Indie Film Podcast

Indie Film Podcast

Our Goal with Indie Film Podcast is to share all of the mistakes we’ve made in our film making journey, so you can avoid them! We are owners of over 75 rejection letters from film festivals. In spite of producing several well-received films, neither of us has managed to turn our passion into a career. Our continued efforts to follow the advice doled out by the gurus has given us a plethora of experience in nearly every filmmaking role, but also, a negative balance in our bank accounts. Follow us on our journey as we attempt to break into the national film scene, or just incur more debt.

  1. 1h ago

    Should You Ever Work for Free on a Film Set?

    Should you ever work for free on a film set? Or is being paid in "exposure" just a creative way to get free labor? Unpaid gigs are practically a rite of passage in indie filmmaking, but not every opportunity is worth your time. This week, Victoria and Chuck break down when working for free can actually benefit your filmmaking career, the difference between collaboration and exploitation, and the red flags to watch for before volunteering on a production. Plus, we're talking hidden costs, film crew day rates, and Chuck's hilariously useful (or useless?) A*****e Tax Calculator for dealing with difficult people on set. Have you ever worked for exposure? Was it worth it? We'd love to hear your story! _____________________________________ Show Links:  Be Our Next Featured Filmmaker: https://www.indiefilmpodcast.com/submit Watch “Dive”: https://youtu.be/LPEmhmKLtDY  Get the “A*****e Tax” Calculator: https://indie-film-podcast.kit.com/68f74bc072 _____________________________________ Follow Indie Film Podcast: Instagram: https://www.instagram.com/indiefilmpodcast/ TikTok: https://www.tiktok.com/@indiefilmpodcast Web: https://www.indiefilmpodcast.com Newsletter: https://indie-film-podcast.kit.com/68f74bc072  Get Featured on the Pod: https://www.indiefilmpodcast.com/submit

    Should You Ever Work for Free on a Film Set?

  2. Oct 29

    The Strange Art of Horror Movie Sound Design (with Jacob Kinch)

    Ever wonder how horror movies create those terrifying, stomach-turning sounds? Spoiler alert: Sometimes it's just a pumpkin.  This week, we're joined by sound designer Jacob Kinch (The Last of Us, Call of Duty) to explore the strange and wonderfully creative world of horror movie sound design. From Foley tricks and monster growls to fixing bad audio and building immersive soundscapes on a budget, we're sharing practical techniques indie filmmakers can steal for their own projects. Plus, Victoria gets put to the test in a hilariously disgusting horror sound effects guessing game. Turns out, vegetables are a lot scarier than you think. Skip the excuses. Go make some damn art! _____________________________________ Show Links:  About Jacob Kinch: https://www.skymeltsound.com/  Be Our Next Featured Filmmaker: https://www.indiefilmpodcast.com/submit Jurassic Park Sounds with Gary Rydstrom: https://youtu.be/FRj0vKruPv8?si=NXmK5E_ZtUj4vWCB  _____________________________________ Follow Indie Film Podcast: Instagram: https://www.instagram.com/indiefilmpodcast/ TikTok: https://www.tiktok.com/@indiefilmpodcast Web: https://www.indiefilmpodcast.com Newsletter: https://indie-film-podcast.kit.com/68f74bc072  Get Featured on the Pod: https://www.indiefilmpodcast.com/submit

    The Strange Art of Horror Movie Sound Design (with Jacob Kinch)

  3. Oct 22

    Can You Make a Feature Film for $7,000 in 7 Days?

    Could you make a feature film with just $7,000 and seven shooting days? That's the challenge Jerry White of Bronson Creative has thrown our way, and we're putting our indie filmmaking skills (and questionable financial judgment) to the test! In this episode, Chuck pitches a seven-part anthology designed to keep production costs low, while Victoria dreams up a workplace mockumentary that relies on improvisation, strong characters, and a whole lot of creative problem-solving. Along the way, we're talking microbudget filmmaking, cutting crew and production costs, writing stories that fit your resources, and whether spending $7,000 making your own movie might teach you more than film school. But there's a bigger question: Is making a microbudget feature film actually worth your time and money? Whether you're planning your first feature or trying to figure out how to keep making movies without going broke, join us for a conversation about creative limitations, filmmaking experience, and why sometimes the best way to learn is to just make the damn movie. Your turn! If you had $7,000 and seven shooting days, what movie would YOU make? _____________________________________ Show Links:  Learn more about Jerry White and Bronson Creative: http://www.bronsoncreative.org/  Jerry’s Own Feature: https://youtu.be/9H4EExpUedM  _____________________________________ Follow Indie Film Podcast: Instagram: https://www.instagram.com/indiefilmpodcast/ TikTok: https://www.tiktok.com/@indiefilmpodcast Web: https://www.indiefilmpodcast.com Newsletter: https://indie-film-podcast.kit.com/68f74bc072  Get Featured on the Pod: https://www.indiefilmpodcast.com/submit

    Can You Make a Feature Film for $7,000 in 7 Days?

  4. Oct 15

    The Ugly Truth About Indie Film Distribution

    You finally got your indie film picked up for distribution. Congratulations! But...where's your money? Getting your movie onto streaming platforms like Amazon Prime or Tubi might feel like the finish line, but film distribution doesn't guarantee an audience, a paycheck, or even a fair deal. In this episode of Indie Film Podcast, we’re tackling the ugly truth about independent film distribution, from questionable contracts and recoupable marketing expenses to the challenge of standing out in an oversaturated streaming market. We share real-world distribution experiences, discuss what film distributors actually look for, and explore alternatives to traditional distribution, including self-distribution, independent theatrical screenings, and creative ways to get short films seen. Plus, why building an audience before your film is released might be one of the smartest investments you can make in your filmmaking career. Because getting distribution isn't the finish line. It's just another step toward making your next movie. _____________________________________ Show Links:  Be Our Next Featured Filmmaker: https://www.indiefilmpodcast.com/submit Raindance Article: https://raindance.org/how-film-distribution-has-changed-what-every-filmmaker-needs-to-know/  DIVE is available for streaming starting Friday, Oct. 16th: https://youtu.be/LPEmhmKLtDY  _____________________________________ Follow Indie Film Podcast: Instagram: https://www.instagram.com/indiefilmpodcast/ TikTok: https://www.tiktok.com/@indiefilmpodcast Web: https://www.indiefilmpodcast.com Newsletter: https://indie-film-podcast.kit.com/68f74bc072  Get Featured on the Pod: https://www.indiefilmpodcast.com/submit

    The Ugly Truth About Indie Film Distribution

  5. Oct 8

    How to Find the Audience for Your Indie Film

    You made the movie. Now how do you get people to actually watch it? In this episode of Indie Film Podcast, we break down how filmmakers can find the right audience for their work, build an online following, and create marketing that gives people a real reason to care. We talk about audience research, social media strategy, why generic behind-the-scenes posts often miss the mark, and how to figure out what kind of content your viewers actually want to see. We also get into owned audiences, YouTube strategy, follower counts, and why simply uploading your film and hoping the algorithm does the rest usually isn’t enough. If you’re trying to promote an indie film, grow an audience around your work, or get more people to actually watch what you’ve made, this episode is for you. _____________________________________ Show Links:  Be Our Next Featured Filmmaker: https://www.indiefilmpodcast.com/submit Chit Chat webseries: https://youtube.com/playlist?list=PLV8r3i4wLP48aH-qx8xlqLymMNJsUF8aF&si=PziQ5Kw8uc1wo4xQ  _____________________________________ Follow Indie Film Podcast: Instagram: https://www.instagram.com/indiefilmpodcast/ TikTok: https://www.tiktok.com/@indiefilmpodcast Web: https://www.indiefilmpodcast.com Newsletter: https://indie-film-podcast.kit.com/68f74bc072  Get Featured on the Pod: https://www.indiefilmpodcast.com/submit

    How to Find the Audience for Your Indie Film

  6. Oct 1

    How to Break Into the Film Industry Without “Knowing Someone”

    Trying to break into the film industry without the right connections can feel impossible. But is gatekeeping really the problem, or is there more going on? In this episode, we talk about filmmaker networking, why established film crews keep hiring the same people, how to make yourself useful on set, and what actually helps you build relationships in your local film community. We also dig into film festival rejection, programming decisions, getting your movie seen, and why even a major festival screening won’t automatically create an audience or distribution opportunity. If you’re an indie filmmaker trying to get onto better sets, build stronger industry connections, navigate film festivals, or find a bigger audience for your work, this conversation is for you. _____________________________________ Show Links:  Be Our Next Featured Filmmaker: https://www.indiefilmpodcast.com/submit Stockton to Table Rock: https://pickrelay.com/app/t/x8tb-q4zg  _____________________________________ Follow Indie Film Podcast: Instagram: https://www.instagram.com/indiefilmpodcast/ TikTok: https://www.tiktok.com/@indiefilmpodcast Web: https://www.indiefilmpodcast.com Newsletter: https://indie-film-podcast.kit.com/68f74bc072  Get Featured on the Pod: https://www.indiefilmpodcast.com/submit

    How to Break Into the Film Industry Without “Knowing Someone”

  7. Sep 24

    When Your Film Crew Gets Too Small: The Hidden Cost of a Skeleton Crew

    How small can your film crew get before saving money starts costing you more? In this episode, we break down what happens when a skeleton crew gets stretched too thin, from bad location sound and rushed lighting to missed art department details, overworked directors, production paperwork problems, and expensive fixes in post. We also talk about what you can realistically cut on a low-budget film set, what you should never compromise on, and how better pre-production, simpler setups, and smarter scheduling can help a small crew actually work. If you’re making an indie film with limited money and limited people, this episode is all about finding the line between lean and understaffed. _____________________________________ Show Links:  Be Our Next Featured Filmmaker: https://www.indiefilmpodcast.com/submit What’s the Worst That Could Happen: https://youtu.be/rNnRUQwilys?si=se4umjhlCz25JgsI  Dive Teaser: https://youtu.be/dWHL9n6oqio?si=jIHhT7Gh5wc-SV5O  Pre-Production Tools: https://www.indiefilmpodcast.com/indie-film-production-tools  _____________________________________ Follow Indie Film Podcast: Instagram: https://www.instagram.com/indiefilmpodcast/ TikTok: https://www.tiktok.com/@indiefilmpodcast Web: https://www.indiefilmpodcast.com Newsletter: https://indie-film-podcast.kit.com/68f74bc072  Get Featured on the Pod: https://www.indiefilmpodcast.com/submit

    When Your Film Crew Gets Too Small: The Hidden Cost of a Skeleton Crew

  8. Sep 22 ·  Bonus

    This Indie Horror Film Does Possession RIGHT | IFP Reviews: The Resonance (2026)

    Can a low-budget indie horror film deliver genuinely effective possession horror without relying on expensive VFX? The Resonance makes a very strong case. In this IFP Review, we’re looking at Paul Robinson and Sashia Dumont’s The Resonance (2026), a supernatural horror short about a psychologist who begins investigating her late predecessor’s disturbing final case and finds herself caught between science, religion, and something far more sinister. We break down three highlights, two lowlights, and our biggest takeaway for filmmakers, including the film’s eerie sound design, detailed 1979 production design, Sashia Dumont’s nearly dialogue-free performance, practical effects, cinematography, editing, and the smart choices that make a contained one-location horror film feel much bigger than its budget. If you’re a fan of possession horror, supernatural horror, indie horror short films, or you’re a filmmaker looking for a strong example of low-budget horror filmmaking, The Resonance is absolutely worth checking out. Disclosure: This review was commissioned by the filmmaker. Payment guarantees an honest review, not positive coverage, a predetermined rating, or editorial approval. All opinions are our own. _____________________________________ Show Links:  Watch The Resonance: https://www.sen3productions.com/films/theresonance  Want a review of your indie film? https://www.indiefilmpodcast.com/submit _____________________________________ Follow Indie Film Podcast: Instagram: https://www.instagram.com/indiefilmpodcast/ TikTok: https://www.tiktok.com/@indiefilmpodcast Web: https://www.indiefilmpodcast.com Newsletter: https://indie-film-podcast.kit.com/68f74bc072  Get Featured on the Pod: https://www.indiefilmpodcast.com/submit

    This Indie Horror Film Does Possession RIGHT | IFP Reviews: The Resonance (2026)
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Ratings & Reviews

5
out of 5
6 Ratings

About

Our Goal with Indie Film Podcast is to share all of the mistakes we’ve made in our film making journey, so you can avoid them! We are owners of over 75 rejection letters from film festivals. In spite of producing several well-received films, neither of us has managed to turn our passion into a career. Our continued efforts to follow the advice doled out by the gurus has given us a plethora of experience in nearly every filmmaking role, but also, a negative balance in our bank accounts. Follow us on our journey as we attempt to break into the national film scene, or just incur more debt.

Information

  • Creator
    Indie Film Podcast
  • Years Active
    2025 - 2026
  • Episodes
    98
  • Rating
    Explicit
  • Copyright
    © Indie Film Podcast
  • Show Website
    Indie Film Podcast

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