Art in Permacrisis

Sepp Eckenhaussen

About art workers' organising in a world on fire. With guests who think, imagine, and organise. Co-published by the Institute of Network Cultures and Caradt.

Episodes

  1. Gizem Üstüner’s Low-Budget Projects

    11/04/2025

    Gizem Üstüner’s Low-Budget Projects

    Gizem Üstüner is an artist and researcher based in Amsterdam, whose work is a direct confrontation with the realities of precarity, migration, and womanhood. In recent years, she’s been traveling to Yogyakarta, Athens, Istanbul, and back to Amsterdam for the long-term ‘Low-Budget Projects’. Wherever she goes, Gizem seeks to build solidarity through one-on-one exchanges with peers navigating struggles similar to hers. Over coffees, cigarettes, nights out, or moments of protest, she listens, connects, and shares in the everyday tactics and resistance strategies that cultural practitioners develop in response to the cultural, economic, and political infrastructures they inhabit. In this podcast, we discuss the different chapters of Low Budget Projects, and what they tell us about transparency, solidarity, humor, and resistant joy among art workers’ communities. LINKS & REFERENCES Low-Budget Projects IG: instagram.com/lowbudgetprojects Low-Budget Projects Amsterdam: https://framerframed.nl/en/projecten/low-budget-projects-do-not-expect-anything-out-of-the-blue Low-Budget Projects Athens: yellowbrick.gr/step-47-low-budget-projects Gizem on Stegi Radio: stegi.radio/artist/gizem-uestuener ABOUT Art in Permacrisis is a podcast on the organization of art workers in the face of the ever-growing stack of crises, published by the Institute of Network Cultures and Caradt. This episode was hosted by Sepp Eckenhaussen and edited by Salome Berdzenishvili.

    46 min
  2. Vermeir & Heiremans between Speculative Fiction and Operational Realism

    11/04/2025

    Vermeir & Heiremans between Speculative Fiction and Operational Realism

    Vermeir & Heiremans started their collaborative artistic practice, when they defined their apartment in Brussels as an artwork and created the Art House Index in 2006. In the following decades, they developed a deep artistic research practice focusing on the interplay between art, speculation, finance, and real estate. Ronny Heiremans and Katleen Vermeir have also successfully worked on Belgian art policy development and co-founded the artistic research platform Jubilee. We cover a lot of ground in our conversation, from financialisation for the public good to automated art dividends, real estate speculation, bottom-up policymaking, new ways of mutualization, and the lure of art cooperatives. Links & References Website of Vermeir & Heiremans: https://www.in-residence.be Art House Index: https://www.in-residence.be/extensions/view/39 / http://ahi.in-residence.be/chart.php Article on ‘A Modest Proposal’, https://www.cambridge.org/core/journals/finance-and-society/article/modest-proposal-in-a-black-box/4586E97058B4581F71795AEDBB647E1C Art workers proof (kunstwerkattest): https://www.workinginthearts.be/nl/professioneel/kunstwerkattest/kunstwerkattest/wat-is-het-kunstwerkattest Jubilee: https://www.jubilee-art.org/ Commons to Coop Summer School: https://kunsthal.gent/en/agenda/jubilee-summer-school-2024-commons-to-coop Cover image: graph illustrating A Modest Proposal (in a Blackbox) About Art in Permacrisis is a podcast on the organization of art workers in the face of the ever-growing stack of crises, published by the Institute of Network Cultures and Caradt. The podcast hosts are Candela Cubria and Sepp Eckenhaussen. This episode was recorded in Brussels, in a studio generously made available by Rune Peitersen and Level Five Cooperative.

    1h 16m
  3. Kate Rich and Radical Administration

    11/04/2025

    Kate Rich and Radical Administration

    For this episode I had a conversation with artist, trader, and researcher Kate Rich. We discussed ‘feral trade’, an international grocery business set up by Kate, for which her traveling (art world) friends and acquaintances act as couriers. We then talked about ‘radmin’, a long-term effort to radicalize the administrative work that’s always there, but usually remains in the background, even in social art practices. Links & References Feral Trade website: https://feraltrade.org 2013 interview about Feral Trade: https://www.wired.com/2013/07/whats-new-with-kate-rich-and-feral-trade Katherine Gibson and Kate Rich, ‘Feral Trade: Taking back Markets for People and the Planet’: https://unlikely.net.au/issue-1/feral-trade Radmin Reader 2020: https://fo.am/publications/radmin-reader-2020 Article by FoAM-founders: https://www.designdecode.org/maja-kuzmanovic-nik-gaffney Article about the Institute for Experiments with Business (IBEX):https://anarchive.fo.am/crystal/grey-skies-thinking For 2024-2027, Kate is a Marie Skłodowska-Curie Postdoctoral Fellow at Brave New Alps (Italy), where her research centres on the everyday work of administration as a regularly overlooked place for critical, creative and collective practice: https://titipi.org/frictions About Art in Permacrisis is a podcast on the organization of art workers in the face of the ever-growing stack of crises, published by the Institute of Network Cultures and Caradt. The podcast hosts are Candela Cubria and Sepp Eckenhaussen. This episode was recorded in Brussels, in a studio generously offered by Rune Peitersen and Level Five Cooperative.

    36 min
  4. Inte Gloerich and Decentralised Autonomous Organisations

    11/04/2025

    Inte Gloerich and Decentralised Autonomous Organisations

    Inte Gloerich is a critical media and technology researcher at the Institute of Network Cultures. She is one of the core people behind the research community MoneyLab and recently finished her PhD on feminist blockchain imaginaries. In this episode of Art in Permacrisis, we discuss blockchain beyond the hype, and beyond the wish to get rich fast. How can blockchain be a tool for radical imagination and decentralised autonomous organising in the arts? We discuss concepts and dilemmas, and briefly revisit what’s left of the NFT boom, but we mainly dive into the practices of contemporary DAOs, from Dayra, to Black Swan, The Sphere, Circles, and CultureStake. What works? What doesn’t work? How? And why? Inte Gloerich’s new book, titled ‘Artists, Activists, and Worldbuilders on Decentralised Autonomous Organisations: Conversations about Funding, Self-Organisation, and Reclaiming the Future’, will be published by the Institute of Network Cultures soon. Keep an eye out on networkcultures.org. Links & References Inte’s website: www.integloerich.nl MoneyLab: www.networkcultures.org/moneylab Terra0: www.terra0.org Video explaining Dayra: www.vimeo.com/721710848? Article explaining Black Swan DAO: www.kw-berlin.de/en/black-swan-dao Circles Coop Berlin: www.circles.coop The Sphere: www.thesphere.as Commons[dot]art: www.casco.art/projects/commons-art ReUnion: www.reunionnetwork.org CultureStake: www.culturestake.org Furtherfield: www.furtherfield.org About Art in Permacrisis is a podcast on organizing art workers in the face of the ever-growing stack of crises, published by the Institute of Network Cultures and Caradt. This episode was hosted by Sepp Eckenhaussen and edited by Salome Berdzenishvili.

    1h 37m
  5. Yazan Khalili and the Crisis Economy

    11/04/2025

    Yazan Khalili and the Crisis Economy

    This is the fourth episode of Art in Permacrisis, a podcast on the organization of art workers in the face of the ever-growing stack of crises. How can artists make a living without selling their souls? Can we imagine and practice a sustainable art economy beyond precarity? How should we transform the circulation of artworks, the curriculum of art and design academies, the exhibition programs of museums, and the organization of collectives and unions? We invite speakers with combined backgrounds in art, theory, and organizing to share their insights. At the Shadia Abu Ghazaleh Campus of the People’s Free University in Amsterdam, we talked to Yazan Khalili. Yazan is an artist, architect, and cultural activist living in and out of Palestine. Some of Yazan’s many roles are: PhD candidate at the Amsterdam School of Cultural Analysis, co-founder of Radio Alhara (since 2020), and co-founder of The Question of Funding-collective (since 2019). Our conversation focuses on crisis and the crisis economy as a defining force in the arts. We also discuss the practice of infrastructural critique, or how to build alternative art institutions from the bottom up. And, of course, we talk about Palestine. Art in Permacrisis is a podcast of the Institute of Network Cultures and Caradt. It is hosted by Candela Cubria and Sepp Eckenhaussen. Tech and editing by Tommaso Campagna. The Shadia Abu Ghazaleh Campus of the People’s Free University in Amsterdam was evicted on June 13th, but the organizing continues. To keep up with the actions, you can follow @peoples.university.amsterdam on Instagram. Links Yazan’s website: https://www.yazankhalili.com The Question of Funding: https://documenta-fifteen.de/en/lumbung-members-artists/the-question-of-funding ‘What We Talk about when We Talk about Crisis’, interview on e-flux: https://www.e-flux.com/journal/111/346846/what-we-talk-about-when-we-talk-about-crisis-a-conversation-part-1 Radio Alhara: radioalhara.net & https://linktr.ee/radioalhara

    1h 37m
  6. Katja Praznik and Feminist Art Unions

    11/04/2025

    Katja Praznik and Feminist Art Unions

    This is the third episode of Art in Permacrisis, a podcast on the organization of art workers in the face of the ever-growing stack of crises. How can artists make a living without selling their souls? Can we imagine and practice a sustainable art economy beyond precarity? How should we transform the circulation of artworks, the curriculum of art and design academies, the exhibition programs of museums, and the organization of collectives and unions? We invite speakers with combined backgrounds in art, theory, and organizing to share their insights. In this episode, we talk to Katja Praznik. Katja is an associate professor at the University at Buffalo’s Arts Management Program and the Department of Global Gender and Sexuality Studies. Our conversation focuses on her book,Art Work: Invisible Labour and the Legacy of Yugoslav Socialism as well as questions of strategy and the future of work in the arts. Art in Permacrisis is a podcast of the Institute of Network Cultures and Caradt. It is hosted by Candela Cubria and Sepp Eckenhaussen. Tech by Tommaso Campagna. Editing by Candela Cubria. Links Art Work: Invisible Labour and the Legacy of Yugoslav Socialism (English) https://utorontopress.com/9781487508418/art-work/ Art Work: Invisible Labour and the Legacy of Yugoslav Socialism (Slovenian): https://maska.si/knjiga/katja-praznik-delo-umetnosti-nevidno-delo-in-zapuscina-jugoslovanskega-socializma/ Bifo’s piece on student protests/BDS protests about Palestine: https://illwill.com/sabotage-and-self-organization Goran Đorđević’s blog with all the documentation about the artists strike: https://whatwasmodernart.wordpress.com/2020/09/11/international-strike-of-artists/ New Books Network podcast interview: https://newbooksnetwork.com/art-work Slovenian art workers union ZASUK: https://zasuk.si/

    1h 37m
  7. Emanuele Braga and Universal Basic Income

    11/04/2025

    Emanuele Braga and Universal Basic Income

    This is the second episode of Art in Permacrisis, a podcast on the organization of art workers in the face of the ever-growing stack of crises. How can artists make a living without selling their souls? Can we imagine and practice a sustainable art economy beyond precarity? How should we transform the circulation of artworks, the curriculum of art and design academies, the exhibition programs of museums, and the organization of collectives and unions? We invite speakers with combined backgrounds in art, theory, and organizing to share their insights. For this episode, we talk to Emanuele Braga. Emanuele is an artist, researcher and activist. Over the past decades, he has been involved in many important grassroots initiatives, including MACAO, a center for art and Culture in Milan, and the Institute of Radical Imagination. This conversation focuses mostly on Art for Universal Basic Income (manifesto), which was produced by the Institute of Radical Imagination in 2022, and which was co-edited by Emanuele, together with Marco Baravalle and Gabriella Riccio. Art in Permacrisis is a podcast of the Institute of Network Cultures and Caradt. It is hosted by Candela Cubria and Sepp Eckenhaussen. Tech by Tommaso Campagna. Editing by Giulia Timis. Links Cover image: Art for UBI Terraforming, courtesy of Emanuele Braga Art for UBI (Manifesto): https://shop.b-r-u-n-o.it/products/art-for-ubi-manifesto Art for UBI petition: https://www.change.org/p/european-commission-art-for-ubi-manifesto Institute of Radical Imagination: https://instituteofradicalimagination.org/ MACAO: https://www.macaomilano.it/spip.php?article166 Museum of the Commons: https://vanabbemuseum.nl/en/museum/support-the-museum/linternationale Gathering into the Maelstrom (part of Venice Biennale): https://instituteofradicalimagination.org/2024/02/15/gathering-into-the-maesltrom-platform-action-exhibition/

    1h 25m
  8. Kuba Szreder and the Projectariat

    11/04/2025

    Kuba Szreder and the Projectariat

    This is the first episode of Art in Permacrisis, a podcast on the organization of art workers in the face of the ever-growing stack of crises. We invite speakers with combined backgrounds in art, theory, and organizing to share their insights. For this episode, we are welcoming Kuba Szreder. Kuba is a lecturer in art theory at the Academy of Fine Arts in Warsaw and a freelance curator. He co-founded the Free/Slow University of Warsaw and the Office for Postartistic Practices. The main topic of our conversation is Kuba’s book ABC of the Projectariat: Living and Working in a Precarious Art World. Art in Permacrisis is a podcast of the Institute of Network Cultures and Caradt. It is hosted by Candela Cubria and Sepp Eckenhaussen. Tech by Tommaso Campagna. Editing by Giulia Timis. Links Cover Image: picture of The Three Arrows, an anti-fascist demonstration in Warsaw, 2019: https://krolikokaczki.pl/en/trzy-strzaly Kuba’s book, ABC of the Projectariat: Living and Working in a Precarious Art World, published by Manchester University Press in 2021: https://manchesteruniversitypress.co.uk/9781526161321 Kuba Szreder in conversation with Pierre d’Alancaizes about ABC of the Projectariat: https://www.youtube.com/watch?v=ABwlg5-AQMU&ab_channel=Pierred%E2%80%99Alancaisez INC longform ‘Art at Work: The Role of Internet Memes in the Postartistic Age’ by Agnieszka Antkowiak: https://networkcultures.org/longform/2023/06/21/art-at-work-the-role-of-internet-memes-in-the-postartistic-age The Office for Postartistic Services: https://beczmiana.pl/bup/bup-in-english Duckrabbits.com, the archive of postartistic practices that have taken place in Poland since 2015: https://krolikokaczki.pl/en The repository of the Anti-Fascist Year in Poland: https://rokantyfaszystowski.org/en The Museum of Arte Util: https://www.arte-util.org Plausible Artworlds by Basecamp: https://www.plausibleartworlds.org Documenta 15 & Lumbung: https://documenta-fifteen.de/en The Postartisic congress in Berlin June 6-9 at the Floating University: https://konteksty.to/2024

    1h 29m

About

About art workers' organising in a world on fire. With guests who think, imagine, and organise. Co-published by the Institute of Network Cultures and Caradt.