Scene in Boston

Laura Amico
  • 5.0 (1)
  • Performing Arts
  • Updated Semimonthly

Where Boston talks about theater.

  1. 1d ago

    Thrills, Chills, and Playbills: It's Spooky Season in Boston

    It's spooky season—and Greater Boston stages are getting in on the fun. Whether you love a good scare or you're a little scared of being scared, this episode is for you. We talk with Covenant director Dawn M. Simmons and Bat Boy: The Musical director Jeremy Johnson about shadows,unsettling stories, and the exhilaration of experiencing it all together. From a Southern Gothic thriller at SpeakEasy Stage to a camp horror musical at The Umbrella Arts Center, we explore what makes live theater frightening—and what these stories reveal about who we fear, who we blame, and who gets to belong. Plus, more local theater for Halloween and beyond. Produced, as always, at Boston Arts Academy. Our program allows public schools high schoolers in Boston to intern in audio production and independent media, building careers for a lifetime.

  2. Sep 30

    Exploring Boston's 2026–27 Theater Season

    This week on Scene in Boston, we kick off season two with WBUR theater critic Jacquinn Sinclair to talk about what's ahead on Greater Boston stages. From family dramas and Gothic horror to hidden histories, musicals, and mysteries, we explore the connections across a packed theater season—and what might inspire you to try something new. In our conversation, we discuss: • the summer shows that stayed with us, including Eureka Day and A New Era • stories of women's activism, from Eleanor and The Wash to 1972 • how productions like Mexodus and Teatro La Plaza's Hamlet invite audiences into different histories and experiences • music, audience participation, and the joy of finding yourself in the middle of the story • and the shows on our calendars, including Purpose, Covenant, and a pair of Agatha Christie mysteries We also introduce Scene in Boston's new season guide, with month-by-month listings, connections across productions, and recommendations from Boston's theater community. Find out how to get your copy at sceneinboston.org.

    Exploring Boston's 2026–27 Theater Season

  3. Jun 4

    Curtain Call: Looking Back on a Season of Boston Theater, Community, and Discovery

    After ten episodes,  about a dozen interviews, and more theater than we ever expected to see, we're wrapping up Season One of Scene in Boston. In this special season finale, hosts Laura Amico and Lisa Talhamer look back on the productions, conversations, and ideas that shaped the first season. From workshop productions and intimate black box theaters to major musicals and ambitious new works, they reflect on what surprised them, what stayed with them, and why live performance feels especially meaningful right now. Along the way, they revisit some of their favorite moments from the season, discuss the themes that emerged across Boston stages, and share a few ideas for what might be coming next. Mentioned in this episode: Something Rotten – at Lyric Stage Dead as a Dodo – at ArtsEmerson Swept Away –SpeakEasy Stage The Outsiders – Broadway in Boston The Hills of California – at The Huntington Wonder – A.R.T. The Things Around Us – at ArtsEmerson  Mexodus – off-Broadway piece coming to ART next season Ufot Family Cycle  Medea – Boston University The 25th Annual Putnam County Spelling Bee- The Hive Theater Company Breaking the Code – at Central Square Theater The Great Privation- Company One Theater You Are Cordially Invited to the End of the World!– Company One Theater Looking ahead / upcoming plans Eureka Day – at The Huntington Black Swan – at A.R.T A Midsummer Night's Dream – Shakespeare on the Common, by Commonwealth Shakespeare Company

  4. May 27

    Theater as Witness: Weighting the Wait

    This week on Scene in Boston, we talk with director Dev Luthra about Weighting the Wait, Open Theater Project's new production created from writing circles with mothers impacted by gun violence. Performed inside St. John's Episcopal Church in Jamaica Plain, the production uses movement, storytelling, ritual, and large-scale fabric artwork to transform the audience from observers into witnesses. In our conversation, Dev discusses: • building theater from lived experience • storytelling as a form of connection and healing • the relationship between audience and performer • performing inside a sanctuary space • and what it means to "help carry the weight of tragedy" through community and art

  5. May 18

    Inside the Making of (Re)Dressing Miss Havisham: Miranda Jonté on solo performance, literary adaptation, and Boston Playwrights Theatre's new play incubator

    In this episode of Scene in Boston, hosts Laura Amico and Lisa Thalhamer are joined by actor Miranda Jonté, who stars in (Re)Dressing Miss Havisham at Boston Playwrights' Theatre. The new solo play, written by John Minigan, reexamines the iconic Great Expectations character from her own perspective — asking what happens when women written off by literature get to tell their own stories. Jonté talks about collaborating with Minigan, building a one-woman performance, blending literary analysis with detective work, and why the play pushes back against familiar narratives about aging, heartbreak, and women's lives. Along the way, Laura and Lisa connect the production to other shows this season, including Gem of the Ocean, Penelope, The Outsiders, and this season's ongoing interest in revisiting classic stories through contemporary eyes. You can find tickets, show notes, and Boston-area theater listings at SceneInBoston.org.

  6. May 17

    Drawn to the Water: Swept Away and how Boston Stages Stories of Life at Sea

    In this episode of Scene in Boston, hosts Laura Amico and Lisa Thalhamer dive into Swept Away, SpeakEasy Stage Company's folk-rock musical set on an 1888 whaling ship leaving New Bedford. Featuring the music of The Avett Brothers, the show follows four survivors of a shipwreck as they confront questions of morality, mortality, and what it means to live a good life. Director Jeremy Johnson and scenic designer Janie E. Howland join the hosts at Boston Arts Academy to unpack how this production brings the ocean to the stage. Johnson explains why The Avett Brothers' introspective, story-driven songs translate so powerfully to theater, turning a 90-minute, no-intermission musical into an emotionally rich journey through brotherhood, faith, and the ethics of survival. Howland discusses designing a world that is "pretty much at sea," using scale, sky, and lighting to evoke vastness rather than literal water. Zooming out, the episode situates Swept Away within a broader wave of current productions that center male and non-binary ensembles and more vulnerable depictions of masculinity. Johnson reflects on how this and other recent works challenge harmful models of "toughness" by showing men as tender, emotionally open, and spiritually searching. Laura and Lisa connect the show to other Boston productions and to a wider fascination with water onstage — from rain effects to illusionistic stagecraft — that continues to captivate audiences. The hosts close with recommendations for local theater, museum exhibits, and regional history that deepen the experience of seeing Swept Away, inviting listeners to engage with Boston's thriving arts ecosystem.

  7. Apr 28

    Inside the Making of a New Play: Girl Crime, Lifted, The Outsiders, and more

    Hosts Laura Amico and Lisa Thalhamer step inside the process of writing new plays—how stories move from idea to page to stage, and what it takes to build something that doesn't yet exist. They talk with Boston playwrights about shaping characters, navigating collaboration, and developing work in real time, as scripts evolve through workshops, rehearsals, and conversation with artists and audiences. The discussion opens up the often-invisible work behind new theater: revision, risk, and the challenge of writing something that feels urgent and alive. Along the way, Laura and Lisa connect these conversations to the broader landscape of new work in Boston, exploring how plays are developed across institutions and what it means to create theater that speaks to this moment—and to the audiences it hopes to reach. Also Mentioned: Lifted, as part of the Ufot Family Cycle The Outsiders Beauty and the Beast Charlotte's Web Little Women Pride and Prejudice The Odyssey The Moderate When Playwrights Kill Black Swan Weighting the Weight The Secret Sharer

  8. Apr 15

    Setting, Place, and Belonging in Boston Theater: Actor's Shakespeare Project's Gem of the Ocean

    In this episode of Scene in Boston, hosts Laura Amico and Lisa Thalhamer sit down with award-winning actor and educator Kadahj Bennett ahead of his role as Caesar Wilkes in August Wilson's Gem of the Ocean, produced this spring by Actors Shakespeare Project. The episode is a deep dive into why Wilson's work feels urgently alive right now, and what happens when theater meets the community it's speaking to. Kadahj — who chairs the theater department at Boston Arts Academy and has performed at the Huntington, Speakeasy Stage, and ART — unpacks the themes that make Gem of the Ocean feel startlingly present today: wealth disparity, extrajudicial violence, the meaning of freedom, and the ways women are the backbone of their communities and yet still pushed to the margins. The conversation also explores the structure of Wilson's ten-play American Century Cycle, the show-by-show excitement audiences felt when those plays were first being released, and why Aunt Esther — one of Wilson's most mythic characters — makes her first chronological appearance here.

    Setting, Place, and Belonging in Boston Theater: Actor's Shakespeare Project's Gem of the Ocean
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About

Where Boston talks about theater.

Information

  • Creator
    Laura Amico
  • Years Active
    2026
  • Episodes
    13
  • Rating
    Clean
  • Copyright
    © 2026
  • Show Website
    Scene in Boston