Doctor Who: Tin Dog Podcast

Tin-Dog@hotmail.co.uk

tin-dog@hotmail.co.uk The Tin Dog welcomes you to sit back and listen to his rants and ramblings about all that is best in modern SF and Television. Via the gift of the new fangled Podcast over the tinterweb. As you can probably guess Tin Dog mostly talks about Doctor Who, Torchwood and Sarah Jane Smith but that wont stop him talking about any other subject you suggest. Hailing from a non specific part of the northeast of England, Tin Dog is male and in his mid 30s. A life long fan of almost all TV SF. His semi-autistic tendencies combined with his total lack of social skills have helped him find a place in the heart of British SF Fandom. Even as a child the Tin Dogs mother told him that she can trace his love of SF TV back to his rhythmic kicking, while still in the womb, along to the beat of the Avengers theme music. From Gabriel Chase to Totters Lane, from the Bad Wolf Satellite to the back streets of the Cardiff, Tin Dog will give you his thoughts on the wonderful Whoniverse. Daleks and Cybermen and TARDIS ES Oh My If you enjoy these Tin Dog Podcasts please remember to tell your friends and leave an email tin-dog@hotmail.co.uk

  1. Oct 12

    TDP 1506: For Your Consideration - Sapphire And Steel

    https://www.amazon.co.uk/Villain-Venice-Steampunk-Adventure-Expanded/dp/B0GYVW1ZM3?source=ps-sl-shoppingads-lpcontext&ref_=fplfs&psc=1&smid=A3P5ROKL5A1OLE Sapphire & Steel Article Talk Read Edit View history Appearance hide Text Small Standard Large Width Standard Wide Color Automatic Light Dark From Wikipedia, the free encyclopedia This article needs more citations. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "Sapphire & Steel" – news · newspapers · books · scholar · JSTOR (July 2019) (Learn how and when to remove this message) Sapphire & Steel Genre Supernatural Fantasy Created by Peter J. Hammond Starring David McCallum Joanna Lumley Composer Cyril Ornadel Country of origin United Kingdom Original language English Number"}]]}"> No. of series 4 Number"}]]}"> No. of episodes 34 (list of episodes) Production Executive producer David Reid Producer Shaun O'Riordan Running time 25 minutes Production company ATV/Central Original release Network ITV Release 10 July 1979 – 31 August 1982 Sapphire & Steel is a British fantasy television series starring David McCallum and Joanna Lumley. Produced by ATV, it ran from 1979 to 1982 on the ITV network. The series was created by Peter J. Hammond who conceived the programme under the working title The Time Menders,[1] after a stay in an allegedly haunted castle. Hammond also wrote all the stories except for the fifth, which was co-written by Don Houghton and Anthony Read. From 2005 to 2008, Sapphire & Steel returned in a series of audio dramas produced by Big Finish Productions, starring Susannah Harker and David Warner as the main characters. Series overview Joanna Lumley and David McCallum as Sapphire and Steel (from Adventure 3) Premise The opening credits include the narration: All irregularities will be handled by the forces controlling each dimension. Transuranic heavy elements may not be used where there is life. Medium atomic weights are available: Gold, Lead, Copper, Jet, Diamond, Radium, Sapphire, Silver and Steel. Sapphire and Steel have been assigned. In the sixth and final assignment, Lead was replaced with Mercury in the opening credits. The programme centres on a pair of interdimensional operatives named Sapphire and Steel. Very little is revealed about their purposes or backgrounds in the course of the series but they appear to be engaged in guarding the continuing flow of time. They are two of a number of elements that assume human form and are sent to investigate strange events; others include Lead (Val Pringle), who takes the aspect of a jovial, friendly giant, and Silver (David Collings), a technician who can melt metals in his hands. In the series, it is explained that Time is like a progressing corridor that surrounds everything, but there are weak spots where Time—implied to be a malignant force—can break into the present and take things. There are also creatures from the beginnings and ends of time that roam the corridor looking for the same weak spots to break through. These breaks are most often triggered by the presence of something old in a modern situation, for example a traditional nursery rhyme, an old photograph, or a house decorated with antiques. Holding onto something of the past opposes progress and allows 'Time' to break into the present – the more old things present, the easier it is for this to occur (such as is seen in episode 1 where the two-century-old house, in which a traditional nursery rhyme has been read hundreds of times as a bedtime story, is full of clocks and other antiques). When this breaking-in of 'Time' occurs, Investigators will be sent to assess the situation and then, if intervention is warranted, Operators are assigned to deal with the problem by a mysterious unseen authority, to be assisted by Specialists if necessary. Each adventure usually starts with Sapphire and Steel simply showing up, seemingly out of nowhere, although sometimes they are already present when the story begins. They will then investigate and mingle with various humans, although it is nearly always the location the humans are in which is of the most interest: an old house which dates back to the 18th century, an abandoned railway station, a lost property shop, a modern-day motorway petrol station, and so on. The stories are generally quite cryptic, raising more questions than answers, and have an eerie air to them, being as much ghost stories as they are science fiction. The ambiguous nature of the programme extends to its main characters. While Sapphire is portrayed as more affable and "human" than the no-nonsense, grim Steel, it is clear that their prime concern is to deal with the break in Time, sometimes over the safety of the humans caught in the incidents they investigate. The general tone of the series is however forward-looking; that old things are dangerous, and that the past should be left behind or an evil force will be able to enter through those old things. In this situation, progress and newness are portrayed as the protecting force against 'Time'. Characters ITV stated in 1980 that Sapphire and Steel are not human.[2] Their abilities and manner are strange. Steel, for example, often has gaps in his knowledge of human culture and even Sapphire's grace is tempered with a cool detachment from the humans they interact with. In Adventure 5, Steel confirms that they were alien, "in the extraterrestrial sense." The two also refer to being involved in the mystery of the Mary Celeste, and in one case state they will be waiting for a ship to surface in seventy-five years. This could mean they are either exceptionally long-lived or some kind of time travel is involved. P. J. Hammond confirmed the former hypothesis in a 1993 interview.[3] Sapphire and Steel, who are Operators, are occasionally assisted by other beings, including Lead and Silver. Silver is stated in Adventure 6 to be a Specialist rather than an Operator. There are 127 operatives in total, including 12 transuranic elements, which cannot be assigned where life exists. Although they are described as elements, many of the code names are non-elements, such as Sapphire, Steel, and Jet, although these could be pseudonyms for aesthetics or discretion. Sapphire also has a flirtatious relationship with Silver, contributing to an air of underlying sexual tension on the occasions that Silver is called upon to assist the duo. The relationship between Steel and Sapphire similarly exhibits occasional tension, as evidenced in Adventure 2 when Steel admits feeling love for Sapphire and, at one point, even kissing her on the cheek. In Adventure 1, Lead mentioned that Jet sent Steel her love and that Silver was having relationship troubles with Copper "again". Among Sapphire's abilities is the power to manipulate time in small ways as well as determine the age or historical details of an object by touching it (psychometry). This latter ability is referred to in Adventure 2 as "spot analysis". Her most prominent ability is to "take back time," literally rewinding it in a localised area to see or replay the past. She states in Adventure 1 that she cannot take time back twenty-four hours; in the last episode of the same adventure, at Steel's request she takes time back "half a day". In Adventure 2, she is able to "hold time for a day", when another (in this case, the creature seen as the darkness) takes time back over multiple days. Whether this is an improvement in abilities or a different skill entirely is not made clear. She also exhibits an ability to obtain information about people – their ages and backgrounds as well as psychological insights into their personality – just by being close to them. Sometimes it appears that she does not discover this information herself but is receiving the information telepathically from some external source. In Adventure 2, it is stated that the age at which a living person will die is not estimated but recorded, that it is a historical fact. Nothing else is revealed in the television series as to the extent or nature of any such records, or to what extent Sapphire uses them in relation to information obtained directly. She can also manipulate people's emotions, and project illusions. When she uses her powers, her irises will usually glow blue or, under some circumstances, turquoise. Steel, on the other hand, can freeze himself to absolute zero which gives him the ability to destroy 'ghosts', which are in actuality remnants of Time. He apparently possesses immense strength (in Adventure 3 he ties knots in lift cables to prevent the lift from being used) and a degree of invulnerability. He also exhibits telekinetic abilities, being able to paralyse people with a look, weld metal with his bare hands or undo deadbolts with a gesture. Both Sapphire and Steel (as well as all Operatives) also appear to be able to teleport a great distance. The operatives can also communicate telepathically with each other, and in Adventure 5, Sapphire grants this ability to a human being, whom she dubs "Brass" for the duration. Sapphire removes this ability at the end of the story. It is also suggested in Adventure 5 that other powers can be granted. It is hinted, in the debate that ensues between Sapphire and Steel after Sapphire gives Brass his abilities, that different powers are classed at different levels, with telepathy being considered one of the most basic. It is not made clear in the series as to what boundaries exist on the skills of operatives. In Adventure 2, Steel cannot perform "spot analysis", as it is not his field, but in Adventure 4, Sapphire and Steel together are specifically able to replicate Silver's ability to transmutate by remembering what he did. Other operatives that appear also have special powers. Silver (played by David Collings), a Specialist who is designated as a Technician, is good with electronics and gadgets, is able to transform one

  2. Oct 5

    TDP 1503: Starcops from #Bigfinish REVIEW - Adrift

    https://www.amazon.co.uk/Villain-Venice-Steampunk-Adventure-Expanded/dp/B0GYVW1ZM3?source=ps-sl-shoppingads-lpcontext&ref_=fplfs&psc=1&smid=A3P5ROKL5A1OLE When a stolen cargo shuttle drifts back into lunar orbit, seemingly deserted, Nathan and Paul investigate. They uncover a conspiracy involving hijacking, smuggling - and claims of a creature on the loose. Script editor Andrew Smith said: "Conflict is the most epic story we've told in Star Cops, with the stakes higher than they've ever been, not just for our heroes but for all mankind. In this concluding set of three episodes, the threat of global conflict builds towards a climax. "Georgia Cook is a hugely welcome new member of the writing team. In Adrift, she's applied her expertise in the horror genre to deliver an episode where, as the Star Cops are dealing with the fallout from a tragedy, they're faced with a mystery that raises the question - could there actually be monster aliens in space? "We're now starting the final three parts of Star Cops – Conflict. Georgia's episode Adrift is kind of a standalone, though we've got the background, as we have throughout the whole of the Conflict set, of world tensions growing. " When I asked Georgia to come on board, I was aware that her particular genre is horror and I thought that would be an interesting thing to explore in a Star Cops context. So that was her brief: 'Can you give us a story with a real horror vibe?' Georgia really runs with it and puts our main characters through the mill, it's fair to say." Writer Georgia Cook added: "It was certainly nerve-wracking to pick up from such a dramatic and impactful last episode. All the characters are still reeling from the aftermath, but aren't given much time to process before they're thrown back into work. "I love the whole crew of Star Cops. Everyone is such an interesting and well-rounded character, each dealing with the trials of space and their jobs in their own way. It's been such a delight adding to everyone's extended Big Finish canon." David Calder (Nathan Spring) Trevor Cooper (Inspector Colin Devis) Linda Newton (Chief Superintendent Pal Kenzy) Jessica Martin (Alexandra Myers) Ben Miles (Howard Lesser) Lynsey Murrell (Inspector Alice Okoro) Philip Olivier (Inspector Paul Bailey) James Robinson (Bram Calvis) Rebecca Yeo (Julia Zheng)

    TDP 1503: Starcops from #Bigfinish REVIEW - Adrift
  3. Oct 1

    TDP 1504: Tin Dog Book Review - Starship Troopers

    https://www.amazon.co.uk/Villain-Venice-Steampunk-Adventure-Expanded/dp/B0GYVW1ZM3?source=ps-sl-shoppingads-lpcontext&ref_=fplfs&psc=1&smid=A3P5ROKL5A1OLE notes from wiki This article is about the novel. For the 1997 film, see Starship Troopers (film). For other uses, see Starship Troopers (disambiguation). Starship Troopers First edition hardcover Author Robert A. Heinlein Cover artist Jerry Robinson Language English Genre Military science fiction Philosophical fiction[1][2][3] Publisher G. P. Putnam's Sons Publication date November 5, 1959[4] Publication place United States Media type Print (hardcover and paperback) Pages 263 (paperback edition) Award Hugo Award for Best Novel (1960) ISBN 978-0450044496 Online Computer Library Center number"}]]}"> OCLC 2797649 Library of Congress Classification"}]]}"> LC Class PZ7.H368 Su Starship Troopers is a military science fiction novel by American writer Robert A. Heinlein. Written in a few weeks in reaction to the US suspending nuclear tests,[5] the story was first published as a two-part serial in The Magazine of Fantasy & Science Fiction as Starship Soldier, and published as a book by G. P. Putnam's Sons on November 5, 1959.[4] The story is set in a future society ruled by a human interstellar government called the Terran Federation, dominated by a military elite. Under the Terran Federation, only veterans of a primarily military Federal Service enjoy full citizenship, including the right to vote.[6] The first-person narrative follows Juan "Johnny" Rico, a young man of Filipino descent, through his military service in the Mobile Infantry. He progresses from recruit to officer against the backdrop of an interstellar war between humans and an alien species known as "Arachnids" or "Bugs". Interspersed with the primary plot are classroom scenes in which Rico and others discuss philosophical and moral issues, including aspects of suffrage, civic virtue, juvenile delinquency, and war; these discussions have been described as expounding Heinlein's own political views.[7] Identified with a tradition of militarism in US science fiction,[8] the novel draws parallels between the conflict between humans and the Bugs, and the Cold War.[9] It is also a coming-of-age novel, which criticizes the US society of the 1950s, arguing that a lack of discipline had led to a moral decline, and advocating corporal and capital punishment.[7][10] Starship Troopers brought to an end Heinlein's series of juvenile novels. It won the Hugo Award for Best Novel in 1960,[3] and was praised by reviewers for its scenes of training and combat and its visualization of a future military.[11][12] It also became enormously controversial because of the political views it seemed to support. Reviewers were strongly critical of the book's intentional glorification of the military,[13][14] an aspect described as propaganda and likened to recruitment.[15] The novel's militarism, and the fact that government service – most often military service – was a prerequisite to the right to vote, led to it being frequently described as fascist.[14][16][17] Others disagree, arguing that Heinlein was only exploring the idea of limiting the right to vote to a certain group of people.[18] Heinlein's depiction of gender has also been questioned, while reviewers have said that the terms used to describe the aliens were akin to racial epithets.[19] Starship Troopers had wide influence both within and outside science fiction. Ken MacLeod stated that "the political strand in [science fiction] can be described as a dialogue with Heinlein".[2] Science fiction critic Darko Suvin wrote that it is the "ancestral text of US science fiction militarism" and that it shaped the debate about the role of the military in society for many years.[20] The novel is credited with popularizing the idea of powered armor, which became a recurring feature in science fiction books and films, as well as an object of scientific research.[21] Heinlein's depiction of a futuristic military was also influential.[22] Later science fiction books, such as Joe Haldeman's 1974 anti-war novel The Forever War, have been described as reactions to Starship Troopers.[23] The story was adapted several times, including in a 1997 film version directed by Paul Verhoeven that satirized what the director saw as the fascist aspects of the novel.[24] Writing and publication The cover of The Magazine of Fantasy & Science Fiction (November 1959), illustrating Starship Soldier Robert Heinlein was among the best-selling science fiction authors of the 1940s and 1950s, along with Isaac Asimov and Arthur C. Clarke; they were known as the "big three" that dominated US science fiction. In contrast to the others, Heinlein firmly endorsed the anti-communist sentiment of the Cold War era in his writing.[25] Heinlein served in the US Navy for five years after graduating from the United States Naval Academy in 1929. His experience in the military profoundly influenced his fiction.[26] At some point between 1958 and 1959, Heinlein put aside the novel that would become Stranger in a Strange Land and wrote Starship Troopers. His motivation arose partially from his anger at US President Dwight Eisenhower's decision to suspend US nuclear tests, and the Soviet tests that occurred soon afterward.[5] Writing in his 1980 volume Expanded Universe, Heinlein would say that the publication of a newspaper advertisement placed by the National Committee for a Sane Nuclear Policy on April 5, 1958, calling for a unilateral suspension of nuclear weapons testing by the United States sparked his desire to write Starship Troopers.[27] Heinlein and his wife Virginia created the "Patrick Henry League" in an attempt to create support for the US nuclear testing program. Heinlein stated that he used the novel to clarify his military and political views.[28] Like many of Heinlein's books, Starship Troopers was completed in a few weeks. It was originally written as a juvenile novel for New York publishing house Scribner; Heinlein had previously had success with this format, having written several such novels published by that publisher. The manuscript was rejected, prompting Heinlein to end his association with that publisher completely, and to resume writing books with adult themes.[5][19][29] Scholars have suggested that Scribner's rejection was based on ideological objections to the content of the novel, particularly in its treatment of military conflict.[19][30] The Magazine of Fantasy & Science Fiction first published Starship Troopers in October and November 1959 as a two-part serial titled Starship Soldier.[29] A senior editor at Putnam's, Peter Israel, purchased the manuscript and approved revisions that made it more marketable to adults. Asked whether it was aimed at children or adults, he said at a sales conference "Let's let the readers decide who likes it."[31] The novel was eventually published by G. P. Putnam's Sons.[29] Setting Set approximately 700 years in the future,[19] the book depicts an Earth ruled by a world government run by military veterans.[6] The society is depicted as affluent, and futuristic technology shown as coexisting with educational methods from the 20th century.[19] The rights of a full citizen, to vote and hold public office, are not universally guaranteed, and rather must be earned through Federal Service.[18] Those who do not perform this service (of which only military service has been described) retain the rights of free speech and assembly, but can neither vote nor hold public office. People of either sex above the age of 18 are permitted to enlist; only those who complete their service receive the right to vote.[19][32] Important government jobs are reserved for federal service veterans.[6] This structure arose ad hoc after the collapse of the "20th century Western democracies", driven in part by an inability to control crime and juvenile delinquency, particularly in North America, and a war between an alliance of the United States, the United Kingdom and Russia, against the "Chinese Hegemony".[33] Two extraterrestrial civilizations are depicted, respectively, as the "Pseudo-Arachnids" (or "Bugs"), and the "Skinnies". The "Bugs" are described as communal beings originating from the planet of Klendathu, and consist of multiple castes; workers, warriors, brains, and queens, similar to those of ants and termites on Earth. The warriors are the only ones who fight, and are unable to surrender in battle.[34] It also is implied that the Bugs are technologically advanced, possessing such technologies as spaceships.[35] The "Skinnies" are depicted as less communal than the Arachnids, yet more so than humans.[36] The events of the novel take place during an interstellar war between the Terran Federation and the Arachnids.[37] At the opening of the story, Earth is not at war, yet such a declaration has come when Rico has completed his training.[5] The "Skinnies" are initially allies of the Pseudo-Arachnids, but switch to alliance with humans, midway through the novel.[36] Faster-than-light travel exists in this future: spacecraft use the "Cherenkov drive", and can travel "Sol to Capella, forty-six lightyears, in under six weeks".[38] Starship Troopers is narrated by the main protagonist Juan "Johnny" Rico, a member of the "Mobile Infantry". It is one of the few Heinlein novels which intersperses his typical linear narrative structure with a series of flashbacks.[5][37] These flashbacks are frequently to Rico's "History and Moral Philosophy" course in school, in which the teacher discusses the history of the structure of their society.[5][18] Rico is depicted as a man of Filipino ancestry. He is from a wealthy family, whose members had never served in the military.[5][19][32] Rico's ancestry is depicted as inconsequential, society having finally abandoned racial and gender-based prejudice.[19] Plot The novel opens with Rico aboard the corvette transport Rodger Young (named after r

    TDP 1504: Tin Dog Book Review -  Starship Troopers
  4. Sep 28

    TDP 1502: MERCY Movie review

    https://www.amazon.co.uk/Villain-Venice-Steampunk-Adventure-Expanded/dp/B0GYVW1ZM3?source=ps-sl-shoppingads-lpcontext&ref_=fplfs&psc=1&smid=A3P5ROKL5A1OLE Mercy is a 2026 American science fiction thriller film written by Marco van Belle, directed by Timur Bekmambetov, and starring Chris Pratt and Rebecca Ferguson. The plot involves a detective (Pratt), who is accused of murdering his wife, and must prove his innocence to an artificial intelligence judge (Ferguson). The film also stars Kali Reis, Annabelle Wallis, Chris Sullivan, and Kylie Rogers. Mercy was released in the United States by Amazon MGM Studios and internationally by Sony Pictures Releasing International on January 23, 2026. The film grossed $54.7 million worldwide against a $60 million budget. Plot In 2029 Los Angeles, the Mercy Capital Court responds to a surge in crime by using artificial intelligence (AI) judges to try defendants for violent offenses. To assemble evidence, all devices are also registered to the municipal cloud to allow the AI judge to pass judgement. The AI judge also gives the defendants all available resources to find and provide all the evidence needed to prove their innocence in 90 minutes, or be executed via a sonic blast. Los Angeles Police Department Detective Christopher "Chris" Raven, a strong proponent of the court, is strapped to a chair, put on trial for his wife Nicole's murder, and is given 90 minutes to persuade the AI judge of his innocence. Presiding over his case is the AI Judge Maddox. All the evidence points to Chris having killed his wife, as her blood was found on his clothing and doorbell camera footage places him at their home shortly before her murder. Chris's guilt probability is 97.5%, which qualifies him for execution unless his evidence lowers it to 92% for reasonable doubt and 80% for a Mercy Trial. Since AIs are not allowed to take a human life, the chair is set on a 90 minute timer not controlled by the AI, and it is the defendant's responsibility to lower their score and this allows the AI to unlock the chair before the timer runs out. Via Maddox's unrestricted access and abilities, Chris learns that Nicole was seeing another man, Patrick Burke. Chris's partner Jacqueline "Jaq" Diallo finds Patrick who confides that Nicole felt unable to communicate her troubles to Chris about work. Her work email records show reports of missing chemicals. Recalling hosting a work barbecue with Nicole, Chris reviews footage to better identify her co-workers. While looking for evidence, Chris confronts his relapse in sobriety following the murder of his former partner, Ray Vale, and regrets not shooting the suspect who was later acquitted. Relapsing into alcoholism led to Chris's aggression toward Nicole, and she began to consider a divorce. Maddox shows Chris records of one co-worker, Holt Charles, who had financial issues and had discussed the chemical disappearance with Robert "Rob" Nelson, Chris's sobriety sponsor. Suspecting Holt may have killed Nicole, Chris tries to contact Rob. Holt instead answers the phone and he explains that Rob is responsible for the missing chemicals. Chris reviews his daughter Britt's social media posts, which reveal that a stranger had been hiding in their basement since the barbecue. His neighbor's security cameras display a rustling in the bushes, and Rob is seen exiting the neighbor's trunk in parking lot surveillance footage. Chris sends Jaq to Rob's house, warning her and her team that he might be armed. The SWAT team arrive at Rob's house, finding it empty, but uncover detailed plans in the shed to craft a bomb. Maddox discovers that Rob's brother, David Webb, who was separated from him after Rob was adopted and given a new name, was the first person Mercy Court executed for murder. Chris realizes that Rob is orchestrating revenge against him and the Court. Chris is officially acquitted for the murder, but refuses to end the trial to exploit Maddox's unrestricted access. He tries to contact Britt, but footage from her grandparents' front door shows Rob kidnapping her and taking her into a stolen semi-truck. A bomb goes off in the shed killing most of the SWAT team. Jaq pursues Rob, who is transporting explosives toward Mercy Court to destroy the building with Chris inside. The police divert Rob away from Mercy Court, and Jaq, assuming command, orders the task force to blow up the truck. Chris pleads with Jaq but she refuses to yield to him. The bomb fails to detonate and Jaq attempts to shoot Rob directly. Rob arrives at Mercy Court, crashing into the building and causing a network glitch that requires a system reset. Maddox reboots in time to release Chris from the chair before the trial ends with his execution. Chris confronts Rob, working with Maddox to distract Rob by having Mercy Court reopen David Webb's case and demanding Rob to submit his new evidence immediately. Chris then disarms Rob as he speaks and wants to kill him, but is talked down by Britt. Jaq arrives and shoots Rob. Rob provides new evidence that he was on the phone with David when the murder took place, but the police would not listen. Maddox confirms the call's timing and location which placed the phone away from the crime scene. Then Maddox retrieved footage that showed Jaq retrieving that phone from David, removing it from evidence, and dumping it in the river. Jaq explains she wanted to ensure that David was found guilty in the first judgement issued by an AI court to prove the system worked. Jaq and Rob are both taken into custody while Britt reconciles with Chris, whose case is formally dismissed. Maddox and Chris admit mistakes were made by humans and AI and they must learn from their mistakes. Cast Chris Pratt and Rebecca Ferguson star in the film. Chris Pratt as Det. Christopher "Chris" Raven, an LAPD officer who is on trial for the murder of his wife[5] Rebecca Ferguson as Judge Maddox, an AI who is part of the Mercy program[5] Kali Reis as Jacqueline "Jaq" Diallo, Chris's police partner[5] Annabelle Wallis as Nicole Raven, Chris's late wife[5] Chris Sullivan as Robert "Rob" Nelson, Chris's AA sponsor and Nicole's co-worker[5] Kylie Rogers as Britt Raven, Chris's daughter[5] Kenneth Choi[5] as Ray Vale, Chris's late partner Rafi Gavron[5] as Holt Charles, a co-worker of Nicole Jeff Pierre[5] as Patrick Burke, a man Nicole was seeing before she died Tom Rezvan[5] as a governor Production It was announced in January 2024 that a science fiction thriller film entitled Mercy was being made for Amazon MGM Studios with Chris Pratt starring, directed by Timur Bekmambetov from a script by Marco Van Belle and produced by Charles Roven, Robert Amidon, Bekmambetov, and Majd Nassif.[6][7] In March, Rebecca Ferguson and Annabelle Wallis joined the cast in undisclosed roles.[8][9] In April, Kali Reis, Rafi Gavron, Chris Sullivan, Kenneth Choi, and Kylie Rogers joined the cast.[10][11] In May, Jeff Pierre joined the cast of the film.[5] Principal photography began on April 18, 2024, in Los Angeles, with Khalid Mohtaseb serving as the cinematographer. Pratt suffered an ankle injury on day four of filming, posting a photo of a swollen ankle on his Instagram page.[12] Filming wrapped on May 23, 2024.[13] Music Ramin Djawadi was revealed to have composed the score in January 2026.[14] Release Mercy was shown early for patrons of AMC Theatres and Regal Cinemas on January 19, 2026, as part of their Screen Unseen and Monday Mystery Movie programs, respectively. This made it the first IMAX film to be released via the programs.[15] Mercy was released in the United States on January 23, 2026, in 3D and IMAX, having previously been due for release on August 15, 2025.[16][17][18] The film was released on digital on February 17, 2026, and on DVD, Blu-ray, and Ultra HD Blu-ray on April 7, 2026 by Alliance Entertainment and MGM Home Entertainment.[19]

  5. Sep 21

    TDP 1499: Project Hail Mary REVIEW

    https://www.amazon.co.uk/Villain-Venice-Steampunk-Adventure-Expanded/dp/B0GYVW1ZM3?source=ps-sl-shoppingads-lpcontext&ref_=fplfs&psc=1&smid=A3P5ROKL5A1OLE Project Hail Mary is a 2026 science fiction film produced and directed by Phil Lord and Christopher Miller and written by Drew Goddard, based on the 2021 novel of the same name by Andy Weir. It stars Ryan Gosling, who also produced the film, as Ryland Grace, and Sandra Hüller, James Ortiz, and Lionel Boyce play supporting roles. The story follows Ryland Grace, a middle school teacher who awakens aboard an interstellar spacecraft with no memory of how he got there. Pre-production began in 2020, before Weir's novel was published. Filming took place throughout 2024 in the United Kingdom, both on location and on sets. All scenes aboard the spacecraft Hail Mary were filmed on a practical set that was constructed for the film. Project Hail Mary premiered in London on March 9, 2026, and was released in the United States by Amazon MGM Studios on March 20, with Sony Pictures Releasing International releasing in other territories. It received positive reviews, with praise for Lord and Miller's direction, Gosling's performance, the character of Rocky, as well as the humor, themes and visuals. It was a commercial success, grossing over $685 million worldwide and becoming the seventh-highest-grossing film of 2026. Plot In the near future, middle school teacher and former molecular biologist Ryland Grace wakes up from an induced coma on the interstellar spacecraft Hail Mary, suffering from amnesia. Grace learns that he is the sole survivor of a three-person crew that was traveling towards the Tau Ceti system, 11.9 light-years from Earth. In a series of flashbacks, Grace recalls that scientists discovered a "Petrova line" of infrared light stretching from the Sun to Venus; an alien microbe in the line, dubbed "astrophage", was proliferating on the Sun's surface, dimming the Sun at a rate that would cause catastrophic global cooling within thirty years. The head of the Petrova Taskforce, Eva Stratt, recruited Grace to study it due to his background in speculative astrobiology. Grace experimented on a sample and discovered that astrophage was composed of unicellular organisms that absorb electromagnetic radiation from the Sun and expel it for propulsion. Grace joined Stratt's Project Hail Mary, an international "long-shot" mission to send a crewed spacecraft to Tau Ceti, the only star in Earth's solar neighborhood not occluded by astrophage. The flight to Tau Ceti would be a suicide mission, as the ship could only carry enough fuel for a one-way trip; any findings would have to return to Earth in smaller space probes. In the present, Grace encounters an alien spacecraft that docks with the Hail Mary. It is made of a solid form of xenon, which Grace dubs "xenonite". The ship's occupant is a rock-like, five-legged alien from Erid, a planet in the 40 Eridani A system. Grace names the alien "Rocky", deduces that Eridians "see" via echolocation, and creates a machine translation system to interpret Rocky's musical language into English. Rocky is a mechanical engineer and the sole survivor of the Eridians' mission to save their own star from astrophage infection. Grace and Rocky agree to work together, and become close friends. As neither can survive in the other's atmosphere, Rocky works aboard the Hail Mary inside a pressurized ball of xenonite. Grace and Rocky study the Petrova line of the planet Tau Ceti e, which Grace names "Adrian",{{cite web |url=https://www.techradar.com/streaming/entertainment/project-hail-mary-ending-explained |title=''Project Hail Mary'' Ending Explained: What happens to Ryland Grace and Rocky, will there be a sequel, and more on Ryan Gosling's new sci-fi movie |last=Power |first=Tom |website=[[TechRadar]] |date=March 20, 2026 |access-date=May 26, 2026 |archive-date=March 21, 2026 |archive-url=https://web.archive.org/web/20260321104440/https://www.techradar.com/streaming/entertainment/project-hail-mary-ending-explained |url-status=live}}"}},"i":0}}]}">[a] and discovers that the line hosts an entire microbial biosphere. Rocky theorizes that microbial organisms in Adrian's atmosphere are consuming the astrophage, keeping the population in check. Learning that Grace cannot return home, Rocky offers to share some of his own ship's astrophage fuel with the Hail Mary. Grace remembers that an astrophage explosion killed the original crew's science officers. With no time to train replacements, Stratt asked Grace to join the mission. During a risky maneuver to gather the astrophage predator from Adrian's atmosphere, a fuel leak causes the Hail Mary to spin uncontrollably, rendering Grace unconscious. Rocky breaks out of his ball to save Grace but is severely injured. While Rocky recovers, Grace studies the captured astrophage predator, dubbing it "taumoeba"[b] and selectively breeding it to survive the nitrogen in Venus's atmosphere. Rocky revives, and the two celebrate their success; Grace recalls that he fearfully refused to join the Hail Mary crew, but Stratt had him drugged and put aboard the ship anyway, believing he was the only one capable of completing the mission. Rocky and Grace say their goodbyes and begin their journeys back home. Shortly thereafter, Grace discovers that the taumoeba has evolved to escape its xenonite breeding tanks and is starting to consume Hail Mary's astrophage fuel. Grace stops the taumoeba leak, but realizes that Rocky's ship, being entirely made of xenonite, will have no way to contain the taumoeba; it will eat all of Rocky's fuel, stranding him and dooming Erid. Grace decides to use his remaining fuel to rescue Rocky and the Eridians rather than return home, and sends his video logs and taumoeba samples to Earth via the probes. Stratt and her team receive the probes and use the taumoeba to cure the Sun's astrophage infection. Meanwhile, on Erid, Grace lives in an Earth-like biodome the Eridians have constructed for him. Rocky informs him that Eridian scientists can prepare the Hail Mary for the return voyage to Earth. Grace ponders the news before beginning another day of teaching science to eager Eridian children. Cast Ryan Gosling, who portrays Dr. Ryland Grace, also served as a producer on the film Ryan Gosling as Ryland Grace, a middle school science teacher and former molecular biologist on a mission to save humanity[7] Sandra Hüller as Eva Stratt, the head of the international task force behind Project Hail Mary[8] James Ortiz as Rocky, an alien Grace encounters on his journey.[9] The character was effected through a puppet controlled by a team of five puppeteers led by Ortiz, dubbed the "Rockyteers", with Ortiz also providing the artificial voice assigned to him[10] Ortiz also has an uncredited role as a television presenter[11] Lionel Boyce as Carl, a member of security personnel Ken Leung as Yao Li-Jie, the Chinese commander of the Hail Mary spacecraft Milana Vayntrub as Olesya Ilyukhina, a Russian engineer on board the Hail Mary Priya Kansara as the voice of Mary, the Hail Mary's onboard computer[9] Malachi Kirby as Martin Dubois, the original scientist of the Hail Mary[12] Liz Kingsman as Annie Shapiro, a backup scientist of the Hail Mary Mia Soteriou as Dr. Browne Orion Lee as Dr. Li Michelle Greenidge as Chimamanda Additionally, Eunice Huthart (the film's stunt coordinator), Damien de Froberville (co-president of Sony Pictures Animation), Ray Porter (the audiobook narrator), and Meryl Streep provided the rejected alternative voices for Rocky.[13][14] Production Development In March 2020, Metro-Goldwyn-Mayer was nearing a deal to acquire adaptation rights to the then-upcoming Andy Weir novel Project Hail Mary (2021), with Ryan Gosling set to star in and produce the film.[7] The rights for the novel were acquired for $3 million.[15] In May 2020, Phil Lord and Christopher Miller were hired to direct and produce the film.[16] Due to Lord and Miller being unable to work on the screenplay because of commitments to Spider-Man: Across the Spider-Verse (2023), Drew Goddard (who previously adapted Weir's 2011 novel The Martian into a 2015 film) was hired the following month to write the screenplay.[17][18] In April 2024, Amazon, which acquired Metro-Goldwyn-Mayer in 2022,[19] revealed a possible 2026 release window for the film.[20] In May 2024, Sandra Hüller joined the cast, with Greig Fraser hired as cinematographer.[8] Milana Vayntrub joined the cast the following month.[21] Filming The film's crew, actors Ryan Gosling and Sandra Hüller, writer Drew Goddard, author/producer Andy Weir, and directors Phil Lord and Christopher Miller visiting NASA's Jet Propulsion Laboratory on February 25, 2026 Principal photography began on June 3, 2024, in the United Kingdom and wrapped on October 26, 2024.[22][23] Filming took place at Shepperton Studios.[24] Location filming occurred at The Hemel Hempstead School, the South Parade Pier in Portsmouth,[25] the Mullard Radio Astronomy Observatory in Cambridge,[26] and Durdle Door and Man o' War Cove in Dorset.[27][28][29] The film was "filmed for IMAX" by using large-sensor Arri Alexa 65 cameras, which provide 6.5K (20 MP) of resolution, with an aspect ratio of 2.1:1,[30] utilizing the whole sensor with anamorphic lenses rotated by 90 degrees to achieve the IMAX standard 1.43:1 aspect ratio. For regular presentations, the common 2:1 format (Univisium) was derived by cropping the top and bottom of the IMAX image. The film switches between taller and wider aspect ratios. When a scene takes place in the present, a taller aspect ratio is used—1.43:1 for IMAX 15/70 mm or Dual Laser, 1.85:1 for Xenon or Single Laser, and 2.00:1 for non-IMAX presentations. For scenes in the past, an aspect ratio of 2.39:1, a standard ratio for anamorphic process cinematography, was achieved with the regular use of anamorphic lenses.[31] In an interview with The Hollywood Reporter, Miller mentioned tha

    TDP 1499: Project Hail Mary REVIEW
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About

tin-dog@hotmail.co.uk The Tin Dog welcomes you to sit back and listen to his rants and ramblings about all that is best in modern SF and Television. Via the gift of the new fangled Podcast over the tinterweb. As you can probably guess Tin Dog mostly talks about Doctor Who, Torchwood and Sarah Jane Smith but that wont stop him talking about any other subject you suggest. Hailing from a non specific part of the northeast of England, Tin Dog is male and in his mid 30s. A life long fan of almost all TV SF. His semi-autistic tendencies combined with his total lack of social skills have helped him find a place in the heart of British SF Fandom. Even as a child the Tin Dogs mother told him that she can trace his love of SF TV back to his rhythmic kicking, while still in the womb, along to the beat of the Avengers theme music. From Gabriel Chase to Totters Lane, from the Bad Wolf Satellite to the back streets of the Cardiff, Tin Dog will give you his thoughts on the wonderful Whoniverse. Daleks and Cybermen and TARDIS ES Oh My If you enjoy these Tin Dog Podcasts please remember to tell your friends and leave an email tin-dog@hotmail.co.uk

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