Cinemafile

Mike Kaspar

Cinemafile showcases the very best in independent, documentary and foreign films through our conversations with the more than 2,000 filmmakers who made them. Through Cinemafile we will do our best to bring the most interesting and accomplished filmmakers from around the world to your attention.

  1. 1d ago

    Nuisance Bear - Co-directors Gabriela Osio Vanden & Jack Weisman

    Winner of the U.S. Documentary Grand Jury Prize at the Sundance Film Festival and hailed by Werner Herzog as “truly groundbreaking”, Nuisance Bear places viewers inside the world of a polar bear to deliver a cinematic pressure cooker and an urgent parable for our times. Filmmakers Gabriela Osio Vanden and Jack Weisman follow a polar bear in Churchill, Manitoba — the self-styled “Polar Bear Capital of the World” — forced to navigate tourists, wildlife officers and hunters as climate change pushes it into town. Guided by Inuit narrator Mike Tunalaaq Gibbons, whose perspective resists simplification, Nuisance Bear overturns the conventions of the nature documentary to ask: when a sacred predator is branded a “nuisance,” who truly belongs in this shared landscape? Co-directors Gabriela Osio Vanden and Jack Weisman join us in conversation about the making of Nuisance Bear. About the filmmaker - Gabriela Osio Vanden is an award-winning Venezuelan-Canadian Director and cinematographer based in Toronto. She brings a background in painting and dance to her images which have premiered at major festivals, including TIFF, Camerimage, SXSW, IDFA, Sheffield DocFest, and True/False. She is a HotDocs 2022 Fellow. Her student thesis film The Rambler was awarded an internship with Phedon Papamichael ASC GSC whom she shadowed on Alexander Payne’s Downsizing. Gabriela has a BFA in Film Production from York University. Her latest film Nuisance Bear premiered at TIFF and played at over 120 Film Festivals. It won multiple awards but most notably a Critics Choice Award and Outstanding Non-Fiction Short at Cinema Eye Honors. It was shortlisted for the 95th Academy Awards. About the filmmaker - Jack Weisman aspires to make visually striking and original films that defy easy classification. His works of creative non-fiction have premiered at many festivals including Sundance, SXSW, TIFF, and IDFA. Jack’s breakout short, Nuisance Bear (2022), co-directed with Gabriela Osio Vanden, offers a gripping, wordless study of polar bears navigating human-dominated landscapes in Churchill, Manitoba. The film received widespread acclaim, earning a spot on the 95th Academy Award Shortlist, two Emmy nominations, and top honors at Cinema Eye Honors, Critics’ Choice Documentary Awards, and IDA Documentary Awards. Jack’s debut feature will premiere in 2026 and is produced by A24, Documist, and Rise Films. Weisman is a co-founder of Documist, an Emmy and Peabody-winning production company based in NYC and Toronto. He served as an executive producer on The Territory (2022). The Territory premiered at Sundance, where it won the World Cinema Documentary Audience Award and a Special Jury Prize, and is now available on Disney+ through National Geographic Documentary Films.

    Nuisance Bear - Co-directors Gabriela Osio Vanden  & Jack Weisman
  2. 2d ago

    Littermates - Co-directors Scott Tinkham and Michael Woloson

    Set against the backdrop of a mysterious war, LITTERMATES follows two disoriented survivors who take refuge at an isolated cottage in the English countryside. After Liam and Mel arrive bloodied, speechless, and unable to fully understand what has happened to them, they are taken in by Chester, an enigmatic caretaker who bathes, feeds, and teaches them how to speak again. As sirens, smoke, and distant threats press closer, Liam and Mel go about their days relearning the most simple tasks inside Chester’s carefully controlled world, while earning “nifties” for good behavior that can be traded for small comforts like karaoke, hot tub time, dance parties, and favorite meals. Co-directors and co-writers Scott Tinkham and Michael Woloson join us for a spirited conversation on the inspiration and execution for this darkly comedic but still grounded in the emotional film experience. Winner of the Special Jury Prize at Manchester Film Festival '26, and anchored by three incredible lead performances, Littermates combines dystopian tension, absurdist humor, and a controlled visual style to create a darkly funny, cinematic mystery about what is real, what is safe, and who can be trusted. About the filmmaker - Scott Tinkham is a writer and director from Minnesota. His work lives at the intersection of dark comedy and emotional sincerity, often exploring characters who are spiraling and searching for meaning in the strangest of places. His short film 24 Hours After Reading Tuesdays with Morrie had its world premiere at SXSW in 2025. He recently wrapped production on his latest film, "Two Schizos Take a Walk," and is in development on his next feature, "Good Life," both under Haley Nicole Johnson’s Under The Shell banner. About the filmmaker - Michael Woloson is a writer, director, cinematographer, and producer from Las Vegas, based in Los Angeles. His work combines precise visual storytelling with intimate, character-driven narratives, often exploring the complexity of memory and time. A SXSW alum, he served as cinematographer and producer on Scott Tinkham’s "24 Hours After Reading Tuesdays with Morrie," which premiered at SXSW in 2025. His latest directorial work, "Broken Branches," was produced under Haley Nicole Johnson’s Under The Shell banner, and is set to begin its festival run in 2027. He will serve as a producer on Tinkham’s upcoming feature "Good Life," also under Under The Shell.

    Littermates - Co-directors Scott Tinkham and Michael Woloson
  3. 2d ago

    One in a Million - Co-directors Itab Azzam & Jack MacInnes

    Filmed over ten years, ONE IN A MILLION follows Israa from childhood to adulthood on an extraordinary journey from Syria to Germany — and back again. We first meet her at age 11 as she and her family are preparing to cross the Aegean Sea, risking everything in search of safety and a better life in Europe. What unfolds is a deeply personal chronicle of war, exile and heartbreak, as Israa grows up navigating adolescence, identity and belonging far from the home she was forced to leave. As Israa settles into life in Germany, new freedoms collide with the stabilizing pull of Syrian traditions, testing bonds and reshaping her sense of self. Co-directors Itab Azzam and Jack MacInnes join us for a fascinating conversation on the sheer challenge of following a family fleeing a violent uprising in their own country for safety in an unknown situation with a growing family and a treacherous journey for 11 years. One in a Million is the winner of the 2026 Sundance FIlm Festival’s Best International Documentary Feature. About the filmmaker - Itab Azzam is an award-winning filmmaker, producer, and humanitarian. She works with Syrian refugee women in Lebanon and London on empowerment and education through therapeutic arts projects, including FILM FOR FREEDOM, an initiative that trains refugee women in filmmaking. Born in Syria, she currently resides in London. About the filmmaker - Jack MacInnes, born and raised in London, moved to Damascus, where he met and ultimately married co-director Itab. His work has appeared on Netflix, BBC, and PBS and has received Emmy, BAFTA, Peabody, Grierson, and Prix Italia Awards.

    One in a Million - Co-directors Itab Azzam & Jack MacInnes
  4. 2d ago

    MOUSE - Director Kenny Riches

    Between stealing bicycles and breaking into cars, Denny’s only social outlet is spending time with his mother who loves reading correspondence from their Japanese family overseas. Denny’s loneliness pushes him to sign up for a penpal service from a classified-ad. He begins writing letters to a woman named Tess, whom he develops feelings for, but lies to about his nonexistent wealth and success. Unbeknownst to Denny, the penpal service is a scheme Tess and her real-life boyfriend, Maury, run to take advantage of the lonely. Tess and Maury find themselves in financial trouble of their own and decide to travel to Denny to take him for all he’s worth. Upon arrival they find that things aren’t what they seemed in Denny’s letters. About the filmmaker - Kenny Oiwa Riches was born in Toyota City, Japan; raised in Salt Lake City, Utah; and currently resides in Miami, Florida. He holds a BFA in Painting and Drawing. His first feature film, Must Come Down, premiered at Cinequest Film Festival in 2012. His 2015 feature film, The Strongest Man, premiered at the Sundance Film Festival and was released by AMC International and Kino Lorber. His follow-up film, A Name Without A Place, premiered at the Miami Film Festival in 2019. Mouse marks his fourth feature film. He has received generous support from the Sundance Institute, Sun Valley Film Lab, US in Progress, the Knight Foundation, and PBS. His producer credits include My Heart Can’t Beat Unless You Tell It To (2020, Tribeca Film Festival) and Sanzaru (2020, Slamdance Film Festival). He is a co-founder of The Davey Foundation, a grant-giving organization for filmmakers founded in memory of David Fetzer. He is also a partner in the production company, Dualist.

    MOUSE - Director Kenny Riches
  5. 3d ago

    Big Girls Don’t Cry - Director Paloma Schneideman

    Summer 2006, rural New Zealand. 14-year-old Sid Bookman is caught between childhood and adolescence, navigating a burgeoning sexual curiosity and a desperate desire for acceptance. Her coastal town is quiet and contained, but glimpses of life beyond— flickering reality TV, American pop culture, and the occasional seedy chatroom—ignite both longing and restless possibility. Each summer, wealthy out-of-towners arrive, carrying with them a world Sid can only imagine. Drawn to their effortless glamour and an older group of teens, she shape shifts through versions of herself, hoping one might be enough. But the harder she tries, the more chaos she creates. Everything changes when her sister returns from university with Freya, a magnetic friend from America, whose attention awakens something Sid can’t yet name. As New Year’s Eve nears—her imagined gateway to adulthood—Sid must confront the painful gap between who she is and who she’s pretending to be. Director Paloma Schneideman joins us to talk about this tender, unflinching portrait of queer adolescence, class shame, and identity, told through the intimate, unvarnished lens of New Zealand girlhood at a moment when the wider world was beginning to seep in. About the filmmaker - Paloma Schneideman is a writer, director, and musician based in Tāmaki Makaurau, Auckland, New Zealand. She has worked across the film and music industries for a decade, with her work thematically gravitating towards the female experience, particularly queer perspectives and stories rooted in the human condition; exploring family, intimacy, and identity. Paloma was 1 of 10 participants hand selected by Dame Jane Campion to participate in her intensive film program 'A Wave In The Ocean’ in 2023. Throughout the program Paloma worked intensively with leading industry professionals, mentored by Jane, and out put a series of works that displayed a growing and unique directorial voice and signature. Paloma has applied all these learnings to her debut feature film, Big Girls Don't Cry, funded by the NZ Film Commission, and the first feature film to come from an alumni of the 'A Wave in the Ocean’ program. Paloma's most recent short film Gate Crash was commissioned by Toi Whakaari performing arts school in 2022, and was selected for NZIFF’s Best Short competition as well as Melbourne International Film Festival in 2023, obtaining a place in the renowned ‘Accelerator Lab.’ Her short films Memory Foam (2019) and Mine (2016) were both selected for NZIFF. In 2020 she obtained a NZFC Gender Scholarship, a placement in Script to Screen’s FilmUp intensive, and a director’s attachment on Armagan Ballentyne’s Nude Tuesday film. As a musician, she produces and performs music under the alias PollyHill, which has seen perform in some of New Zealand's biggest music festivals like Splore, Laneway, Othersway, and supporting international acts Arlo Parks, Kae Tempest, and Wiki. At the end of 2023, Paloma (PollyHill) released a collaborative album with Samara Alofa Aquaries - Age of Uranus., funded by NZ On Air, which has attracted acclaim from Rolling Stone magazine and Vice. The album won the 2025 Aotearoa Alternative Awards Best Song and Best EP.

    Big Girls Don’t Cry - Director Paloma Schneideman
  6. 4d ago

    Everest: The Other Side - Co-directors Elizabeth Chai Vasarhelyi (Jimmy Chin)

    Everest: The Other Side chronicles an epic story of two elite ski mountaineers Jim Morrison and Hilaree Nelson who fell deeply in love while reaching the pinnacle of their sport. Their drive sharpened into a shared dream: to climb and ski the direct North Face of Everest — the most difficult and dangerous climb on the mountain and the most coveted ski line on Earth. Thousands have summited the mountain via Nepal's southeast ridge, but only a handful have ever reached the top by this route, and no one has successfully skied down. Already known for their extraordinary feats in the mountains and no strangers to loss, Morrison and Nelson stake everything on this daunting challenge. From National Geographic Documentary Films and Elizabeth Chai Vasarhelyi and Jimmy Chin — the Oscar® -winning filmmakers behind Free Solo and Meru — Everest: The Other Side is an intimate portrait of two people bound by love, ambition and the pursuit of the impossible. About the filmmaker - Elizabeth Chai Vasarhelyi is an Academy® Award-winning filmmaker with a storied history of critically acclaimed films. In 2019, she, along with co-director and co-producer Jimmy Chin, was awarded the Academy® Award and a BAFTA for Best Documentary Feature for “Free Solo,” an intimate, unflinching portrait of rock climber Alex Honnold. The film also received seven primetime Emmy® Awards. In 2023, she co-directed her first scripted feature, “Nyad” for NETFLIX, which saw both stars Annette Bening and Jodie Foster receive Academy Award nominations. More recently, she directed and produced “Love+War” for National Geographic Documentary Films, about acclaimed war photographer Lynsey Addario, and “Lost in the Jungle,” the incredible true story of four children who survived a plane crash in the Colombian jungle. The latter film won the Outstanding Current Affairs Documentary Emmy for 2025. In 2021, she co-directed the BAFTA and DGA nominated documentary “The Rescue,” chronicling the enthralling, against-all-odds story that transfixed the world in 2018: the daring rescue of 12 boys and their coach from deep inside a flooded cave in northern Thailand. Other projects include “Return to Space”, about SpaceX and NASA’s first joint spaceflight, which hit the Top 10 on Netflix’s most-watched films list, and the series “Edge of the Unknown” for National Geographic. Vasarhelyi was also honored with a Peabody and a News & Documentary Emmy Award for co-directing and producing the acclaimed National Geographic series“Photographer.” Her feature “Meru” won the Audience Award at the Sundance Film Festival in 2015 and was on the 2016 Oscar shortlist for Best Documentary Feature. Vasarhelyi’s other films as a director include “Incorruptible” (Truer Than Fiction Independent Spirit Award 2016); “Youssou N’dour: I Bring What I Love” (Oscilloscope, 2009), which premiered at the Telluride and Toronto Film Festivals; “A Normal Life” (Tribeca Film Festival, Best Documentary 2003); and “Touba” (SXSW, Special Jury Prize Best Cinematography in 2013). Vasarhelyi has directed two New York Times Op Docs, two episodes of Netflix’s nonfiction design series “Abstract” and two episodes of ESPN’s nonfiction series “Enhanced.” She has received grants from the Sundance Institute, the Ford Foundation, the Rockefeller Brothers Fund, Bertha Britdoc and the National Endowment for the Arts. She is a member of the DGA, the Academy of Motion Pictures Arts and Sciences (AMPAS) and The British Academy of Film and Television Arts (BAFTA), and she holds a bachelor’s in comparative literature from Princeton University. Vasarhelyi lives in New York City with her children, daughter, Marina, and son, James.

    Everest: The Other Side - Co-directors Elizabeth Chai Vasarhelyi (Jimmy Chin)
  7. 4d ago

    Who Killed Alex Odeh? - Co-directors Jason Osder & William Lafi Youmans

    In October 1985, Santa Ana, California was shaken by a brazen act of political violence when Palestinian American Alex Odeh, a beloved teacher and community leader, was killed by a tripwire bomb planted in his office. Despite substantial evidence and identified suspects, the case was never solved. Who Killed Alex Odeh? reopens the mystery, tracking a renewed investigation in real time as new leads emerge, long-buried records come to light, and the forces behind a political assassination are finally confronted. Unfolding like a detective thriller, the film weaves archival footage, firsthand testimony, and new reporting to expose the violent fundamentalist networks behind the attack and the institutional failures that protected them. As the investigation deepens, the story widens to reveal how the extremist ideology that fueled Odeh’s murder did not disappear - it evolved, gaining traction and legitimacy in the modern political landscape. Directed by Jason Osder and William Lafi Youmans, a Jewish American and a Palestinian American, Who Killed Alex Odeh? is both a gripping cold-case pursuit and a timely examination of political violence, asking what it means when acts of terror go unresolved, and how justice denied continues to shape the world we live in. About the filmmaker - Jason Osder is the director of the award-winning documentary Let the Fire Burn about the 1985 confrontation between the group MOVE and the Philadelphia police that claimed the lives of eleven people. Supported in part by the Sundance Institute, Let the Fire Burn premiered at the Tribeca Film Festival where it won the best editing in a documentary award and a jury special mention for best new documentary director. The film went on to play film festivals around the world, air nationally on PBS, and receive the Independent Spirit Truer than Fiction Award. Jason is an Associate Professor of Media and Public Affairs at The George Washington University. He creates online courses on media production for LinkedIn Learning and occasionally writes about film. About the filmmaker - William Lafi Youmans is an Associate Professor at George Washington University's School of Media and Public Affairs. Broadly interested in questions of transnationalism, power and communication, his primary research interests include global media, Middle East politics, and Arab-American studies. Youmans is the author of Unlikely Audience: Al Jazeera's Struggle in America. He is currently a fellow with the GW Humanities Center and was an Inclusion Imperative visiting faculty fellow at the Dresher Center for the Humanities at the University of Maryland, Baltimore County last year. Photo credit: Massimo Municchi

    Who Killed Alex Odeh? - Co-directors Jason Osder & William Lafi Youmans
  8. 6d ago

    LADY - Director Samuel Abrahams

    Director Samuel Abrahams' high concept film, LADY, zeroes in on a seemingly deluded aristocrat Lady Isabella (Sian Clifford) who has hired a struggling director Sam (Laurie Kynaston) to document life at her imposing country estate, Ravenhyde Hall. When he discovers that the promise of a Netflix commission was a lie, and that Isabella only wants him there to film her taking part in a ridiculously low- stakes regional talent show held at the Hall, he’s ready to quit—until he realizes the narcissistic Lady is, quite literally, turning invisible. Though from different worlds, they form an unexpected bond, but when Sam uncovers the tragic reason Isabella hasn’t left Ravenhyde Hall in years, he questions whether his film exploits her trauma. As the talent show approaches and Isabella’s invisibility spreads, can they both confront their fears before she disappears completely? Director Samuel Abrahams joins us for a spirited conversation on how he managed to successfully navigate the thin line between vulnerable and delusional, between comedy and cruelty. About the filmmaker - Director / Writer Samuel Abrahams is a BAFTA and Webby-nominated writer & director, with two Cannes Lions wins for his commercials. Samuel’s first short Connect was nominated for a BAFTA, won the Jury Award at Encounters Film Festival, and was inducted into the BFI National Archive. His film Offline Dating amassed over 20 million combined views and sparked international debate around technology and modern romance. Sam has helmed global ad campaigns for brands like Apple, Sony, and Google. He studied Fine Art at Chelsea College of Art and is a member of the Directors Guild of America. Lady, starring Sian Clifford (Fleabag) is his feature debut.

    LADY - Director Samuel Abrahams

About

Cinemafile showcases the very best in independent, documentary and foreign films through our conversations with the more than 2,000 filmmakers who made them. Through Cinemafile we will do our best to bring the most interesting and accomplished filmmakers from around the world to your attention.

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