Additions to the Archive with Sullivan Summer

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Conversations with authors, academics, readers, and thinkers committed to the preservation and expansion of our collective archive.

  1. 1d ago

    The Rediscovery of George "Nash" Walker: The Price of Black Stardom in Jim Crow America with Daniel E. Atkinson (SUNY, 2025)

    The Rediscovery of George "Nash" Walker: : The Price of Black Stardom in Jim Crow America (SUNY Press, 2025) is the first biography dedicated to the life and cultural contributions of this actor, writer, and producer who revolutionized Black American theatre during the early twentieth century. In 1892, Walker left his hometown with a medicine show and quickly formed a partnership with comedian Bert Williams that would last nearly eighteen years. Under the moniker of “The Two Real Coons,” Williams and Walker used their comedy to erode the stereotyped White image of minstrel-style “cooning.” Their theatrical company produced many popular plays, including Clorindy/A Lucky Coon (1899–1900), Policy Players (1900–1901), Sons of Ham (1901–1902), In Dahomey (1902–1905), Abyssinia (1905–1906), Bandanna Land (1907–1909), and Mr. Lode of Koal (1909–1910), even performing on Broadway and abroad. An activist at heart, Walker insisted that audiences receive carefully curated Black entertainment, told from a uniquely Afro-American perspective. Unfortunately, Walker contracted syphilis and was forced to retire in 1909, marking the end of the first golden age of Black theatre. Despite his landmark contributions, Walker’s story has been largely forgotten. Drawing on archival resources, newspaper accounts, memoirs, oral histories, and manifestos written by Walker, this book celebrates the accomplishments of the vanguard generation of Black artists who were active between the close of the Civil War and the start of World War I. Daniel Atkinson’s research and commitment to the legacy of George Walker and his generation is deep and authentic. Listen in on this fantastic conversation and check out also previous episodes with Dr. Cheryl Thompson and Es-pranza Humphry, both scholars of this era. And when you’re finished, head over to the Additions to the Archive Substack where we continued our conversation. Daniel E. Atkinson is an independent scholar who earned his doctorate in ethnomusicology from the University of Washington where he specialized in Afro-American music and culture. You can find Daniel on Instagram and LinkedIn. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  2. Oct 27

    Once Upon a Time in South Central LA: John Singleton's Hood Trilogy with Mark D. Cunningham (UP of Mississippi, 2026)

    After the groundbreaking success of his debut film, Boyz N the Hood in 1991, filmmaker John Singleton (1968–2019) gained worldwide acclaim, earned the respect of major film industry figures, and became the topic of both scholarly and popular culture film conversations. He also made history by becoming the youngest—and the first African American—nominee for the Academy Award for Best Director. However, lukewarm reception for his sophomore release, Poetic Justice in 1993, dampened the momentum of his early promise, and critical interest in his subsequent work waned. Once Upon a Time in South Central LA: John Singleton’s Hood Trilogy (UP of Mississippi, 2026) seeks to reframe Singleton’s legacy and reaffirm his significance as a filmmaker. Author Mark D. Cunningham argues that Singleton’s so-called “hood trilogy”—Boyz N the Hood, Poetic Justice, and Baby Boy (2001)—offers a vital cinematic lens into the lived experiences of young African American men and women. Blending film analysis with literature, music, sociology, and cultural studies, the volume positions Singleton’s work as a critical intersection of African American history, identity, and popular culture. Cunningham explores Singleton’s portrayal of Black masculinity, the social environment of South Central Los Angeles, and the impact of hip-hop culture on gender dynamics. By revisiting Singleton’s early career and the cultural weight of his films, Once Upon a Time in South Central LA reasserts the filmmaker’s place in the cinematic canon and highlights the enduring influence of his work on African American youth and storytelling. Dr. Mark D. Cunningham is professor and chair of the Department of Radio-Television-Film at Austin Community College. His research focuses on film and television studies, with an emphasis on Black filmmakers, screen adaptations, and representations of race and identity in popular media. His scholarship engages figures such as directors John Singleton, Spike Lee, Barry Jenkins, and rapper/actor Ice-T. His work has appeared in The Atlantic and The Journal of Cinema and Media Studies, and he has contributed to numerous edited volumes in film, television, and media studies. You can find Mark on Instagram. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. And check out Sullivan's Substack for a continued conversation between she and Mark, as they discuss the hood trilogy's impact in the 21st century. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  3. Oct 20

    Searching for Jane Crow: Black Women and Mass Incarceration in America from the Auction Block to the Cell Block with Talitha LeFlouria (Beacon Press, 2022)

    In Searching for Jane Crow: Black Women and Mass Incarceration in America from the Auction Block to the Cell Block (Beacon Press, 2022), historian Talitha L. LeFlouria centers Black women at the core of a fresh argument: that the system of mass incarceration was established as protection for the institution of slavery and the profits of enslavers and that this legacy continues today.For centuries, Black women in America have experienced extreme rates of arrest, conviction, and incarceration in the nation’s jails and prisons, yet their experiences have often been overlooked in favor of Black men’s.Arguing that the merger between profit and punishment continues to keep Black people bound, LeFlouria traces the connection between enslavement and incarceration, revealing how they have always been intertwined—from the domestic slave trade of 1810-1865, when an estimated one million people were incarcerated in privately owned slave jails, to the post-Civil War era when Black people were enslaved through new systems of state-sponsored mass incarceration, and through to today. Talitha L. LeFlouria is one of the nation’s leading authorities on the history of Black women, mass incarceration, and the legacies of American slavery. She is an associate professor of history, and the Mastin Gentry White Fellow in Southern History at The University of Texas at Austin. She is the author of the multi-award-winning book, Chained in Silence. Dr. LeFlouria has received numerous awards for her research, including an Andrew Carnegie Fellowship from the Andrew Carnegie Foundation, and her work has been featured in The Atlantic, the Washington Post, Ms. Magazine, The Root, and Vox. You can find her on her website. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  4. Oct 13

    Inquisition for Blood: The Making of a Black Female Serial Killer in the Jim Crow South with Lauren Nicole Henley (LSU Press, 2026)

    For three years in the early 1900s, a serial killer zigzagged across the rice belt region of the United States, using an everyday ax to slaughter Black families living within a mile of the Southern Pacific Railroad’s Sunset Route. The similarities among the murders were uncanny, yet lawmen in early twentieth-century America had neither the technology nor the vocabulary to identify the serial killer in their midst. Instead, regional authorities worked the cases as individual homicides.This approach led to seemingly contradictory realities: the unknown killer was dubbed “the axman,” and a young Black woman named Clementine Barnabet was arrested as a suspect. She offered questionable confessions and swiftly gained international recognition, as the press reimagined Clementine as a cult-leading, ax-wielding, sacrifice-driven serial killer. But there was a problem: Clementine was already in jail by the time more than half of the murders occurred.In Inquisition for Blood: The Making of a Black Female Serial Killer in the Jim Crow South with Lauren Nicole Henley (LSU Press, 2026), Lauren Nicole Henley examines this conundrum as she describes how axman madness consumed an entire region for years. She unpacks these crimes and their aftermaths to show how Black communities responded to incomprehensible violence, how the state criminalized Blackness, and how a young Black woman ultimately came to be understood as a serial killer. Drawing on more than three thousand newspaper articles, hundreds of pages of court records, prison ledgers, death certificates, censuses, city directories, and more, Henley tells a historical narrative that is as intriguing as any true crime novel, challenging our assumptions about who has the ability to get away with murder. Dr. Lauren Henley is an assistant professor in the Jepson School of Leadership Studies at the University of Richmond. She earned her PhD in history from the University of Texas at Austin. Her research focuses on violent crime in the late nineteenth and early twentieth centuries. She investigates how age, race, gender, and religion contribute to perceptions of criminality in the South and West, and her articles have appeared in the Journal of African American History and Souls: A Critical Journal of Black Politics, Culture, and Society. You can find her at the University of Richmond website. Following this conversation, Lauren and Sullivan went over to the Additions to the Archive Substack to continue their conversation about writing historical figures who, like Clementine Barnabet, don’t neatly fit the respectable boxes we would like for them.  Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  5. Oct 6

    Strung Up: How White America Learned to Lynch Black Children with Stacey Patton (Beacon Press, 2026)

    A powerful, unsettling, and unflinching exploration that forces readers to confront lynching as a devastating legacy of white childhood conditioning, and to reckon with the corrupting force of a system that trained children to become its willing executioners, Strung Up: How White America Learned to Lynch Black Children with Stacey Patton (Beacon Press, 2026) examines how the lynching of Black children became not an aberration, but a normalized feature of American racial violence. Drawing on meticulous archival research and vivid narrative storytelling, Strung Up traces how white supremacy trained itself socially, culturally, and psychologically to tolerate and ritualize the destruction of Black childhood, including the unborn.Nationally recognized child advocate Dr. Stacey Patton locates the roots of this violence not solely in the United States, but in Europe’s long history of anti-child brutality. She reveals how centuries of public executions, corporal punishment, religious spectacle, and sanctioned cruelty exposed white children to extreme violence early and often. This violence, she argues, conditioned them to associate pain, domination, and death with moral order.Patton traces this desensitization across the Atlantic where white children raised within these traditions became adults primed to reproduce racial terror, transforming inherited practices of child cruelty into instruments of white supremacy in the post-emancipation United States.Blending history with developmental psychology, neuroscience, epigenetics, and research on adverse childhood experiences, Strung Up shows how violence is not only taught, but biologically and psychologically embedded across generations. Patton demonstrates how racial terror functioned as a system of socialization that shaped perception, behavior, and moral reasoning long before it produced the mob, the rope, or the fire. Dr. Stacey Patton is a research associate at the Institute for Urban Research, an award-winning journalist, and a nationally recognized child advocate whose research focuses on the intersections of race and childhood. She is the author of That Mean Old Yesterday: A Memoir (Simon and Schuster) and Spare the Kids: Why Whupping Children Won’t Save Black America (Beacon Press). Her reporting on issues of child welfare, race relations, and higher education has appeared in multiple outlets including the New York Times, Washington Post, BBC News, Al Jazeera and the Chronicle of Higher Education. You can find her on Facebook and Substack.  Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  6. Sep 29

    How Bright the Path Grows: The Untold Story of the Women Who Made the March on Washington with Marcia Chatelain

    There is no shortage of footage immortalizing the men who spoke at the 1963 March on Washington for Jobs and Freedom, when 250,000 Americans gathered beneath the Lincoln Memorial to call for an end to segregation. There were reverends and rabbis, activists and Rat-Pack icons—and of course the day’s headliner, whose prophetic dream of a post-Jim Crow world has forever defined the Civil Rights Movement. But there is no “class photo” of the Black women who helped organize the march, performed on its main stage, or were honored during its “Tribute to Negro Women Fighters for Freedom.”In How Bright the Path Grows: The Untold Story of the Women Who Made the March on Washington (Pantheon, 2026), Pulitzer Prizing-winning author Marcia Chatelain weaves a gleaming group portrait of these singular women. Among this cohort were several household names: vaudeville icon Josephine Baker; civil rights activist Rosa Parks gospel legend Mahalia Jackson, and Daisy Bates, champion of the Little Rock Nine. But many were relative unknowns, including Eva Jessye, the choir director who designed the day’s musical program, and Anna Hedgeman, the coordinator who pushed in the eleventh hour for a tribute to Black women’s work.How Bright the Path Grows is a scintillating group biography, rendering the lives of thirteen Black women visionaries—some famous, others soon to be—in novelistic detail and like never seen before. Dr. Marcia Chatelain a Presidential Penn Compact Professor of Africana studies at the University of Pennsylvania. She is the author of South Side Girls and Franchise, which won the 2021 Pulitzer Prize in History, the James Beard Foundation Book Award for Writing, the Hagley Prize for Business History, and the Lawrence W. Levine Award from the Organization of American Historians. An active public speaker and educational consultant, Chatelain has received awards and honors from the Ford Foundation, the American Association of University Women, and the German Marshall Fund of the United States. You can find her on Instagram and TikTok.  Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  7. Sep 22

    Randal Maurice Jelks, "My America: Langston Hughes on Democracy" (Broadleaf Books, 2026)

    Celebrated poet, essayist, playwright, and American artist Langston Hughes is one of the few American writers who consistently wrote about democracy from a joyous perspective, and My America explores how his work speaks to the political anxieties and crises we face today. Randal M. Jelks deftly examines the themes in Hughes’s work, including creative expression, communal dignity, class struggle, and human suffering, and what they mean for our inner well-being as democratic persons and political participants. With care and no-holds-barred insight, My America: Langston Hughes on Democracy (Broadleaf Books, 2026) removes the veneer of respectability often placed on Hughes’s work and life to reveal his political adeptness. In a world threatened by fascism, Hughes’s writing wasn’t afforded the luxury of subtlety. He made a spiritual and political decision to stand on the side of the oppressed. He believed art should be practiced for the sake of justice. And democracy can be practiced with joy. Dr. Randal Maurice Jelks is an award-winning author, documentary film producer, and professor. He is the author of four books. His writings have appeared in the Boston Review, the Los Angeles Review of Books, blogs, journals, and periodicals. You can learn more about him and his work at his website. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  8. Sep 15

    Rachel Eliza Griffiths, "The Flower Bearers" (Random House, 2026)

    On September 24, 2021, Rachel Eliza Griffiths married her husband, the novelist Salman Rushdie. On the same day, hundreds of miles away, Griffiths’ closest friend and chosen sister, the poet Kamilah Aisha Moon, who was expected to speak at the wedding, died suddenly. Eleven months later, as Griffiths attempted to piece together her life as a newlywed with heartbreak in one hand and immense love in the other, a brutal attack nearly killed her husband. As trauma compounded trauma, Griffiths realized that in order to survive her grief, she would need to mourn not only her friend, but the woman she had been on her wedding day, a woman who had also died that day.In the process of rebuilding a self, Griffiths chronicles her friendship with Moon, the seventeen years since their meeting at Sarah Lawrence College. Together, they embraced their literary foremothers—Lucille Clifton, Toni Morrison, Alice Walker, to name a few—and fought to embrace themselves as poets, artists, and Black women. Alongside this unbreakable bond, Griffiths weaves the story of her relationship with Rushdie, of the challenges they have faced and the unshakeable devotion that endures.In The Flower Bearers (Random House, 2026), Griffiths inscribes the trajectories of two transformational relationships with grace and honesty, chronicling the beauty and pain that comes with opening oneself fully to love. This is a conversation not to be missed. Rachel Eliza Griffiths is a multi-media artist, poet, and novelist. She received the MFA in Creative Writing from Sarah Lawrence College and is the recipient of numerous fellowships including Robert Rauschenberg Foundation, Provincetown Fine Arts Work Center, Kimbilio, Cave Canem Foundation, Civitella Ranieri Foundation, and Yaddo. Her literary and visual work has been widely published in journals, magazines, anthologies, and periodicals including The New Yorker, The Paris Review, The New York Times, Virginia Quarterly Review, The Progressive, The Georgia Review, Gulf Coast, Callaloo, Poets & Writers, American Poetry Review, Los Angeles Review of Books, Guernica, The Writer’s Chronicle, Transition, American Poet, Mosaic, Indiana Review, Ecotone, Black Nature: Four Centuries of African American Nature Poetry, Best American Poetry (2020, 2021), The New York Review of Books, BOMB! Magazine, and many others. You can find Rachel on Instagram. Learn more about the Torch 20th Anniversary celebration here. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

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Conversations with authors, academics, readers, and thinkers committed to the preservation and expansion of our collective archive.

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