Sound, Light & Frequency

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Has the U.S. government been conducting a slow-drip UFO disclosure campaign through Hollywood movies and television for more than 70 years? The new podcast Sound, Light & Frequency tackles that mind-blowing question through an ongoing investigation hosted by two Hollywood insiders: Bryce Zabel and Brent Friedman, both successful writer/producers with hundreds of credits. Bryce and Brent publicly share, for the first time, the full account of their surreal encounter with a “Man in Black” who offered them a deal to use their primetime alien-invasion drama series, Dark Skies, to spread UFO truths. Each episode takes listeners behind the scenes of iconic films and TV series, connecting what’s been portrayed on screen to what might be happening in real life—and asking whether other creators were offered “the deal,” too.

Episodes

  1. 1D AGO

    The Man Who Cried Himself to Sleep

    For forty-four years, Brent Friedman has kept a secret. Not entirely — he told his wife, and once a truncated version made it onto a DVD extra, and there was an interview with a journalist that barely registered. But the full story, with names and details and everything it means, has never been told to the public. Until now. In the summer of 1981, John Herrington was a Reagan insider with a security clearance higher than the President's. He'd spent months being briefed in an underground bunker, and one night he sat down with eighteen-year-old Brent on a Virginia back porch — nursing a drink, something Brent had never seen him do in all their years as neighbors — and said: aliens are real, I've seen them, and I cried myself to sleep for months after learning the truth. When Brent asked why he was being told any of this, Herrington's answer was quiet and certain: "Who's going to believe you?" He wasn't wrong. But that conversation would change everything, eventually inspiring the NBC series Dark Skies more than a decade later. Herrington would go on to serve as Reagan's Secretary of Energy, the department that has increasingly been linked to the secrecy around the UAP issue. That same year, a low-budget UFO thriller called Hangar 18 was making its way onto cable television — and it was putting ideas on screen that the culture wasn't remotely ready for. Ancient aliens shaping human history. Captured craft at secret government facilities. Humanoid beings that weren't the benevolent space brothers of Close Encounters. NASA as a participant in the coverup. Bryce and Brent revisit the film and find that its ambitions, however scrappily executed, hold up surprisingly well against what we now discuss in congressional hearing rooms. After Brent tells the Herrington story in full for the first time, Bryce brings two pieces of compelling and corroborating evidence that have emerged recently. Neither one is a smoking gun. Together, they're something much harder to dismiss — and they speak to why Sound, Light & Frequency exists at all, and why Bryce and Brent believe that Hollywood, government, and The Phenomenon have always been closer than anyone wanted to admit. Hosted by Bryce Zabel and Brent Friedman. Find us on iHeartPodcasts or wherever you get your podcasts (just search SOUND LIGHT FREQUENCY). Visit us at SoundLightFrequency.com  Sound, Light & Frequency is produced by Stellar Productions. Executive Producers are Bryce Zabel, Brent Friedman, Nick Johnson, and Jackie Zabel.  See omnystudio.com/listener for privacy information.

    50 min
  2. MAR 5

    Presidents' Club

    In “Presidents' Club,” recent headlines about Obama and Trump circling the alien/UFO question become a launchpad—not for breaking-news punditry, but for what Sound, Light & Frequency does best: following the secret thread between Washington and Hollywood. Bryce and Brent start with Obama’s very movie-ready riff about aliens, Area 51, and the possibility of a conspiracy “hiding it from the president of the United States”—and then immediately ask the real question: who knows more about UFOs, the presidents, or the screenwriters?  From there, the episode dives straight into the ultimate “president meets ET” portal film: Independence Day—where President Whitmore isn’t read in at all, until his Secretary of Defense leans in with the immortal understatement: “Mr. President, that may not be entirely accurate.”  Along the way, you’ll hear how the Pentagon almost cooperated with the movie—right up until two forbidden words showed up in the script: Area 51. And yes, Bryce and Brent relive the goosebump factor of Whitmore’s speech (“we will not go quietly into that night…”)—because if Disclosure ever goes public, that’s the kind of voice you’d want at the microphone.  Then it gets delightfully weird in the best way: the guys trace “Area 51 on screen” back to Spielberg’s Raiders coda (Hangar 51!), recreate the behind-the-scenes story of Independence Day being screened at the White House (yes, that White House blowing up…while Bill Clinton watches with a bowl of popcorn), and bounce through other presidential-ET pop culture detours like Mars Attacks! and its dark punchline politics.  Finally, “Presidents' Club” widens the lens to the real-world presidential UFO hall of fame—Carter, Ford, Reagan, and more—plus the uncomfortable takeaway that the Commander-in-Chief may not be “read in” the way the public assumes.  Bryce also shares a taste of what a presidential disclosure statement might actually sound like (from his work with Richard Dolan), before Brent tees up a chilling next-episode thread: a Reagan-era insider who claimed he had a higher clearance level than the President—and what that suggests about how secrets stay secret.  See omnystudio.com/listener for privacy information.

    48 min
  3. FEB 26

    Mr. Close Encounters

    Steven Spielberg is Mr. Close Encounters—the filmmaker who arguably made UFOs “respectable” on screen, starting with Close Encounters of the Third Kind (and its three distinct cuts: 1977, 1980, 1998). In Episode 2, hosts Bryce Zabel and Brent Friedman revisit the granddaddy of UFO cinema and explain why that movie still feels like it was beamed in from the phenomenon itself: the five-note language, the lights, the “orbs,” the stigma of reporting, and the obsessive pull that turns an ordinary guy into a human compass pointing straight at the truth.  Then the episode pivots to the question that won’t go away: Did Spielberg ever get offered “the deal”—the same kind of covert approach Bryce and Brent say they received around Dark Skies? The guys lay out the folklore, the timing, and the circumstantial breadcrumbs, including Spielberg’s overt attempts to get cooperation (and the pushback he says he got), plus the larger “two factions” idea—some parts of government discouraging UFO talk while others may be using the cover of fiction to normalize it.  And because this is Sound, Light & Frequency, it gets personal. Bryce shares what it’s like to be in Spielberg’s orbit—developing a UFO pilot for him, working on Taken, and sitting with Spielberg and Hanks on an Emmy night—yet still finding him a “man of mystery” on the UFO question. Brent brings the episode’s most hair-raising anecdote: what Dark Skies director Tobe Hooper once told him during a crop-circle scout—an offhand, no-BS story suggesting Spielberg had been approached and briefed. Hooper isn’t here to confirm it, but Brent and Bryce explain why they take the memory seriously. Finally, the guys drop the episode’s ultimate rabbit hole: Serpo—the rumored “exchange” story that sounds eerily adjacent to the film’s ending. Coincidence? Reverse-inspiration? Or something stranger, where the line between history and Hollywood gets fuzzy by design? Either way, “Mr. Close Encounters” is a smart, funny, deep dive into why Spielberg sits at the center of UFO pop culture—and why his “truth-to-fiction” ratio still haunts the conversation.  Hosted by Bryce Zabel and Brent Friedman. Find us on iHeartPodcasts or wherever you get your podcasts. Visit us at SoundLightFrequency.com  Sound, Light & Frequency is produced by Stellar Productions. Executive Producers are Bryce Zabel, Brent Friedman, Nick Johnson, and Jackie Zabel.  See omnystudio.com/listener for privacy information.

    51 min
4.8
out of 5
58 Ratings

About

Has the U.S. government been conducting a slow-drip UFO disclosure campaign through Hollywood movies and television for more than 70 years? The new podcast Sound, Light & Frequency tackles that mind-blowing question through an ongoing investigation hosted by two Hollywood insiders: Bryce Zabel and Brent Friedman, both successful writer/producers with hundreds of credits. Bryce and Brent publicly share, for the first time, the full account of their surreal encounter with a “Man in Black” who offered them a deal to use their primetime alien-invasion drama series, Dark Skies, to spread UFO truths. Each episode takes listeners behind the scenes of iconic films and TV series, connecting what’s been portrayed on screen to what might be happening in real life—and asking whether other creators were offered “the deal,” too.

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