Scott Eckart visits Mark Eckard at Fat Pig Recording Company in Dunkirk, Indiana, for an unscripted conversation about recording, tone, and community. The episode covers Mark’s path from self-taught amp builder to studio owner, plus the practical side of capturing drums, guitars, and full-band performances in a room designed to make artists feel comfortable. Scott frames the discussion around one core idea: local music gets stronger when musicians, engineers, and venues support each other. Mark shares how he built his studio, how he thinks about tone, and why simplicity and the right room matter more than endless gear choices. Key topics Scott introduces the mission behind the Prose podcast: bringing together musicianship, recording, and support for live local original music.Mark Eckard explains how Fat Pig Recording Company came together, from an earlier mix room in Charlotte to the current studio in downtown Dunkirk.Mark shares the origin of Fat Pig amps: a one-knob tube amp he built for an Alice in Chains tribute band that led to requests for more.He explains his approach to amp design—starting with familiar lineages like Vox, Fender, Marshall, Matchless, and Bad Cat, then adapting the elements he wants to improve.Mark describes his hands-on building style, including point-to-point wiring and custom builds tailored to players’ needs.The conversation gets into recording workflow, with a focus on drum miking, room microphones, kick drum layering, and guitar amp capture.Scott and Mark compare the challenges of recording solo acoustic guitar and vocals with the possibilities of fuller band arrangements.Mark reflects on learning electronics, recording, and amp design through experimentation and self-teaching.They discuss community and networking as essential parts of sustaining music scenes in Dunkirk, Richmond, and the surrounding Indiana area.The episode closes on the value of feel and imperfection—and how a good performance in the right room can beat over-editing.Timestamps 00:00 - Studio visit, introduction, and the mission of the Prose podcast 02:51 - How Fat Pig Recording Company came together 03:19 - The first amp build and its Alice in Chains tribute band origin 04:36 - How the amp earned the name “Fat Pig” 05:43 - Developing amp designs by adapting favorite circuits 06:00 - Fat Pig’s amp influences: Vox, Fender, Marshall, Matchless, and Bad Cat 07:45 - A look around the studio and its tracking setup 09:08 - Tracking and when to send a project out for mastering 10:15 - Mark’s musical beginnings with bass and trombone 12:07 - Early reel-to-reel recording and the transition to Pro Tools 13:50 - Self-teaching and a hobby that grew into a serious pursuit 17:21 - How amp building became part of Mark’s story 20:31 - The pawn-shop Marshall story and the famous amp connection 22:21 - Custom amp builds and combining different amp characteristics 24:05 - Combos, heads, cabinets, and Mark’s hands-on construction approach 26:04 - Choosing the right amp for the job instead of chasing endless options 29:10 - Why controlling the tracking process matters 30:14 - Recording philosophy, room sound, and source quality 31:14 - The challenge of recording solo acoustic guitar and vocals 32:28 - Drum recording, overheads, and capturing the right feel 34:15 - Kick, snare, tom, and room mic approaches 39:14 - Room mic placement and using reflections 41:20 - Bass workflow and guitar amp recording 42:00 - Guitar mic combinations and phase alignment 43:45 - Working across genres while keeping the recorded sound natural 45:15 - Jansen Duncan’s studio efficiency and the importance of young talent 46:10 - Building a local music ecosystem around venues and bookings 47:47 - Singles, albums, and releasing music today 49:17 - Dave Hatley’s distinctive pedal steel sound 50:35 - Networking, craft, luck, and persistence in the music business 55:35 - The soul of music, imperfection, and letting a performance breathe 56:07 - Closing thoughts and support for the local music scene