Sherry Millner and Ernie Larsen join Giulia and Matt to discuss their shared nomadic journey as artists, anarchists, parents, curators, teachers, partners, writers, thinkers, friends, and so much more. In 70 minutes, we discuss their last 50 years of collaboration. Meeting amidst the utopian movements of the 60s, they were influenced by their encounter and friendship with anarchist groups such as Anarchos, the Judson Dance Theater, and Situationism in America. Believing in the power of collectivity and the potentials of oppositional culture, their work has dealt equally with the spectacle of disaster and the invisibility of daily life. With a practice simultaneously reflecting on authorship and ownership, audience and autonomy, independence and institutions, they have been editors of the radical film journal Jump Cut, and curators and archivists of forgotten revolutionary cinema. --"Escape Routes" - Ernie Larsen, 2021: https://herri.org.za/5/ernie-larsen/ --"Flying under the radar: notes on a decade of media agitation" - Ernest Larsen, 2014: https://www.ejumpcut.org/archive/jc56.2014-2015/LarsenAnarchistActivists/index.html --"The Dialectics of Making Movies: Sherry Millner and Ernest Larsen interviewed by Lia Yoka" - 2009: http://womenfilmeditors.princeton.edu/assets/pdfs/MILLNER_Dialectics_of_Making_Movies_Yoka.pdf --"The Last Word: To unite filmmakers and film critics" - Ernest Larsen and Sherry Millner, 1979: http://www.ejumpcut.org/archive/onlinessays/JC20folder/LarsenMillnerEdl.html Sherry Millner & Ernie Larsen collaborate on film, video, photo-text, book, curatorial and other research projects. Together they have produced more than a dozen films exhibited in festivals, museums, cultural centers, squats, windows, and storefronts. Millner creates installations such as The Domestic Boobytrap, which detournes U.S. army manuals to manifest the vulnerability of domestic space, with blueprints and models of boobytraps placed in everyday life situations within the nuclear family. Larsen's feminist detective novel Not a Through Street was nominated for an Edgar Award. His nonfiction novel The Trial Before The Trial, describing his “disruptive” service on a grand jury in New York, was published by Autonomedia. He is currently writing a novel about the French anarchist Ravachol. As co-creators of the collaborative video project State of Emergency, they involved 15 artists in protesting U.S. invasions of the Middle East. In 2008 at the Oberhausen Film Festival they co-curated “Border-Crossers and Trouble-Makers,” 10 programs that aimed to rewrite the conventional history of experimental political media. They co-curated the Fall Flaherty Foundation series in 2013 at Anthology Film Archives, under the title “Global Revolt: Cinematic Ammunition.” They are co-curators of Disruptive Film, a two volume DVD set of experimental short-form non-fiction films and videos, for Facets Media. They organized and contributed to the collaborative book Capital’s Greek Cage (Autonomedia), an exploration of Greece’s near-collapse in the aftermath of the debt crisis. Their most recent video How Do Animals and Plants Live? is an inquiry into the forcible eviction and immediate demolition of the self-organized anarchist-supported migrant squat Orfanotrofeio in Thessaloniki on July 27, 2016. Video Data Bank: https://www.vdb.org/artists/sherry-millner Autonomedia: https://autonomedia.org/?s=larsen Facets DVD: https://www.facetsdvd.com/searchresults.asp?Search=millner&Submit=
