Absurd Truths and Blatant Lies Pod Cast

SM Beaumont

Stories and discussion about the Absurd Tuths and Blatant Lies of the South absurdtruthsandblatantlies.substack.com

  1. Sep 30

    Episode 11 Notes: Absurd Truths & Blatant Lies

    Host: Mrs. Beaumont Narration: Our Dear Mrs. Beaumont and her Common-Law Husband Youtube Version if load fails again: Welcome to the show notes for this week’s episode of Absurd Truths and Blatant Lies. This week, we step away from the sunlit verandas and venture into the bruised, fog-choked harbor of a doomed republic. The Hubris of the Peninsula The historic Charleston Battery. Source: RiverNorthPhotography / Getty Images When Mrs. Tradd whispers that Charleston always pays dearly for its hubris during war, she is speaking to the blood-soaked bedrock beneath the cobblestones of the Battery. The beautiful, fragile peninsula has repeatedly invited its own ruin through the sheer arrogance of its elite. During the Yamasee War in the early 1700s, the colony’s ruthless exploitation of Indigenous trade nearly wiped Charles Town off the map as native coalitions rose up, pushing the desperate settlers to the very brink of annihilation. Decades later, during the American Revolution, the city’s unbending pride led to the devastating Siege of Charleston in 1780. The catastrophic defeat resulted in the largest surrender of American forces under Benjamin Lincoln, plunging the Lowcountry into a brutal, bitter occupation and a ruthless guerrilla war in the swamps. The Civil War, as witnessed from the grand parlors of Beaumont Manor, brought the ultimate fiery reckoning to the city’s delusions of invincibility. What began as a manic, champagne-fueled celebration of secession rapidly decayed into the catastrophic fire of 1861, crippling blockades, and a devastating 545-day bombardment that reduced the glittering ivory castles to ash and rubble. Even into modern times, the peninsula continues to wage a losing war against the water itself. Between the devastation of Hurricane Hugo and the relentless, creeping reality of sea-level rise flooding the historic streets, the arrogance of building a permanent, unyielding kingdom on a fragile sandbar continues to demand a heavy, inevitable toll. The Winged Guardian An Anhinga drying its wings. Source: Dr John A Horsfall / Getty Images The snakebird, scientifically known as the Anhinga, is a dark, sleek water bird native to the Southern swamps. It earns its colloquial name from its unsettling habit of swimming with its body entirely submerged, leaving only its long, serpentine neck and sharp beak visible above the black water, resembling a snake ready to strike. Because they lack waterproof feathers, they must frequently emerge to dry themselves, perching motionless with their wings spread wide to create a striking, shadow-drenched silhouette. The name Cassiel is deeply significant; in Judeo-Christian angelology, Cassiel is the Angel of Solitude and Tears, often depicted as a silent observer of the cosmos who watches the unfolding of events without interfering. This perfectly mirrors the role of the swamp’s guardian, who silently witnesses the agonizing death of the Charleston kingdom from the sky and returns to Eleanor to bear mute witness to the doom brought by the city’s hubris. The Black Vomit “Strangers’ Fever” was the terrifying colloquial name for Yellow Fever in the antebellum and Civil War-era South, particularly in bustling port cities like Charleston. The horrific viral disease earned this moniker because it predominantly struck down newcomers, sailors, and Northern visitors who had no prior exposure, while wealthy locals falsely believed they were naturally immune or “acclimated” to the deadly miasma. Transmitted by mosquitoes—a fact entirely unknown to the medical science of the time—the disease tore through the crowded, sweltering city during the humid late summer months. It caused severe jaundice, devastatingly high temperatures, and internal hemorrhaging that led to the dreaded “Black Vomit” mentioned in the text, creating an atmosphere of sheer, indiscriminate terror whenever the fever season descended upon the Lowcountry. The Briars of Beaumont Manor: Chapter Discussion 1. Why do Eleanor and Ava-Mozelle Beaumont stand out so starkly among the guests at Rose Tradd’s birthday party? They are dressed entirely in heavy, void-black satin and mourning crepe, forming a sharp, imposing contrast to the pastel silks and joyous, manic energy of the Charleston aristocrats. Furthermore, they refuse to applaud or toast the new republic, viewing the celebration of secession with absolute, terrifying pity. 2. What is the significance of the watered-down champagne given to Rose? The watered-down champagne serves as a refined, closely guarded milestone marking Rose’s transition from the nursery to womanhood. It is given to her right before her father officially announces her engagement to Phillip Fairchild. 3. How does Eleanor instruct the women of the swamp to prepare for the coming war? Eleanor commands them to gather immense stores of the “earth’s armory.” They are to scavenge natural medicines like blackberry root for dysentery, yarrow for shrapnel wounds, and boneset for fevers. They are also instructed to prepare magical defenses—such as red brick dust, goofer dust, and Devil’s Shoestring—to protect their sanctuaries and heal both soldiers and the enslaved. 4. How do the wealthy free Black residents of Charleston react to the root-workers’ visits, and why? They react with frantic, wide-eyed terror and hastily hide the healers in their pantries. Their survival relies on a flawless public performance of respectable, Euro-centric refinement; to be seen associating with practitioners of ancient Hoodoo would invite lethal suspicion from white authorities and risk their fragile legal protections, even though they secretly purchase the remedies to protect their families. 5. How does Cassiel’s physical form change when he transitions from the Ashley River to the muddy bank? He transforms from a massive, pitch-black snakebird into a towering, six-and-a-half-foot-tall man wrapped in a heavy, brine-soaked canvas duster. His features are a fierce, ambiguous mix of African and coastal Indigenous heritage, with sharp, hawkish bone structure and large, shadow-drenched eyes that rarely blink. Proudly created with Generative AI Assistance All Characters are fiction. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit absurdtruthsandblatantlies.substack.com

  2. Sep 24

    Ep. 10 "Ash and Hawthorn - The Briars of Beaumont Manor" Chapters 1-3

    Host: SM Beaumont Narration: Our Dear Mrs. Beaumont and her Common-Law Husband This episode dives into the first three chapters of the historical fantasy retelling, “Ash and Hawthorn - The Briars of Beaumont Manor”. We explore the gilded, doomed world of the Charleston elite on the eve of the Civil War, where ancient Hoodoo and rigid antebellum society violently collide. The Sleeping Beauty Mythos: History and Evolution The tale of a cursed, sleeping maiden is one of the oldest and most continually adapted narratives in folklore. Its earliest recognizable form is found in the anonymous prose romance Perceforest (1330–1344) and later in Giambattista Basile’s Sun, Moon, and Talia (1634), which featured much darker, adult themes of assault and betrayal. Charles Perrault sanitized and romanticized the myth in his 1697 The Sleeping Beauty in the Wood, introducing the iconic fairy godmothers, the spinning wheel, and the overgrown castle. The Brothers Grimm later published Briar Rose in 1812, emphasizing the impenetrable wall of thorns that swallows the kingdom. In popular culture, Walt Disney’s 1959 animated film codified the visual aesthetics of the fairies—including the famous “Make it pink, make it blue” dress debate and the dramatic escalation of the curse into a battle of fire and thorns. The character names of Phillip and Rose were named specifically to honor this iconic film adaptation. This podcast reading bridges these eras, explicitly linking the bloodlines of the Charleston swamp matriarchs to the Perraults, blending European folklore with the visceral realities of the deep American South. A Kingdom in Ash: Charleston as the Sleeping Castle Relocating the Sleeping Beauty mythos to Charleston, South Carolina, during the onset of the American Civil War transforms the fairytale from a passive romance into a devastating historical tragedy. The location and time period elevate the core elements of the myth: * The Alabaster Fortress: The Tradd house on the Battery serves as the quintessential fairy tale castle, representing an era of “glittering, storybook opulence” that is entirely blind to the rot festering beneath its foundation. * The Impending Doom: Fort Sumter sits in the harbor like a “slumbering dragon,” carrying the “grim, silent weight of a loaded pistol” that acts as the anvil destined to shatter their fairy tale. * The Fairies and Magic: Traditional wand-waving godmothers are replaced by the true power of the Lowcountry: root-doctors, midwives, and the formidable Beaumont matriarchs who command ancient, syncretic Hoodoo. Discussion Questions & Answers (Chapters 1–3) 1. How does the debate over Rose’s dress color in “Make It Pink, Make It Blue” foreshadow the central conflicts of the story? The argument over the silk fabric mirrors Rose’s transition from the nursery to womanhood while heavily referencing the iconic fairy godmother debate. Mrs. Tradd insists on a “dignified blue” to reflect “proper modesty” and rigid societal expectations, whereas Rose demands the pink silk because she wants “to bloom”. This lighthearted bickering over color perfectly encapsulates the central tension of the story: the strict, performative control of the Charleston elite attempting to mask a wilder, inevitable coming of age. 2. How does Eleanor Beaumont visually and symbolically disrupt the Secession Ball? While the rest of the Charleston elite are swept up in a manic “fever dream” of jubilation, wearing bright pastels and blue secession cockades, Eleanor arrives unescorted. She is dressed as a “breathtaking specter in absolute, unrelieved black,” wearing a void-black satin gown that seems to swallow the ambient light. Her stark presence and cool amusement force a “frigid hush” over the crowd, acting as a physical manifestation of the doom and sorrow the arrogant society is desperately trying to ignore. 3. What does the private argument between Mr. and Mrs. Tradd reveal about the true power dynamics in the Lowcountry? Mr. Tradd relies on bluster, threatening to forbid the Beaumonts from attending Rose’s birthday and claiming their standing is an “illusion bought with ancient gold”. However, his aristocratic pretense collapses when he confesses that he is “absolutely terrified” of Eleanor. Mrs. Tradd, wielding a flawless, iron-clad composure, reveals the true hierarchy of the region: she states that the “Beaumonts and the Perraults have been keeping the darkness at bay together” since they arrived. This confirms that the patriarchal society of the Battery is merely a fragile facade, while true, enduring power belongs entirely to the matriarchs of the swamp. Proudly created with Generative AI Assistance All Characters are fiction. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit absurdtruthsandblatantlies.substack.com

    Ep. 10 "Ash and Hawthorn - The Briars of Beaumont Manor" Chapters 1-3
  3. Jul 8

    The Adaptive Vision: A Manifesto for Disabled Artists in the Age of AI

    Absurd Truths and Blatant Lies: Episode Show Notes Special Episode: The Adaptive Vision Host: Mrs. Beaumont Guest: S.M. Beaumont (Artist, Writer, Advocate) Episode Summary In this profoundly moving and fiercely honest special episode, Mrs. Beaumont sits down with S.M. Beaumont to discuss their groundbreaking manifesto: The Adaptive Vision: A Manifesto for Disabled Artists in the Age of AI. S.M. strips away the moral panic surrounding generative AI, reframing the technology not as a replacement for human creativity, but as a vital cognitive and physical prosthetic. In honor of Disability Pride Month, S.M. opens up about their intersecting identities within the LGBTQIA+ community, surviving the darkest moments of chronic illness, and how discovering AI tools literally saved their life and their art. Key Discussion Points The Intersection of Pride and Survival: S.M. shares the realities of navigating Disability Pride Month as a member of the "Rainbow Alphabet People." They discuss the immense difficulty of their disability journey, the loss of self-pride, and the battle against the darkest of thoughts when illness robbed them of their ability to create. AI as an Adaptive Prosthetic: We dismantle the ableist gatekeeping of the traditional art world. Generative AI is compared to a cane, a wheelchair, or a screen reader—a necessary tool that bridges the gap between the mind's eye and the blank canvas. The Depth of Descriptive Labor: Vision is the ultimate medium. S.M. explains how writing prompts is a rigorous process of co-creation where the depth of the art is entirely determined by the depth of the artist's direction. The Brussels Sprouts Fallacy: Addressing the loud detractors who demand the banning of AI tools. S.M. points out the absurdity of trying to outlaw something just because it isn't for you, especially when that very thing is a lifeline for disabled creators. A New Artistic Workflow: A generated image is the starting line, not the finish line. We explore how AI integrates into existing skills through post-processing, layering, and editing. The Ethics of the Disabled Artist: Navigating the creative world with integrity. S.M. advises on drawing inspiration without copying, maintaining transparency about the medium, and rejecting the misplaced civic burden of solving the tech industry's structural issues. Shifting Perspectives: Ableism vs. The Adaptive Vision Memorable Quotes from S.M. Beaumont "If the traditional art world balks at the use of a cognitive or physical prosthetic to create, we might well ask them if they would also demand that someone abandon their mobility aids just to walk." "Think of a bad render not as a failure of the medium, but simply as an unsatisfactory, iterative sketch. You click the button again, you refine your words, and you guide the machine until it matches your mind." "You do not owe the world an exhaustive explanation of your disability or your methods, but you should maintain transparency... never lie about your medium." "The art belongs to the human who possessed the vision, suffered the barrier, and found a way to bring it into the light anyway." Final Thoughts This episode is a call to action for any disabled or chronically ill creator who has felt sidelined by their own body or by the rigid definitions of the traditional art world. You have a right to your creativity. You have a right to your autonomy. As S.M. steps forward on this new leg of their journey—teaching, advocating, and claiming their space—they leave us with a beautiful reminder of what it truly means to reclaim your narrative: I am the end of the story, and thank God, I am the only one who gets to tell it. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit absurdtruthsandblatantlies.substack.com

    The Adaptive Vision: A Manifesto for Disabled Artists in the Age of AI
  4. Jun 30

    July 2026 Episode Delay Announcement

    July 2026 Episode Delay Announcement Who knew you could get arthritis in your neck and it could give you the worst pinched nerve? Well, the good Lord and the local pharmacist certainly did, which brings me to the lamentable news that the next episode of the Absurd Truths and Blatant Lies Podcast is going to be delayed by a spell. You see, S.M. Beaumont and every single one of the screaming, bantering voices in their head have been heavily, beautifully medicated all the way past Atlanta, and whatever coherent thoughts were left packed their bags and got entirely lost somewhere in the vicinity of Clarksville, Tennessee. We are currently operating on the spiritual equivalent of melted RC Cola and generic muscle relaxers, so until the fog clears from the hollow, the microphone must remain dark. While we wait for the swelling to subside, we want to wish absolutely everyone a Happy July, and a magnificent, roaringly happy Independence Day to all our friends across the United States. Speaking of July, you know what that means for the local topography, because it is officially time to wish everyone in the South a Happy and Safe—Hey Y’all Watch This Season, which is a liturgical calendar event in itself. The sweet, smoky scent of sulfur and impending property damage is thick in the air, and frankly, if you aren't putting radioactive-green pickle relish on a hot dog charred to the consistency of a charcoal briquette, are you even truly alive? It is the time for taking a running leap off the diving board to execute a majestic, soul-crushing belly flop in the neighborhood pool, purely for the applause of three half-drowned toddlers and a very judgemental golden retriever. You just have to respect the sheer, unadulterated poetry of those bone-chilling scenarios that always begin with the sacred invocation of "Hold My Beer!" right before someone tries to light a mortar shell inside a cast-iron skillet or jump a riding lawnmower over the drainage ditch. The firecrackers are snapping like aggressive cicadas, the humidity is thick enough to chew, and the ceiling fan is wobbling so hard it might just take flight and join the county fireworks display. It is a beautiful, chaotic tapestry of summer madness, but please do try to keep all your fingers and toes attached to your earthly vessels through the weekend. As a gentle, heavily sedated reminder for when the inevitable enthusiasm outpaces your survival instincts: the telephone number for 9-1-1 IS Nine One One. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit absurdtruthsandblatantlies.substack.com

  5. Jun 15

    Absurd Truths and Blatant Lies Podcast - Special Pride Episode

    Well butter my biscuits and call me a prophet, darlings! Grab your best lace handkerchiefs and a towering glass of sweet tea—heavily spiked, if you please—because the Absurd Truths and Blatant Lies podcast is back with a shiny, celebratory, absolutely sparkling Pride Mini-Episode! We are throwing open the heavy velvet drapes of the old estate to welcome you, our favorite listeners, to a little slice of rainbow-tinted heaven dropped right into the middle of our beautifully decaying swamp. Meet Your Hosts Mrs. Beaumont: Your resident steel magnolia with a heart of gold, a throat full of secrets, and a wardrobe that consists entirely of mourning silk and sequins. She’s ready to preach the gospel of living your truth, no matter how many skeletons it rattles in the family closet. Her Pretty Common-Law Husband: Blessed with beautiful hair, impeccable bone structure, and absolutely zero legal claim to the estate. He’s here to provide the eye candy, the dramatic sighs, and the necessary cocktail refills. Episode Summary: The Rainbow in the Willow In this bite-sized extravaganza, we are digging up the roots of Southern tradition and replanting them in a much more fabulous garden. The Welcome: Mrs. Beaumont pours out a heavy dose of love for all our LGBTQ+ family out there in the dark, reminding you that you are perfectly made, utterly divine, and always welcome at our table. The Absurd Truth: We dive into the historical, hysterical reality of "eccentric" aunts and "confirmed bachelor" uncles who lived together for forty years in the small town of Oakhaven. (Spoiler: They weren't just roommates, honey). The Blatant Lie: A thrilling expose on the town's annual Cotillion Committee's desperate, decade-long attempt to pretend that the local florist's "theatrical flair" was just an intense love for hydrangeas. We wrap it all up with a gorgeous, slightly haunting reflection on legacy and survival, reminding every single one of you that you are the author of your own destiny.  Happy Pride, you magnificent creatures! Now go out there and make a little holy mischief. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit absurdtruthsandblatantlies.substack.com

  6. Jun 5

    Podcast Notes - The Absurd Truths and Blatant Lies Podcast

    Podcast Notes - The Absurd Truths and Blatant Lies Podcast  Technically Episode 8 - Southern Music’s Impact on Southern but unofficially called The Episode with Daddy’s Young Widow The Roll Call at the Gallery The humid, heavy air of the gallery plays host to a distinct trio of souls guiding this broadcast of the file named "Podcast Music Episode". Presiding over the evening with the slow, refined drawl of the South Carolina Low Country is the matriarchal host, Mrs. Beaumont. At her side sits her common-law husband, a pretty figure fit for a late-nights pharmaceutical ad. The final participant to grace the porch is Daddy’s young widow, Tiffany, a former Miss Mississippi who arrives late, bringing a rural northern Mississippi twang and an unapologetic modern sensibility to the gathering. A Convergence of Southern Lore The conversation winds through the dark corners of the Southern cultural landscape, dissecting the artistic forces that shaped the region. The evening commences with an examination of the high-energy defiance of Southern Rock and its lasting impact on regional identity. The participants then pull back the curtain on the theatrical nostalgia of Southern-themed musical variety shows, exploring how these programs masked deepest anxieties with forced smiles and rhinestones. The heart of the discourse belongs to the fierce lineage of Southern women songwriters who bear witness to the raw truths of working-class survival. Finally, the hour darkens with the unveiling of a Blatant Lie—a Southern Gothic tragedy of river mud and unspoken sins based on the haunting lore of Choctaw County. The Sacrament of the Steeping Leaf A sharp, domestic skirmish fractures the peace of the gallery when Tiffany uncovers a sweating plastic jug of instant sweet tea, praising it as a modern miracle of convenience. Mrs. Beaumont recoils from the offering with visceral disdain, comparing its fragrance to lemon-scented furniture polish and its film to a chemical masquerade. To the old guard, true tea is an unhurried, agonizing ritual of dried leaves seething in boiling water until their bitter souls are bruised enough to deserve the ice. Tiffany’s frantic shortcut of tap water and gas-station sodas stands corrected as a sacrilege against the weight of authentic Southern hospitality. The Sonic Architecture of the Piney Woods The subgenres defining the Southern musical tradition carry deep, distinct stylistic signatures. Southern Rock emerged as a potent fusion of traditional rock and roll, heavy blues, country lyricism, and soulful gospel music, anchored by a "guitar army" of multi-lead harmonies and unpolished, raspy vocals. Swamp Rock, pioneered by outsiders with a profound obsession for the region's folklore, utilizes low, rumbling guitar riffs and murky tremolo effects to mimic the atmospheric heat of the bayou. In stark contrast, the "Champagne Music" of the Midwestern and West Coast regions represents a pristine, completely sanitized oasis of light dance tunes, polkas, and big band standards, delivering a wholesome, non-threatening world of mechanical bubbles. Glittering Spectacles and Rural Rituals The Southern musical variety show served as a grand, televised ritual that balanced world-class virtuosity with down-home folk iconography. The Grand Ole Opry stood as the weekly cultural hearth, institutionalizing regional heritage through honky-tonk, old-time fiddlers, and gospel quartets broadcast via a powerful AM signal. Hee Haw defied the network bosses by blending rapid-fire cornpone comedy with the jaw-dropping banjo skills and deadpan timing of its legendary female ensemble. The Porter Wagoner Show brought an intimate roadshow atmosphere straight into living rooms, defined by custom-tailored Nudie Cohn rhinestone suits and a permanent spotlight for featured female vocalists. Finally, Barbara Mandrell & the Mandrell Sisters infused network television with slick Hollywood production, bright stage lighting, and the multi-instrumental brilliance of the sisters, closing every broadcast with a traditional gospel medley. The Global Anthems and Their Official Visuals The monumental tracks that shook the foundations of the South continue to endure through their official digital archives. The definitive guitar-army masterpiece, Free Bird by Lynyrd Skynyrd, is preserved through its official audio release at https://www.youtube.com/watch?v=0LwcvjNJZkc. For the legendary 1974 response track defending regional pride, the official lyric video for Sweet Home Alabama by Lynyrd Skynyrd can be viewed at https://www.youtube.com/watch?v=v_F74Fz7R_A. The timeless rhythm of rural American river life is captured in the official lyric video for Creedence Clearwater Revival's Proud Mary, available at https://www.youtube.com/watch?v=XfyEpmQM7bw. The high-octane soul transformation of that same riverboat tale is found in the official audio for Proud Mary by Tina Turner at https://www.youtube.com/watch?v=hzQn3mepVpY. The tragic, empathetic perspective of the Civil War is documented in the official audio for The Night They Drove Old Dixie Down by The Band at https://www.youtube.com/watch?v=jREUrbG67PY. The haunting Southern Gothic mystery of the delta country is celebrated through the official audio for Bobbie Gentry's Ode To Billy Joe at https://www.youtube.com/watch?v=czRly-SPSm4. Lastly, the definitive narrative of survival and grit is found in the official music video for Reba McEntire's Fancy at https://www.youtube.com/watch?v=zplc4Ienkws. (Note: Official music or lyric videos by the artists or record companies do not exist for Wynonna Judd's "Free Bird," Jewel's "Sweet Home Alabama," or Joan Baez's "The Night They Drove Old Dixie Down," and have been omitted in accordance with the broadcast criteria). The Archives of Drag Royalty The boundary-breaking art of female impersonation within mainstream country music is preserved through two significant historical recordings. The breathtaking talent of drag pageantry can be witnessed in the archival footage of Coti Collins as Reba, Talent Competition, Miss National 1994 at https://www.youtube.com/watch?v=bVz78YeWQWk. The enduring legacy of this illusion and the lifelong friendship it created is discussed by the country superstar herself in the interview, Reba McEntire talks 30 years of drag queens doing 'Fancy,' gay country stars and those CBD rumors - Interview by Pride Source at https://www.youtube.com/watch?v=UukzOwoGOeY. A Polite Reluctance The hour grows late, and the dictates of Aunt Barbara Lee Beaumont must finally be answered on the gallery. Yielding to the fierce pressure of family obligation, Mrs. Beaumont offers her tongue-in-cheek apology to Tiffany, acknowledging that she is only doing so because her aunt is making her.  She also concedes that it is a good thing her Common-Law Husband  is so dammit pretty, because he is simply not funny, particularly when it comes to fabricating tales her about pushing local boys off the Tallahatchie Bridge. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit absurdtruthsandblatantlies.substack.com

  7. May 3

    Episode 7 – The Crown and the Clay

    Show Notes: Episode 7 – The Crown and the Clay The Atmosphere Step out of the blinding Carolina sun and into the cool, heavy stillness of the parlor, where the scent of damp jasmine mixes with the slow rot of the river. The humidity is a thick shroud tonight, and the cicadas are screaming a rhythmic fever in the brakes. As we cradle our tumblers of high-proof refinement, we reckon with the silver cord that still ties our independent Southern soil to the foggy islands and marble halls of the Old World. The Topic: Ancestral Echoes and Royal Ghosts In this episode, we untie the tangled velvet ribbon binding the American South to the whims and whispers of royalty. We explore how our very law is a "moss-draped narrative of inheritance," from the muddy banks of Runnymede to the Napoleonic logic buried in the Mississippi mud. We confront the "Absurd Truths" of our hierarchies and the "Blatant Lies" we tell at family reunions—from the myth of the silk-clad Virginia Cavalier to the haunting, protective legend of the "Cherokee Princess." It is an exploration of how we use royal tropes to find nobility in our lost causes and a mirror for our own complex, hierarchical souls. Our Special Guest: Mysti Kole We are joined by Mysti Kole, a woman who shares the better half of Mrs. Beaumont’s blood and none of her restraint. Hailing from Eastern North Carolina, Mysti is the daughter of a former beauty queen and a man of "many mansions," born in the quiet, scandalous season of his widowerhood. She carries the "terrifying pride" of a Maroon lineage—those who snatched their freedom from the mud of the Great Dismal Swamp. A woman of deep, polished mahogany and brassy defiance, she brings a "North Carolina lens" to the majesty of the throne. The Royal Ledger: Houses and Persons Referenced The Houses of Power: The House of Bourbon & The House of Bonaparte: The Spanish and French lineages that forged Louisiana’s legal soul, where the Emperor’s ghost still whispers in the courtroom. The House of Windsor & The Tudors: The British lines that branded our land "Virginia" and provided the "Angel in the House" blueprint for Southern womanhood. The House of Grimaldi: The princes of Monaco who were taught how to dream by a daughter of the New Orleans sun. The Romanovs: The "holy martyrs" of Russia whose tragic end mirrored the South’s own "Lost Cause" narrative. The Sovereign Specters: Queen Elizabeth I: The Virgin Queen, the iron-willed sovereign whose very name is etched into the salt-crusted maps of our coastlines. She is the ghost of the "Virgin Land," the woman who traded a husband for a kingdom and left her mark on the wild, untamed pine barrens of the colony that still carries her title. King Charles III: The "patriarch returning to a house in disarray," whose recent presence in D.C. serves as a sharp, holy correction. Queen Victoria: The matriarch whose rigid mourning etiquette allowed the post-war South to sanctify its own immense loss. Alice, Princess of Monaco: Born at 910 Rue Royale - New Orleans, she brought the "salon spirit" of a Creole upbringing to the Mediterranean. Wallis Warfield Simpson: The Baltimore girl with "wit and steel" who conquered the House of Windsor. Modern Icons: From the stability of Elizabeth II to the "Southern Belle ideal" of Princess Diana, and the modern "Georgia roots" of Meghan, Duchess of Sussex. Beyond the West: The exotic wonder of King Tutankhamun, the tragic collapse of the Shah of Iran, and the filial piety found in the modern "Korean Wave" - the global fascination with the history, aesthetics, and fashion of Korea's royal past, specifically the Joseon Dynasty (1392–1910).  This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit absurdtruthsandblatantlies.substack.com

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Stories and discussion about the Absurd Tuths and Blatant Lies of the South absurdtruthsandblatantlies.substack.com