Long Live the ABB: Conversation from the Crossroads of Southern music, history, and culture with historian Bob Beatty

Long Live the ABB
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Conversation from the Crossroads of Southern music, history, and culture with historian Dr. Bob Beatty, author of 'Play All Night! Duane Allman and the Journey to Fillmore East' www.longlivetheabb.com

  1. Sep 9

    “Get them to me right now. They are ready.” Tom Dowd, the Allman Brothers, and honoring legacy

    Episode Overview Dana Dowd, daughter of producer Tom Dowd tomdowd.org, joins me at the Crossroads to talk about her father’s life and legacy. Our conversation ranged far beyond Tom’s truly significant role with the Allman Brothers Band. Dana is a legit archivist who has spent decades compiling and caring for her father’s legacy. Our Crossroads The Allman Brothers Band is where we directly intersect, but I’ve been listening to her father’s work at least since I bought Disraeli Gears at the used record store when I was about 12 or 13. We’re South Florida natives, Dana grew up in the “big city” of Miami. We share respect/reverence for our own dads’ contributions in the world, and a drive to “get it right.” The Conversation Tom Dowd, the man. Dana shared her father’s backstory as a 16-year-old bottle washer at a physics lab, to his work on the Manhattan Project during World War II—efforts he swore to silence. Don’t miss the discussion about the Bikini Islands. Tom Dowd, the audio genius. Dowd invented the first linear console, using faders rather than dials to control volume. He was among the first to mike a room rather than forcing all musicians to record from the same microphone. Tom was also an early pioneer of stereo recording. The Allman Brothers. Tom Dowd heard the ABB for the first time on a trip to Macon sometime in summer 1969. “Get them to me immediately. They are ready,” he said. But Dowd wasn’t available when the Allmans recorded their debut album, so the production task went to Adrian Barber. Dowd produced the band’s next 3 albums—Idlewild South, At Fillmore East, and Eat a Peach. Legacy. Dana shares the story of why the 2003 Grammy-nominated documentary Tom Dowd & the Language of Music has never seen re-release. And at tomdowd.org she’s curating an 8,000-entry discography built from “love notes” Tom left her among his effects. She continues to mentor younger audio students who study her father’s work. Off the Record, On the Charts is her podcast with the sons of two other legendary Atlantic Records producers: Joe Mardin (Arif) and Adam Dorn (Joel). It’s a must-listen. They get DEEP and know their shit. Paid members get previews of new Conversation from the Crossroads episodes 🍄Play All Night! Duane Allman & the Journey to Fillmore East🍄 BUY PLAY ALL NIGHT This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.longlivetheabb.com/subscribe

  2. Aug 27

    “Make it a transcendental experience for the audience.” Dickey Betts on the Allman Brothers and Grateful Dead

    The quote above is from Dickey Betts in Alan Paul’s excellent book One Way Out. Dickey was talking about the shared musical ethos between the Allman Brothers and the Grateful Dead. I cited it in Play All Night, and reference it often. Here’s the full quote: “The Dead’s philosophy, which is very similar to ours. We sound very different, because were from different routes. There from my folk music, jug band, and country thing. We’re from an urban blues/jazz bag. We don’t wait for it to happen; we make it happen. But we’ve always had a similar fan base in philosophy—keeping music honest and fun and trying to make it a transcendental experience for the audience.” The Allman Brothers, the Dead, Tedeschi Trucks Band all share this ideal—that music is an experience with and for the audience. As Dickey noted above, the Dead pull it from folk music, which is participatory. The Allman Brothers pull from the blues, also a participatory form. Each adds elements of gospel and rhythm & blues and soul and rock & roll. Both bands carry the jazz impulse deep in their bones. And they share one more thing. The audience matters. You are part of the experience. We are drawing energy from you. I could be a Pollyanna about this with Tedeschi Trucks, but I genuinely have always felt that at their shows. It’s never been, “We’re up here just doing our thing.” It has always been, “We’re trying to let you have a really great time. That’s our goal. We want you to boogie your ass off and forget the b******t for just a little while. We want you to focus on higher causes.” And they’re improvising like m***********s all the time. It’s mind blowing. The kind of transcendental experience I dig the most. Video excerpted from “There is a rabbit dissipating into thin air and coming back as an elephant running down the highway.” The magic of music and the community it conjures. Conversation from the Crossroads with Adam Choit: 🍄Play All Night! Duane Allman & the Journey to Fillmore East🍄 BUY PLAY ALL NIGHT Brought to you by the paid members of the Long Live the ABB community. 🍄MUSHROOM🍄MAGICIANS🍄 Brent W. Hammond, Craig Stevens, Ken Lupson, Laura McCarty, Steve Marshall 🍑 PEACH 🍑 PALS 🍑 Allen Barnes, Art Dobie, Baileys Mike, Bob and Laura, Bob Johnson, Brent Pruner, Bruce Miles, Buddy Lewis, Cabinetsales, Caroline Doolittle, charlie2541, Chuck Zumwalt, Clay Hall, Clifford Morse, Cwktwo, Danbookin, David Manes, Dennis Newton, Denny, DJ Brown, Ed Ashton, Ed Pokorny, F. D., Frank Young, Gary Nagle/Chairman Wonwayout, Gary Smith, Gary Williamson, George Holman, Hlnbkt, Irishbeatz, James Reynolds, James Yerrill, Jason Hecht, Jcsarphie, JD Guitar, Jeff Kushmerek, Jeff Schein, Jerry K, JoaquinDinero, Joe Sokohl, Joel Berger, Joel Tanzer, John Delaney, John Dolan, John Haughey, Jordan David, Joseph Lilly, Kenton Lee, Kevin Harper, Kevin Walker, Kurt Nielsen, Mark Leitner, Martha Haynes, Mike Clark, Patrick McKeary, Peter Poulos, Phillip Page, Preston Root, Randy Woodall, Ray Tillman, Robert Porter, Rose Brandt, Scott Green, sswoger, Stanleyglennie8, Steve Teodeki, Surrender Cobra, Taylor Kropp, Tim Langan (Hot ‘Lanta Tim), Tina Christopher, Tom Pragliola, Tony Dobek, Tony Gioia, Wade McCurdy, Wiszowa 🍄🍑MERCH🍑🍄 Jimmy Carter reppin’ the ABB July 4 weekend 1976. Ad for ABB’s March 1971 run at Fillmore East. Here’s the original ad—with Johnny Winter at top of the bill. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.longlivetheabb.com/subscribe

  3. Aug 26 ·  Bonus

    The curious saga of Duane Allman’s SG

    Inadvertently cut off this story from the ending of part 2 about how Duane’s protege Gerry Groom came into possession of the 1961 Gibson SG Dickey gave Duane to play so he didn’t have to keep retuning between slide and non-slide songs. Rather than repost the whole thing, here’s a bonus episode for y’all. Brought to you by the paid members of the Long Live the ABB community. MORE FROM THE LONG LIVE THE ABB ARCHIVES What makes an instrument iconic? The story of Duane’s SG 🍄Play All Night! Duane Allman & the Journey to Fillmore East🍄 BUY PLAY ALL NIGHT This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.longlivetheabb.com/subscribe

  4. Aug 25

    "If he doesn't play, we ain't gonna play." The Allman Brothers stand up to a bigot

    Episode Overview As a teenager in Sarasota, Richard Price began following Dickey Betts. He was there as Dickey and Berry Oakley joined forces in the Second Coming. In Jacksonville in fall 1968/spring 1969, Richard witnessed the extraordinary burgeoning musical connection between Dickey and Duane Allman and the birth of the Allman Brothers Band. Part 2: touring in the South with long hair; Evaluations by the 2nd Coming; and guitarist Gerry Groom. Dickey Betts and Richard “Hombre” Price. 📷Courtesy Hombre Price. Share Long Live the ABB: Conversation from the Crossroads Our Crossroads Our most direct crossroads are the Allman Brothers Band. We’re also Southerners, Floridians to be exact. Both of us are musicians. We are also archivists and storytellers. I’ve been following Richard’s efforts to keep the memory of the Jacksonville and Southwest Florida scene alive for a long time. He’s quoted pretty extensively in Play All Night, so it was particularly cool to sit with him at the crossroads. All podcast episodes The Conversation The challenges of touring in the South. This is where Part 1 ended, a question I asked about a gig in Merritt Island, Florida and a racist promoter who objected to Jaimoe playing for an audience of white girls in June 1969. “If he doesn’t play, we ain’t gonna play” was the response. The possibility of several hundred ticket refunds forced the man’s hand. Richard speaks very highly of Jaimoe for what he endured as a Black man traveling the country with a bunch of hippies. Psychedelia 57 years in the making. Price played bass in the second iteration of the 2nd Coming, which formed in the wake of the founding of the Allman Brothers Band. In April 1969, Price, guitarist Larry “Rhino” Reinhardt, drummers Monty Young and John Meeks, and keyboardist Reese Wynans recorded an album in Jacksonville. (It was five months before the Allman Brothers recorded their own debut.) Richard tells the story of the 57-year gap between recording and releasing the band’s only album, Evaluations. Guitarist Gerry Groom. I asked Richard to talk a little about Gerry Groom, Duane’s young protégé who ended up in possession of Duane’s 1961 SG. Groom is also who recorded what we know as The Gatlinburg Sessions, recordings from a band writing session for Eat a Peach. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.longlivetheabb.com/subscribe

  5. Aug 23 ·  Bonus

    “You’re ready for this.” Here's to the music lovers in our lives who nurtured our own interest in music

    I get mail. In this case, comments. Here are my responses to some of them. Note: I’ve included the comment in bold italics. The first video is based on this quote from Dickey Betts: “There was really a certain degree of telepathy, because we created a lot of things right on stage. When you listen to it you may think—‘Well, that had to be rehearsed’—since the bass guitar with Duane and myself playing harmony lines sounds like we must have spent a month writing it. If you listen closely, though, you can hear that one person would come up with an improvisation—a nice line that had come into his mind—stay with it, play it alone a couple of times, and then Oakley, myself, or Duane would pick up on it. It would happen so quickly, however, that you'd think, ‘Wow, that has to be a written passage.’ Three hours was the normal set then, but we'd play five, sometimes six hours.” COMMENT: This insight is key to appreciating the live performances early on. Unique improvisations around a central theme was a key feature of their musical identity. For me, Mountain Jam illustrates this well. Sharing this one with y’all because it’s an ABBsolutely wonderful comment that captures the brilliance of the original Allman Brothers Band in ways I strove to when I wrote Play All Night. “Mountain Jam” is exactly what they do: unique improvisations around a central theme. This is a key feature of their musical identity. Phenomenal, phenomenal take. Love it when I get to talk to a fellow nerd who truly, truly, truly understands the mushroom magic. These comments all came in response to one of many posts about At Fillmore East: COMMENT: He also wanted a horn section and tried in that run of shows, but Dowd scrapped it. I think he wanted what Derek has with TTB. This is a fact, and something I cover pretty extensively at longlivetheabb🍄com which is where I’ve taken my writing since writing Play All Night: Duane Allman and the Journey to Fillmore East. Duane wanted horns. It’s pretty well documented that Duane was going to expand the band as much as he was able to afford. And I also agree that what Derek Trucks has done with Tedeschi Trucks Band is taking Duane’s vision and extending it into his own realm, what works best for him. He doesn’t have the guitar partnership like Duane and Dickey. Instead, he’s got the entire band that he plays off of. Susan is an excellent guitarist and an excellent foil for him, but they don’t play like Duane and Dickey did, or Derek did when he was in the Allman Brothers Band with Warren Haynes. COMMENT: Love that album whipping Post Mountain jam are you kidding me? “Whipping Post>Mountain Jam” from the end of the Saturday night late show, 3/13/71—which started in the wee hours of Sunday morning—was the end of a five-show run they had at Fillmore East. And they knew they had the album in the can before they even played the late show on Saturday. So you can feel and hear a different looseness with them. And again, “Whipping Post” and “Mountain Jam” is almost an hour on two songs, and it is some of the most glorious music they ever made, that they ever put down on tape. “Mountain Jam”—the second half—will be played at my funeral. Some of the most glorious music out there. They had time to stretch out after Johnny Winter ceded them his closing slot on the bill. Winter gave them the opportunity, and they delivered. COMMENT: Rick Derringer was with Johnny Winter’s band. He had two big eyeball patches sewn onto the back pockets of his pants. When they got to their Jerry Lee Lewis medley, he turned around and shook his butt to the entire “whole lot of shakin going on.” This was a fun little story worth highlighting. This was in response to a post about the Allman Brothers as a band’s band. COMMENT: I feel like Muscle Shoals had a huge impact on ABB even though Duane was already a big blues and soul fan man there was so many different kind of people he worked with in his short time there he left with a clearer vision of what he wanted! There’s no doubt that whole Muscle Shoals experience was just rejuvenating to Duane. There are some pretty famous quotes where he talks about getting the “jive Hollywood crap” out of his head, getting back to the South. He thrived in the organic studio process in Muscle Shoals. They worked up arrangements on the fly and improvised solos. It was exciting and creatively inspiring. If you listen to what he did with Wilson Pickett on “Hey Jude,” that’s exactly it. They wail in call and response, a rhythm & blues, gospel, soul, and rock & roll carried over from slavery days. That gave Duane his opportunity to start a band and stay down South. And the rest, as they say, is history. Finally, a reminder that music is love. My older brother gave me Live at Fillmore East when I was 10 years old. Changed my life. My favorite band. Your older brother is a cool m**********r. I tried to be a cool older brother too, and introduced my brother to everything from the Beatles to Minor Threat and Bad Brains to the Beastie Boys, the Smashing Pumpkins. He actually discovered the Allman Brothers just before I did. Oh boy! I had an older sister & her hubby. I was 5 and I’d go to their house to stay as much as I could. I had the greatest influence in my passion for music. All things Woodstock, Allman Brothers, Late 60s to about 1975. I never had a crush on Donnie Osmond..... mine was Elvin Bishop. Here’s to the older brothers, sisters, and music lovers who nurtured and curated our interests. The ones who said, “You’re ready for this,” and handed us an album that changed our life. F**k the gatekeepers, all of them. 🍄Play All Night! Duane Allman & the Journey to Fillmore East🍄 BUY PLAY ALL NIGHT Become a paid member for previews of all Conversation from the Crossroads episodes. Brought to you by the paid members of the Long Live the ABB community. 🍄MUSHROOM🍄MAGICIANS🍄 Brent W. Hammond, Craig Stevens, Ken Lupson, Laura McCarty, Steve Marshall 🍑 PEACH 🍑 PALS 🍑 Allen Barnes, Art Dobie, Baileys Mike, Bob and Laura, Bob Johnson, Brent Pruner, Bruce Miles, Buddy Lewis, Cabinetsales, Caroline Doolittle, charlie2541, Chuck Zumwalt, Clifford Morse, Cwktwo, Danbookin, David Manes, Dennis Newton, Denny, DJ Brown, Ed Ashton, Ed Pokorny, F. D., Frank Young, Gary Nagle/Chairman Wonwayout, Gary Smith, Gary Williamson, George Holman, Hlnbkt, Irishbeatz, James Reynolds, James Yerrill, Jason Hecht, Jcsarphie, JD Guitar, Jeff Kushmerek, Jeff Schein, Jerry K, JoaquinDinero, Joe Sokohl, Joel Berger, Joel Tanzer, John Delaney, John Dolan, John Haughey, Jordan David, Joseph Lilly, Kenton Lee, Kevin Harper, Kevin Walker, Kurt Nielsen, Mark Leitner, Martha Haynes, Mike Clark, Patrick McKeary, Peter Poulos, Phillip Page, Preston Root, Randy Woodall, Ray Tillman, Robert Porter, Rose Brandt, Scott Green, sswoger, Stanleyglennie8, Steve Teodeki, Surrender Cobra, Taylor Kropp, Tim Langan (Hot ‘Lanta Tim), Tina Christopher, Tom Pragliola, Tony Dobek, Tony Gioia, Wade McCurdy, Wiszowa 🍄🍑MERCH🍑🍄 Jimmy Carter reppin’ the ABB July 4 weekend 1976. Ad for ABB’s March 1971 run at Fillmore East. Here’s the original ad—with Johnny Winter at top of the bill. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.longlivetheabb.com/subscribe

  6. Aug 20

    "I'm not one of those sit-around-on-my-ass kind of people." Duane Allman comes to Jacksonville to form a band

    Episode Overview As a teenager in Sarasota, Richard Price began following Dickey Betts. He was there as Dickey and Berry Oakley joined forces in the Second Coming. When the Second Coming relocated to Jacksonville, Price’s band the Load did likewise. In Jacksonville, Richard was eyewitness to an extraordinary burgeoning musical connection between Dickey and Duane Allman and the birth of the Allman Brothers Band. Our Crossroads Our most direct crossroads are the Allman Brothers Band. We’re also Southerners, Floridians to be exact. Both of us are musicians. We are also archivists and storytellers. I’ve been following Richard’s efforts to keep the memory of the Jacksonville Jams alive for a long time. He’s quoted pretty extensively in Play All Night, so it was particularly cool to sit with him at the crossroads. The Conversation Dickey Betts. The story begins with Dickey, who was seven years Richard’s senior. The underage Price shares the lengths he went to see Betts, including once scaling a tree. He shares Dickey’s band lineage up to forming what eventually became the Second Coming with his wife Dale Betts, guitarist Larry “Rhino” Reinhardt, and Berry Oakley. Rhino left the Second Coming because his and Dickey’s styles clashed. With Duane, it was the exact opposite. Alan Facemire. I talk a lot about the importance of the non-musicians in any music story. Facemire was not only the Second Coming’s manager, he was also a dedicated archivist. In addition to overseeing the Second Coming’s lone single, “I Feel Free” b/w “She Has Funny Cars”—he regularly recorded shows. It’s his recording that has long circulated (with an incorrect 3/30/69 date) that includes Duane singing “Hey Joe” and a couple of jams. The Birth of the Allman Brothers Band. Duane and Jaimoe arrived in Jacksonville March 2, 1969. On March 23, Duane called a “secret meeting” at the Gray House: a jam with Berry, Dickey, Butch, Jaimoe, and Reese Wynans on keys. That same day, Duane called Gregg in L.A., “I need you to round it all up and send it in some sort of direction.” Gregg arrived three days later, songs at the ready. Drug bust and a move to Macon. Sometime in April, the police showed up at the Gray House as Dickey was cleaning a pile of reefer on the coffee table. Richard tells the story of Dickey’s hasty escape through a window, weed in hand. The local authorities agreed to drop the charges if the band left town. Within a matter of days, the Allman Brothers Band relocated permanently to Macon. Become a paid member and get early access to Conversation from the Crossroads episodes. 🍄Play All Night! Duane Allman & the Journey to Fillmore East🍄 BUY PLAY ALL NIGHT Brought to you by the paid members of the Long Live the ABB community. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.longlivetheabb.com/subscribe

  7. Aug 10

    "I came into it because I was born into it" Artistic intent, musical generosity, and Southern cultural inheritance

    Episode overview Jesse Valcich, frontman and guitarist for Asheville’s Strictly Liquid, visits me at the crossroads to discuss influence, intention, the South, and life and musical partnership. Fresh off a week at Roots Rock Revival, our discussion threads the Allman Brothers Band, Phish, the Grateful Dead, Tedeschi Trucks Band, Col. Bruce Hampton & the Aquarium Rescue Unit. Our crossroads We’re Floridians, Orlandoans, guitar players. Each of us is interpreting the musical traditions we’ve inherited, making them our own. Roots Rock Revival has given us another crossroads—as musicians, as friends, and as followers of the muse. A generation apart, we are each inheritors of the Southern musical tradition—from the Allman Brothers Band to the Tedeschi Trucks Band to Col. Bruce and the Aquarium Rescue Unit. Jesse cut his teeth on Phish and the Grateful Dead. And we share something beyond music: the experience of building a life with a woman we love. The conversation Late night Waffle House runs. With no Phish on the jukebox, Jesse’s chief introduction to the Allman Brothers Band was “Jessica.” From there, he sought a deeper understanding of the band’s place in the music he already loved. Roots Rock Revival. This was the impetus for this episode: a conversation about intentionality and the difference between showing up to receive and showing up to give. We talked about arriving with insecurity and leaving with a much stronger sense that music is about giving rather than taking. Finding a musical identity. Col. Bruce Hampton & the Aquarium Rescue Unit, the Grateful Dead, and the Hampton Grease Band’s Music to Eat—Jesse talks about how these influences manifest in Strictly Liquid’s sound. Music and companionship. Jesse asked my thoughts on the importance of friendship, love, family, and trust in sustaining a creative life. These relationships—the lovers and bandmates and friends—make art a reciprocal act. This is the goal. To help create a space in the world in which you and those around you are reaching their utmost potential. Strictly Liquid. Website: strictlyliquid.com. Things are much more active on the band’s Instagram account: https://www.instagram.com/strictly.liquid. Their latest album is Music to Drink (link opens to all music services). This episode is brought to you by the paid members of the Conversation from the Crossroads Community. Upgrade now. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.longlivetheabb.com/subscribe

  8. Aug 5

    “I’ll always be a student first. Always.” Drew Smithers on Duane, Jack Pearson, Marcus King, and the language of music

    Episode overview I first met Drew Smithers in 2014 when my late friend Jules Fothergill came to Nashville to meet and jam with Jack Pearson. Drew was taking lessons from Jack and was on the precipice of a wild ride up the mountain (and later crashing down) with Bishop Gunn. Drew carries Duane’s influence everywhere he goes. Our crossroads Duane, the Allman Brothers, Jack Pearson, guitar, the South, music, fatherhood—Drew and I meet at all of these crossroads. We are fans/students of the music that has shaped our lives professionally and personally. Our conversation Duane Allman, the Allman Brothers Band, Jaimoe, and learning from Jack Pearson. This is our deepest connection. Unmentioned here is an amazing validation Drew gave me after he read Play All Night, backstage after a Big Band of Brothers gig with Jaimoe in 2013. Marcus King. In early 2020, right before the pandemic, I said to Drew, “Marcus would be great with a guitar partner.” “Marcus needs to hire me,” he said. That’s exactly what happened. Band dynamics and chemistry. Drew had just left Bishop Gunn when we had that conversation. We didn’t talk in specificity about the band’s implosion, only in the context of what Drew learned from the experience, and how it’s shaped him in Marcus King Band. Honoring the Allman Brothers legacy. This is an important part of Drew’s vibe as a guitarist and a human. He’s done his homework, he knows the importance of the music he carries with him. The South and community. This is a part of every conversation I have. One of my goals here is to carry lessons of goodness into the world. Music is one of the South’s greatest gifts, and I love to celebrate that with the keepers of that flame. Paid members receive previews of new episodes of Conversation from the Crossroads of Southern music, history, and culture. 🍄🍑MERCH🍑🍄 * Jimmy Carter reppin’ the ABB July 4 weekend 1976. * Ad for ABB’s March 1971 run at Fillmore East. Lagniappes Big Band of Brothers “Don’t Keep Me Wonderin’” 1/27/23 Drew and Lamar Williams Jr. anchoring ABB mini-reunion featuring Jaimoe and Oteil Burbridge Marcus King & Drew Smithers “24 Hours at a Time” 12/21/24This was from one of the coolest venues I’ve ever been to, the Caverns in Pelham, TN 🍄Play All Night! Duane Allman & the Journey to Fillmore East🍄 BUY PLAY ALL NIGHT Brought to you by the paid members of the Long Live the ABB community. 🍄MUSHROOM🍄MAGICIANS🍄 Brent W. Hammond, Craig Stevens, Ken Lupson, Laura McCarty, Steve Marshall 🍑 PEACH 🍑 PALS 🍑 Allen Barnes, Art Dobie, Baileys Mike, Bob and Laura, Bob Johnson, Brent Pruner, Bruce Miles, Buddy Lewis, Cabinetsales, Caroline Doolittle, charlie2541, Chuck Zumwalt, Clifford Morse, Cwktwo, Danbookin, David Manes, Dennis Newton, Denny, DJ Brown, Ed Ashton, Ed Pokorny, F. D., Frank Young, Gary Nagle/Chairman Wonwayout, Gary Smith, Gary Williamson, George Holman, Hlnbkt, Irishbeatz, James Reynolds, James Yerrill, Jason Hecht, Jcsarphie, JD Guitar, Jeff Kushmerek, Jeff Schein, Jerry K, JoaquinDinero, Joe Sokohl, Joel Berger, Joel Tanzer, John Delaney, John Dolan, John Haughey, Jordan David, Joseph Lilly, Kenton Lee, Kevin Harper, Kevin Walker, Kurt Nielsen, Mark Leitner, Martha Haynes, Mike Clark, Patrick McKeary, Peter Poulos, Phillip Page, Preston Root, Randy Woodall, Ray Tillman, Robert Porter, Rose Brandt, Scott Green, sswoger, Stanleyglennie8, Steve Teodeki, Surrender Cobra, Taylor Kropp, Tim Langan (Hot ‘Lanta Tim), Tina Christopher, Tom Pragliola, Tony Dobek, Tony Gioia, Wade McCurdy, Wiszowa This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.longlivetheabb.com/subscribe

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Conversation from the Crossroads of Southern music, history, and culture with historian Dr. Bob Beatty, author of 'Play All Night! Duane Allman and the Journey to Fillmore East' www.longlivetheabb.com

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