact me: via email at david@pianofinally.show; this is probably the best optionthe show website, www.pianofinally.showInstagram and Threads @pianofinallyand on YouTube all the podcast directories - listhere's the RSS feedSome of the links to books and other items mentioned in the podcast may affiliate links for Amazon or other providers. If you use one of these links, a commission may be paid to me at no additional cost to you. Thank you if you use a link.  All reviews of products, websites and services are unpaid, and no sponsorship has been received for any content on this podcast.

  6. Aug 30

    Episode 100 - A Century

    G'day, everyone. Welcome to show number one hundred of "Piano, finally"! It has taken a while to get here, but things have been pretty busy.  Musically, the biggest event was the Belong choir concert. We performed two sold-out shows at the Factory Theatre in Marrickville with a ten-piece band. Despite some early logistical hiccups with the stage setup, it was a spectacular experience.  Reflecting on the past hundred episodes, starting the piano wasn't quite a spur-of-the-moment decision. I began with a backup plan, but it has become a pretty important part of what I do. I'm finding that the old saying, "the journey is more important than the destination", is very much holding true. Saying "yes" rather than "no" to joining a vigil choir eventually led to all of this.  Where to for the next hundred episodes? I'll be adding lead sheets and popular music to my learning, making my playing more entertaining and accessible. This has given me a reason to explore new stage keyboards. I'm waiting on a Yamaha Montage M8X and am already using a MODX-M6, so expect some different sounds soon!  The choir singing will continue, Devi will be back for piano lessons, and the podcast will keep going. I'm also planning to discuss traditional software tools and electronics I use for learning.  I've also been enjoying other music recently, seeing the Pink Floyd Experience in Penrith to celebrate fifty years of Wish You Were Here, and performing off-book with the choir at the Blackheath Choir Festival.  What have I been practising? I'm working on a lead sheet version of Pink Floyd's Wish You Were Here, Tears for Fears' "Everybody Wants to Rule the World", and The Spice Girls' "Wannabe".  If you'd like to contact me, email is best at david@pianofinally.show and the website is www.pianofinally.show.  This podcast is produced on the lands of the Dharug and Gundungurra peoples, the first musicians in this place. I pay my respects to their elders, past and present.  Until next week, I hope your piano stays in tune, and you enjoy your time at the keys.  The contents of the podcast were entirely generated by David Reidy, but these show notes were created by Gemini. Send me a text message. You can contact me: via email at david@pianofinally.show; this is probably the best optionthe show website, www.pianofinally.showInstagram and Threads @pianofinallyand on YouTube all the podcast directories - listhere's the RSS feedSome of the links to books and other items mentioned in the podcast may affiliate links for Amazon or other providers. If you use one of these links, a commission may be paid to me at no additional cost to you. Thank you if you use a link.  All reviews of products, websites and services are unpaid, and no sponsorship has been received for any content on this podcast.

  7. Jun 14

    Episode 99 - Why music?

    Welcome to show number ninety-nine! In this week's show, I'll review an amazing production at the Sydney Theatre Company, take a musical trip back to the 1960s courtesy of the Blue Mountains Musical Society, and try to prioritise things. First, I must apologise for the unexpected break in the shows. It has been four weeks since episode 98; things just got in the way with visitors, exams, and reports. Progress Update My piano lessons are going well. We have gone back to some of the older pieces to get them up to a performance level, like the Purcell Trumpet Tune. Coincidentally, Paul Fey recently put out a video playing the piece: https://www.youtube.com/watch?v=3OYOH-KWTGS. The singing lessons are also helping, as I can now hit notes I couldn't hit earlier in the year. Review - Sydney Theatre Company - An Iliad I recently went to see the STC's production of An Iliad, an adaptation of Homer's work. The cast is just two people: cellist and flautist Helen Svoboda, and the storyteller, David Wenham. The staging is simple, black, and empty except for a heavily loaded cart, ensuring the focus is always on the two people on stage. The story is compelling, covering the events of Homer's Iliad, but turning into a tale about war in general. The season is sold out, but you can see a promo here: https://www.sydneytheatre.com.au/whats-on/2026/productions/an-iliad. Essay - Why Music? With so many work-related tasks, social obligations, and hobbies, I've had to start setting priorities. I was wondering why I give so much of my discretionary time to music. While science and teaching are both creative, it is still work. Music is a different kind of creativity. Right now, I'm focusing on the mechanics of playing the piano, relying on others' creativity. The simple sense of victory over a D major scale played hands together is a nice add-on to the day, offering an immediate sense of accomplishment. I'll wrap up these ideas in part two next week. Review - Georgy Girl The Blue Mountains Musical Society recently put on Georgy Girl, a musical based on the career of The Seekers. The production focused mostly on the last five years of the 1960s. The cast did an amazing job, particularly the four stars carrying the show: Isabella Schroder, Tim Gerber, Benjamin Roorda, and Rowan Brown. While this production has closed, they have Joseph and the Amazing Technicolour Dreamcoat coming up: https://bmms.org.au/show/georgy-girl-2026/. Closing To get in touch, email me at david@pianofinally.show or visit www.pianofinally.show. The contents of the podcast were entirely generated by David Reidy, but these show notes were created by Gemini. Send me a text message. You can contact me: via email at david@pianofinally.show; this is probably the best optionthe show website, www.pianofinally.showInstagram and Threads @pianofinallyand on YouTube all the podcast directories - listhere's the RSS feedSome of the links to books and other items mentioned in the podcast may affiliate links for Amazon or other providers. If you use one of these links, a commission may be paid to me at no additional cost to you. Thank you if you use a link.  All reviews of products, websites and services are unpaid, and no sponsorship has been received for any content on this podcast.

  8. May 17

    Episode 98 - One thing at a time

    Welcome to show number ninety-eight. In this week's show, I'll review Matthew Cawood's latest video, talk about the myth of multi-tasking and let you know how last night's performance went. During my voice lessons on Monday, we found that I can now get to the D# above middle C reasonably consistently, and the E above that occasionally. This week's piano lesson was longer, and we spent a good bit of time on A Mingus Among Us. Thursday night was the choir rehearsal, but the highlight of the week was the performance on Saturday at the International Convention Centre. Review - Matthew Cawood Matthew Cawood's latest video, How to open any piece of music and just play it, looks at sight-reading. Matthew starts by explaining the difference between sight-reading and learning a new piece. He moves on to the two levels of sight-reading: recognising individual notes and then recognising patterns. He provides a list of things you really should know before attempting to play a piece: the key signature, the time signature, the performance markings, dynamics, and articulations. He also suggests that you should be practising just on the edge of failure to get the maximum benefit. Matthew has a new project, The Practice Room, designed as a community for adult learners. Essay - One thing at a time Multitasking is a myth. When most people attempt two complex tasks at the same time, the quality of both suffers. When I started singing with the choir, I found myself much better able to name the bass clef notes. Why? Because using my voice is automatic, so all my attention can go into note reading. If I'm at the piano, moving the right fingers on the right keys is already a complex task, leaving little room for analysing notes. The only way to deal with this is to practise so that you only need to do one complex thing at a time. For the piano, getting the correct fingers on the correct keys moves to automatic, and it's no longer part of the multitasking. Sydney Children's Hospital Charity Ball Performance On Saturday, I was part of the choir performance for the Emerald Ball fundraiser for the Sydney Children's Hospital in the ballroom of the International Convention Centre. The choir's job was to accompany the end of a video presentation detailing the story of a young patient. We sang A Million Dreams over the montage section. After a 4:30 pm sound check and a lot of waiting around, the performance went without a hitch! I even discovered that the choir's event manager, Terry, and I had been in the same production of Oliver back in 1974. Closing & Progress Next week, I won't be at the choir rehearsal on Thursday as I am taking a group of students to Macquarie University for a science lecture. I am continuing progress on A Mingus Among Us.   The contents of the podcast were entirely generated by David Reidy, but these show notes were created by Gemini. Send me a text message. You can contact me: via email at david@pianofinally.show; this is probably the best optionthe show website, www.pianofinally.showInstagram and Threads @pianofinallyand on YouTube all the podcast directories - listhere's the RSS feedSome of the links to books and other items mentioned in the podcast may affiliate links for Amazon or other providers. If you use one of these links, a commission may be paid to me at no additional cost to you. Thank you if you use a link.  All reviews of products, websites and services are unpaid, and no sponsorship has been received for any content on this podcast.

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Piano Finally is a podcast by an old bloke who is learning the piano, finally. I cover the process of learning the piano and music theory as an adult learner. I also review piano books, hardware and other materials from an adult learner's perspective.

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