Mad Ghoul Radio

Robert Pastor

Welcome to Mad Ghoul Radio! This is where eerie electronic beats collide with the spine-chilling echoes of horror cinema. A space for music lovers, film fanatics, and anyone drawn to the darker side of life. With a collection of over 5000 records, 4000 CDs, and 7 terabytes of music files, you'll find everything from electronic and industrial, to library music, soundtracks, metal, dance beats, and jazz. Expect album reviews, deep dives into obscure tracks, and discussions about the music that deserves more attention. On the film side — it’s pure horror obsession. With a collection of over 6000 films, you’ll get in-depth reviews, recommendations, and passionate debates about the best (and worst) the genre has to offer. Beyond music and movies, this page is fueled by a love for Halloween, ghost hunting, dark tourism, vinyl collecting, and even the occasional conversation about wine, Scotch, and life as a hospital CEO. Mad Ghoul Radio is also part of the Prescribed Films Podcast Network (PFPN) — a community dedicated to supporting independent creators and horror fans everywhere. Join us! Let's celebrate the music, the movies, and the madness together.

  1. Aug 21

    Season 03 - Episode 18 - Psych Ward Soundscapes (Macabre Mix)

    This episode of Mad Ghoul Macabre is not a traditional horror mix. Psych Ward Soundscapes takes a much stranger route — a disorienting trip through the empty corridors of an abandoned mental institution, built from horror film scores, psychiatric dialogue, trailers, environmental recordings, early electronic music, and heavily manipulated tape. Expect fluorescent hum, distant machinery, locked doors, therapy sessions, rolling carts, voices bleeding through walls, and music that often feels more like a recovered experiment than a song. A large part of this episode dives into musique concrète and early tape composition — artists cutting, looping, reversing, stretching, and physically manipulating recorded sound decades before sampling became commonplace. Tod Dockstader, Pierre Schaeffer, Bernard Parmegiani, Stockhausen, Xenakis, Delia Derbyshire, and others become part of the architecture of the ward, alongside cues and voices pulled from films centered on institutions, confinement, treatment, and psychological collapse. This one is deliberately unconventional. There are long stretches without rhythm. Sounds appear, disappear, repeat, and deteriorate. Voices surface where they shouldn't. Some recordings feel clinical. Others feel damaged. At times, it may be difficult to tell where the movie dialogue ends and the music begins. That is the point. Think less playlist. More recovered reel-to-reel tape discovered in a locked room at the end of a condemned hospital wing. Turn the lights down...Put on headphones....And whatever you hear coming from the room next door… Don't answer it! #madghoulradio #thepfpn

    Season 03 - Episode 18 - Psych Ward Soundscapes (Macabre Mix)
  2. Aug 11

    Season 03 - Episode 17 - The Signal is Still Alive!

    Season 03, Episode 17 finds Mad Ghoul Radio returning to the basement after a difficult stretch, with an episode built around memory, loss, discovery, and the strange comfort of music that seems to exist somewhere outside of time. DJ Robb talks briefly about the unreleased Episode 16, the launch of the new Mad Ghoul Sessions interview series, the arrival of a new show intro from horror icon Danielle Harris, and the slow construction of a permanent Mad Ghoul Radio studio. From there, the episode moves through hypnotic world music, psychedelic grooves, unsettling electronic sounds, cinematic instrumentals, and music that feels equally at home in a ritual, a nightmare, or a late-night drive. There are new discoveries, a look at an upcoming release from Phantom Lightkeeper, and several moments dedicated to artists and horror figures we’ve recently lost, including a personal tribute to Phantasm legend Reggie Bannister. It’s also one of the more personal episodes of Mad Ghoul Radio. Robb reflects on losing his sister and father, the long gaps between recent shows, and the listeners who continued to stick around through all of it. But this isn’t an episode about stopping. It’s about finding the signal again, getting inspired, rebuilding the studio, and remembering why Mad Ghoul Radio existed in the first place: to dig through the stacks, find something strange, and pass it along. The night eventually winds down the way it should—with Trent Reznor and Atticus Ross guiding the signal back into the dark.

    Season 03 - Episode 17 - The Signal is Still Alive!
  3. Aug 1 ·  Bonus

    The Mad Ghoul Sessions 001 - Justin Beahm

    Welcome to the very first installment of The Mad Ghoul Sessions, a new Mad Ghoul Radio series featuring long-form conversations with the filmmakers, musicians, writers, collectors, haunters and creative minds who shape the horror community and preserve its history. In this first installment, I sit down with filmmaker, journalist, author, podcaster and Phantom Lightkeeper musician Justin Beahm. Justin has spent his career digging beneath the surface of the films we love—preserving the voices of actors, filmmakers, effects artists and craftspeople through his work with Reverend Entertainment. We talk horror history, physical media, collecting, disappearing roadside attractions, Roadside Memories, and the responsibility that comes with documenting stories before they vanish. Then the conversation moves somewhere much more personal. Justin takes us inside the making of the new Phantom Lightkeeper album, Four Days at the Precipice. The record began during four isolated days at a remote cabin while he was experiencing a serious health condition. After returning home, undergoing emergency surgery and facing his own mortality, Justin went back to those recordings and finished one of the most personal works of his career. The episode also opens with “Francesca Woodman’s Camera,” my favorite track from the new Phantom Lightkeeper album, Four Days at the Precipice—a haunted, slow-burning piece filled with atmosphere, distortion and more than a few textures that sent my Nine Inch Nails–obsessed brain into overdrive. And don't worry, this isn’t a standard press interview. It’s two friends talking about horror, music, art, grief, survival, memory and the strange need some of us have to save the things we love before they disappear. Turn down the lights. Welcome to The Mad Ghoul Sessions.

    The Mad Ghoul Sessions 001 - Justin Beahm
  4. Jun 29

    Season 03 - Episode 14 - Exit Wounds & Haunted Signals

    Season 03 Episode 14: Exit Wounds & Haunted Signals Episode 14 of Mad Ghoul Radio opens with a little help from friend of the show Dani Filth, then slips into a set built around old obsessions, new curiosities, and the strange machinery that keeps certain sounds alive long after they first crawl into your head. This episode moves through industrial shadows, damaged carnival energy, resurrected rock and roll ghosts, exclusive new music, cult soundtrack memory, and a few left turns that make perfect sense once you’re inside the room. There’s no forced theme this time — just a trip through the shelves with music that connects through atmosphere, history, horror, and that familiar Mad Ghoul Radio feeling of “what the hell is this, and why do I love it?” DJ Robb revisits the early danger and weirdness of Marilyn Manson’s first era, including the lasting Trent Reznor connection, the importance of craft beneath the noise, and what it feels like when a new track unexpectedly pulls you back toward an artist you thought you had drifted away from. The episode also spends time with one of Mad Ghoul Radio’s sacred bands, digging into the renewed activity around a legendary catalog and why certain artists still feel like a secret doorway into punk, garage rock, horror movies, bad taste, and late-night obsession. There is also an exclusive from Phantom Lightkeeper, the solo music project from Justin Beahm, whose upcoming album Four Days at the Precipice continues the haunted, cinematic mood of Shore Ghosts while moving into deeper emotional territory. Justin will be joining the show soon, so consider this a first step into that conversation. From there, the episode shifts gears through heavier electronics, 80s film nostalgia, one of the most fearless voices in modern music, and a final descent into a Trent Reznor-produced instrumental that closes the show with tension, pulse, and cold mechanical beauty.

    Season 03 - Episode 14 - Exit Wounds & Haunted Signals
  5. Jun 15

    Season 03 - Episode 13 - Camp Blood: The Dead Air Cut (Macabre Mix)

    Episode 13 had to go back to the lake. For this installment of Mad Ghoul Macabre, we’re paying tribute to Friday the 13th the only way that felt right: no host breaks, no commentary, and no safety briefing from the counselors. Just trailers, music, screams, stingers, synths, warnings, bad decisions, and the blood-soaked echo of Camp Crystal Lake. There’s something perfect about making Episode 13 the Jason episode. The number is already part of the curse. The franchise turned bad luck into a brand, a calendar date into a threat, and a drowned boy into one of horror’s most recognizable shadows. Across the series, Friday the 13th became more than a slasher franchise. It became a ritual: the woods, the lake, the cabins, the mask, the final girl, the impossible return, and that strange comfort horror fans get from knowing exactly what kind of trouble is waiting in the dark. This episode is built like a straight-through audio nightmare from the entire Friday the 13th universe. It plays like something pulled from an old VHS shelf, a warped tape left behind in a wet backpack, or a late-night broadcast coming from somewhere deep inside Camp Blood. You’ll hear the franchise through its trailers and music, without interruption, letting the atmosphere do the work. No analysis this time. No campfire speech. Just the transmission. So lock the cabin, stay out of the water, and don’t trust the quiet. Episode 13 belongs to Jason.

    Season 03 -  Episode 13 - Camp Blood: The Dead Air Cut (Macabre Mix)
5
out of 5
3 Ratings

About

Welcome to Mad Ghoul Radio! This is where eerie electronic beats collide with the spine-chilling echoes of horror cinema. A space for music lovers, film fanatics, and anyone drawn to the darker side of life. With a collection of over 5000 records, 4000 CDs, and 7 terabytes of music files, you'll find everything from electronic and industrial, to library music, soundtracks, metal, dance beats, and jazz. Expect album reviews, deep dives into obscure tracks, and discussions about the music that deserves more attention. On the film side — it’s pure horror obsession. With a collection of over 6000 films, you’ll get in-depth reviews, recommendations, and passionate debates about the best (and worst) the genre has to offer. Beyond music and movies, this page is fueled by a love for Halloween, ghost hunting, dark tourism, vinyl collecting, and even the occasional conversation about wine, Scotch, and life as a hospital CEO. Mad Ghoul Radio is also part of the Prescribed Films Podcast Network (PFPN) — a community dedicated to supporting independent creators and horror fans everywhere. Join us! Let's celebrate the music, the movies, and the madness together.

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