Celluloid Dreams: The Psychology of Film

Michael

Join Matt & Mike as they discuss the psychological underpinnings of films from the beginning of film as an art form to the present. Subject matter includes discussion of films addressing psychological issues, whether it be mental illness or a psychological or spiritual exploration with more universal applicability, the techniques used to create an emotional or intellectual reaction when watching a film, and the ultimate psychological impact of a film.

Episodes

  1. 6d ago

    Episode 11: Celluloid Dreams Film School Part 7: First Person Mindscape Narratives

    Matt & Mike discuss first person story elements that place the audience into the mindscape of either a protagonist or a group of characters within a narrative. Topics include the following: Indications of a standard first person narrative structure include use of narration and/or point of view shots.However, in many instances, a third person limited perspective that shows only the environment the protagonist sees throughout a story is the format for conveying a specific character's perspective.Voiceover can take the form of either a character relaying information directly to the audience through narration or in the form of a flow of consciousness voiceover within the character's mind.Some films use voiceover by multiple characters to either convey competing views of the characters ("Casino") or a collective consciousness of the characters ('The Thin Red Line").Some meta films that address the filmmaking process work as first person narratives by personifying the filmmaker within the film with either minimal voiceover exposition ("8 1/2") or explicit narration detailing the creative process ("Adaptation").Some unreliable first person narrative structures, such as "Rashomon," are designed to convey the subjective nature of reality, while others convey the warping of reality by mental illness.Dream sequences can be used to reveal the inner world of the protagonist visually, or otherwise serve as internal catalysts for actions they take.Hallucinations can be used in storytelling to either project the warped perspective a character experiences or reveal aspects of a greater reality not normally perceived by the character.Flashbacks are typically used to convey how a character subjectively experienced events that happened in the past, but also can be used to convey how a listener perceives a version of events conveyed to them by that character.Flashforwards raise the issue of whether the future is predetermined or if there is free will to change what has been prophesized.Ultimately, all of these narrative devices enable filmmakers to address subjective reality and emotional truth, which is at the heart of storytelling.

    1h 32m
  2. Jun 22

    Episode 10: Celluloid Dreams Film School Part 6: Narrative Structure & the Origins of Story

    Matt & Mike explore sources of inspiration for films, as well as the various narrative structures through which those storylines are conveyed. Even though plot details may differ between narratives, universal themes are often explored through storylines that long predate the existence of film. Additionally, other sources of inspiration can influence various aspects of a film, including its visual expression of ideas and tone. Examples of sources of inspiration include the following: Oral storytelling historyReligious and mythological storiesStage Plays - both classic and modernShort Stories & Novels - both classic and modernGraphic Novels & Comic BooksVideogamesArtwork & MusicRadio, newsreels & newspapersOther Films - both foreign & domesticThe Entertainment Industry itselfActual Life Events and Non-Fiction materials based upon such eventsThe Collective Unconscious (assuming Carl Jung is correct) Some examples of Themes explored in film and its source material include the following: Good vs EvilComing of AgeSearch for IdentityDeath & Rebirth Archetypal characters depicted in films and its source materials include the following: HeroShadowMentorTricksterShapeshifterHerald Narrative structures for storytelling discussed within this video include the following: Linear - including backward linearNonlinear / FracturedCircular - including repeating time loop, time paradox, and thematic circular structures.BookendsMythical Hero storylines that include a call to adventure Further exploration of narrative structures and devices to be continued over the next few episodes...

    1h 24m
  3. May 1

    Episode 6: Celluloid Dreams Film School Part 2: The Psychology of Editing

    Hosts Matt & Mike continue their journey through the process of filmmaking through a psychological perspective. This episode delves into the art of editing, including discussion of the various types of montage, parallel editing, surrealism and the psychological impact of extended continuous shots. Examples illustrating each aspect of editing include discussion of landmark montage set pieces from Battleship Potemkin and Citizen Kane to The Untouchables and Inception; the power of parallel editing in such masterpieces as The Godfather, Magnolia and Requiem for a Dream; and jaw dropping, seemingly continuous shots as seen in such films as Alfred Hitchcock's Rope, Children of Men and Sinners. Surreal cinema from Maya Deren's Meshes of the Afternoon to David Lynch's Mulholland Drive are also discussed. Takeaways: * The art of picture editing is to juxtapose images in such a manner as to either create seamless action for storytelling purposes or convey complex ideas that go beyond the surface level plot of a film. * Montage is the art of using picture editing to make the assembled pieces have value that is greater than the sum of the individual parts, either intellectually or emotionally. * Montage strategy can either be as objective as following the number of frames between each cut or as subjective as determining how one image juxtaposed against another should create an emotional reaction in the viewer. * Surrealism is the juxtaposition of seemingly unrelated elements that when combined create a kind of dream logic that may not be rationally explainable as much as felt emotionally.

    1h 11m
  4. Apr 5

    Episode 4 - The Conclusion of 30 Film Favorites with Matt & Mike plus Honorable Mentions

    Matt and Mike complete discussion of their 30 Film Favorites. The final lists are as follows: Matt's 30 Favorites: 2001: A Space Odyssey Alien Apocalypse Now Blade Runner Chinatown The Dark Knight The Empire Strikes Back The French Connection The Godfather Goodfellas Goldfinger Heat Inception Jaws King Kong (1933) L.A. Confidential Lawrence of Arabia LOTR: The Fellowship of the Ring The Nightmare Before Christmas Psycho Raiders of the Lost Ark Road to Perdition Robocop The Right Stuff Scarface Seven The Shawshank Redemption Star Wars Superman - The Movie Videodrome Mike's 30 Favorites: Alien The Godfather Jaws Blade Runner The Terminator All the President's Men The Shining Marathon Man Memento Goodfellas Chinatown Requiem for a Dream Halloween Raiders of the Lost Ark M*A*S*H Inception Die Hard Gladiator Seven Mulholland Dr. Videodrome The Tree of Life Abre Los Ojos (Open Your Eyes) Manhunter Gravity Interstellar Citizen Kane Carrie Don't Look Now A Nightmare on Elm St. Matt's Honorable Mentions: The Abyss Aliens American Graffiti Back to the Future Bride of Frankenstein Casino Royale Citizen Kane Close Encounters of the Third Kind Creature from the Black Lagoon The Dead Zone Dracula (1931) The Exorcist Fantasia Frankenstein (1931) Gladiator The Good, the Bad, & the Ugly The Godfather - Part 2 Halloween Interstellar Pan's Labyrinth Pulp Fiction Saving Private Ryan Scarface (1983) Schindler's List Skyfall The Spy Who Loved Me The Terminator Terminator 2: Judgment Day Touch of Evil Toy Story Zodiac Mike's Honorable Mentions: The Dark Knight The Lion King The Godfather - Part 2 Casablanca All About Eve On the Waterfront Heat Black Narcissus Persona The Big Lebowski Sex, Lies, & Videotape Pi The Fog Tootsie Wall Street The Virgin Suicides Up Sunrise Dangerous Liaisons Dressed to Kill Dune - Part 2 Blazing Saddles 8 1/2 Apocalypse Now Aliens La La Land Amelie Witness The Insider In a Lonely Place

    2h 52m

About

Join Matt & Mike as they discuss the psychological underpinnings of films from the beginning of film as an art form to the present. Subject matter includes discussion of films addressing psychological issues, whether it be mental illness or a psychological or spiritual exploration with more universal applicability, the techniques used to create an emotional or intellectual reaction when watching a film, and the ultimate psychological impact of a film.