Danger, Vicious Dog

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Started updating my bio Dec 31, 2023. Accidentally wrote four autofiction books. Slid from narrative into monologue—not stream-of-consciousness, more like speech-speed meaning performance. Trained my voice into AI, produced a shit-ton of pieces. Had too many. Needed a place to dump them. Saw a sign that said “Beware, Vicious Dog!” Misread it. Named the podcast Danger, Vicious Dog. Didn’t fix it. Just kept going. Queer. Cosmic. Sarcastic. Cheap. Accidentally committed to the bit. Some voice and art is AI... I don't know how I feel about that... so I'm working on figuring it out... how I feel.

  1. 4h ago

    E3: Cosmic Narrative Inflation (I appreciate having things to think about); S17: YTD. That's not "year-to-date, it's "You're Talented Depression." Can I get a witness? Go away!

    Today I took a sick day. I don't do that very often, but I woke up feeling a little run down, and then found out that the person I was expecting to spend much of the day with was calling in sick too. It seemed like the universe was making a suggestion. My work depends heavily on presence. That's really the thing I'm paid for. When I'm at work, I want to be available, engaged, and capable of showing up fully for the people I'm working with. If I think that's going to be a struggle, I try to take that seriously. So today I stayed home. Part of what I've been doing is listening back through older monologues. This one is probably three or four weeks old. What struck me is that when I recorded it, I was trying to work something out. Someone in my life seemed convinced that I should be doing more with the things I make. I think he was probably trying to help. He often told me he liked my work, but at the same time he became increasingly forceful about what he thought I should be doing with it. The strange part was that mixed in with the encouragement were comments that left me feeling as though there was something fundamentally wrong with me. I wasn't even sure what the accusation was. I just knew I was reacting to it. Eventually I told him that I was tired of trying to guess what he meant. I said I was happy to talk about whatever was bothering him, but if he didn't want to discuss it, then I wasn't going to keep pursuing the matter. His response was simple: "OK." Oddly, that felt like a relief. I was already halfway to making another episode about the whole thing when I listened back to this monologue and realized I'd already been exploring the territory. The questions were all there. Why do I keep making things? Why am I always moving on to the next thing? Why does praise sometimes feel more complicated than criticism? What exactly am I supposed to do with being told I'm talented? So instead of making an entirely new episode, I decided to revisit this one. The two songs are new. The opening song exaggerates the problem. It's essentially a giant self-congratulatory brag about talent, accomplishments, expectations, famous people, potential, and all the other baggage that can get attached to the idea that you're supposed to be going somewhere. The closing song goes in the opposite direction. It's not trying to answer anything. It's a release. A celebration of making things, tearing down explanations, and discovering that after you've put a frame around something and ripped the frame away, there is still something left. Or maybe everything.

    E3: Cosmic Narrative Inflation (I appreciate having things to think about); S17: YTD. That's not "year-to-date, it's "You're Talented Depression." Can I get a witness? Go away!
  2. Oct 12

    E6: Whether This Helps My Brother or Not; S16: My Brother Helped Me

    Humans make meaning. We don't get a choice about that. Give us enough fragments, we'll start connecting them. This episode grew out of a weekend Zoom call with my family, but also out of everything that came before it: A week ago, I was in California with family. One afternoon my brother and I spent a long time floating in the ocean, talking the way people do when they're not trying to get anywhere. No agenda. A conversation discovering itself. Later, after I recorded an episode that touched on something we'd discussed—not in the water, but afterward—with him AND his wife. Anyway, on account of that, I sent that episode to both of them. And now I find myself wondering about context. If I had delivered this episode while we were still floating in the water, would it have made more sense? Maybe. The conversation in the water was embodied, shared, and interactive. This isn't.  As I write these words, I don't get puzzled looks, laughter, feedback that tells me when to slow down, explain, or abandon an idea entirely. So what remains is just evidence that something was there. Not the conversation itself—the one in the water, with his wife, the episode I sent, the Zoom call.  And now there's this. Everything is a trace of another trace.  To be crude, I could say it's like eating shit, digesting it... along with whatever else I might be eating at the time. Maybe a sandwich.  And you might hear about a sandwich later. And when you do, it might stick with you more because you've already read it here. So, what I'm basically saying is that traces get left behind. We metabolize them. They never go away.  As humans, you could say we experience ONE long thought.  As I sprinkle these words onto your ongoing thought, it starts to sparkle and turn a little differently. That's all. We act, we react, we respond. Those are all the same process... happening at the same time. Whether this description or this episode will help my brother—I'm not sure. But the process of trying to understand why we connect certain things, why some patterns feel obvious, and why others remain invisible, was helped by his presence and what that presence means to me.  And this description just set a constraint for you about what you are now going to hear. Or if you've come here after listening to the episode, or while you were, or maybe after you gave up. That wasn't a quest to determine what your experience might mean... how you might be able to use it. We just do one thing after another... all at the same time, the ONLY time—Now. I write these words and they are a new quest... retroactively. I do the thing, then I see what it might have meant. That's all I'll say. Though I'll add that what I'm doing is "shining more probabilistic lights on the wall." Eventually you may see Donald Duck. And now I've told you that, you may be more likely to see Donald Duck with less data. Because me telling you it might be Donald Duck... that, itself, is more data. That's all. Now you'll be looking for a duck bill. Maybe you'll find it. Maybe you won't. If you're like me... instead of collapsing quickly into seeing Donald Duck, you'll actively resist it. You like to think something REALLY sophisticated might be going on. I told you to look THERE... So you're going to look everywhere BUT there. You want to see how I did the trick. What my other hand was doing while you were looking somewhere else. Donald Duck is not actually there. It's just a picture made of fragments. And now—I'll throw meat for those who already know the map. From art and philosophy. Or are those inseparable? Here's the red meat for those who like to eat it: Magritte's painting of a pipe was not a pipe. Then Foucault smoked it. But here it is without citations: The Big Dipper is not a Big Dipper until you know what a dipper is, and then you don't really need to know that there is a Little Dipper. It's implied. But it's not certain. The Big Dipper implies a Little Dipper. That's just how it works.

    E6: Whether This Helps My Brother or Not; S16: My Brother Helped Me

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About

Started updating my bio Dec 31, 2023. Accidentally wrote four autofiction books. Slid from narrative into monologue—not stream-of-consciousness, more like speech-speed meaning performance. Trained my voice into AI, produced a shit-ton of pieces. Had too many. Needed a place to dump them. Saw a sign that said “Beware, Vicious Dog!” Misread it. Named the podcast Danger, Vicious Dog. Didn’t fix it. Just kept going. Queer. Cosmic. Sarcastic. Cheap. Accidentally committed to the bit. Some voice and art is AI... I don't know how I feel about that... so I'm working on figuring it out... how I feel.