Stay Through the Credits

Dan & Julia

We’re Dan and Julia, and we cannot watch a movie without arguing about it. Stay Through the Credits is what happens when two people with very different taste share one couch (or one mic). One of us cries at everything. One of us says “it’s fine, it’s just a movie” and then thinks about it for three days. Guess which is which. Every week we talk about the films and shows we can’t stop thinking about: the masterpieces, the guilty pleasures, the endings that ruined our night, and the hidden gems we’ll bully you into watching. No film-school gatekeeping. No pretending we liked the boring one.

  1. 1d ago

    Wildwood: Laika Goes Full Epic

    Laika’s sixth feature is its biggest swing yet, a 130 minute stop motion fairytale about a Portland girl chasing a murder of crows into a forbidden wilderness to save her baby brother. We get into the handmade textures, Carey Mulligan’s villain, the surprisingly intense PG-13 opening, and why a story built from borrowed fantasy parts still feels like a new standard.

    Wildwood: Laika Goes Full Epic

  2. 2d ago

    Ray Gunn: Brad Bird's Love Letter to Noir and Sci-Fi

    Brad Bird's Netflix animated mashup premiered at the London Film Festival, and it throws Bogart noir, "Blade Runner," "Roger Rabbit" and the Star Wars cantina into one blender. Sam Rockwell is an analog private eye in a digital future, Scarlett Johansson is a pop star in deep trouble, and Tom Waits is the cyclops partner we didn't know we needed. We talk Metropia, the Bogie and Bacall energy, and why this might be Netflix's ticket to an Oscar nomination.

    Ray Gunn: Brad Bird's Love Letter to Noir and Sci-Fi

  3. 4d ago

    Software, Not Satan: Cupertino and the Soul of AI

    Robert and Michelle King trade Chicago for Silicon Valley in CBS's new legal drama Cupertino. We dig into how Mike Colter and Rachel Keller's scrappy law firm takes on AI giants, and why a show about algorithms keeps asking questions that sound a lot like theology.

    Software, Not Satan: Cupertino and the Soul of AI

  4. 5d ago

    The Social Reckoning: Sorkin Logs Back In

    Sorkin returns to Facebook sixteen years after The Social Network, this time with the whistleblowers. We dig into whether the sequel earns its place, what Fincher's absence costs it, and why a story that felt urgent once now feels like a history lesson.

    The Social Reckoning: Sorkin Logs Back In

  5. Oct 6

    Artificial: Andrew Garfield's Terrifying Sam Altman

    Luca Guadagnino's OpenAI origin story premiered at NYFF after Amazon reportedly got cold feet about releasing it, and once you watch it, you understand why. Andrew Garfield plays Sam Altman as a man who shapeshifts depending on who's in the room, Yura Borisov plays Ilya Sutskever as the true believer watching his dream curdle into something uncontrollable, and the whole thing plays less like a tech biopic and more like a modern Frankenstein story that might already be coming true.

    Artificial: Andrew Garfield's Terrifying Sam Altman

  6. Oct 4

    A Statement: What We Already Knew in 1980

    Tom McCarthy recreates an actual 1980 congressional climate conference, pulling dialogue straight from real transcripts, and the result is quieter and stranger than you'd expect. We get into the committee room politics, the forgotten nuclear energy argument nobody wanted to touch, and why a movie built entirely out of talk ends up feeling like a warning we still haven't learned from.

    A Statement: What We Already Knew in 1980

  7. Oct 3

    Behemoth!: Pedro Pascal Learned the Cello For This

    Tony Gilroy's first film since "The Bourne Legacy" follows a session cellist drifting through affairs, movie score gigs, and a mystery involving a teenage avant pop star. Pedro Pascal actually learned to play cello for the role, nine film composers contributed to the score, and somehow it's still not quite "Tár." We get into the meta score gimmick, Olivia Wilde's stalker energy, and why this one's more scherzo than symphony.

    Behemoth!: Pedro Pascal Learned the Cello For This

  8. Oct 2

    Cameron Winter at Carnegie Hall: One Voice, One Piano, 75 Minutes

    Paul Thomas Anderson points a camera at Cameron Winter alone at a Steinway for 75 minutes, and somehow it's one of the most hypnotic concert films in years. We talk Dylan comparisons, that candlelit 35mm glow, and why a guy from Geese turned out to have this voice hiding inside him the whole time.

    Cameron Winter at Carnegie Hall: One Voice, One Piano, 75 Minutes
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1.3
out of 5
23 Ratings

About

We’re Dan and Julia, and we cannot watch a movie without arguing about it. Stay Through the Credits is what happens when two people with very different taste share one couch (or one mic). One of us cries at everything. One of us says “it’s fine, it’s just a movie” and then thinks about it for three days. Guess which is which. Every week we talk about the films and shows we can’t stop thinking about: the masterpieces, the guilty pleasures, the endings that ruined our night, and the hidden gems we’ll bully you into watching. No film-school gatekeeping. No pretending we liked the boring one.

Information

  • Creator
    Dan & Julia
  • Years Active
    2024 - 2026
  • Episodes
    582
  • Rating
    Explicit
  • Copyright
    © Dan & Julia
  • Show Website
    Stay Through the Credits

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