Good Aural -The Audiobook Podcast

Brenda

Good Aural is a podcast about what makes an audiobook work. Hosted by award winning narrator Brenda Scott Wlazlo, this podcast breaks down what actually makes a performance land. We cover everything from character and chemistry to pacing, prep, and the moments that make listeners stay. For narrators, actors, audiobook fans, and anyone curious about the industry, these short episodes are honest, practical, and rooted in real experience.

  1. 2d ago

    Episode 26: The Plight of the Workhorse Narrator

    Send us Fan Mail Audiobooks are getting bigger. Celebrity casts, splashy productions, behind-the-scenes videos, mainstream press. And honestly? That’s exciting. But as audiobooks become more visible, I’ve been wondering whether the career audiobook narrator is actually getting harder to see. In this episode: Why celebrity audiobook casting isn’t really the problemHow the pathways to recognition are changingThe growing second job of narrator visibilitySources & Further Reading Audio Publishers Association — 2027 Audie Awards Current competition information, categories, eligibility, and submission deadlines. ⁠2027 Audie Awards Audible — Bram Stoker’s Dracula Audible’s announcement of its global full-cast adaptations, including the English-language production starring Jonathan Bailey, Ella Purnell, Aimee Lou Wood, Louis Partridge, David Jonsson, Lesley Manville, and Maggie Gyllenhaal. ⁠Audible Announces All-Star Global Adaptations of Bram Stoker’s Dracula Kirkus Reviews — AudioFile Acquisition Kirkus’ January 2026 announcement that it acquired AudioFile’s audiobook review program and would continue audiobook coverage under audiobook editor Jennifer Dowell. ⁠Kirkus Buys AudioFile, Begins Audiobook Reviews Kirkus Reviews — Publisher Submission Guidelines Current submission information for new and forthcoming audiobooks. ⁠Kirkus Publisher Submission Guidelines Good Aural is hosted by audiobook narrator and actor Brenda Scott Wlazlo. We talk craft, business, performance, and the weird little things that make an audiobook actually work. Come hang out. Let’s talk about it. Brenda Reads Audiobooks Linktree  website: Brendascottwlazlo.com For service inquiries, use the contact me form through my website.

  2. Sep 23

    Episode 25: Maintenance Mode: Your Career Has to Survive Your Life

    Send us Fan Mail Well, I’ve got some news. I’m pregnant! I’m thrilled to finally be able to say that out loud. I am also deep in the first trimester, and holy cow, it has kicked my butt. I’ve spent most of September doing the absolute bare minimum. I’m getting my work done. I’m answering the emails that need answers. But all of the extra stuff I’m normally doing to grow my career? Not happening. So that’s what I wanted to talk about this week. We spend a lot of time in this industry talking about what else we could be doing. More auditions, more outreach, more social media, update your website, make the reel, take the class. But what happens during the parts of your life when you just… can’t? I’m calling it maintenance mode. The work still matters. Deadlines still matter. Being a good person to work with still matters. But maybe for a little while, the goal is simply to keep things running until you have more of yourself to give again. If I want to do this for another 20 or 30 years, my career has to have room for me to actually live those 20 or 30 years. So, let’s talk about the bare minimum. Good Aural is hosted by audiobook narrator and actor Brenda Scott Wlazlo. We talk craft, business, performance, and the weird little things that make an audiobook actually work. Come hang out. Let’s talk about it. Brenda Reads Audiobooks Linktree  website: Brendascottwlazlo.com For service inquiries, use the contact me form through my website.

  3. Sep 9

    Episode 24: You’re Not the Star (And That’s Actually Good News)

    Send us Fan Mail In this episode of Good Aural, I’m looking at audiobook production through my theater brain and talking about what changes when we stop thinking only like performers and start thinking like members of a much larger creative team. Because talent matters. Obviously. But once you can do the job, there’s another question that matters when producers are deciding whether they want to work with you again: What are you like to work with? We’re talking about: Why audiobook narration is more collaborative than it feelsWhat theater taught me about being a good team memberThe difference between advocating for an artistic choice and knowing when to deferWhy being proactive can make everyone’s job easierWhat producers actually need from us when they’re juggling multiple productionsThe conference audition that taught me something about being someone who can solve a problemWhy you do not want to become another fire your producer has to put outHow decentering yourself from the production can actually make you better at your jobAt the end of the day, bring your artistry. Bring your ideas. Care deeply about the book. But remember: nobody makes an audiobook alone. Good Aural is hosted by audiobook narrator and actor Brenda Scott Wlazlo. We talk craft, business, performance, and the weird little things that make an audiobook actually work. Come hang out. Let’s talk about it. Brenda Reads Audiobooks Linktree  website: Brendascottwlazlo.com For service inquiries, use the contact me form through my website.

  4. Aug 26

    Episode 22: Trying to Sound Sexy: What Romance Narration Is Really About

    Send us Fan Mail What makes a romantic scene genuinely sexy in audio?  For me, it begins with character. What does this person want? What are they afraid to reveal? What changes between these two people because of this encounter? What it doesn't involve is heavy breathing and trying to sound "seductive."  In this episode, we look briefly at the history of romance, from Jane Austen and the rise of modern commercial romance to ebooks, indie publishing, and BookTok. I also discuss how literature has given women a private place to explore desire, pleasure, and autonomy, even when those subjects were considered inappropriate for public conversation and spoiler alert, they still are today.  We talk about familiar tropes and also touches on the continuing popularity of romantasy. Finally, I explain my Shakespearean approach to steamy scenes.  I’m not trying to manufacture sexiness at the microphone. I’m trying to tell the truth about what’s happening between the characters. Sources and further reading: Romance Writers of America: Romance Trailblazers Romance Writers of America: About the Romance Genre Audio Publishers Association: Audiobook Sales and Consumer Data Bloomsbury: A Court of Thorns and Roses Content note: This episode includes a general discussion of sex, desire, erotica, and intimate scenes in romance literature. It does not contain graphic readings. Good Aural is hosted by audiobook narrator and actor Brenda Scott Wlazlo. We talk craft, business, performance, and the weird little things that make an audiobook actually work. Come hang out. Let’s talk about it. Brenda Reads Audiobooks Linktree  website: Brendascottwlazlo.com For service inquiries, use the contact me form through my website.

  5. Aug 19

    Episode 21: You Can't Act Genre...Can you? (Re: the Convo on Character Choices)

    Send us Fan Mail Today, I’m revisiting character work and giving my friend Steve his due ;) After my last episode on nuance and character choices, Steve, who is both a character actor and a dialect coach, pointed out that genre changes the conversation. And he’s right. I still think subtlety is king. But subtle doesn’t look the same in every book. A cozy mystery, LitRPG, middle grade adventure, thriller, procedural, romantasy, and mafia romance can all ask for different things from a narrator: different levels of contrast, different pacing, and different ways of building tension. This isn’t a rulebook. Every book and every author are different. But if you can find the emotional truth FIRST and then understand the world that truth is living in you’ll have a much better sense of how far to take a character choice. Because genre isn’t a cage. It’s a clue. ;) Useful resources ACX: narration, pacing, and natural character voicesACX: casting and collaborating on character and toneAudio Publishers Association resourcesACX performance and production resources Good Aural is hosted by audiobook narrator and actor Brenda Scott Wlazlo. We talk craft, business, performance, and the weird little things that make an audiobook actually work. Come hang out. Let’s talk about it. Brenda Reads Audiobooks Linktree  website: Brendascottwlazlo.com For service inquiries, use the contact me form through my website.

  6. Aug 12

    Episode 20: BookTok and the Audiobook Industry (Does Your Follower Count Matter?)

    Send us Fan Mail Lets talk BookTok.  What began as a giant virtual book club is now a major marketing force. Publishers watch it, authors build campaigns around it, and Audible has created a dedicated BookTok destination. In this episode, I talk about how follower counts are becoming part of an audiobook narrator’s professional currency (particularly in romance and LitRPG) and what that means for talented narrators who aren’t interested in becoming full-time content creators. BookTok can help listeners find our work and create incredible career opportunities, but we need to use it intentionally, protect our boundaries, and remember that an algorithm shouldn’t get to decide whether our work matters. SHOW NOTES: 00:20 Block Party Spark 00:51 What Is BookTok 02:30 From Book Club to Industry 04:12 Follower Counts and Casting 07:03 Citing Narrators in Reviews 08:47 Fandom and Parasocial Risks 10:30 When Critique Turns Cruel 11:47 Using BookTok Intentionally 12:53 Promotion as Paid Labor 14:18 Closing Thoughts LINKS: BookTok Helps Sell More Than 50 Million Books Across EuropeFTC Guidance for Endorsements, Influencers, and ReviewsJulia Whelan Has Narrated 600 Audiobooks and Counting—So Why Isn’t She Paid Like It? Good Aural is hosted by audiobook narrator and actor Brenda Scott Wlazlo. We talk craft, business, performance, and the weird little things that make an audiobook actually work. Come hang out. Let’s talk about it. Brenda Reads Audiobooks Linktree  website: Brendascottwlazlo.com For service inquiries, use the contact me form through my website.

  7. Aug 5

    Episode 19: When should you raise your rates and how do you do it without panicking?!

    Send us Fan Mail When should you raise your rates and how do you do it without panicking?! In this episode, I’m opening up the hush-hush conversation about money in the audiobook industry. We’re talking about underpricing, scarcity, ongoing series, loyalty rates, invisible labor, and the fear that charging more will make you less castable. Most importantly, I’m giving you a practical plan for moving from where your rates are now to where you want them to be—with real timelines and language you can use when talking to clients. Your rate isn’t a verdict on your worth. It’s a business decision about what your career needs to remain financially, physically, and creatively sustainable. In this episode: When questioning your rate becomes a reason to review itWhy being fully booked doesn’t necessarily mean your business is sustainableThe difference between your personal worth and your business rateHow invisible labor affects what you actually earnMoving from your current rate to your target rateChoosing a 30-, 60-, or 90-day transition timelineRaising rates for new clientsGiving existing clients clear noticeHandling ongoing series and returning-client ratesCharging appropriately for research, accents, pickups, and rush deadlinesWhat to say when a client’s budget doesn’t match your rateMaking intentional exceptions without letting fear make the decisionWhy one client saying no doesn’t mean your increase failedHow to review the results after three or six monthsNavigating transparency, union minimums, and contract confidentialityClient notification script: “I wanted to let you know that beginning [DATE], my standard narration rate will be increasing from [CURRENT RATE] to [NEW RATE]. Projects contracted before that date will remain at our previously agreed rate. I have loved working with you and wanted to give you plenty of time to plan for upcoming projects.” Ongoing-series script: “Since we began this series, my standard rate has increased to [STANDARD RATE]. For the next book in our series, I can offer a returning-client rate of [TRANSITION RATE]. Beginning with the following installment, my standard rate will apply.” When the budget doesn’t align: “I understand. If the budget changes for this or a future project, I would love to talk again.” Your rate-raising checklist: Write down where your rate is now.Decide where you want it to be.Calculate the invisible labor behind the number.Define what your standard rate includes.Choose an effective date.Begin quoting the new rate to new clients.Give existing clients reasonable notice.Create a transition plan for ongoing series.Decide what would justify an exception.Review the results after three or six months.Your rate is not carved in stone. As your experience, expenses, workload, and goals change, your business is allowed to change with them. The goal isn’t to become unaffordable to everyone. The goal is to build a career that is financially, mentally, physically, and creatively sustainable. This episode shares personal experience and general business education. It is not legal, financial, or union-contract advice. Review your individual agreements and consult the appropriate union representative or qualified professional when needed.  Good Aural is hosted by audiobook narrator and actor Brenda Scott Wlazlo. We talk craft, business, performance, and the weird little things that make an audiobook actually work. Come hang out. Let’s talk about it. Brenda Reads Audiobooks Linktree  website: Brendascottwlazlo.com For service inquiries, use the contact me form through my website.

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About

Good Aural is a podcast about what makes an audiobook work. Hosted by award winning narrator Brenda Scott Wlazlo, this podcast breaks down what actually makes a performance land. We cover everything from character and chemistry to pacing, prep, and the moments that make listeners stay. For narrators, actors, audiobook fans, and anyone curious about the industry, these short episodes are honest, practical, and rooted in real experience.