Insights on the Parsha & Mo'adim - From Joshua Moshe Mitchell

יהושע משה בן שלום

Trying to find the אמת in the Torah and Chaggim

  1. Jul 23

    Tish'a B'Av 5786 - "אם־לא אעלה את־ירושל͏ם"

    This Thursday is תשעה באב, the saddest day of the year, when we commemorate the destruction of our spiritual home, the בית המקדש. It is a day of deep mourning, a pain expressed most acutely in פרק קלז of תהלים, commonly known as על נהרות בבל. The passage begins by describing the grief of the Jewish people in exile: “על־נהרות  בבל שם ישבנו גם־בכינו בזכרנו את־ציון - On the rivers of Babylon - there we sat and also cried in remembering Zion”. They sit, mourn, and cry over what they have lost, hanging up their harps in sorrow. But this raises the question: Why? What are they mourning over? Why could they not simply start again? Yes, they were no longer in ירושלים, but couldn’t they still rebuild their lives and even thrive in בבל? What exactly had they lost? Later in the פרק, we encounter some of the most famous פסוקים in תהלים, the promise of: “אם־אשכחך ירושל͏ם תשכח ימיני. תדבק־לשוני  לחכי אם־לא אזכרכי אם־לא אעלה את־ירושל͏ם על ראש שמחתי - If I forget you, Jerusalem, I shall forget my right hand. My tongue will cleave to my palate if I don’t remember you - if I don’t raise Jerusalem above my highest joy”. These פסוקים too require understanding: What are we swearing ourselves to? What does it mean to never forget ירושלים? The complexity only deepens when we reach the end of the chapter: “בת־בבל השדודה אשרי שישלם־לך את־גמולך שגמלת לנו - Daughter of Babylon, destined to be devastated, happy is he who repays for the dealings that you have done with us.” Suddenly the פרק switches from mourning ירושלים to a prophecy of retribution against בבל. This only raises more questions: How did we get here? What brings about this dynamic switch in themes? And ultimately, as a whole, what is this פרק meant to teach us? How are we to understand the promise of אם־אשכחך ירושל͏ם? How is it meant to shape our connection to ירושלים today?  Recorded in Camp Moshava Ennismore

  2. Jun 25

    Parshat Balak 5786 - "ויחל העם לזנות אל־בנות מואב"

    This week we read פרשת בלק, a פרשה which opens with בלק commanding בלעם to curse בני ישראל. However, quickly בלעם declares that he can only state what HaShem puts in his mouth, and instead is forced to bless the nation despite his desire to fulfil בלק’s requests. The climax of these ברכות is expressed in “מה־טבו אהליך יעקב משכנתיך ישראל - how good are your tents, Ya’akov, your tabernacles, Yisrael.” The ילקוט שמעוני explains that at his vantage point בלעם saw the entire encampment of the nation, an arrangement in which no two tents' entrances faced together, a demonstration of great dignity and privacy. It is this virtue, the ילקוט שמעוני expresses, which is praised in בלעם’s ברכה. Furthermore, the ילקוט שמעוני presents this modesty as more than a mere practice, but rather the defining trait of the nation: a tradition unbroken from the time of אברהם. This only makes what follows, just a few פסוקים later, all the more striking: “וישב ישראל בשטים ויחל העם לזנות אל־בנות מואב - and Yisrael settled in Shittim, and the nation defiled themselves in harlotry to the daughters of מואב”. The Torah then writes that these women led the nation to עבודה זרה and caused them to become attached to their god, בעל פעור. But how did this happen? How can a people characterized by such modesty abandon it so quickly? This difficulty only deepens when we turn to the end of the פרשה. There, HaShem brings a plague upon the nation, declaring all who were involved with בעל פעור must die. Yet, in the midst of the plague פנחס kills זמרי, who sinned publicly, and stops the plague. The מושב זקנים explains that through this act, he was able to save the lives of many. But, this only raises more questions: why must everyone be subject to death - are they not capable of תושבה? And if they are truly deserving of the death penalty, how can one public execution save them?    Recorded in Camp Moshava Ennismore

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Trying to find the אמת in the Torah and Chaggim