Lit Carnivale Podcast

Your book fandom is here!

A place to discover books and authors of various genres. For book lovers, aspiring writers, authors, artists, and more. Podcasts galore. Your book fandom is here! litcarnivale.substack.com

  1. Apr 14

    Lit Carnivale #22

    Toi here and welcome back to Lit Carnivale. Today, I want to talk about the duality of being a creative person. If you’re tuning in from Substack, be sure to check out today’s poll. 1. Last week I was out addressing my ongoing health issues and I’m so happy to be back this week. With season 3 of The Read Local Show and The Read All Over Show approaching, I’ve been thinking a lot about the duality of being a creative person. I’ll mostly be focusing on writers, but I think what I have to say will generally apply to other creatives as well. Before I go more in-depth on this topic, here’s a reminder of the line up for the two shows. The Read Local Show will feature: a special guest, along with Virginia Slechta, Jana Sun, and T.L. Pass. The Read All Over Show will feature: Sherry Ellis, Brenda Covert, Patricia J.L., and Glorious Raine. 2. Speaking in purely general terms, most creatives would love to be able to create all the time without having to worry about income, promoting, or meeting expectations. For those who’ve chosen to express their creativity without monetization, they’ve limited their need to think about these other concerns. When creativity isn’t connected to financial need or desire, you don’t need to worry about promotion and societal expectations. Unfortunately, one major downside to being a creative, is the desire to connect with other people over your creative expression. This can be done without monetization, but not without exposure to other people’s expectation. Then take it one step further and reject the notion of working a traditional job or starting a practical business model and you have a creative who has to master promoting and meeting expectations. The creative person now becomes a businessperson, whether they like it or not. 3. This is the duality many creatives struggle with. I know there have been times when I’ve written something that I knew other people would connect with or relate too and I was torn with whether or not I should give it away for free or go onto promo mode to share it. If I decide to share it, I’m then torn with why I would put so much effort into sharing it if I wasn’t at least attempting to make some income with- income help fuel future creativity. It’s a tough situation to be in and one I’m constantly traversing. That’s one of the reasons I make so much effort to help promote other authors. Whether they are seeking recognition, monetary gain, or simply a connection, I wish I’d had someone offering me a platform to share my creativity, so now I’m offer it to others. Question: Would you rather create for a living or keep creativity separate from your income? I’d love to know. For me, I’m open to both. I would write only for myself if it got to be too much to share it with others, but I could also write for a living if I choice to focus my attention on that, but it mostly likely wouldn’t be the fairy tale of being a full-time novelist. Be sure to subscribe to this podcast so you don’t miss the launch of the Read Local Show or The Read All Over Show and consider a paid subscription to receive bonus episodes and content. Until next time, stay safe, keep reading, and be blessed. Credits Lit Carnivale Season 1, Episode 22. Staring Toi Thomas. Featuring no one else at this time. Topics Discussed: Duality, Creativity, Income Possibility Produced by Toi Thomas in association with The ToiBox of Words and Lit Carnivale. Directed by Toinette “Toi” Thomas. Thanks again to the Lit Carnivale Community at Substack, YouTube, and wherever you can hear this podcast. Your book fandom is here! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit litcarnivale.substack.com/subscribe

    4 min
  2. Mar 31

    Lit Carnivale #21

    Toi here and welcome back to Lit Carnivale. Today, I want to talk about The Countdown to Season 3 If you’re tuning in from Substack, be sure to check out today’s poll. 1. I’m so excited that it’s getting closer to the launch of season 3 of the Read Local Show and the Read All Over Show. This season will be unlike any of the precious seasons for several reasons. Aside from the differences there are also some similarities. I’m keeping the same format that I’ve always had to help listeners really connect with the participating authors. We’ll get to know them as readers, writers, and individuals sharing about their creativity. 2. So, what’s different. Well, I’ve cleaned up and simplified some of the graphics and I’ve changed the location of where the podcast will be available. This time around, both shows will be part of the regular Lit Carnivale podcast and they’ve also be available as audio-only podcasts. Each show will have four episodes spread over four months. For the Read Local Show I’ll be chatting with: Virginia Slechta, Jana Sun, T. L. Pass and a special guest. For the Read All Over Show I’ll be chatting with: Sherry Ellis, Brenda Covert, Patricia J. L., and Glorious Raine. 3. Each show will launch in May and run through August. During the run of these shows, the Lit Carnivale solo content will take a hiatus. So instead of four public posts a month, there will only be two- Read Local one week and Read All Over the next with short a break until the next month. Paid subscribers will receive bonus episodes on the off weeks. I know this is a risky strategy, but it’s the one I’ve got, and it will allow me to focus more effort on promoting each show and the authors being featured. Question: Are you ready for the Read Local or Read All Over Show? I’d love to know. Until next time, stay safe, keep reading, and be blessed. Credits Lit Carnivale Season 1, Episode 21. Staring Toi Thomas. Featuring no one else at this time. Topics Discussed: Read Local or Read All Over Show, Produced by Toi Thomas in association with The ToiBox of Words and Lit Carnivale. Directed by Toinette “Toi” Thomas. Thanks again to the Lit Carnivale Community at Substack, YouTube, and wherever you can hear this podcast. Your book fandom is here! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit litcarnivale.substack.com/subscribe

    2 min
  3. Mar 25

    Lit Carnivale #20

    Toi here and welcome back to Lit Carnivale. Today, I want to talk about what makes a conference a success. If you’re tuning in from Substack, be sure to check out today’s poll. 1. Whenever I attend a conference or convention I have to consider my why. Why am I going and what do I hope to get out of it? If it’s a convention, I’m usually there for fun, connections, and possibly inspiration. For a conference, I want to have a feeling a success, which I usually measure by whether I made solid leads or contacts, received positive feedback on a project I’m working on, or received critical feedback to help me move forward with a project I’m working on. Then there are the times when I actually vend at an event. If I make my table few back, I always count it as a success because I put myself out there and I always go the extra mile to be memorable. Since I just came back from AWP, I’ll explain why I think it was a professional success for me. 2. I made a lot of connections- I mean solid leads and contacts. Not just people whose cards or flyers I collected, but people who also took my information and or followed me on social media. I talked to a lot of people and gained insight into the literary community I didn’t previously have. I also gained a bit of confidence in my own knowledge of the publishing process based on some conversations I had. I shared my ideas and received feedback and encouragement to pursue them along with the invitation to submit some of my ideas for publication. I also discovered some cautionary information that’s always a value when entering a new arena, such as going from fiction to creative nonfiction. I also feel it was a success because I did such as good job of representing myself and leaving a lasting impression. At least, I felt like I did. 3. The last and final, most unexpected, thing that made the AWP experience a professional success for me, was the inspiration. I wasn’t expecting to be inspired to explore new things. I’m always open to trying new things, I guess I was just surprised that there were new things I hadn’t yet considered. Question: Have you had professional success at a conference? I’d love to know. I have a special announcement coming next week, so be sure to come back. If you, or someone you know, is an author or aspiring writer interested in being featured on a podcast, please click my Be Featured links on social media to learn more. Until next time, stay safe, keep reading, and be blessed. Credits Lit Carnivale Season 1, Episode 20. Staring Toi Thomas. Featuring no one else at this time. Topics Discussed: AWP, Professional Conferences, Making Connections, Positive Feedback Produced by Toi Thomas in association with The ToiBox of Words and Lit Carnivale. Directed by Toinette “Toi” Thomas. Thanks again to the Lit Carnivale Community at Substack, YouTube, and wherever you can hear this podcast. Your book fandom is here! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit litcarnivale.substack.com/subscribe

    3 min

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A place to discover books and authors of various genres. For book lovers, aspiring writers, authors, artists, and more. Podcasts galore. Your book fandom is here! litcarnivale.substack.com