The Desire of Horror

Charla Ferguson and Martin Essig

Charla's love of horror movies combine with Marty's love of psychoanalysis and history of religions. This is a review and analysis of horror movies and what they say about desire.   You can purchase a t-shirt here: http://tee.pub/lic/tN64T8XLATU

  1. 1d ago

    Special Episode: Backrooms (2026)

    What about when we choose to remain sick? There is a scene in Backrooms in which the protagonist "Clark," played by Chiwetel Ejiofor, decides to stay in his disease because coming out of it would mean taking responsibility for things that he doesn't feel responsible for, and what's more, giving up on the enjoyment of blaming others. There is an ambiguity about who or what is responsible where mental illness is concerned. Is environment, genetics, or something else to blame? Regardless, the conundrum is that often with mental disorders, nothing can change unless the sufferer takes responsibility for what he is not responsible for. Clark's therapist Mary, played by Renate Reinsve, realizes too late that she has gone in to Clark's psychosis too far to rescue him, and that she has put herself into great danger. Her mistake was her misunderstanding that she was crossing the line with a truly sick person not entirely to rescue him, but more because she still had an unresolved desire to save her now-dead, mentally ill mother. Horror often deals with the psychological mazes that we trap ourself in. The terror is the built in ambiguity of these interior, dream-like spaces, which is the ambiguity of the monstrous other's connection to oneself. Good horror asks the question as to where the evil lays in such a way as to show how implicated in what we would prefer to see as the outside Other we are. Follow us @thedesireofhorrorpodcast: Instagram

    1h 6m
  2. Apr 17

    Special Episode: Horrorstor by Grady Hendrix

    Char and I cross over from our normally audio-only Desire of Horror Podcast to produce this Youtube video. We discuss the book Horrorstor by Grady Hendrix. https://youtu.be/XR8TvC5gfso The book provides a somewhat obvious but nonetheless useful capitalist critique around the concepts of the Professional Managerial Class or corporate speak; Consumer Culture, especially influencer advertisement techniques; and the toxic positivity of constant "self-maximization." An Ikea-like furniture store is built on the past site of a particularly ignominious prison, and the spirit of its warden and his prisoners emerge from within the vast, deliberately disorientating halls of the "Orsk" furniture store to haunt its circulating corridors, which are already haunted by the gaze of capital and consumption. The former prison was one of Jeremy Bentham's infamous "Panopticons." A Panopticon was a prison designed to require minimal guards because the prisoners always had the sense that they were being watched by the guards who were placed in a watch tower in the middle of the prison complex, so that they were able to see the maximal number of cells from their vantage point. The Panopticon serves as a fruitful metaphor throughout the novel as the horror of the ineluctable, internalized gaze of the Lacanian "Big Other," which for horror fans is something like the incubus always speaking from inside of the possessed's head. Follow us @thedesireofhorrorpodcast: Instagram

    44 min
  3. Apr 15

    27. Frozen

    Three, vanilla, college kids get stuck in a ski lift chair high above some undisclosed, New England slopes, as a winter storm rolls in. While they're up there, they argue about stuff like their bizarre love triangle dynamic, which doesn't really help make being stuck in a ski lift chair for a long-ass time any more interesting since it's some typical teenager, third-wheel, after-school-special BS. The severe compound fracture that one of them gets trying to jump off the chair lift is gnarly but not that interesting either..., until that dude gets eaten by small "wolves" that are probably just regular dogs, which were, perhaps, a responsible fiscal decision given the movie's modest budget. This logistical practicality is a little bit interesting, but only a little, perhaps, because the affordable "wolves" were midsized dogs and kind of cute.  Being mauled by standard-issue dogs that were painted to look like vicious wolves and shot with some sort of shadowy strobe effect from low angles to make them seem darker and bigger than average-sized, domesticated, well-lit dogs might be interesting, but the camera doesn't show it because we are told not to look at the mauling by the two remaining, vanilla, college kids stuck in a ski lift chair..., presumably because it would be too traumatic to see their best friend eaten alive by the one or two, well-trained but otherwise mediocre dogs that were actually on the set but shot to seem as if they were a wild and multitudinous pack of gigantic, drooling beasts. After the artfully obscured but budgetary, except for whatever was spent on the pricey-sounding, crunchy bone audio used throughout the movie, mauling that we are left to imagine from the two teenagers closed eyes and some random, half-eaten, special-effects department, body parts strewn around in the snow, there's some uninteresting but tense conversation around who was responsible for that dude jumping out of the chair and promptly getting mauled. Later there's some more uninteresting but tense dialog around not touching their frostbitten faces because their noses will fall off if they're not careful. Join us to find out if they're able to resist touching their frost-bitten faces and how the movies manages to add up to something sort of enjoyable to watch even though its not composed of many promising elements.  Follow us @thedesireofhorrorpodcast: Instagram

    57 min
  4. Mar 31

    26. The Ruins

    Privileged, White folk on vacation at a Central American resort may be a sort of cliche at this point, but The Ruins' version of this well-worn scenario takes some pretty fun, and perhaps, critical, twists, which seem to challenge the conventional take on this tale as old as the Club Med boom of the 70s and 80s. Tourist dollars have become a necessary evil for many a resort economy in the so called "Third-World," mostly located in the topical regions of the "Global South." The Ruins appears to be located somewhere in the Yucatan because there are Mayan ruins somewhat near by. North Americans feel lured to these "exotic" locations by the relatively cheap, all-inclusive, vacation packages, which are unequally beneficial to the local population depending on how one considers the influx of tourist dollars and the mostly menial job creation that is offered in return. Usually these packages include a few prefabricated excursions into the "strange" lands and ways of the native peoples. This culture-for-sale bargain only really works as long as the tourists remain within the confines of the protected resort even when they are outside of it viewing the local sites. Come find out what happens when a group of vacationers, mostly from around where I grew up on the "Northshore" of Chicago, lets their lust for "authentic" Mayan ruins, ruins well off the beaten path of the resort sanctioned forays, get the better of them. Follow us @thedesireofhorrorpodcast: Instagram

    49 min

Ratings & Reviews

5
out of 5
11 Ratings

About

Charla's love of horror movies combine with Marty's love of psychoanalysis and history of religions. This is a review and analysis of horror movies and what they say about desire.   You can purchase a t-shirt here: http://tee.pub/lic/tN64T8XLATU

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