The Virtual Jewel Box

Tanner Humanities Center, University of Utah

Named after our seminar room, The Virtual Jewel Box hosts conversations at the Obert C. and Grace A. Tanner Humanities Center at the University of Utah. We share research, commentary, interviews, dialogue, and storytelling from across humanities disciplines. Views expressed on The Virtual Jewel Box do not represent the official views of the Center or University.

  1. Nov 6

    Genre-bending fiction, with Jeremy Rosen and Scott Black

    Why are writers of literary fiction turning to detective stories, fantasy, science fiction, zombie novels, and other forms of popular fiction? In this episode, Tanner Humanities Center Director Scott Black talks with University of Utah literary scholar Jeremy Rosen about his new book, Genre Bending: The Plasticity of Form in Contemporary Literary Fiction (Stanford University Press). Rosen explains why genre is both a flexible literary framework and a social field made up of readers, publishers, magazines, conventions, and fandoms. He and Black discuss the uneasy status of literary fiction as a category, its commitments to prose style, interiority, innovation, and self-reflexivity, and the ways literary writers borrow genre's forms and pleasures without simply becoming genre writers. They also discuss the distinction between genre and genre fiction why literary fiction may resist market values without standing outside the market Mark McGurl's account of literary fiction as one category among many in the age of Amazon Marlon James's Black Leopard, Red Wolf and Colson Whitehead's Zone One world-building, alternate worlds, and the political possibilities of fantasy and science fiction Cormac McCarthy's Blood Meridian and Jonathan Lethem's Motherless Brooklyn close reading, scale, and the value of particular experience C. Thi Nguyen's concept of value capture. Episode edited by Dani Lester. Named after our seminar room, The Virtual Jewel Box hosts conversations at the Obert C. and Grace A. Tanner Humanities Center at the University of Utah. Views expressed on The Virtual Jewel Box do not represent the official views of the Center or University.

    Genre-bending fiction, with Jeremy Rosen and Scott Black
  2. Apr 21

    Scoring systems, games, and value capture, with Thi Nguyen and Scott Black

    How can scoring systems make games feel so joyful, fluid, and alive, yet drain the life from public institutions and everyday work? This is one of the central questions of a new book by University of Utah philosopher C. Thi Nguyen. In The Score: How to Stop Playing Somebody Else’s Game, published this year by Penguin, Nguyen traces the philosophical and ideological aspects of scoring systems when used outside of play. With Tanner Humanities Center Director Scott Black, Nguyen discusses games as forms of portable agency, the problem of value capture, and the ways gamification and institutional metrics can narrow and impoverish human life. Recent reviews of The Score:  The New York Times — Jennifer Szalai, “Why Keeping Score Isn’t Fun Anymore” The Washington Post — Becca Rothfeld, “A philosopher’s case for living playfully without keeping score”  The Guardian — Tim Clare, “A brilliant warning about the gamification of everyday life” The New Yorker — Joshua Rothman, “Is Life a Game?”  Episode art: Detail from Georges de La Tour, The Cheat with the Ace of Clubs, c. 1630-34. Kimbell Art Gallery. Episode edited by Ethan Rauschkolb. Named after our seminar room, The Virtual Jewel Box hosts conversations at the Obert C. and Grace A. Tanner Humanities Center at the University of Utah. Views expressed on The Virtual Jewel Box do not represent the official views of the Center or University.

    Scoring systems, games, and value capture, with Thi Nguyen and Scott Black

About

Named after our seminar room, The Virtual Jewel Box hosts conversations at the Obert C. and Grace A. Tanner Humanities Center at the University of Utah. We share research, commentary, interviews, dialogue, and storytelling from across humanities disciplines. Views expressed on The Virtual Jewel Box do not represent the official views of the Center or University.