Let's Talk Antigonish Podcast

Let's Talk Antigonish

Let’s Talk Antigonish brings you thoughtful conversations as we unpack the questions, stories, and decisions shaping everyday life in our community. letstalkantigonish.substack.com

  1. Aug 8

    What is the Antigonish Art Fair?

    Every second Friday during the summer months you will find a tiny village of tents in Chisholm Park in Antigonish. A gaggle of local artists can be found there—both well-known professional artists and aspiring youth—selling an eclectic mix of wares from jewelry to paintings. The nearby gazebo sees a steady stream of musicians and dancers take the stage. It’s a highly visible affair, impossible to miss if you happen to be driving through Antigonish when it’s on. But what exactly is this art fair? Who runs it and where did it come from? We sat down with Aida Arnold and Beth Latwaitis to talk about the origins of the Antigonish Art Fair, now in its fourteenth year, running five times a season on the park grounds that just so happen to be named in honour of Beth’s father, the former Mayor Colin Chisholm. Her father had passed by the time the art fair began, but she says he would have loved it — he was a community man through and through. The Art Fair is an outdoor evening market for artists, musicians, makers, and performers, held every second Friday in the summer months, with the park gazebo and surrounding grounds forming a natural stage and gathering place. Weather is the only real variable; if it turns, the event moves to the 4-H barn. But both Aida and Beth are clear that Chisholm Park is the soul of the fair, and the reason for its success. David Miller You can’t tell the story of the Art Fair’s origins without telling David’s story. David Miller approached Beth in 2012 with an idea: a summer event in Chisholm Park that would bring the community together and draw people from outside. He had the vision and the energy; she had the organizational capacity. Together they built the first art fair out of nothing, just an idea and an ability to wrangle the people they needed to make it happen. David had run the McDonalds on James Street for 23 years. He had an MBA, understood what money moving through a community could do to improve people’s lives, and spent a significant portion of those restaurant years talking to travelers passing through town—people headed to Cape Breton who’d stopped for food—telling them about Antigonish and giving them reasons to drive down Main Street. With a shared love of art and a desire to bring people from both inside and outside the community together, Beth and David tapped local artists and persuaded local politicians to back the idea. After a successful grand opening, the Art Fair has been back every summer (with the exception of a small break during COVID) and there’s no indication that it’s stopping anytime soon. What Makes It Work One of the Art Fair’s quieter distinctions is that it doesn’t separate the well-known from the brand new. At the last fair, established artist Anna Syperek was showing here work in one tent, while in another, a teenager was selling handmade cards — maybe their first public showing of anything. These artists can coexist here in a way that doesn’t happen at other art events, and the downstream effects of that for a young artist truly matter. Several people who showed at the early fairs have since gone on to pursue art studies. Some come back. Most have moved away, but they remember. Aida has stepped into the role of booking musical artists to play during the event. She scouts performers at the Saturday farmers market — she’ll approach someone she hears, hand them a card, and a few have shown up to perform. Jazz students from StFX who stay in Antigonish over summer have performed. Theatre Antigonish cast members have been invited. Volunteer MCs anchor the evening. Performers are paid — something Justin notes is unusual for a volunteer-run community organization of this size. Five young people are employed each fair to put up and take down the tents and distribute tables and chairs. The unusual 50/50 raffle deserves a mention. It’s a raffle where you indeed win money, but with a simple caveat: you have to spend it at the art fair. The Arts House The second major strand of this story is the Arts House — the small building near Boston Pizza that started life as the Antigonish Tourism office, a moveable structure that was deposited on whatever free land the tourism bureau could find. Beth and David had already been using the building during the winter months between art fairs, renting it for offseason activities and storage. When it came up for purchase, they made a rapid decision and bought it. The vision was a space where artists could teach and be paid for sharing their knowledge, where people could take lessons in anything from watercolour to music. It was another lurch into the unknown, as Beth describes it. The pottery program is now the most developed offering. The Dr. J high school donated six pottery wheels and a kiln they no longer needed. Home Hardware donated an adjacent structure to house the kiln. What started as noticing consistent demand for pottery classes has become a full studio with kiln on site. The building itself sits on land owned by the corporation that owns the mall (Canadian Tire), which donates the space — a contribution Aida describes as huge, huge, huge. The Arts House has since hired a part-time coordinator and continues to run classes through fall and winter when the outdoor events stop. The Flowers There’s a thread in the conversation about Aida and David's overarching desire to bring more beauty and art to the town. Long before the Art Fair took shape, Aida and a group of about six friends looked at what Charlottetown had done with plantings and street-level gardens and asked why Antigonish couldn’t do the same. They lobbied businesses to install iron hangers on their buildings. Pleasant Valley Nurseries donated flowers basket to hang from them. Somebody had seen baskets on bridges in another city and suggested trying it here. That’s how the bridges got their baskets. Expanding the Table One of Aida’s ongoing projects for the Art Fair is broader cultural representation, in both food and performance. Filipino food has appeared at the fair, and Syrian food, and Mexican. A group of Filipino children performed a pop music dance in the walkway between the two sections of the park, which Aida describes with visible delight. She is working toward featuring the Dabke; a traditional line dance from Syria and other Middle Eastern communities, performed at weddings and celebrations. One More This Summer The final Art Fair of the 2026 season is Friday, August 21st at Chisholm Park. All are welcome. If it rains, it moves to the 4-H barn, and Beth and Aida will have been watching the Weather Network closely enough to tell you by Thursday afternoon where it will be. The Arts House accepts class registrations year-round. Both organizations are supported by the town and county through community grants, and by the generosity of a long list of individuals and businesses that both women acknowledge would take the rest of the podcast to properly thank. The closing words in the episode belong to Beth, and they’re about David: He was brilliant, but he was kind. He was creative, but he wanted to get things done. He had a wonderful mix of humanity. Beth went from a single coffee and conversation about an art fair idea to years of work alongside him. And Aida has been there all along, happy to continue David’s legacy of bringing more art, beauty, and joy to Antigonish. Thanks to Whidden Park Campground and Healing Arts Reconciling People (HARP): The People’s Press, Community Sponsors of the Let’s Talk Antigonish Podcast. Interested in becoming a sponsor? Email us at letstalkantigonish@gmail.com Get full access to Let's Talk Antigonish at letstalkantigonish.substack.com/subscribe

  2. Aug 1

    A peek behind the emergency room curtain at St. Martha's with two ER physicians

    Dr. Rosie Pitkin and Dr. Michael Krauthammer are both originally from the United States, both trained in American hospitals, and both ended up in Antigonish as ER physicians. In this episode, they give us the lowdown on what is happening behind those closed doors at the St. Martha’s Regional Hospital Emergency Department. The Question Everyone Actually Has Justin opens with the question he knows everyone wants answered: why do we have to wait so long when we go to the ER? Rosie notes that the doctors tend not to be the ones who hear complaints about long wait times. The triage nurses are front-facing, first-contact, and closest to the waiting room, and they usually are the ones to field complaints about waiting times. The physicians, shielded by a pair of swinging doors, are perceived very differently. This observation turns out to be a recurring theme in the episode: nurses absorb a disproportionate amount of everything - from complaints to workload. The structural answer to wait times is the triage system; a 1-to-5 scale of urgency rooted in a military model. After seeing the tirage nurse, each patient is assigned a number indicating how urgent their particular medical case is. A code one is cardiac arrest: everyone in the resuscitation room, blood from the blood bank, the ICU physician called in. A code five is someone who needs a prescription refill because their family doctor is on vacation. The system means that when a heart attack or stroke arrives, everything else pauses. Often these most urgent cases are hidden from those of us in the waiting room; an ambulance that has just arrived at the back door with the whole department scrambling to deal with a code 1. The broader explanation is space. There is simply not an unlimited supply of beds and medical personnel to handle the influx of people arriving at the ER each day, so the triage system is in place to move people with the highest priority issues through as fast as possible. This is not uncommon for waiting rooms in both Canada and the US although, as we find out later in the episode, the family doctor shortage in Nova Scotia is likely a contributing factor. This Is Not The Pitt Brendan, a fan of the medical drama The Pitt, asks how closely the show reflects reality. Both doctors are diplomatic about the show. The chaos is dramatized, they agree. The last thing you want in an emergency department when someone is genuinely sick is chaos — you want calm, method, priority. The volume of patients crammed into every corner is, however, a fairly accurate portrayal of what a big inner-city hospital looks like in both the US and Canada. St. Martha’s is a different scale entirely. Some days people end up in the halls like on TV, but this is rare. Most days it’s quieter. And experienced physicians, they note with mild amusement, are probably simply more chill than the residents featured on The Pitt. Canada vs. the States: The Honest Version Both Pitkin and Krauthammer trained in American hospitals before coming to Canada, which gives them a comparison most Canadians don’t have. Rosie’s assessment is unambiguous: it’s a thousand times better here. Every metric. Quality of life for the physician. Quality of the nursing team. The sense of internal closeness among the staff. In the States, as Rosie describes it, medicine is a product to be bought and sold, and that reality shapes everything — how patients interact with staff, what happens when the bill arrives, what gets ordered and why. Michael describes Canadian healthcare as a limited resource that the system is set up to conserve — which has its frustrations — while American healthcare is a product, which has a different set of problems. Where the American system works, he says, is in access to specialty care and innovation, provided you have the insurance, the funds, and you happen to live near a centre that has what you need. For the routine stuff — the things most of us actually need most of the time — Canada is significantly better, they both suggest. The Nurses Are Running the Show Both physicians agree that nurses are the beating heart of the ER. The nurses at St. Martha’s are, in Rosie’s words, “bananas good”. She insists that nurses, like teachers, should probably be paid more than doctors. They work longer hours, do most of the physical lifting, absorb the patient frustration, manage the actual logistics of who goes where and when, and serve as the central nervous system of the whole operation. The triage nurse in particular, she says, has one of the hardest jobs in the building. Every single patient walking through the door is having their worst day. They’re in pain, they’re frightened, and they can’t concentrate on anything other than the physical complaint that brought them to the ER in the first place. Whatever friendly version of themselves shows up in the supermarket is not the version showing up to triage. The triage nurse takes their vitals, takes their history, assigns a code, and does this all day — so intensively that the role typically has to rotate between two people over the course of a single shift just to manage the load. Rosie also notes with evident pleasure that St. Martha’s is, in her experience, a nurse-run department — something she has never had before. Her previous working environments were predominantly led by men in suits with bow ties who talked down to her. Her current boss, Dr. Tania Sullivan, is, in Rosie’s words, “like a god to me”. The person who actually knows the most about what’s happening in the emergency department at any given moment, Rosie adds, is the housekeeping staff — because they know exactly which bed is empty, which is dirty, which is clean and ready for the next patient. This is invisible, essential work that nobody talks about. Is the ER filled with people who don’t have a family doctor? Justin ask what percentage of ER patients, at a rough estimate, are there not because of a true emergency but because they don’t have a family doctor and need a less urgent medical consultation? This, it would seem, must be one of the main reasons the ER is so busy. While they don’t have the actual numbers, Michael estimates that somewhere between 30 and 50 percent on a given shift fall into this category. Michael notes it varies depending on which community hospitals are open that day, since St. Martha’s serves a broader catchment area when satellite sites are closed. Neither of them minds this. From their perspective, if you’re in the emergency department, it’s not a low-acuity (meaning non-urgent) situation for you regardless of what the problem is. Something brought you to the ER, and so you were meant to be there. The challenge isn’t resentment from ER staff — it’s limitation. Emergency physicians are trained to a specific scope of practice, and the family doctor shortage is pushing the ER to expand that scope in ways it wasn’t designed for. These are physicians trained to be experts in resuscitation and urgent diagnosis, not dermatology or obstetrics. The example that illustrates it best: Rosie tells the story of a colleague who ordered punch biopsy kits so that ER physicians could take skin biopsies and send them to Halifax for patients who have been waiting years for a dermatology referral. Michael’s response to this was a pained expression. Who, he asks, is going to get those results and call the patient back to follow up? Is a punch biopsy even the right test? These are dermatology questions, not emergency medicine questions. The well-intentioned workaround creates new problems for ER docs being asked to work outside of their scope of practice. He puts a name to this: scope creep. It means being expected to do more than you were trained to do. He doesn’t resent the patients for needing it. He just knows it has limits. How They Both Got Here Both Pitkin and Krauthammer took unconventional routes into medicine — routes that both, in retrospect, seem perfectly logical but at the time felt like accidents. Rosie majored in art history at college because she thought it was cool. Her mother wouldn’t let her go to art school. She eventually decided that art conservation — the science of preserving and restoring artworks — required organic chemistry, and if she was going to take organic chemistry anyway, she might as well see what else was possible. She shadowed a doctor in an emergency room because that was the one medical environment where a college student off the street could walk in and observe. She liked what she saw. She went back. Both she and Michael ended up doing post-baccalaureate pre-med programs — a US pathway for humanities graduates who want to do the pre-med sciences without going back to undergrad — and she describes medical school with a mixture of disbelief and joy: she still doesn’t entirely know how she got in, she says. She was also, she says plainly, ready to quit before she moved here. The pandemic left her, like many physicians, burnt out and running on fumes. COVID accelerated a wave of early physician retirements in both countries that meaningfully worsened the doctor shortage that already existed. Antigonish changed her calculation. Michael started in a psychiatry lab as a research assistant, studying mind-body interventions for chronic pain at a time when most American doctors were prescribing opiates for everything that hurt. The research was ahead of its time. Like Rosie, he hadn’t taken a single science class in college. He describes being about 26 or 27 and realizing he had spent his youth doing things that came naturally, when what might actually be interesting was doing the things that were hard. He thought throughout most of medical school that he would go into psychiatry — a natural trajectory from a humanities background. Then he hit every rotation and found something interesting in each one. He landed in emergency medici

  3. Jul 25

    A discussion with our Member of Parliament, Jaime Battiste

    This week’s guest is Jaime Battiste, MP for Cape Breton–Canso–Antigonish, who popped by the studio as part of the whirlwind summer tour of his home riding. First, the Name The episode opens where it probably had to: the name. Jaime is pronounced the Spanish way; perhaps unexpected for someone from Eskasoni. Battiste was named after his father’s closest friend from Harvard Law School; Jaime Cervantes. He doesn’t generally correct people who pronounce it the English way. Where He Came From His parents met at Harvard. His mother (Marie Battiste) — a Mi’kmaq scholar pursuing her master’s in education — needed a tutor for an education law course and was referred to his father (James [Sákéj] Youngblood Henderson), who was finishing his law degree. The lessons went well, obviously. Six years later, Battiste was born. His mother became the first ever Mi’kmaq PhD. Her research focused on bilingual and bicultural education — specifically how to teach Indigenous language students in a way that honoured both their language and the broader education system. Battiste describes this as decolonizing education before the term was widely used. The results are striking: since the Mi’kmaq communities took control of their own education system in the 1990s, graduation rates have climbed from around 60% to 95% — among the highest of any Indigenous group in Canada. His parents eventually went to the University of Saskatchewan for thirty years of academic work before returning to Cape Breton in retirement. Battiste followed a similar trajectory. He went straight from law school into academia at Cape Breton University at 24, teaching political science, Mi’kmaq studies and history — sometimes to students older than himself. He was also doing significant youth leadership work; in 2004 he was the Assembly of First Nations National Youth Chair, where he met Paul Martin at the Kelowna Accord — a first ministers meeting on Indigenous issues — and describes Martin as the person who made him a Liberal. He never planned to run for Parliament. He was happy in his work as treaty education lead for Nova Scotia’s Mi’kmaq communities. When his predecessor, Mark Eyking, retired after 19 years, a lot of people encouraged him to run for what would be the first ever seat held by a Mi’kmaq MP. He went in not expecting to win. He was surprised each step of the way when he did. He signed up 800 people for the nomination meeting — roughly 90% of them Mi’kmaq — in a riding where Eskasoni, just under 5,000 people, is the second largest population after Antigonish. He’s also related to a significant portion of Paqtnkek. His great-great-great-grandfather was the one who established Paqtnkek; the current chief is his cousin, and he estimates somewhere between 20 and 30 percent of the community are family. What Does an MP Actually Do Brendan Ahren (guest co-host filling in for Anuj) asks the question most people never get a straight answer to: what does a member of parliament actually do all day? The Ottawa portion of the job runs 26 weeks a year, Monday to Thursday at minimum. As Parliamentary Secretary to the Minister of Crown-Indigenous Relations — essentially a deputy to the minister, stepping in when the minister is unavailable — Battiste is there Monday through Friday. His days run 8am to 8pm: committees, caucus, question period, meetings with stakeholders who come to Ottawa on advocacy days (nurses, firefighters, environmentalists, anyone with something to push for), and evening receptions from those same groups. Back in the riding, the job looks completely different. His riding is over 13,000 square kilometres — twice the size of PEI, which has four MPs to his one. He’s regularly driving two hours to meetings. He wishes he had better cell service — it’s one of his consistent asks in Ottawa — because taking calls on the road is often not an option. This summer he’s tried something new: an 18-foot trailer with a mobile office and a bathroom, which he’s been taking around the riding. He parks it in communities, works on emails and calls from there, and people stop in. It’s a little like campaigning, he admits. He doesn’t entirely mind. He also doesn’t mind when constituents pop in to say hello if the trailer in town. How to Actually Get In Touch This question came directly from Facebook, where the most common complaint when the podcast announced the interview was: I’ve tried to reach Jaime and haven’t heard back. Battiste’s answer is practical. He receives hundreds to thousands of emails per day — his public email address is exactly that, public, findable by anyone anywhere in the world. Constituent emails get priority, but only if they include a home address and make clear the sender is actually from the riding. Without that, a message from Antigonish sits in the same pile as messages from hundreds of non-constituents from BC, Ontario, or even Europe or Australia. What He’s Been Working on for This Area A few specific wins and ongoing files come up. The Baddeck skating rink in Victoria County was a significant one — Battiste successfully lobbied to have it named in the federal budget, leading to roughly $12 million in infrastructure funding for what was apparently one of the only counties in Canada without a working rink. That kind of direct budget line item is rare; most advocacy works through broader funds. The largest fund right now is Build Canada — $51 billion over 10 years, running through three streams. The big infrastructure stream covers hospitals, roads, and sewage treatment. A provincial-territorial stream sends roughly $343 million to Nova Scotia for the province to direct toward health infrastructure and related priorities. A local community impact stream matches smaller projects — a Legion heat pump, a playground, beach volleyball courts — dollar for dollar up to around $50,000. The hospital access road for St. Martha’s is something Battiste is actively supporting. He knows firsthand what the traffic situation looks like; he and a colleague were stuck in it last December and eventually turned around and did their meeting by phone. He’s been writing letters alongside every mayor and warden in the tri-counties in support of the Build Canada application. The Maritime Spaceport at Canso, with over $200 million in investment announced by the Prime Minister last week, will ripple into Antigonish: there won’t be enough accommodation in Canso and Guysborough for everyone coming, which means Antigonish benefits from the overflow. He describes this as being right on the cusp of significant growth for the area. On immigration and newcomers, he invokes Peace by Chocolate — Antigonish’s most internationally known example of what a welcoming community can produce — and notes he’s brought the Minister of Immigration to visit Main Street specifically to show her what that looks like in practice. The harder challenge, he acknowledges, is the mismatch between the number of international students arriving and the available housing, and the difficulty many face in finding work in their specialized field — a requirement for permanent residency. That piece, he’s honest, sits more at the local and provincial level than at his. The File He’s Most Proud Of: Physician Assistants Battiste describes knocking on a door during a campaign and meeting a physician assistant, which led him to a question he hadn’t known to ask: why does the United States have over 200 universities training physician assistants, while Canada has fewer than five? PAs take one-third the time and cost one-third the amount to train as doctors, and they can help staff emergency rooms and carry significant patient loads. He took this idea into caucus, to the Prime Minister, to the president of Dalhousie, and kept pushing. Dalhousie now has a Physician Assistant program — the only one in Atlantic Canada. The Canadian Association of Physician Assistants gave him an advocacy award for it. He considers it one of the more concrete things he’s moved. The Second Generation Cutoff The one federal policy change he’d make if he could pick only one: eliminating the second generation cutoff rule from the Indian Act. Currently, Indigenous people who have children outside of a registered relationship under the Indian Act can, over two generations, have descendants who lose their status entirely. Battiste calls it discrimination baked into legislation and says the decision about who is or isn’t a member of an Indigenous community should rest with those communities themselves, not with the federal government. He’s been pushing for this for four years. The Minister of Indigenous Services Canada has recently committed to introducing legislation to remove it. He expects the bill in the fall. The Leadership Race, and What Comes Next Battiste ran for the Liberal leadership in January. If he’d won, he would have been the first Indigenous Prime Minister of Canada. What would that have changed about Canada as a nation? He takes the question seriously. He talks about his friend Wab Kinew, Premier of Manitoba, whom he’s known for twenty years — they texted before both their political careers began, and still do. He sees in Kinew the same values he grew up with: empathy, an environmental relationship rooted in responsibility, and the ability to stand firm when something is inaccurate. If he’s being honest, he’d bet on Kinew as Canada’s first Indigenous prime minister over himself. He ran, he says, because he felt Atlantic Canada and Indigenous voices were being left out of the conversation during the Liberal leadership race. He needed to hear from one of the frontrunners that they’d taken that seriously. He had about three hours of conversations with Mark Carney before giving his endorsement, came to believe that navigating Trump and the current international economic moment requir

  4. Jul 18

    The Filipino Association of Antigonish (FAANS)

    After the Filipino float won first prize in the non-commercial category for the Highland Games parade last weekend, Cheryl Jarina—president of the Filipino Association of Antigonish (FAANS)—started getting phone calls asking if the group would be able to perform at other events. We were lucky enough to get her in the Let’s Talk Antigonish studio before she got too busy fielding media queries! Who Is Cheryl Jarina, and What Is FAANS? Cheryl has been in Antigonish for fifteen years, arriving in 2009 from Alberta when the recession made jobs there scarce. She works as a financial advisor at Scotiabank, having spent the previous seven years as a teller. She has two daughters: a twenty-year-old studying human kinetics at StFX, and an eleven-year-old who was born here and is now in French immersion in grade five. FAANS — the Filipino Association of Antigonish — has been around since 2014, growing from informal community gatherings into something more structured. Cheryl was there from the start. The membership, which fluctuates as families arrive and move on, now sits at over 200, all of them in Antigonish proper. The organization officially registered as a society only last year, despite more than a decade of operation. There are roughly twenty board members and committee volunteers, covering everything from newcomer welcome to event planning. The Parade: The Float Heard Round the Town The float and its dancers won first prize in the non-commercial category at this year’s Highland Games Parade — the first time FAANS had participated since 2019, when they joined on relatively short notice and danced without a float. After COVID interrupted plans to return, this year felt like the moment. Planning started in January. The costumes were sourced from the Philippines directly. The thirty-six or so dancers performing in the parade wore the Maria Clara dress — a traditional Philippine costume dating from the Spanish colonial era around the 1500s, which has largely been replaced in everyday use by the more widely recognized Filipiniana style with its distinctive butterfly sleeves. The choice of Maria Clara was deliberate: it’s less commonly seen, considered more extravagant, and the effect on parade spectators appears to have been considerable. The dance itself was the Sinulog Festival Dance, one of the grandest celebrations in the Philippines, originating in Cebu. The name refers to water, and the characteristic backward-and-forward steps mimic its flow. The Sinulog celebrates a kind of thanksgiving for the moment in 1521 when the Spanish introduced Christianity to the Philippines, presenting the image of the Santo Niño — the child Jesus — to Queen Juanita of Cebu. It is a massive festival back home, full of music, dance, and communal gathering. In Antigonish, it stopped people in their tracks. The response overwhelmed the organizers. Cheryl says she didn’t expect anything like it. Since the parade, FAANS has received an invitation from StFX to perform at halftime during a football or basketball game, and an invitation from the Filipino Association of Halifax to participate in Natal Day on August 3rd. Their schedule is filling up. The Community You Didn’t Know Was There Justin and Anuj make an observation that runs through the episode: the Filipino community in Antigonish is large, well-organized, deeply connected internally, and — until the parade — largely invisible to most people in town. Cheryl doesn’t dispute this. She says she’s often found it hard to identify clear pathways into broader community life beyond the food fair and language fair. You can be present in a place for fifteen years and still feel like the door into everyday local life isn’t quite obvious. The Filipino community itself, by contrast, has an internal social life running at a remarkable pace. In summer, Cheryl says, someone is hosting a barbecue almost every week. She’ll get a message — we’re doing barbecue, come over — and just go. That rhythm is rooted in something cultural and specific: a concept called Kapwa, a Filipino value centred on a deep sense of shared identity and connection with others. It means that when Filipinos encounter each other abroad, even strangers from entirely different parts of the country, the instinct is immediate — hey, countryman — and an invitation to the house follows shortly after. During fiesta back home in the Philippines, Cheryl explains, you don’t need to know someone to walk into their house. Everyone is welcome. Work, Homes, and Staying A significant portion of the community works in healthcare — nurses at St. Martha’s Regional Hospital and the RK MacDonald nursing home — and in hospitality. Many hold more than one job. Cheryl is careful not to frame this as hardship: Filipinos, she says, are culturally inclined toward hard work and toward providing for their families, and the cost of living right now makes that impulse more practical than ever. What stands out, as Anuj points out, is that the Filipino community in Antigonish has a notably high rate of home ownership. Cheryl confirms this: buying rather than renting is the goal, and once you’ve decided you’re staying, a mortgage makes more financial sense than paying rent with nothing to show for it at the end. The practical logic is sound, but the deeper signal is commitment. People who take out mortgages in a town are people who plan to be in that town. The Filipino community in Antigonish is here to stay. The second generation makes this concrete. Cheryl’s eleven-year-old daughter was born here. On a family trip back to the Philippines — beautiful beaches, endless food, extended family everywhere — it was the older daughter who wanted to know when they were going home to Antigonish. Food, Language, and What You Can Find The Philippines has 131 languages and dialects. When FAANS gathers, Tagalog serves as the common tongue, understood across the community even by those whose home dialect is something else entirely. Cheryl’s younger daughter, born and schooled here, speaks English as her primary language and is learning French through immersion, but can understand her parents’ dialect fully even without speaking it fluently. For Filipino food ingredients, the community drives to New Glasgow, where a Filipino grocery store called Balai Filipino and Asian Food Mart (balai meaning house) carries most of what you need. Closer to home, Antigonish now has Omig’s, a Filipino food truck operating out of the parking area near the (now closed) bowling alley. Justin states flatly that it serves the best fried chicken in town and that he is prepared to defend this position against all comers. Coming Up: FAANS Day Next month, FAANS will hold its annual FAANS Day at Williams Point — a full community celebration that traditionally centers on lechon: a whole roasted pig, prepared from scratch, starting early in the morning when members gather to get the pig ready before it goes on the spit by midday. Philippine Independence Day was marked on June 12th with a flag raising at Chisholm Park. The big Christmas party brings the whole community together every year. Cheryl’s message for Antigonish, offered when asked what she’d say to the whole town if they were listening, is just marvelous: “We are very fortunate to be in this country, especially in this community. This community…embraced us…it’s so overwhelming…the response during the parade. And we are grateful and thankful.” Get full access to Let's Talk Antigonish at letstalkantigonish.substack.com/subscribe

  5. Jul 11

    Anne Simpson on writing and the life of a poet

    Anne Simpson is one of Antigonish’s most quietly remarkable residents; — novelist, poet, visual artist, essayist, community builder. Perhaps not unexcepted for a poet, she thinks carefully before answering Anuj and Justin’s questions resulting in eloquent answers with nuggets of wisdom for anyone considering a career in writing or as an artist. How It Started: Logistics Simpson trained as a visual artist, went to art school after university, and assumed for a long time that painting was her future. Then she had children, and large canvases revealed themselves to be deeply impractical when chasing after toddlers. Poetry, on the other hand, is portable. You can write a poem during nap time. Apples and Oranges For Simpson, poetry and prose fiction are not the same skill in other forms. They are genuinely different beasts—an apple and an orange—and crossing between them is not as natural as people assume. Poets, it’s often said, can’t write stories. They fall off a cliff when the plot is supposed to start. What poetry can do, though, is teach you things about language that quietly reshape everything else you write. If a character is frightened in a novel, Simpson might let the sentence run on, the wild syntax itself evoking the fear. That technique doesn’t come from fiction. It comes from years of learning how a line works through poetry. The experiments in one form find their way into the other, whether you intend them to or not. Her novels, she’s clear, don’t begin from poems. She has no idea where they come from. They arrive, consume you, and then you spend a decade trying to build the world they’ve dragged you into — remembering whether the character has grey eyes or brown ones, keeping the object that was on the table in chapter three still on the table in chapter seven. What Discipline Actually Looks Like So how do you turn creative energy into a finished book? Simpson’s answer is reassuringly practical. She’s her own first editor, but she brings in an outside editor about halfway through a manuscript — someone who can look at the whole shape of the thing and say: this is working, these ten pages aren’t, the ending is still eluding you. A perennial problem for writers: beginnings get revised until they’re nearly worn through; endings remain elusive to the last. Simpson tells the story of an interviewer who once pressed David Bowie on his apparent lack of discipline. Bowie’s response: I have a project in mind, and I will see it through. Simpson holds onto that. The job is to keep going even when, especially when, you feel like you’re failing. The feeling of failure, she’s found, is almost always what arrives just before something rises up into something real. How She Got Here Simpson came to Antigonish because her husband got a job at StFX. She didn’t choose it; for a while, she resisted it. She arrived as the so-called wife of a university professor, which came with certain unspoken assumptions about what she would and wouldn’t be. There’s a quiet flash of something when she describes it. The desire to prove those assumptions wrong, she admits, may have had something to do with what came next. What actually unlocked her writing life was almost accidental. She read a piece about a woman in New Hampshire who had simply turned off the television and focused. Simpson took that literally. Cut the distractions. Write. She sent out poems and short stories by mail—actual envelopes, actual stamps—and when they came back rejected, a mentor told her to send them out again the same day. She did. And so a writing career was slowly built resulting in Simpson wining the Griffin Poetry Prize in 2004. These days it appears as Antigonish itself has seeped into nearly everything she’s made. Pomquet Beach appears at the end of Speechless. The landscape around Antigonish grounds her poetry. The paintings she made for years were of places nearby. The New Novel: Marie-Henriette These days, Simpson is working on a historical novel that she is close to finishing, set in eighteenth-century Cape Breton. She found her subject the way she finds most things: by following a small, specific curiosity. She opened a book about notable Nova Scotian women, looking for someone who might interest her, and found Marie-Henriette LeJeune on the page. The instant attraction is still visible in how she talks about her now, more than six years later. Marie-Henriette was born in France in 1764, the child of Acadian parents deported during the expulsions who tried three times to return to Nova Scotia before the British permitted them to stay. She would eventually become Marie-Henriette LeJeune Como Ross, but the novel deals only with the years when she was twenty-four to twenty-six, before her marriage to James Ross. She was a midwife, which in her era conferred an unusual freedom: midwives could go where they needed to go, enter any household, cross boundaries that other women couldn’t. What’s known about her is fragmentary and occasionally vivid. She helped contain a smallpox epidemic near what is now Sydney. She may have had contact with Joseph DesBarres, the lieutenant governor of Cape Breton when it was briefly its own colony. There are stories—possibly apocryphal—that she once fought off a bear in the woods. Simpson has taken what’s known and met the rest of it halfway. She invented a smallpox outbreak near La Rochelle in France, where Marie-Henriette would have lived before her family’s return, to explain how a young Acadian woman came to know enough to quarantine the sick from the healthy and attempt variolation — the crude precursor to vaccination known in Europe at the time. She gave her a mother and an aunt who taught her. She gave her enemies too: people who blamed her for the sickness rather than crediting her for fighting it. Simpson says she was thinking about nurses in Kentucky being blamed during COVID. The Community Side Simpson helped establish what is now StFX’s Academic Success Centre. For Simpson, Antigonish is a place where you want to try things to strengthen the community; where you find yourself looking around thinking: if we partnered with that organization, maybe this would work. Asked whether it’s true that Antigonish punches above its weight in the arts, she says yes without hesitation. Where to Start For anyone who wants to find Anne Simpson’s work, she suggests the novels as the easier entry point: Falling, about daredevils and Niagara Falls, or Speechless, about a Nova Scotian journalist who finds herself in the middle of a controversy in Nigeria — a country Simpson spent two years in as a volunteer before, many years later, writing about it in fiction. Both are available through the Curious Cat or the town library. Start with the novels, she suggests and the poetry is where you’ll end up eventually. Her advice to anyone thinking about writing, or any newcomer looking for a creative foothold in a new place: everyone has a unique voice, and the world doesn’t know it until it’s put out there. It doesn’t have to be a book. It could be theatre, or teaching, or something visual. But the voice needs to go somewhere. Thanks to Whidden Park Campground, a Community Sponsor of the Let’s Talk Antigonish Podcast. Interested in becoming a sponsor? Email us at letstalkantigonish@gmail.com Get full access to Let's Talk Antigonish at letstalkantigonish.substack.com/subscribe

  6. Jun 27

    Everything you ever wanted to know about Pomquet!

    We sat down with Colette Rennie and Charlie MacDonald to talk about Pomquet's past, present, and the salmon-supper-fille future! This episode marks something of a first: Justin and Anuj pack up the recording equipment and head out of town — fifteen minutes down the road, as it turns out — to chat with Colette and Charlie inside the Pomquet Community Centre. It’s a fitting location. The centre itself is part of the story they’ve come to tell. First, Some History Pomquet is a small, predominantly Acadian community of roughly a thousand people, nestled around two harbours — Monks Head Harbour and Pomquet Harbour — and St. George’s Bay. It was settled in 1774 by five founding Acadian families, though the Mi’kmaq were living there long before any of that. The name “Pomquet” is of Mi’kmaw origin and translates ‘hitting bumps in the water’, referring to the beginning of the formation of the dunes that form Pomquet Beach. The Acadian origin story requires a little untangling, and Colette does it clearly. The Acadians were not French. They were descended from the first French-speaking settlers to arrive in the Maritimes in the early 1600s — people who, over five generations, developed their own distinct culture, language, and identity entirely separate from France. Then came the British deportations between 1755 and around 1762, when they were expelled back to a country (and to other parts of the world) that was no longer theirs. After years of difficult resettlement in France, a group came back to what had been their home. They likely initially arrived in Arichat, Cape Breton and then travelled to Havre Boucher and Tracadie, before moving westward to settle in Pomquet. The Language Inside the Language Pomquet is still a French-speaking community, but the French spoken here is Acadian French — a distinct dialect that preserved old words and expressions long since lost in France, and absorbed some Mi’kmaq vocabulary along the way. Colette offers two examples: bitan or hardes, the Acadian word for clothes, which a standard French speaker would not recognize, and porc-épic — that’s the standard French for porcupine — which in Pomquet is still called madouesse, from the Mi’kmaq word, because the Acadians had never encountered the animal before arriving here and simply adopted whatever the Mi’kmaq called it. The dialect is, however, slowly changing. Surrounded by English-speaking communities and with decades of outmigration and intermarriage, the level of daily spoken Acadian French has diminished. Charlie is candid about it: Pomquet is not Chéticamp or Île Madame. The community holds its own Development Society meetings in English because some members don’t speak French. The language is still present, but it lives more with the older generations now, and the community has largely made peace with that — or at least, is finding a way to work with it rather than against it. The School Is the Anchor The most important institution for the language’s survival is École Acadienne de Pomquet, the Acadian school that operates under the CSAP — the Conseil scolaire acadien provincial — with schools scattered across Nova Scotia. This is not a French immersion school. It is a French school: everything happens in French, announcements included, with a single English course introduced after grade four. The school drew nine graduates in Charlie’s graduating class. This year’s graduating class numbers twenty-six — the largest in the school’s history. Families are coming from beyond the community to enrol their children here. Some have Acadian roots they want to reconnect with. Others are multicultural families who simply want their children to have a genuine French education in smaller classes with more individual attention. The emerging challenge, as Charlie notes, is that when parents don’t speak French, they can’t help a child with homework — a math problem explained in French is its own kind of puzzle for an English-speaking parent staring at it at the kitchen table. Chez DesLauriers and the Friday Lunches If the school is Pomquet’s anchor, Chez DesLauriers is its calling card to the outside world. The property — an old homestead belonging to one of the founding Acadian families was purchased by local journalist Kingsley Brown and then, in an act of considerable foresight, sold to the provincial government so that the entire coastline from Pomquet Beach to Antigonish Harbour is now permanently protected. The Pomquet Development Society leases an acre and the old farmhouse for a nominal fee, and over twenty years has turned it into a tea room, interpretive centre, outdoor stage, and wedding and events venue. The Friday Acadian lunches held there each summer are now something of a regional institution — traditional Acadian cuisine at reasonable prices, drawing people from across the province. They started with 35 people, which felt like an enormous success at the time. They now regularly serve over 200 each Friday. The problem became too many people rather than too few, and they stopped advertising. COVID took a significant toll on the volunteer base, so the lunches now run on four Fridays in late July and August rather than the full summer program they once had. The view from the site — looking out over St. George’s Bay toward Cape Breton — is worth the drive on its own. The Salmon Suppers Are Back The centrepiece of this summer’s news is the return of the Pomquet salmon suppers as part of Pomquet Come Home Days, running August 14th to 16th. The suppers were once a full community institution, run by the Pomquet Ladies Club for decades, drawing over 1,200 people on a single Thursday evening at their peak. The last one took place in 2006. The Ladies Club has since disbanded; many of the volunteers who made those suppers happen are no longer with us. Last summer, the Pomquet Development Society brought the supper back for the first time in nearly twenty years, not knowing quite what they were getting into. They served over 420 people. The surviving members of the Ladies Club, who had spent decades working those suppers, got to sit down and eat salmon themselves for once. Charlie describes it as one of the more meaningful moments of the whole initiative. This August, the supper returns on the Sunday (August 16th), with Saturday featuring a full day at Chez DesLauriers — live music, fireworks, bouncy castles, fricot, and barbecue as part of Acadian Day celebrations – le 15 aout. The Friday kicks off the weekend with the last Acadian lunch of the season. People from Halifax have already called to reserve spots for the supper. The Community Centre Justin admits he had no idea the community centre existed before today, which is probably true of a lot of Antigonish residents. It’s attached to the school and houses a large hall with a stage and full kitchen that seats up to 200, two meeting rooms, a gym with memberships available to the public, and a museum being opened this summer with the help of a hired summer student. The building came about through an $800,000 community capital campaign, supported by the federal and provincial governments and the CSAP. The CSAP covers the operational costs — heat, lights, plowing — which means the community organizations that use the space don’t have to fundraise just to keep the doors open. They can put their energy into culture instead. Crib tournaments run every two weeks in summer. Chase the Ace happens weekly. The winter carnival events are held here. Weddings, birthday parties, and community fundraisers fill the calendar. Where It’s All Going Asked about the future, Charlie and Colette are honest: assimilation is real, it’s ongoing, and it can’t be stopped by willing it not to happen. What the school has done is delay the process and give the community a generation of young people with roots in something. The goal now, as Charlie frames it — and as the museum project reflects — is to keep the stories alive for people who may never speak Acadian French but who are still part of this place. Colette points out that the definition of community in 2026 is different from what it was in 1726, and that might actually be a beautiful thing rather than something to mourn. The closing advice from both guests is simple: come for a Sunday drive. The lawns in Pomquet are notoriously well-kept. The harbours are beautiful. Stop and talk to whoever you see walking. Stop for an ice cream on your way to Pomquet Beach. Visit Chez Deslauriers and take in the breathtaking views. And if you want to get involved, you don’t need to be Acadian, or French-speaking, or even connected to the place by family. You just need to show up. For more information visit pomquetcommunity.ca or find Société Saint-Croix and Centre historique acadien de Pomquet on Facebook. Thanks to Whidden Park Campground, a Community Sponsor of the Let’s Talk Antigonish Podcast. Interested in becoming a sponsor? Email us at letstalkantigonish@gmail.com Get full access to Let's Talk Antigonish at letstalkantigonish.substack.com/subscribe

  7. Jun 20

    What do high school students think of Antigonish?

    This episode came about almost by accident. Anuj, recruited by Dr. J’s principal to coach table tennis, found himself at the school’s awards night recently — a four-hour marathon event — watching two grade 11 students hold the room together from start to finish. Those two students, Austin Wabbi and Brooklyn Wasson, are the incoming co-presidents of the class of 2027, and Justin and Anuj invited them on the podcast to find out what high school life in Antigonish actually looks like from the inside. An Outsider’s Perspective Part of what makes this conversation interesting is the perspective both guests bring. Austin grew up primarily in Uganda, with stops in Egypt, Scotland, and Tanzania, and has been in Antigonish for a year and a half. Brooklyn was born in New York, then moved through Pittsburgh, Alberta, Ontario, and Newfoundland before landing here for what’s now her third year. Their first impression of the town is overwhelmingly positive. Austin points to the StFX connection specifically: open gym time and workouts with university basketball players, including informal mentorship from coach Doc Ryan, have meaningfully helped his own development as a player (he was on the U17 Nova Scotia Provincial Team and represented the province at the Canada Summer Games). Austin describes Antigonish as “small but full of life.” What’s Missing Asked what the town needs more of, the answer comes fast: a movie theatre. With the bowling alley having recently closed, Brooklyn notes there’s a real gap in things to do outside of school for students who aren’t into sports — something echoed, Justin points out, by university students in past episodes asking for the same kind of third spaces. Sports, IB, and Staying Busy Both students describe high school life as genuinely full — sports, in particular, dominate. Both credits the sports teams specifically with making the transition into a new school easy, since teammates become friends quickly. Austin is also in the IB program, which he says adds a real academic load on top of an already busy athletic schedule — but he says he prefers being busy to being idle. As co-presidents, their platform for next year includes bringing back intramurals (informal lunchtime sports and mini-tournaments that have been absent for a few years), more benches around the school, general cleanup, and — a personal project for the two sports-minded co-presidents — streaming live sports, including the school’s own teams (the girls’ hockey team recently won provincials), on the cafeteria projector during lunch. On AI: Not the Panic You’d Expect When asked about their feeling on AI, Brooklyn describes it as a genuinely useful tool — not for writing essays outright, but for generating practice tests, checking homework, and getting unstuck on a concept. Austin, who says English isn’t his strongest subject, uses it for help with sentence-level writing and editing. Neither frames it as something to fear or avoid; both frame it as something to use well. What Adults Get Wrong Asked what middle aged folks tend to misunderstand about their generation, Austin pushes back gently but firmly on the stereotype that teenagers are simply phone-obsessed and checked out. The more accurate picture, he suggests, is a generation trying to adapt to tools that didn’t exist for previous generations and use them to their advantage — AI included. On the social media bans for under-16s currently being legislated around the globe, both are skeptical they’ll accomplish much: kids who want access will get it regardless, parents will sign them up anyway, and — as Austin notes — tech-savvy teenagers are pretty good at finding their way around these sorts of bans. Both also push back, politely, on the idea that there’s a real generational gap in actually talking to older people. Austin says he finds conversations with older generations genuinely interesting — people have stories to tell — and Brooklyn agrees that once a conversation actually starts, people tend to find more common ground than expected. Looking Ahead On their post-high-school plans, neither has political ambitions beyond their current role as class co-presidents: Austin hopes to play university basketball while pursuing aerospace engineering, with Carleton as his first choice. Brooklyn hopes to play soccer in university and, beyond that, has one clear long-term goal: to live somewhere warm, ideally after travelling enough to find the right spot. For two globe-trotting young people, the search for the ideal place to live seems like a logical life goal. In the meantime, it’s clear that both are quite happy to live and study in Antigonish. Thanks to Whidden Park Campground, a Community Sponsor of the Let’s Talk Antigonish Podcast. Interested in becoming a sponsor? Email us at letstalkantigonish@gmail.com Get full access to Let's Talk Antigonish at letstalkantigonish.substack.com/subscribe

  8. Jun 6

    Curtain Up: The 2026 Festival Antigonish Season and The Magic of Theatre

    The question that launched this episode was a simple one, posed by Anuj after a conversation with Justin one day: why doesn’t the theatre put on more plays about harder-hitting social issues like racism, war, and other difficult topics? It’s a fair question, and it opens a door into a genuinely fascinating conversation about what it means to run a professional theatre company in a small Nova Scotia town. Andrea Boyd, Artistic Director of Festival Antigonish, has been answering versions of this question her entire career. She does so here with warmth, candor, and enthusiasm for the magic of theatre. The 2026 Summer Lineup But first, a rundown of the upcoming Festival Antigonish season. The 2026 Festival Antigonish season opens with Murder at Ackerton Manor by Stephen Gallagher — a smart, funny spoof of Agatha Christie in which three actors play seven characters. Quick changes, physical comedy, and a genuinely clever mystery underneath the silliness. Boyd describes it as the kind of play that brings people together through pure shared laughter. The second production is The Greatest Play in the History of the World by Ian Kershaw — a one-woman show, a love story, described by Boyd as otherworldly and utterly charming. She travelled to Fredericton to see the Theatre New Brunswick production, cried through the final five minutes, and knew she had to bring it here. Kershaw, for context, was one of the writers behind Coronation Street. Performer Amanda Kellock carries the whole show. Third is Beyond the Sea by Kristen Da Silva, a two-hander — two actors, minimal staging, unfolding in real time. Boyd describes it as the kind of play where the relationship developing on stage becomes genuinely lovely, funny, and then surprisingly deep. Ian Sherwood and Stephanie McDonald are the cast; Sherwood is also performing a standalone concert while in town. The children’s production this year is The Biggest Little House in the Forest, a one-woman-with-puppets show that Boyd promises will delight even the very youngest audience members. On the music side: a June fundraiser concert by Carolyn Curry in support of the Bridge the Bauer capital campaign; a concert by Old Man Luedecke, whom Boyd first encountered years ago at the Edmonton Folk Festival and has never forgotten; and the Ian Sherwood and Friends show. The Theatre Itself: What’s Happening with the Bauer Longtime listeners will know there have been questions about the Bauer Theatre’s operational future given pending fire safety upgrades. The short version for this summer: the theatre has permission to operate, with renovations now scheduled to begin in the fall. For the past couple of years the stopgap has been what the company affectionately calls ghost watch — a dedicated person wandering the building during performances, checking every room, filling in a form to confirm nothing is on fire. They prefer to think of it as looking for Hector, the theatre’s resident ghost. Two Companies, One Building, One Mission A useful piece of context for anyone new to Antigonish’s theatre landscape: there are two separate organizations operating out of the Bauer. Theatre Antigonish is the community company — all-volunteer, a town and gown operation founded in 1974. Festival Antigonish, started in 1987, is the professional summer theatre company with a mandate to bring paid, professional artists to the stage. Both are registered non-profits; both operate under the shared principle, as Boyd frames it, of building community through the creation of excellent theatre. The community company, Boyd notes, actually gives her more flexibility to take artistic risks — it doesn’t depend on the same ticket sales to survive. For example, Theatre Antigonish produced Girls Like That by Evan Placey a few years back, a play about girls bullying each other in the digital age, so incendiary that a school that had booked it as a field trip cancelled at the last minute because, as they put it, it was too much like what was happening at their own school. Boyd still finds that heartbreaking. Those were exactly the kids who should have seen it. The Tension at the Heart of Every Season To answer Anuj’s question as to why the theatre can’t produce more risky plays along the lines of Girls Like That, Boyd is clear eyed: “If we don’t sell tickets we die.” A Canada Council jury once told her in the same breath to take more artistic risks but also to sell more tickets — two instructions that are, she points out with dry amusement, not always compatible. The shift away from the old repertory model, where three plays ran simultaneously and audiences could choose different shows on different nights, removed a useful buffer: one of those three could be a risk play, subsidized by the other two. With the current model, every production carries more weight. In short: the theatre must put on plays that draw a large audience, or risk losing the ability to function from a financial standpoint. It can’t all be hard-hitting plays with social commentary that only die-hard theatre fans would enjoy. And yet. The New Canadian Curling Club — a play about immigration and belonging — was one of Festival Antigonish’s bestselling productions ever. Boyd credits playwright Mark Crawford for writing work that somehow manages to be both genuinely funny and genuinely important. That sweet spot exists. Finding it consistently is the challenge. Why Theatre At the Professional Association of Canadian Theatres conference in Whitehorse, Boyd attended recently, she found herself stumped when asked to answer a simple question posed by the organizers: Why theatre? Her answer, when she found it, was a memory. She was twelve, didn’t fit in, wasn’t a sports kid, and didn’t have a lot of friends. She saw a sign advertising auditions, walked into a room, and ended up reading the famous Saint Joan monologue by George Bernard Shaw. One by one the drama teacher thanked each student and moved on. When he got to Boyd, he didn’t stop her. He said: keep going. That moment — being in a room where the fact that she was a little weird didn’t matter, where she was fully herself, where she knew what she was doing and where she belonged — is still what the rehearsal room is for her, decades later. Getting In the Door For anyone who’s curious but hasn’t made it to the Bauer yet, Boyd runs through the ways in: pay-what-you-can preview nights (the night before opening, when the show first meets an audience), a Pride night with a pre-show party, relaxed performances with slightly raised house lights and reduced sound cues for those who benefit from a gentler environment, and an arts and culture market happening through the season. Volunteers are welcome — summer ushering is entirely volunteer-run — and Theatre Antigonish year-round is always looking for actors, stage managers, designers, and light board operators. Tickets and full season information at festivalantigonish.ca. More info on this summer’s shows at this link: https://www.festivalantigonish.ca/whats-on/upcoming-shows Thanks to Whidden Park Campground, a Community Sponsor of the Let’s Talk Antigonish Podcast. Interested in becoming a sponsor? Email us at letstalkantigonish@gmail.com Get full access to Let's Talk Antigonish at letstalkantigonish.substack.com/subscribe

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Let’s Talk Antigonish brings you thoughtful conversations as we unpack the questions, stories, and decisions shaping everyday life in our community. letstalkantigonish.substack.com

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