William Henry presents a compelling case that the 2009 discovery of the Magdala Stone, unearthed in Mary Magdalene's hometown synagogue, is among the most significant finds in Christian history. Henry connects the stone's imagery, including Ezekiel's wheels within wheels and a flower of life rosette, directly to the Ascension Throne of Christ, arguing that Jesus taught Merkabah mysteries from this very stone in the first century. The archaeologist who excavated it said it took three days to believe what she was seeing, and that the stone had power you could feel. Henry traces a line from Ezekiel's sixth-century BC throne vision through the Magdala Stone to the earliest fourth-century depictions of Christ's Ascension, revealing a continuous tradition of interdimensional chariot mysticism that original Christianity has since abandoned.The presentation's central argument is that Mary Magdalene was not merely a witness to these mysteries but an operator of the Ascension Throne itself. In Christian art from the sixth century onward, two figures consistently appear tending the Merkabah: John the Baptist and Mary Magdalene. Her anointing oil, Henry proposes, was a component of the original Ark of the Covenant, and when the Ark's contents are fully assembled, they form the Etimasia, the prepared throne of Christ prophesied to return at the Second Coming. The components match precisely: an ark-like platform, a footstool, a cross equivalent to the rod of Aaron, a sphere, a book of life, a robe of light, and a jar of sacred oil. Henry argues that Jesus's brother James assembled these components before the crucifixion, and after the Ascension the throne was disassembled and hidden.Henry then draws the presentation into the present moment, connecting the global Magdalene resurgence to UAP disclosure. Travis Taylor's analysis of the GO FAST and Tic Tac videos identified signatures consistent with Alcubierre warp bubbles, and Henry maps this directly onto Christ's Ascension cloud depicted in medieval art. The craft in these videos appear to be three-dimensional projections of five-dimensional objects, emerging from a higher layer of reality, which is precisely what the ancient artists encoded when they painted Christ hovering in his Merkabah bubble. Henry's invitation to the Magdalene community is direct: if this frequency is rising globally because something is approaching, then the work is to recover the Merkabah mysteries, understand the Etimasia, and recognise that Mary Magdalene's role in what unfolds next is operational, not symbolic.ABOUTWilliam Henry is a researcher, investigative mythologist, and author of over twenty books exploring humanity's cosmic potential. His three decades of work trace a clear arc from mystic Christian mysteries through the stargate technology of ancient Egypt, the human Light Body, and consciousness, to the convergence of AI, transhumanism, and ascension. Combining rigorous historical analysis with direct experiential understanding gained at the world's most sacred sites, his work has reached millions through History Channel's Ancient Aliens, Gaia TV, Coast to Coast AM, and his published works.FOLLOW WILLIAM HENRYWebsite: https://www.iamwilliamhenry.com/YouTube: https://www.youtube.com/@iamwilliamhenryInstagram: https://www.instagram.com/iamwilliamhenry/X: https://x.com/iamwilliamhenryFacebook: https://www.facebook.com/iamwilliamhenryTikTok: https://www.tiktok.com/@iamwilliamhenryofficial#WilliamHenry #MaryMagdalene #MagdalaStone #MerkabahMysteries #AscensionThrone #Etimasia #SecondComing #TicTac #UAP #RainbowBody #AncientAliens
