Classic Rock Album Olympics

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  • Music History
  • Updated Semiweekly

The CLASSIC ROCK ALBUM OLYMPICS is a podcast celebrating the most popular albums of the 1960s, 70s and 80s. In each episode music historians Gary Wenstrup and Robert Rodriguez will pull a classic rock album off the shelf and discuss which songs earn our gold, silver and bronze medals. It’s a fun, insightful and passionate journey through some of the greatest albums of all-time. Let the games begin!

  1. 1h ago

    Moondance by Van Morrison...Episode #30

    In this episode (#28) of Classic Rock Album Olympics music historians Gary Wenstrup and Robert Rodriguez turn their attention to Moondance by Van Morrison and award their gold, silver and bronze medals for the strongest tracks.  Released in January 1970, it was Morrison’s third solo album and transformed him from a critically admired cult artist into a major commercial success. While his previous album, Astral Weeks, had been celebrated for its poetic ambition and jazz-influenced experimentation, Moondance struck a perfect balance between artistic sophistication and accessibility. Blending rock, soul, jazz, folk, blues, rhythm and blues, and Celtic influences, the album showcased Morrison’s extraordinary songwriting while introducing a warmer, more up-tempo sound.  Medal Winners – Remarkably Gary and Robert picked the exact same 3 songs in the exact same order – a first and probably a last… Moondance Into The Mystic Caravan Dissatisfied with having limited creative control during the making of Astral Weeks, Morrison assumed responsibility for producing Moondance, carefully shaping the arrangements and performances. The result was a polished yet organic recording that featured tight ensembles, memorable horn arrangements, and an effortless blend of jazz improvisation and pop craftsmanship. The album marked the beginning of Morrison’s long career as a self-directed recording artist and established the musical style that would define much of his greatest work. Van Morrison and John Platania played guitar with Jack Schroer and Collin Tilton on horns, Jef Labes on keyboards, John Klingberg on bass and Gary Mallaber on drums.  The musicians created an intimate, swinging sound that perfectly complemented Morrison’s soulful voice songwriting. Commercially, Moondance became Van Morrison’s breakthrough album. It reached #29 on the Billboard 200 in the U.S., #32 on the UK Albums Chart while remaining a steady seller for decades.  Come Running was the only single released from the album and reached #39 on the charts. Over time, however, “Moondance,” “Into the Mystic,” “Caravan,” and “And It Stoned Me” became FM radio staples.  Moondance has influenced generations of musicians across rock, folk, jazz, Americana, and soul, including Bruce Springsteen, Bonnie Raitt and Elvis Costello.  More than fifty years after its release, Moondance remains a beloved album, celebrated for its effortless musicianship and timeless melodies.  It is consistently ranked among the greatest albums ever and stands as the defining work in Van Morrison’s remarkable career. Bonus Tracks Moondance – Michael Buble East Of The Sun (And West Of The Moon) – Frank Sinatra Autumn Leaves – Nat King Cole Brown Eyed Girl Domino Gloria – Them Chuck E’s In Love – Rickie Lee Jones Midnight At The Osis – Maria Muldar Caravan from The Last Waltz Punky’s Dilemma – Simon & Garfunkel Come Running And It Stoned Me Glad Tidings Crazy Love Brand New Day Everyone I Shall Be Released – The Band I Shall Be Released – Joe Cocker I Shall Be Released – Nina Simone I Shall Be Released from The Last Waltz Rainy Day Women #12 & 35 – Bob Dylan Doo Doo Doo Doo (Heartbreaker) – Rolling Stones Track Listing Side One And It Stoned Me Moondance Crazy Love Caravan Into The Mystic Side Two Come Running These Dreams of You Brand New Day Everyone Glad Tidings   Hashtags: #Moondance #VanMorrison #ClassicRock #SingerSongwriter #JazzRock #FolkRock #SoulMusic #IntoTheMystic #Caravan #1970Music #ClassicAlbums #MusicHistory #AlbumHistory #VinylCommunity #WarnerBros #TimelessMusic Contact Info Website: ⁠⁠⁠Gary Wenstrup⁠⁠⁠ Podcast Website: ⁠⁠⁠Home - Classic Rock Album Olympics⁠⁠⁠ YouTube: ⁠⁠⁠(556) Classic Rock Album Olympics - YouTube⁠⁠⁠ Facebook: ⁠⁠⁠(7) Facebook⁠⁠⁠ Podcast Facebook: ⁠⁠⁠Facebook⁠⁠⁠ LinkedIn: ⁠⁠⁠(17) Gary Wenstrup | LinkedIn⁠⁠ Intro & Outro Music by Flwers ⁠⁠Flwers⁠⁠ Something About The Beatles Podcast ⁠⁠somethingaboutthebeatles.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

    Moondance by Van Morrison...Episode #30

  2. Aug 11

    Remain In Light by Talking Heads...Episode #29

    In this episode of Classic Rock Album Olympics music historians Gary Wenstrup and Robert Rodriguez turn on Remain In Light by Talking Heads and award gold, silver and bronze medals to their favorite songs. Medal Winners Crosseyed And Painless Once In A Lifetime The Overload Listening Wind  Remain In Light, released in the fall of 1980, was the band’s fourth studio album and was an artistic leap as they blended new wave, funk, African polyrhythms, electronic music, and experimental rock into a new sonic texture.  Building on ideas first explored on Fear of Music, the album challenged conventional rock songwriting by emphasizing rhythm, layered textures, and hypnotic grooves over traditional verse-and-chorus structures. The album was produced by Brian Eno, whose creative partnership with Talking Heads reached its peak during these sessions. Rather than recording songs in the traditional manner, the band developed many of the tracks through extended group improvisations that were edited into intricate rhythmic patterns before lyrics and melodies were added. Inspired by the work of Nigerian musician and activist Fela Kuti, as well as electronic pioneers and minimalist composers, Eno and the band crafted a dense, layered production that pushed the boundaries of what a rock album could be. Talking Heads consisted of David Byrne, lead vocals, guitar, and many of the album’s lyrics; Jerry Harrison, keys and guitar; Tina Weymouth, bass and Chris Frantz, drums. Commercially, Remain in Light became Talking Heads’ highest-charting album to that point. It reached #19 on the Billboard 200 and earned widespread critical acclaim upon release. Two singles were issued from the album. “Once in a Lifetime” became the band’s signature song, though it only reached #103 on the Billboard Hot 100.  It became a cultural phenomenon thanks to its groundbreaking music video and has since become one of the defining songs of the MTV era. The second single, “Houses in Motion,” did not chart. The cultural significance of Remain in Light is immense. It helped introduce African musical concepts to mainstream rock audiences in a respectful and creatively transformative way while demonstrating that experimental music could also be accessible.  Remain In Light influenced artists across alternative rock, electronic music, art rock, indie rock, and even hip-hop including Radiohead, Peter Gabriel and Arcade Fire.  The album consistently ranks among the best albums ever made, celebrated for its experimentation, intellectual depth, and rhythmic vitality. Bonus Tracks Take Me To The River And She Was The Lady Don’t Mind Burning Down The House Road To Nowhere Artist Only Water Got No Enemy – Fela Kuti Zombie – Fela Kuti Take Me To The River – Al Green Love Will Tear Us Apart – Joy Division Little Red Book – Love Interstellar Over Drive – Pink Floyd DJ – David Bowie    Hashtags: #RemainInLight #TalkingHeads #DavidByrne #BrianEno #OnceInALifetime #NewWave #ArtRock #PostPunk #ClassicAlbums #1980Music #MusicHistory #AlbumHistory #VinylCommunity #FunkRock #AfricanRhythms #ClassicRock Contact Info Website: ⁠⁠⁠Gary Wenstrup⁠⁠⁠ Podcast Website: ⁠⁠⁠Home - Classic Rock Album Olympics⁠⁠⁠ YouTube: ⁠⁠⁠(556) Classic Rock Album Olympics - YouTube⁠⁠⁠ Facebook: ⁠⁠⁠(7) Facebook⁠⁠⁠ Podcast Facebook: ⁠⁠⁠Facebook⁠⁠⁠ LinkedIn: ⁠⁠⁠(17) Gary Wenstrup | LinkedIn⁠⁠ Intro & Outro Music by Flwers ⁠⁠Flwers⁠⁠ Something About The Beatles Podcast ⁠⁠somethingaboutthebeatles.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

    Remain In Light by Talking Heads...Episode #29

  3. Jul 28

    What's Going On by Marvin Gaye...Episode #28

    In this episode of Classic Rock Album Olympics music historians Gary Wenstrup and Robert Rodriguez take Marvin Gaye’s What’s Going On for a spin and award gold, silver and bronze medals for their favorite tracks. Medal Winners What’s Going On Flyin’ High (In The Friendly Sky) Mercy Mercy Me (The Ecology) What’s Happening Brother Inner City Blues (Makes Me Want To Holler) The album was released in the summer of 1971 and is widely regarded as one of the greatest albums ever made.  It marked a dramatic artistic transformation for Marvin Gaye and for Motown itself. Rather than focusing on romantic love songs, Gaye created a deeply personal concept album that addressed war, poverty, racial injustice, environmental concerns, police brutality, drug abuse, and spiritual renewal. Inspired in part by conversations with his brother Frankie, who had recently returned from service in Vietnam, What’s Going On captured the hopes, frustrations, and uncertainty of America during one of the nation’s most turbulent periods. What’s Going On was produced by Marvin Gaye, making him one of the first Motown artists to exercise complete creative control over a major project. Recording sessions took place at Detroit’s Hitsville U.S.A. studio and at Golden World Studios, also in Detroit. Gaye experimented with layered vocals, sophisticated orchestration, jazz-influenced harmonies, and seamless transitions between songs, creating one of the first truly unified concept albums in soul music. Marvin Gaye handled the lead and background vocals and worked with Motown’s famous house band – The Funk Brothers.  They included bassists James Jamerson and Bob Babbit, drummer Chet Forest, percussionist Jack Ashford, keyboardist Earl Van Dyke and guitarists Robert White and Joe Messina.  The album’s lush orchestral arrangements and rich vocal textures combined elements of soul, jazz, classical music, gospel, and rhythm and blues into a sound unlike anything Motown had previously released. Commercially, the album became one of the biggest successes of Marvin Gaye’s career, reaching #6 on the Billboard 200.  Three singles emerged from the album. The title track, “What’s Going On,” reached #2 on the Billboard Hot 100, “Mercy Mercy Me (The Ecology)” climbed to #4 and became one of popular music’s earliest environmental anthems. “Inner City Blues (Make Me Wanna Holler)” reached #9. The cultural significance of What’s Going On is difficult to overstate. It transformed expectations of what soul music could address and demonstrated that pop music could also confront serious social and political issues.  The album challenged Motown’s traditional business model, expanded creative freedom for recording artists, and influenced generations of musicians across soul, R&B, jazz, rock, hip-hop, and pop. Artists ranging from Stevie Wonder to Prince, Bruce Springsteen, D’Angelo, and many others have cited it as a landmark achievement. More than five decades after its release, What’s Going On continues to appear near the top of virtually every list of the greatest albums ever recorded and remains a timeless statement about empathy, justice, faith, and our shared humanity.   Hashtags: #WhatsGoingOn #MarvinGaye #Motown #SoulMusic #ClassicAlbums #MusicHistory #ConceptAlbum #FunkBrothers #1971Music #ClassicSoul #VinylCommunity #AlbumHistory #MercyMercyMe #InnerCityBlues #WhatsGoingOnAlbum   Bonus Tracks I Can’t Get Next To You – Temptations Stoned Love – The Supremes War – Edwin Star Ball of Confusion – Temptations Love Is God Right On Save The Children Sadly, a demo version of What’s Going On does not exist   Track Listing Side One What’s Going On What’s Happening Brother Flyin’ High (In The Friendly Sky) Save The Children God Is Love Mercy Mercy Me (The Ecology) Side Two Right On Wholy Holy Inner City Blues (Makes Me Wanna Holler) Contact Info Website: ⁠⁠⁠Gary Wenstrup⁠⁠⁠ Podcast Website: ⁠⁠⁠Home - Classic Rock Album Olympics⁠⁠⁠ YouTube: ⁠⁠⁠(556) Classic Rock Album Olympics - YouTube⁠⁠⁠ Facebook: ⁠⁠⁠(7) Facebook⁠⁠⁠ Podcast Facebook: ⁠⁠⁠Facebook⁠⁠⁠ LinkedIn: ⁠⁠⁠(17) Gary Wenstrup | LinkedIn⁠⁠ Intro & Outro Music by Flwers ⁠⁠Flwers⁠⁠ Something About The Beatles Podcast ⁠⁠somethingaboutthebeatles.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

    What's Going On by Marvin Gaye...Episode #28

  4. Jul 7

    The Band by The Band...Episode #27

    In this episode of Classic Rock Album Olympics music historians Gary Wenstrup and Robert Rodriguez turn their attention to the self-titled album by The Band and award their gold, silver and bronze medals accordingly. Medal Winners Jemima Surrender Whispering Pines The Night They Drove Old Dixie Down Rockin’ Chair Across The Great Divide   Released in the fall of 1969, the album arrived roughly a year after the group’s acclaimed debut, Music From Big Pink.  At a time when psychedelic rock and hard rock dominated popular music, The Band looked backward instead of forward, drawing inspiration from American folk traditions, country, blues, gospel, and early rock and roll to create a sound that helped lay the foundation for what would later become known as Americana. The album was produced by John Simon, who had also produced Music From Big Pink.  Recording sessions took place primarily in a converted pool house at a rented home in the Hollywood Hills before moving to The Hit Factory in New York City to complete the project. The Band consisted of Robbie Robertson who served as the principal songwriter and lead guitarist.  Levon Helm played drums, mandolin, and sang many of the group’s most memorable lead vocals.  Rick Danko handled bass guitar, fiddle, and shared lead vocal duties with his expressive tenor voice. Richard Manuel contributed piano, drums, and soulful lead vocals that ranged from tender ballads to powerful rock performances. Garth Hudson, regarded by many as one of rock’s greatest keyboardists, supplied the album’s organ, piano, accordion, saxophone, and other instrumental textures that gave the music its distinctive character. Commercially, The Band was a significant success. It reached #9 on the Billboard 200 album chart in the United States.  Two singles were released from the album. “Up on Cripple Creek” became the band’s biggest American hit, climbing to #25 on the Billboard Hot 100 and “Rag Mama Rag” reached #57.  At a time when rock music often celebrated excess and experimentation, The Band created an album rooted in history, tradition, and compelling storytelling. Its songs explored themes of community, hardship, faith, work, and the changing American experience, helping redefine what rock music could accomplish artistically. The album became influential on later generations of musicians, inspiring artists such as Eric Clapton, Elvis Costello, Wilco, and countless Americana, country-rock, and folk-rock performers. Bonus Tracks The Night They Drove Old Dixie Down – Joan Baez The Weight Stage Fright Chest Fever Up On Cripple Creek Tears Of Rage I Shall Be Released Side 1 Across The Great Divide Rag Mama Rag The Night They Drove Old Dixie Down When You Awake Up On Cripple Creek Whispering Pines Side 2 Jemima Surrender Rockin' Chair Look Out Cleveland Jawbone The Unfaithful Servant King Harvest (Has Surely Come)   Hashtags: #TheBand #TheBrownAlbum #ClassicRock #RootsRock #Americana #1969Music #LevonHelm #RobbieRobertson #GarthHudson #RickDanko #RichardManuel #JohnSimon #AlbumHistory #MusicHistory #VinylCommunity #ClassicAlbums Contact Info Website: ⁠⁠⁠Gary Wenstrup⁠⁠⁠ Podcast Website: ⁠⁠⁠Home - Classic Rock Album Olympics⁠⁠⁠ YouTube: ⁠⁠⁠(556) Classic Rock Album Olympics - YouTube⁠⁠⁠ Facebook: ⁠⁠⁠(7) Facebook⁠⁠⁠ Podcast Facebook: ⁠⁠⁠Facebook⁠⁠⁠ LinkedIn: ⁠⁠⁠(17) Gary Wenstrup | LinkedIn⁠⁠ Intro & Outro Music by Flwers ⁠⁠Flwers⁠⁠ Something About The Beatles Podcast ⁠⁠somethingaboutthebeatles.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

    The Band by The Band...Episode #27

  5. Jun 23

    Station To Station by David Bowie...Episode #26

    In episode #26 of Classic Rock Album Olympics music historians Gary Wenstrup and Robert Rodriguez award their gold, silver and bronze medals for songs from David Bowie’s Station To Station. Released in January 1976, Station to Station represented Bowie’s transition away from American soul influences toward the avant-garde European sensibilities that would define his late-1970s work with Brian Eno. Station To Station introduced Bowie’s mysterious “Thin White Duke” persona — elegant, detached, and emotionally fractured. Recorded in Los Angeles during a turbulent period of Bowie’s life, the album blended art rock, funk, krautrock influences, and hypnotic electronic textures into one of his most acclaimed works. The album reached #3 on the US Billboard 200, making it the highest charting album of Bowie's career.  The major single from the album was Golden Years which peaked at #10 on the Billboard Hot 100.  Second single TVC 15 reached #64. The musicians on the album formed one of Bowie’s most celebrated backing bands. Guitarist Carlos Alomar anchored the music with sharp funk rhythms. George Murray and Dennis Davis created the sleek rhythmic foundation that would continue into Bowie’s Berlin recordings. Keyboardist Roy Bittan of E Street Band fame and guitarist Earl Slick played roles as well.  Producer Harry Maslin helped shape the album’s polished sound. Culturally, Station to Station became enormously influential on post-punk, new wave, gothic rock, and alternative music. Its cold elegance and rhythmic experimentation inspired artists ranging from Joy Division and Talking Heads to later musicians such as Nine Inch Nails and Radiohead. Medal Winners Wild Is The Wind TVC 15 Station To Station Stay Golden Years Bonus Tracks Fame Young Americans Space Oddity Rebel Rebel Cat People (Putting Out Fire) Wild Is The Wind – Bowie Video (Just Like) Starting Over – John Lennon Rockin Pneumonia and the Boogie Woogie Flu – Johnny Rivers When You Wish Upon A Star -Jiminy Cricket/Cliff Edwards Baby Mine – Bonnie Raitt The Nearness Of You – Glen Miller & His Orchestra Rawhide – Frankie Lane Town Without Pity – Gene Pitney Town Without Pity – Ronnie Montrose Wild Is The Wind – Johhny Mathis Wild Is The Wind – Nina Simone Do Not Forsake Me, Oh, My Darling – Tex Ritter original soundtrack High Noon Bennie & The Jets – Elton John Funeral For A Friend/Love Lies Bleeding – Elton John Autobahn - Kraftwerk Track Listing Side One Station To Station Golden Years Word On A Wing Side Two TVC 15 Stay Wild Is The Wind     #StationToStation #DavidBowie #ThinWhiteDuke #GoldenYears #TVC15 #ArtRock #ClassicAlbums #1976Music #BerlinTrilogy #RockHistory Contact Info Website: ⁠⁠⁠Gary Wenstrup⁠⁠⁠ Podcast Website: ⁠⁠⁠Home - Classic Rock Album Olympics⁠⁠⁠ YouTube: ⁠⁠⁠(556) Classic Rock Album Olympics - YouTube⁠⁠⁠ Facebook: ⁠⁠⁠(7) Facebook⁠⁠⁠ Podcast Facebook: ⁠⁠⁠Facebook⁠⁠⁠ LinkedIn: ⁠⁠⁠(17) Gary Wenstrup | LinkedIn⁠⁠ Intro & Outro Music by Flwers ⁠⁠Flwers⁠⁠ Something About The Beatles Podcast ⁠⁠somethingaboutthebeatles.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

    Station To Station by David Bowie...Episode #26

  6. Jun 9

    Reggatta de Blanc by The Police...Episode #25

    In episode #25 of Classic Rock Album Olympics music historians Gary Wenstrup and Robert Rodriguez sail with Reggatta de Blanc by The Police and award their gold, silver and bronze medals for their favorite songs. Released October 1979, Reggatta de Blanc was the second album by The Police and the record that transformed the trio from promising new-wave outsiders into stars. Produced by Nigel Gray along with the band, the album expanded the reggae-rock and post-punk sound introduced on Outlandos d’Amour. The title – Reggatta de Blanc - loosely translates to “white reggae,” reflecting the group’s fusion of punk energy, reggae rhythms, jazz textures, and pop songwriting.   The album featured the classic Police lineup: Sting on bass and lead vocals, Andy Summers on guitar and Stewart Copeland on drums.  Together they created a sparse but highly rhythmic sound built around Summers’ atmospheric guitar work, Sting’s melodic bass lines, and Copeland’s inventive drumming.   Reggatta de Blanc became the band’s first UK No. 1 album. In the United States it reached No. 25 on the Billboard album chart, helping establish the band’s growing American audience. The singles “Message in a Bottle” and “Walking on the Moon” both reached No. 1 in the UK.  The singles did not fare as well in the US. “Message” hit #74 and "Moon" did not chart.  The instrumental title track earned the band its first Grammy Award for Best Rock Instrumental Performance.   The album captured the restless energy of the late-1970s post-punk era while proving that reggae influences could coexist with mainstream rock radio. The Police stood apart from both traditional punk and arena rock by emphasizing space, rhythm, and sophistication over heavy guitar excess. Many critics and fans view Reggatta de Blanc as the album where the band honed its signature sound, paving the way for later classics like Zenyatta Mondatta and Synchronicity. Follow-up Note: As speculated in the podcast, The Police did not perform at Live Aid.  Sting however did play a few Police hits with outside musicians.   Medal Winners No Time This Time Message In A Bottle The Bed’s Too Big Without You Bring On The Night Reggatta de Blanc  Bonus Tracks Roxanne Next To You Nothing Achieving Truth Hits Everyone So Lonely Visions Of The Night Fall Out Behind The Camel Be My Girl/Sally Mirror In The Bathroom – English Beat  Further Reading Shot In The Heart -Mikal Gilmore  Track Listing Side One Message In A Bottle Reggatta de Blanc It's Alright For You Bring On The Night Deathwish Side Two Walking On The Moon On Any Other Day The Bed's Too Big Without You Contact Does Everyone Stare No Time This Time   #ThePolice #ReggattaDeBlanc #Sting #AndySummers #StewartCopeland #NewWave #PostPunk #ReggaeRock #ClassicAlbums #1979Music Contact Info Website: ⁠⁠⁠Gary Wenstrup⁠⁠⁠ Podcast Website: ⁠⁠⁠Home - Classic Rock Album Olympics⁠⁠⁠ YouTube: ⁠⁠⁠(556) Classic Rock Album Olympics - YouTube⁠⁠⁠ Facebook: ⁠⁠⁠(7) Facebook⁠⁠⁠ Podcast Facebook: ⁠⁠⁠Facebook⁠⁠⁠ LinkedIn: ⁠⁠⁠(17) Gary Wenstrup | LinkedIn⁠⁠ Intro & Outro Music by Flwers ⁠⁠Flwers⁠⁠ Something About The Beatles Podcast ⁠⁠somethingaboutthebeatles.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

    Reggatta de Blanc by The Police...Episode #25

  7. May 25

    Silk Degrees by Boz Scaggs...Episode #24

    In episode # 24 of Classic Rock Album Olympics music historians Gary Wenstrup and Robert Rodriguez dig into Silk Degrees by Boz Scaggs and award their gold, silver and bronze medals accordingly. Medal Winners Georgia Harbor Lights Lido Shuffle We’re All Alone Bonus Tracks We Were Always Sweethearts – Boz Finding Her – Boz Dinah Flo – Boz Near You - Boz Brandy (You’re A Fine Girl) – Looking Glass Look What You’ve Done To Me – Boz Harbor Lights – Platters Low Down - Boz Love Me Tomorrow - Boz Sooner Or Later – Grass Roots Long Tall Glasses (I Can Dance) – Leo Sayer What Do You Want The Girl To Do – Boz Lone Me A Dime – Boz Jump Street – Boz   Silk Degrees by Boz Scaggs was released in March 1976 and became the defining album of his career, blending blue-eyed soul, smooth pop, and West Coast R&B into a polished, radio-friendly sound that helped define mid-1970s adult contemporary music. Recorded at CBS Studios in San Francisco, the album benefited from a group of top-tier session musicians, many of whom would soon form Toto, including David Paich (keyboards), Jeff Porcaro (drums), and David Hungate (bass), along with guitarist Fred Tackett. Their tight, groove-oriented playing gave the record its sleek, sophisticated feel. The album was produced by Joe Wissert, whose clean, layered production emphasized rhythm, melody, and Scaggs’ smooth vocal delivery. Several hit singles emerged, including “Lowdown,” “Lido Shuffle,” “What Can I Say,” and “It’s Over,” with “Lowdown” becoming the biggest success, reaching #3 on the Billboard Hot 100.  “Lido Shuffle” also performed strongly, reaching the Top 20, helping sustain the album’s momentum across radio formats. Silk Degrees peaked at #2 on the Billboard 200 and became a multi-platinum success, eventually selling over five million copies in the United States. Its crossover appeal—bridging pop, R&B, and soft rock—made it a staple of FM radio and a key influence on the emerging yacht rock sound. Critically and commercially, the album marked the high point of Scaggs’ mainstream popularity, cementing his place in 1970s music and showcasing a seamless blend of craftsmanship, musicianship, and accessibility. Track Listing Side One What Can I Say Georgia Jump Street What Do You Want The Girl To Do Harbor Lights Side Two Lowdown It’s Over Love Me Tomorrow Lido Shuffle We’re All Alone   Hashtags #BozScaggs #SilkDegrees #1970sMusic #YachtRock #ClassicAlbums #Lowdown #LidoShuffle Contact Info Website: ⁠⁠Gary Wenstrup⁠⁠ Podcast Website: ⁠⁠Home - Classic Rock Album Olympics⁠⁠ YouTube: ⁠⁠(556) Classic Rock Album Olympics - YouTube⁠⁠ Facebook: ⁠⁠(7) Facebook⁠⁠ Podcast Facebook: ⁠⁠Facebook⁠⁠ LinkedIn: ⁠⁠(17) Gary Wenstrup | LinkedIn⁠ Intro & Outro Music by Flwers ⁠Flwers⁠ Something About The Beatles Podcast ⁠somethingaboutthebeatles.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

    Silk Degrees by Boz Scaggs...Episode #24

  8. May 12

    London Calling by The Clash...Episode #23

    In episode #23 of Classic Rock Album Olympics music historians Gary Wenstrup and Robert Rodriguez discuss London Calling by The Clash and award their gold, silver and bronze medals accordingly. Medal Winners Lost In The Supermarket Spanish Bombs The Right Profile Rudie Can’t Fail Clampdown Train In Vain    London Calling by The Clash was released in the U.S. in January 1980, marking a turning point not just for the band but for late-1970s rock. Expanding far beyond their early punk sound, the double album blends reggae, ska, rockabilly, R&B, and pop into a politically charged yet musically adventurous statement that captured the turbulence of the era—economic decline, nuclear anxiety, and social unrest—while still delivering sharp songwriting and energy.  The album is considered the most “musical” punk album and its most ambitious. The core lineup featured Joe Strummer (lead vocals, rhythm guitar + lyrics), Mick Jones (lead guitar, vocals + music), Paul Simonon (bass), and Topper Headon (drums). The album was produced by Guy Stevens with mostly just 1 or 2 takes for each song.  While the album only reached #27 on the U.S. Billboard 200, its reputation grew steadily, and it is now widely regarded as one of the greatest albums of all time.  The lone single released from the album in the U.S. was “Train in Vain.” The song was added at the last minute and unlisted on early pressings, reaching #23 on the Billboard Hot 100. Critically, London Calling has been celebrated for its ambition and range, often cited alongside landmark albums in rock history for its fusion of genres and its ability to translate political urgency into compelling music. Its iconic cover—featuring Simonon smashing his bass, photographed by Pennie Smith—echoes the design of Elvis Presley’s debut album, visually linking past and present while signaling a reinvention of rock tradition. Original album title: The Last Testament For more information: Route 19 Revisited: The Clash and London Calling by Marcus Gray Bonus Tracks Vanilla Tapes – The Clash London Calling - The Clash Guns Of Brixton – The Clash Clampdown – Bruce Springsteen The Clash - Live on Fridays 1980   Track Listing Side One London Calling Brand New Cadillac Jimmy Jazz Hateful Rudie Can’t Fail Side Two Spanish Bombs The Right Profile Clampdown The Guns of Brixton Side Three Wrong ‘Em Boyo Death Or Glory Koka Kola The Card Cheat Side Four Lover’s Rock Four Horsemen I’m Not Down Revolution Rock Train In Vain     Hashtags   #TheClash #LondonCalling #PunkRock #ClassicAlbums #MusicHistory #JoeStrummer #MickJones #PaulSimonon #TopperHeadon Contact Info Website: ⁠⁠Gary Wenstrup⁠⁠ Podcast Website: ⁠⁠Home - Classic Rock Album Olympics⁠⁠ YouTube: ⁠⁠(556) Classic Rock Album Olympics - YouTube⁠⁠ Facebook: ⁠⁠(7) Facebook⁠⁠ Podcast Facebook: ⁠⁠Facebook⁠⁠ LinkedIn: ⁠⁠(17) Gary Wenstrup | LinkedIn⁠ Intro & Outro Music by Flwers ⁠Flwers⁠ Something About The Beatles Podcast ⁠somethingaboutthebeatles.com Learn more about your ad choices. Visit megaphone.fm/adchoices

    London Calling by The Clash...Episode #23
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The CLASSIC ROCK ALBUM OLYMPICS is a podcast celebrating the most popular albums of the 1960s, 70s and 80s. In each episode music historians Gary Wenstrup and Robert Rodriguez will pull a classic rock album off the shelf and discuss which songs earn our gold, silver and bronze medals. It’s a fun, insightful and passionate journey through some of the greatest albums of all-time. Let the games begin!

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