Hella Foggy

Greg and Wayne

Hella Foggy is a San Francisco Bay Area podcast where Greg (East Bay) and Wayne (the Peninsula) talk through the culture, history, and everyday strangeness of the region they grew up in. The show blends casual storytelling, local memories, and the kind of side-trails that come with being lifelong natives, whether they’re comparing neighborhoods, revisiting big moments, or getting lost in smaller curiosities. It’s a laid-back introduction to the conversations ahead as they explore well-known and lesser-known Bay Area cities and bring in other locals to help map the place they still call home.

  1. Jul 17

    Episode 20: Hella Music

    It's the big one — twenty episodes in, and Greg and Wayne finally take on Bay Area music, a topic so sprawling and so foundational to the region's identity that they were dreading it long before they hit record. The shadow this place casts on music is enormous, and this episode tries to walk through as much of it as two guys can manage in one sitting without getting dehydrated. What comes out the other side: New Jack Swing, a night at the club, a romantic gesture that may or may not earn marriage points, and a strict Metallica non-aggression pact (the band, they agree, doesn't need the exposure).  Greg gets chased after a concert and, separately, mugged — a rough stretch for a guy just trying to talk about music. Wayne name-checks the radio personalities he wants to hug and goes hunting for alternatives to MTV; Greg mourns his childhood radio reception. The Grateful Dead go politely ignored by a young Wayne — good instincts, Wayne. Professional tennis shows up uninvited. There's a tour through record stores, a heartfelt tribute to East Bay suburban dirt bags as unsung cultural tastemakers, a stern word for Slayer's eyeliner era, a swerve into mutual friends more talented than themselves, and love for the Pointer Sisters, the Uptones, and the United States of America (the band), plus a genuine, nerdy detour into the legacy of Mills College and the Buchla 100 series of portable synthesizers. Wayne edited this one down from a monster to a manageable hour-plus — a heroic act of restraint.

    Episode 20: Hella Music
  2. Jul 4

    Episode 19: Hella Visual

    The Bay Area is a place that has consistently, and somewhat quietly, punched above its weight as a center of visual culture. Not just tech aesthetics — but the longer, stranger history of a region that has produced an outsized number of visual thinkers and image-makers without always getting full credit for it. The episode opens with a question that turns out to be genuinely hard to answer: what exactly is Oski? The UC Berkeley bear mascot rewards scrutiny poorly — the closer you look, the less sense he makes. This leads into the odd history of college mascots as a visual genre, a category of design that combines deep institutional seriousness with complete formal absurdity. From there: Coit Tower, which manages to function as both a convincing three-dimensional landmark and an almost impossibly clean two-dimensional graphic — it looks like a logo of itself. The bridges get their full due: the Golden Gate's promiscuous elegance versus the Bay Bridge's beautiful brutality, two completely different visual philosophies sitting within eyeshot of each other across the same water. The theme to Taxi comes up. It belongs. San Francisco's graphic design community gets examined, with particular attention to the remarkable concentration of influential designers in the city's history named Michael. This is a real phenomenon. San Mateo, it turns out, has mighty iconography. Levi's gets a moment for a genuinely clever piece of creative maneuvering around FIFA's notoriously aggressive trademark enforcement. Tom Waits comes up as a man who has spent decades carefully tending his image and gone to considerable lengths to defend it — discussed here with admiration.  Then there's the format problem: how do you talk about fonts on a podcast? Typography is a stubbornly visual subject and audio is a stubbornly non-visual medium, and Greg and Wayne attempt to bridge this gap with varying degrees of success. Billboards follow — the great ones, past and present — operating under conditions of fog and topography that don't apply anywhere else. This episode's Star Wars reference is grounded in the massive container cranes at the Port of Oakland, which famously may or may not have inspired the AT-AT walkers. The 49-Mile Scenic Drive gets examined — specifically how you route 49 miles through a city that is, relative to its own legend, quite small. Greg shouts the phrase RAINBOW TUNNEL with earned enthusiasm. Wayne goes philosophical on the Transamerica Pyramid, which is the correct response. The corpse flower arrives, raising genuine questions about what nature is trying to communicate and whether we should be concerned. Broadway's strip club signs get their moment as vernacular icons of a vanishing San Francisco — and yes, there is a weird death in the history of at least one of them. The old Tower Records on Bay Street is remembered as a defiant LA outpost in enemy territory, a Sunset Strip energy the city didn't ask for and kind of loved anyway. And then the Laserium — lying on your back in a domed room while lasers traced psychedelic patterns across a fake sky and something between Pink Floyd and a dream played through the speakers. It was a lot. It was also exactly right. A quick note: the audio of this episode is not our finest hour. Something happened. Gremlins, atmospheric conditions, the general hostility of technology toward ambition — the cause remains unclear. What is clear is that Wayne performed what can only be described as an act of heroic editing to get this thing into listenable shape, and he deserves acknowledgement for that. You'll notice it's fine. It's legible. It sounds like a podcast. That is entirely because of Wayne.

    Episode 19: Hella Visual
  3. Apr 18

    Episode 13: Hella Gluttonous

    Restaurants, or the long, dimly lit theater of appetite, status, memory, and mild gastrointestinal regret. We settle into the cracked vinyl booths and low-stakes grandeur of old man restaurants, where time slows, portions don’t, and a chilled fork arrives like a small, unnecessary miracle. Is it luxury, or just a habit that refuses to die. Either way, it becomes a kind of thesis. Wayne, sensing an opening, drags in Star Wars with the confidence of a man who knows the bit will land whether it belongs or not.  There’s a prolonged, faintly adversarial inquiry into whether a prime rib house is meaningfully distinct from a steakhouse, or just a specialized dialect of the same language. Greg recounts a self-inflicted Christmas lunch disappointment, a slow-motion collapse that could have been avoided with even minimal foresight. Wayne offers a poignant glimpse into a life without proper toys, featuring one of his many cousins. Somewhere in the middle of all this, Greg gets punched in the head. The story is told with the clarity of someone still slightly surprised it happened. Wayne, undeterred, drifts into a near-religious meditation on the best fried chicken in the city, as if describing a place that may or may not exist anymore. There’s ice cream. There’s a bar in the Lower Haight that feels like it was designed after someone misremembered *Alien* during a fever dream. Tiki bars surface, as they always do, equal parts escapism and residue. No reservations. No conclusions. Just the check, eventually.

    Episode 13: Hella Gluttonous
5
out of 5
15 Ratings

About

Hella Foggy is a San Francisco Bay Area podcast where Greg (East Bay) and Wayne (the Peninsula) talk through the culture, history, and everyday strangeness of the region they grew up in. The show blends casual storytelling, local memories, and the kind of side-trails that come with being lifelong natives, whether they’re comparing neighborhoods, revisiting big moments, or getting lost in smaller curiosities. It’s a laid-back introduction to the conversations ahead as they explore well-known and lesser-known Bay Area cities and bring in other locals to help map the place they still call home.

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