The Relay Station

STOLACE

The Relay Station is a weekly ambient radio program that showcases new ambient, atmospheric, and neoclassical music from around the world. therelaystation.substack.com

  1. 6d ago

    Episode 7.29 /// Featuring Hollie Kenniff & Kazuma Okabayashi and Markus Guentner

    In this program I’ve got some striking music in store for you. First up among my featured artists for today, the collaboration between Canadian ambient artist Hollie Kenniff and Japanese artist Kazuma Okabayashi — they’ve got a dreamy and pleasant new album out now on Nettwerk Music Group called “Familial Tones” that we’ll be showcasing. And later in the program, we’re giving some love to the 25th anniversary re-issue of Markus Guentner’s ground-breaking album “In Moll”, remastered and re-released on Black Knoll Editions — and it sounds absolutely stunning. Plus new music from Lusine, Logic Moon & Piscean Daydreams, billy gomberg, Brannan Lane and more. Strap in and make yourself comfortable. Join us for the next hour for global ambient music, on The Relay Station. Artist information Hollie Kenniff & Kazuma Okabayashi I think you’re going to really enjoy the collaboration between my first featured artists — Canadian-American ambient artist Hollie Kenniff and Tokyo-based musician Kazuma Okabayashi. The pair have never actually met in person during the production of their new album “The Last Bright Place”, but somehow that distance is exactly what shaped it. Trading sounds back and forth between Japan and the United States, the two built what started as a simple exchange into this full-length eight-song album — it’s cinematic, reflective, and the kind of selection that’s perfect for winding down, meditating, or just falling asleep to. Kenniff put it best herself: “Some people write letters across a distance. We wrote music. What began as a simple exchange gradually grew into an EP, and eventually into our first full-length album.” Okabayashi remarked about the sounds that came out of their collaboration — something he could never have made alone — discovering a place he had never imagined. It’s a quiet reminder that even continents apart, real collaboration can still happen and a cooperative spirit more than just possible, but an attainable reality. The album was a real treat to listen to — the whole experience is placid, dreamy, bright, and pleasantly layered with minimalist piano, luscious pads, textured guitar, and packaged together in a dreamlike experience. https://holliekenniff.bandcamp.com/https://kazumaokabayashi.bandcamp.com/https://nettwerk.bandcamp.com/ Markus Guentner Twenty-five years after it first came out, Markus Guentner’s landmark debut “IN MOLL” is getting a full anniversary reissue on Black Knoll Editions this November — and today you’ll get an early listen to a track that never even made the original vinyl pressing back in 2001. This record helped define Kompakt’s Pop Ambient sound in its earliest days, and it’s aged into something people still call foundational. Critic Mark Richardson has called it one of the best ambient releases of the 2000s, and Kompakt co-founder Wolfgang Voigt calls Guentner “one of the first, but also one of the most important ambient artists” the label ever put out. For this reissue, “IN MOLL” has been fully remastered in analog by Rafael Anton Irisarri, who says discovering the record back in 2001 “opened a door to a world of music” he didn’t know existed. Guentner’s also built a new visual companion piece for the release — so this isn’t just a reissue, it’s the album’s most complete version yet. The album is quite a wild ride through varied sonic dioramas and unique experiential vistas of sound. One moment you might be immersed in slow-burning looped patterns with soft noise, and later whisked off to distorted pulsing patterns and euphoric washes of noise and near-opaque sonic textures. It’s a ground-breaking album that is more than deserving of a rejuvenated second look. https://markusguentner.bandcamp.com/https://blackknolleditions.bandcamp.com/ Playlist * [0:00] INTRODUCTION * [01:36] “Intruder” by Lusine from “Melting Days” (Ghostly International, 2026) * [05:02] “Silicon Tears” by Logic Moon & Piscean Daydreams from “Musica Universalis” (Ambient Cat Records, 2026) * [08:10] “one from october” by billy gomberg from “capacity” (Florabelle, 2026) * [12:20] FEATURED ARTIST SEGMENT * [14:30] “Familial Tones” by Hollie Kenniff & Kazuma Okabayashi from “Familial Tones” (Nettwerk Music Group, 2026) * [18:48] “In Dreams” by Brannan Lane from “The Sleep Album Vol. 2” (Wayfarer Music Group, 2026) * [21:36] “Isn’t That Something?” by Ned Milligan from “Real Fun” (Florabelle, 2026) * [28:31] “Above You and Right Here” by Steen Chorchendorff Jorgensen from “Within Gravity” (Independent, 2025) * [32:19] FEATURED ARTIST SEGMENT * [34:31] “In Moll 4 (25th Anniversary Edition)” by Markus Guentner from “In Moll (25th Anniversary Edition)” (Black Knoll Editions, 2026) * [41:21] “Coast Starlight” by Windy & Carl with Optigan Conservatory from “Windy & Carl Meet Optigan Conservatory” (Kranky, 2026) * [48:20] “Deckard” by Calm Pieces from “Suburbia, Still” (WhiteLabRecs, 2026) * [54:06] “The arks Berkshire, Valley Forge, Sequoia and Mojave” by vOLKER rAPP from “Silent Running” (Cyclical Dreams, 2026) Become a supporter today! Join our community and become a monthly supporter of The Relay Station. Your financial support helps cover operating expenses and our collective efforts for the program to reach carbon neutrality. Join us at https://stolace.com/support/ Get full access to The Relay Station at therelaystation.substack.com/subscribe

    Episode 7.29 /// Featuring Hollie Kenniff & Kazuma Okabayashi and Markus Guentner
  2. Oct 11

    Episode 7.28 /// Featuring Akira Film Script and Aki Yli-Salomäki & Kreeta-Julia Heikkilä

    My two featured artists on the program have some pretty fantastic sonic spaces in store for us, and I can’t wait to share them with you. Akira Film Script is back with another release, offering up his new album “Vibrations” through SoundGhost — and it has an irresistible vibe about it that makes for a fantastic listening session; and later in the program I’ve got an album out now on WhiteLabRecs from Finnish composer Aki Yli-Salomäki and Helsinki violinist and violist Kreeta-Julia Heikkilä that will sweep you off your feet. Plus new music from Akira Uchida, Almost Random, Anenon, Brady Cohan and more. Strap in and make yourself comfortable. Join us for the next hour for global ambient music, on The Relay Station. Artist information Akira Film Script Ryan Watts released another banger under his moniker Akira Film Script — the project name for his ongoing dive into ambient and multi-genre electronic sound — with a new album called “Vibrations”, out now on SoundGhost. The whole thing kicked off when Watts got his hands on a Teenage Engineering OP-1 field synth, which let him dig back through decades of old recordings — ghosted notes, busted sampler experiments, all kinds of sonic ephemera — and reshape them into something new. A lot of these tracks start from a single healing tone or frequency and just unfold from there into drones, pads, and these ghostly, half-intentional textures. It’s less about precision and more about feeling — detuned, morphed, warped sounds doing the emotional heavy lifting. Taylor Deupree handled mastering, so you’re getting that signature 12k polish tying it all together. The album was a beautiful listening experience for me, offering a pensive space at a slow, unhurried pace — with moments of euphoria, hushed melancholy, and intimate dreamy soundscapes. It’s one of his finer recent works and I can’t recommend it enough. https://akirafilmscript.bandcamp.com/http://soundghost.bandcamp.com/ Aki Yli-Salomäki & Kreeta-Julia Heikkilä Finnish composer Aki Yli-Salomäki steps outside his usual contemporary classical and orchestral work for “Viriää,” his debut on WhiteLabRecs, teaming up with Helsinki violinist and violist Kreeta-Julia Heikkilä. The record leans on the familiar textures of violin and viola, but Yli-Salomäki threads in subtle electronic undercurrents underneath — what he calls “slowly unfolding structures” built around timbre and resonance rather than melody or narrative. A lot of the album lives in how a single tone shifts almost imperceptibly over time, recorded close and dry, with barely any reverb, so it feels like the instruments are right next to you. Even the Finnish-language track titles are intentional — a quiet nod to preserving smaller linguistic identities — and the whole thing centers on Heikkilä’s expressive playing, which Yli-Salomäki says became the record’s real source of inspiration. The album indeed carries this intimate feeling throughout, with delicate minimalism, pensive introspective motifs, and moments of dreamy and sometimes dramatic contemplation. It’s masterfully crafted, an absolute treat for the senses, and is an album you can’t afford to miss. https://whitelabrecs.bandcamp.com/https://aki-yli-salomaki.bandcamp.com/https://www.kreetajuliaheikkila.com/ Let us know what you thought about the music today! Playlist * [0:00] INTRODUCTION * [01:31] “Nusa II” by Akira Uchida from “Nusa” (Iikki, 2026) * [08:19] “Night at the Nameless city” by Almost Random from “Fragments From the Waning World” (Cyclical Dreams, 2026) * [13:09] “When The Light Appears, Boy” by Anenon from “Dream Temperature” (Tonal Union, 2026) * [17:43] FEATURED ARTIST SEGMENT * [19:41] “Phase Tuning” by Akira Film Script from “Vibrations” (SoundGhost, 2026) * [25:54] “Reverie” by Brady Cohan from “Everything That Matters” (dense presser, 2026) * [29:58] “Ficus Elastica” by Dionisaf from “House Plants” (Chitra Records, 2026) * [33:51] “Momentary” by M. Cross Dougherty from “Oceans” (Ambient Cat Recordsa, 2026) * [37:09] FEATURED ARTIST SEGMENT * [39:18] “Suuntaa” by Aki Yli-Salomäki & Kreeta-Julia Heikkilä from “Viriää” (WhiteLabRecs, 2026) * [43:11] “Slowly Traversing the Wall” by RL Huber from “Sea Legs” (Independent, 2026) * [48:10] “Autumn” by ai yamamoto from “Seasons” (Someone Good, 2026) * [54:24] “DEL 1” by Toàn from “Solitarium” (WhiteLabRecs, 2026) Become a supporter today! Join our community and become a monthly supporter of The Relay Station. Your financial support helps cover operating expenses and our collective efforts for the program to reach carbon neutrality. Join us at https://stolace.com/support/ Get full access to The Relay Station at therelaystation.substack.com/subscribe

    Episode 7.28 /// Featuring Akira Film Script and Aki Yli-Salomäki & Kreeta-Julia Heikkilä
  3. Oct 4

    Episode 7.27 /// Featuring Brannan Lane and iu takahashi

    Brannan Lane is back with another release available through Chitra Records, a placid, space-filled escapade with his new 2026 ambient release, “Folding Space” that’ll take you to intergalactic destinations within; and later in the program Japanese sound artist Iu Takahashi returns with the ornately imbued album “Ipsum” — her second release with the French label Laaps records — and it’s spellbinding to say the least. Plus new music from Aiko Takahashi & Scattered Light, Deaf Center, Deepspace, C-Shape and more. Strap in and make yourself comfortable. Join us for the next hour for global ambient music, on The Relay Station. Artist information Brannan Lane Brannan Lane returns with another addition to his prolific catalog of works on Bandcamp through labels like Wayfarer Music Group, Valley View Records, and Ambient Cat, this time releasing through Chitra Records. His latest release “Folding Space” taps into one of the more widely held subgenres within ambient music — and that’s the theme of space and space travel. While Lane isn’t breaking any new ground with his latest release, it’s rich with all of the hallmarks you’d expect from a space-themed album — leisurely sweeping pad synths, a vast airy like atmospheric quality, and sparsely imbued artifacts and ornamentals throughout the release. It’s a lush, relaxed, and tranquil listening experience that offers the listener a space to unfold, unwind, and release — experiencing their own sort of inner-galactic space travel right within the fabric of their own mind. It’s a pleasant album to lose yourself into, and I recommend it for that space-vibed listening session. https://brannanlane.bandcamp.com/https://chitrarecords.bandcamp.com/ iu takahashi It feels a little like Christmas morning whenever a new release comes my way from Laaps Records, and today is one of those lucky days. Returning to Laaps records with her second release on the boutique French label, Japanese sound artist Iu Takahashi returns with the ever expressive album “Ipsum”. Drawing her inspiration from Hiroshi Yoshimura and Satoshi Ashikawa, Takahashi has crafted an album that is intriguing, mesmerizing, and at times haunting and almost unsettling. “Ipsum” is ornately imbued with light percussive noises, shadow-like voices dancing around the periphery, lightly peppered with delicate particulates, and fused with mesmerizing sound beds that tie it all together. It’s a richly minimalist album crafted within the tradition of Japanese ambient music, and is a beautiful and beguiling album that will leave you bewildered and enchanted by its unique beauty. https://iutakahashi.bandcamp.com/https://laaps.bandcamp.com/ Playlist * [0:00] INTRODUCTION * [01:27] “Le Voile D’automne (Corduroy)” by Aiko Takahashi & Scattered Light from “Pour un Instant” (No Ray Records, 2026) * [05:11] “Once Upon” by Deaf Center from “Through Time” (Sonic Pieces, 2026) * [11:16] “Atlas Prime - The Vast Gate” by Deepspace from “The Atlas Sector” (Projekt Records, 2026) * [14:58] FEATURED ARTIST SEGMENT * [16:41] “Time Is Nowhere” by Brannan Lane from “Folding Space” (Chitra Records, 2026) * [20:39] “Ep-26 Pt.II” by C-Shape from “Ep-26” (Independent, 2026) * [24:46] “Canvas” by Hollie Kenniff & Kazuma Okabayashi from “Familial Tones” (Nettwerk Music Group, 2026) * [28:23] “Sol” by John Louis Kluck from “Ethereal Space” (Ambient Cat Records, 2026) * [34:36] FEATURED ARTIST SEGMENT * [36:21] “Dejavu” by iu takahashi from “Ipsum” (Laaps, 2026) * [41:49] “Fortsätt” by Klara Lewis from “Opening” (Editions Mego, 2026) * [44:51] “l23” by Lunar Ipona from “fragments” (Independent, 2026) * [49:41] “Linnéplatsen” by Hara Alonso from “Music of Many Nows” (FUU, 2026) * [54:14] “The Deep Blue (Pt.1)” by buoy from “Hideaway” (Independent, 2023) Become a supporter today! Join our community and become a monthly supporter of The Relay Station. Your financial support helps cover operating expenses and our collective efforts for the program to reach carbon neutrality. Join us at https://stolace.com/support/ Get full access to The Relay Station at therelaystation.substack.com/subscribe

    Episode 7.27 /// Featuring Brannan Lane and iu takahashi
  4. Sep 30

    Mix Tape Vol 009

    Playlist * [0:00] INTRODUCTION * [00:50] “Sunlit Solitude” by Spectrical from “Litchfield” (Perceptual Tapes, 2026) * [07:20] “Tharsis (KapTep Remix)” by Fumana from “Moonglow” (Ambient Cat Records, 2026) * [12:30] “Sign” by Akira Kosemura from “Polaroid Piano (15th Anniversary Edition)” (Room 40 / Someone Good, 2026) * [14:32] “What Brings You Here” by Jics from “New South Wales” (WhiteLabRecs, 2026) * [16:27] “Chackers” by memorysound from “Fading Bright” (Perceptual Tapes, 2026) * [19:52] “Blooming (Preludio)” by Dionisaf from “Blooming” (Ambient Cat, 2026) * [24:18] “Sacred House (Prophet)” by John Also Bennett from “Sacred House (Versions)” (Shelter Press, 2026) * [34:14] “The Unknowable Realm of Wisdom” by Loneward from “Paradox of Silken Stars” (Independent, 2026) * [40:39] “Where I End” by The Silent Tide from “Drift & Distance” (Mare Nostrum Label, 2026) * [45:00] SIDE B * [45:01] “First Circle” by Adam Filip from “The Returning Circle” (Cyclical Dreams, 2026) * [52:40] “quiet sky #4” by tom eaton from “quiet sky #1” (Independent, 2026) * [55:51] “Echo 2” by Kasia Gawlik from “Echoes of Ceramics” (WhiteLabRecs, 2026) * [01:01:45] “Part 1” by Danny Clay from “A Moment Beyond” (Iikki, 2026) * [01:10:09] “Receptivity” by Akira Film Script from “Vibrations” (SoundGhost, 2026) * [01:15:16] “Cabin” by Arovane & Taylor Deupree from “Enth” (Laaps, 2026) * [01:20:18] “From Trondheim” by Passepartout Duo from “Pieces from Places” (Independent, 2026) * [01:22:48] “Sit Spot” by Theddra from “Inland Sea” (Mare Nostrum, 2026) * [01:25:39] “summer’s glow” by anthéne & simon mccorry from “wellspring” (Home Normal, 2025) Get full access to The Relay Station at therelaystation.substack.com/subscribe

    Mix Tape Vol 009
  5. Sep 27

    Episode 7.26 /// Featuring Zensor and Tsubai

    In this episode we showcase ambient artist Zensor from the Netherlands and their pleasant, slow-burning dystopian full-length LP that’s sure to please; and later in the program Australian musician Tsubai makes his ambient genre debut with an album inspired by the majestic landscape of Greenland and it’s magnificent landmark, the Ilulissat Icefjord. Plus new music from Andrew Tuttle & Darren Cross, Wil Bolton, Dionisaf, Rhins and more. Strap in and make yourself comfortable. Join us for the next hour for global ambient music, on The Relay Station. Artist information Zensor Zensor is an ambient music project from the Netherlands that fuses organismic and modular synthesizers with manipulated field recordings and circuit-bent electronics. Their music blends these worlds into lush atmospheric soundscapes that fuse the natural world with the mechanical. Relatively new to The Relay Station, their brand new album “Slow Wave” marks their ninth release on Bandcamp and offers up a pretty cool minimalist and experimental soundtrack. Zensor refers to their music as a sort of living organism of sound, something that unfolds and evolves organically during each and every performance. “Slow Wave” has a lightly liminal quality, laced with washes of soft noise, undulating looped phrases and motifs, and mesmerizing layers of repetition. It gives off dystopian vibes, as if it were the soundtrack to a contemplative, slow-burning sci-fi fantasy, that is more quietly expressive than it is a thunderous action thriller. I think you’ll really enjoy this understated collection of compositions — be sure to give this album a spin in your next listening session. https://zensor.bandcamp.com/ Tsubai Following the release of “We Were Here” under his indie rock and shoegaze moniker Stubai, Australian musician Matt Teffer takes a slight detour into ambient territory under the project name “tsubai”. His debut ambient album “Ilulissat” was inspired by a recent journey to Greenland’s Ilulissat Icefjord in July 2025 — and from that has come a deeply immersive reflection on one of the planet’s most awe-inspiring landscapes. One listen and you’ll see quite clearly how Teffer effectively captures the majesty and mystery of the icescapes of Ilulissat. Transfixed by the scale, shifting forms and colors of the icebergs, Teffer returned home to Sydney inspired to translate his experience into sound. Using nothing but electric guitar as its sole sound source, ilulissat weaves vast, glacial soundscapes through meticulously layered recordings. Patient movements and stillness give way to emotional swells, evoking towering ice formations slowly emerging from the mist before opening into expansive, soaring passages reminiscent of a seabird sailing the arctic air above the fjord. It’s a great album that you can’t afford to miss. https://stubaimusic.com/https://perceptualtapes.bandcamp.com/ Playlist * [0:00] INTRODUCTION * [01:25] “Is This Too?” by Andrew Tuttle & Darren Cross from “AT/DC” (Someone Good, 2026) * [04:24] “Resonancia Angular” by Wil Bolton from “Aunque llegue la mañana · Refracted” (No Ray Records, 2026) * [08:56] “Magnolia Flower” by Dionisaf from “Mississippian” (WhiteLabRecs, 2025) * [15:39] Featured Artist Segment * [17:29] “Stage Three” by Zensor from “Slow-Wave” (Independent, 2026) * [22:54] “Electric Woods” by Rhins from “The Invisible” (Dragon’s Eye Recordings, 2026) * [31:03] “Sodium Vapour Halo (alone)” by Lawrence English from “The Rest Is My Ghost” (Room 40 Records, 2026) * [35:24] “Dead Of Night” by Arcane Trickster from “Dead Of Night” (Cosmic Leaf Records, 2026) * [39:57] Featured Artist Segment * [41:49] “Sublimation” by Tsubai from “ilulissat” (Perceptual Tapes, 2026) * [47:11] “Dream to Fade” by Orkun A. from “Dew” (FUU, 2026) * [52:52] “What Remains” by Ian Hawgood & David Cordero from “Shifting Times” (No Ray Records, 2026) Become a supporter today! Join our community and become a monthly supporter of The Relay Station. Your financial support helps cover operating expenses and our collective efforts for the program to reach carbon neutrality. Join us at https://stolace.com/support/ Get full access to The Relay Station at therelaystation.substack.com/subscribe

    Episode 7.26 /// Featuring Zensor and Tsubai
  6. Sep 20

    Episode 7.25 /// Featuring Black Brunswicker and David Cordero & Aiko Takahashi

    I’ve got some outstanding featured artists in the lineup for today’s program — in a word: sublime. Black Brunswicker is back with a new album on Nettwerk Music Group that is a delightful tribute to guitarist John Fahey in her album “Dreams of A Sunflower River”; and later in the program David Cordero and Aiko Takahashi treat us to a divine collaboration with their album “Night’s End” out now on the Home Normal label. Plus new music from Vin Downes & Tom Eaton, Arbee, Celer, Giulio Aldinucci and more. Strap in and make yourself comfortable. Join us for the next hour for global ambient music, on The Relay Station. Artist information Black Brunswicker Black Brunswicker is no stranger to our programming lineup here on The Relay Station, and has a fantastic new album that comes to us through the Nettwerk Music Group label. Indiana-born, Manchester-based guitarist Etta Helfrich, who operates under the moniker “Black Brunswicker”, channels the rootsy American primitive style of John Fahey on her latest release “Dreams of a Sunflower River”. The album is comprised of ten warm, languid tracks written back in 2019 as she was first exploring Fahey’s fingerstyle technique. Recorded to analog tape for what she calls its “spectral” quality, the album graciously wraps Midwestern memories — cornfields, rivers, fading relationships — in a haze of reverb and hiss, evoking what she describes as a mood imparted “without necessarily saying something.” Her album’s first single “A Raga Called John” pays direct tribute to Fahey’s “Sunflower River Blues” with dreamy, leisurely qualities — an experience that is consistent throughout the album. The sonic space that she’s created is lightly wistful laced with a gentle, daydreamy undercurrent that tenderly shepherds the listener through hushed, placid landscapes. It’s a gorgeous listen that I think you’ll enjoy through and through! https://blackbrunswicker.bandcamp.com/https://nettwerk.bandcamp.com/ David Cordero & Aiko Takahashi Two top-shelf artists are back in the limelight on the program — Spanish ambient artist David Cordero and Slovenia-based ambient artist Aiko Takahashi — this time as a collaborative pair. Their brand new album is “Night’s End”, a new joint-effort album from these two outstanding artists, available on Home Normal. “Night’s End” is a full length LP crafted with gentle piano and modular electronics, and hovers in the threshold between the late hours of twilight and the first waking moments at dawn. It really is a perfect matchup straight from the cosmos. Cordero’s melodic clarity pairs beautifully with Takahashi’s finely detailed sound design, each track ornately imbued with piano notes floating like points of light against soft waves of electronic texture. Nothing about this album is hurried to express its ideas; instead it’s an album of quiet possibility and gentle release, as if the last traces of darkness are slowly giving way to morning. The album feels like that trailing moment from a pleasant dream as it slips through your fingers like an ephemeral mist — here for a moment, and then lost to memory. It’s a precious album and has become one of my 2026 essentials. You will want to queue this up for your next listening session. https://homenormal.bandcamp.com/https://davidcordero.bandcamp.com/https://aikotakahashi.bandcamp.com/ Playlist * [0:00] INTRODUCTION * [01:31] “disappear into winter” by Vin Downes & Tom Eaton from “Until the Light Was Gone” (Independent, 2026) * [06:28] “Absence motivée” by Arbee from “En vain” (Chitra Records, 2026) * [11:31] “Ascensionaires” by Celer from “Capri (Remastered Deluxe Edition)” (Two Acorns, 2026) * [14:42] Featured Artist Segment * [16:39] “I’ve Got Something To Share” by Black Brunswicker from “Dreams of a Sunflower River” (Nettwerk Music Group, 2026) * [21:13] “Come Luce, In Sogno” by Giulio Aldinucci from “Come Luce, In Sogno (single)” (Karlrecords, 2026) * [28:28] “Lowside” by Fax + Braulio Lam from “Mixed Signals III” (Dragons Eye Recordings, 2026) * [34:42] “eletricidade estética” by hugo espirito santo from “têmpora” (Independent, 2026) * [38:23] Featured Artist Segment * [40:26] “Montsec” by David Cordero & Aiko Takahashi from “Night’s End” (Home Normal, 2026) * [43:38] “At Last It Leaves You” by Lynn Wright from “Before The Sinking Plains” (Miasmah, 2026) * [46:56] “Intro: Light” by Six Missing & Patrik Berg Almkvisth from “Developments (EP)” (Nettwerk Music Group, 2026) * [50:06] “My Heart Has A Home” by HERE from “Acceptance” (WhiteLabRecs, 2026) * [54:31] “Fossil Whisper” by DTime from “Nightwoven” (Cyclical Dreams, 2026) Become a supporter today! Join our community and become a monthly supporter of The Relay Station. Your financial support helps cover operating expenses and our collective efforts for the program to reach carbon neutrality. Join us at https://stolace.com/support/ Get full access to The Relay Station at therelaystation.substack.com/subscribe

    Episode 7.25 /// Featuring Black Brunswicker and David Cordero & Aiko Takahashi
  7. Sep 13

    Episode 7.24 /// Featuring Sebby Kowal and Lynn Wright

    In this program, Sebby Kowal treats us to his latest dreamy soundscape with otherworldly textures and sonic ear candy from his new album “Shoreline”; and later in the program Lynn Wright treats us to dreamy ambient guitar and washed out vocal layering in Wright’s debut ambient album “Before the Sinking Plains”. Plus new music from Miguel Otero & David Cordero, Old Amica, Stray wool, Billy Denk and more. Strap in and make yourself comfortable. Join us for the next hour for global ambient music, on The Relay Station. Artist information Sebby Kowal Sebby Kowal’s name should be familiar to you if you vibe out on dreamy atmospheric soundscapes — Kowal is a full-on wizard when it comes to crafting his ambient worlds. His new album “Cherry Blossom” is chock-full of all that you’ve come to expect from his signature style — soft washes of noise that caress the periphery, otherworldly textures and sounds that defy expectations, and mesmerizing looped sequences that have an entrancing quality about them. “Cherry Blossom” is a slow burn that asks patience of its listener, to be content to sit quietly and be open to a slow trickle of tranquility to envelop the senses. Kowals’ crafted a truly pensive album that is delicately painted with subtle particulates, hushed and subdued field recordings, and mantra-like musical patterns that are out of the ordinary. It’s quite likely to become one of my favorite Sebby Kowal albums to date. https://ambientcat.bandcamp.com Lynn Wright After decades working behind the scenes in New York’s underground scene, musical wanderer Lynn Wright steps into the spotlight on Miasmah Recordings with “Before The Sinking Plains” — his first solo album, born from guitar loops he made each morning during a long illness. The result blends washed-out dream pop, atmospheric drone, and sparse noir folk into what Wright calls “songs masking as atmospheric compositions” — dark, subtle, and vast as an open field meeting the sky. The album is a tasteful blend of reverb-saturated indistinct vocal layers, contemplative ambient guitar lines, and a landscape of open sound — perfect for watching the sky unfold before vast open fields stretching to the edge of the horizon. It’s a great listen and I encourage you to queue up the album in your ambient playlist. https://lynnwright.bandcamp.com/https://miasmah.bandcamp.com/ Playlist * [0:00] INTRODUCTION * [00:01:25] “Sal” by Miguel Otero & David Cordero from “Verano Oxidado” (No Ray Records, 2026) * [00:05:19] “Eftersol” by Old Amica from “Bländverk” (WhiteLabRecs, 2026) * [00:09:07] “Under” by Stray wool from “The sorrow” (Evergreen Music label, 2026) * [00:13:32] Featured Artist Segment * [00:15:08] “Shoreline” by Sebby Kowal from “Cherry Blossom” (Ambient Cat Records, 2026) * [00:21:48] “In Simple Gratitude” by Billy Denk from “Consider The Ravens” (Wayfarer Music Group, 2026) * [00:28:45] “Hollow Distance” by The Silent Tide from “Drift & Distance” (Mare Nostrum Label, 2026) * [00:31:02] “Casting Sand” by Build Buildings x Molly Gochman from “Continuum” (Unending Loop, 2026) * [00:35:16] Featured Artist Segment * [00:36:53] “Before The Sinking Plains” by Lynn Wright from “Before The Sinking Plains” (Miasmah, 2026) * [00:44:09] “In the Eastern Wild” by Abul Mogard & Rafael Anton Irisarri from “Where Light Pauses in the Silence of the Sun” (Black Knoll Editions, 2026) * [00:49:52] “Cities in the Clouds” by Alice AD from “Sleeplaboratory6.0” (WhiteLabRecs, 2026) * [00:54:18] “Million Year Rain” by AITIA from “Ta Panta Rhei: Cells & Cataclysms” (Independent, 2026) Become a supporter today! Join our community and become a monthly supporter of The Relay Station. Your financial support helps cover operating expenses and our collective efforts for the program to reach carbon neutrality. Join us at https://stolace.com/support/ Get full access to The Relay Station at therelaystation.substack.com/subscribe

    Episode 7.24 /// Featuring Sebby Kowal and Lynn Wright
  8. Sep 6

    Episode 7.23 /// Featuring Logic Moon & Piscean Daydreams and Lawrence English

    In this program, I’ve got cinematic-inspired music from the collaboration between Logic Moon and Piscean Daydreams, an album that draws its inspirations from some pretty deep, underlying roots from the Bladerunner Universe. And later in the program, Australian experimental ambient artist Lawrence English has released an album that is grounded in a deep reflection of the meaning of nostalgia that is equally unsettling as it is exploratory. Plus new music from Aymantium, hershel, Tokyo Bedroom Orchestra, Federico Durand and more. Strap in and make yourself comfortable. Join us for the next hour for global ambient music, on The Relay Station. Artist information Logic Moon & Piscean Daydreams The new album from Logic Moon and Piscean Daydreams has me absolutely riveted with its homage to the Bladerunner universe with its deep drones and space-inspired ambient motifs. Available now on Ambient Cat Records, “Musica Universalis” was conceived as the score to an imagined philosophical science fiction film, drawing inspiration from the dystopian sci-fi film genre. From start to finish, the album reads like a true sci-fi film score, layered with vastly sprawling drones, spectral textures, deeply embedded field recordings, and sci-fi inspired synthetic layers. The result is a vivid portrayal of a rain-soaked dystopian city landscape, post-capitalist industrial ruins, and sprawling desolate landscapes — traversing organic and synthetic terrain with each track as the album progresses along. The album was top-shelf and enjoyable all the way through, and I strongly encourage you to give this one a listen! https://logicmoon.bandcamp.comhttps://pisceandaydreams.bandcamp.comhttps://ambientcat.bandcamp.com Lawrence English If you’re familiar with the works of Australian experimental ambient artist Lawrence English, you may be well acquainted with the fact that a listen through his work generally means you’ll be wading into deep waters. His new album is certainly of no exception. “The Rest Is My Ghost” takes aim at what its creator calls “Acid Nostalgia” — a corrosive, politically-charged flattening of the past that erases historical texture in order to foreclose our sense of what’s still possible. Rather than offering a universal thesis, the record channels this idea through a deeply personal collage of architecture, fiction, and cultural theory — from Japan’s Metabolist movement to writers like Mark Fisher and J.G. Ballard — treating failure and fragility not as endpoints, but as the raw material from which new futures might still be imagined. The album is unsettling, spacious, densely layered with washes of sound and landscapes of noise, ever-evolving, and plays out like a deeply intellectual graphic novel waxing philosophical on present-day concerns. It’s a contemplative exploratory album worthy of your time and your attentive listening session. http://lawrenceenglish.bandcamp.comhttps://room40.bandcamp.com Playlist * [0:00] INTRODUCTION * [00:01:24] “Surfing the Blue Sun” by Aymantium from “AYMANTIA 2” (Independent, 2026) * [00:06:21] “macchiolina pt.2” by hershel from “silent steps for a better way” (WhiteLabRecs, 2026) * [00:10:36] “Shikijitsu” by Tokyo Bedroom Orchestra from “Tsuioku” (Kitchen Label, 2026) * [00:13:50] Featured Artist Segment * [00:15:22] “Brightburn” by Logic Moon & Piscean Daydreams from “Musica Universalis” (Ambient Cat Records, 2026) * [00:20:02] “Jólin 1960” by Federico Durand from “La Manzana Mágica” (12k, 2026) * [00:26:29] “When Everything seems Lost” by Andrew Heath and Mi Cosa de Resistance from “Land” (Driftworks, 2026) * [00:34:14] “The Backwards Sun” by RL Huber from “The Backwards Sun” (Independent, 2026) * [00:37:44] Featured Artist Segment * [00:39:34] “GhostType” by Lawrence English from “The Rest Is My Ghost” (Room 40 Records, 2026) * [00:44:58] “Late November” by The Green Kingdom from “Vespera” (WhiteLabRecs, 2026) * [00:48:28] “Slow Bloom” by Clariloops from “The Quiet Below” (WhiteLabRecs, 2026) * [00:54:16] “Static Fields Pt. I” by Zen Lemon from “Drift Theory Aesthetic” (Chitra Records, 2026) Become a supporter today! Join our community and become a monthly supporter of The Relay Station. Your financial support helps cover operating expenses and our collective efforts for the program to reach carbon neutrality. Join us at https://stolace.com/support/ Get full access to The Relay Station at therelaystation.substack.com/subscribe

    Episode 7.23 /// Featuring Logic Moon & Piscean Daydreams and Lawrence English

Ratings & Reviews

5
out of 5
2 Ratings

About

The Relay Station is a weekly ambient radio program that showcases new ambient, atmospheric, and neoclassical music from around the world. therelaystation.substack.com