The Desire of Horror

Charla Ferguson and Martin Essig

Charla's love of horror movies combine with Marty's love of psychoanalysis and history of religions. This is a review and analysis of horror movies and what they say about desire.   You can purchase a t-shirt here: http://tee.pub/lic/tN64T8XLATU

  1. Jul 27

    True Detective Season 1, Episode 2: Would We Have Been Better Off not to Have Been Born?

    In as much as we are "thrown" into the circumstances of our existence, as Heidegger famously put it, we don't seem to have a lot of choice in the matter, or in the facticity of our determinate being. Yet, according to "Death of God" theologian Paul Tillich, it takes a certain amount of "courage to be." For Tillich this courage counts as freely chosen even though the rest of being has already been determined by the situation into which we have been thrown. Meaninglessness and death seem to follow more obviously from our unnatural awareness of the evil state of affairs in which conscious being finds itself. Rust Cole famously asserts along with Sophocles that, "It would have been better not to have been born." Nietzsche's famous counter argument is contained in his "Doctrine of the Eternal Return," which is read pessimistically in True Detective as the "Flat Circle." Nietzsche taught like Tillich that our freedom is found in the choice of whether or not to embrace the determinations of our given being or to passively fall into nihilism. For these thinkers being required an active, creative resist to meaningless, which is why "to-be" was an act of intense courage. Cole's "Antinatalism" holds that life is not good, and so the promise of the flat circle is the torture of an eternal return of what is essentially evil. https://youtu.be/XgU1RmNNsZg Follow us @thedesireofhorrorpodcast: Instagram

  2. Jul 14

    True Detective Season 1, Episode 1: Nihilism, Satanism, or Something Else?

    In True detective Season 1, Episode 1, Nic Pizzolatto, introduces his main themes and the sources of those ideas. The "Cosmic Horror" of HP Lovecraft is central, especially a troupe that Lovecraft borrowed from Robert Chamber's "The King in Yellow (1895)," in which a play containing forbidden knowledge drives any who makes it past the second act mad. The content of this maddening, esoteric information is never reveled to the readers of Cosmic Horror as a rule, presumably because it would drive them mad too, or possibly because it can't be put into words, but only gestured at, as Lovecraft often did with his bizarre concoctions of incomprehensible but weirdly thrilling analogies and mixed up metaphors containing multiple, usually unrelated animal, insect, elemental, and eidetic regions and portions, similes which hid as much as they revealed. Episode 1 is titled "The Long Bright Dark," which is a reference to the radiant or "supersaturated" darkness at the heart of both the alchemical "nigredo" and the beatific vision of Christian esotericism, particularly as articulated by the father of Christian Mysticism, Pseudo-Dionysuis, whose dark vision of Plotinus's "One" formed the paradox of twice negated nothingness that the Christian Mystic Meister Eckhart taught about when he preached that God revealed Himself by hiding more deeply in his infinite depths. The great apocalypse of Cosmic Horror is nothing, as is that of Christian mysticism, but the devil is in the details. Let's follow Pizzolatto's theology to see if it winds up in the ultimate meaninglessness of the absolute nil or in the mystical nothingingness of the love the grounds being unconditionally. Follow us @thedesireofhorrorpodcast: Instagram

Ratings & Reviews

5
out of 5
11 Ratings

About

Charla's love of horror movies combine with Marty's love of psychoanalysis and history of religions. This is a review and analysis of horror movies and what they say about desire.   You can purchase a t-shirt here: http://tee.pub/lic/tN64T8XLATU

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