The Strange Brew - artist stories behind the greatest music ever recorded

Jason Barnard

Rock music from the mid 60s onwards - podcasts, features and much more

  1. Jun 13

    Anthony Phillips, Genesis, A Life In Music

    Anthony Phillips, founding Genesis guitarist, joins Jason Barnard to talk about the formation of Genesis, his departure, and his latest album, Gemini – Pieces For Piano. He traces the Genesis story back to Charterhouse and the summer of 1967, when he first heard a 12-string guitar. Peter Gabriel’s theatrical stage persona came about through necessity, filling dead time while Phillips and Mike Rutherford fought with temperamental instruments. The jump from From Genesis To Revelation to Trespass has always looked abrupt; Phillips explains it simply: he and Rutherford spent the eight months between recording and release writing constantly, with ‘Dusk,’ ‘White Mountain’ and ‘Stagnation’ sketched out before the debut had even flopped. Then there’s the stage fright. Not ordinary nerves but sudden mid-performance blanks that came on after glandular fever. He was eighteen and never told anyone. There’s also a brief exchange with Nick Drake, playing the same indifferent university crowds. When Drake learned Phillips had written ‘Let Us Now Make Love,’ he said one word back: “Dangerous.” The conversation also covers his classical studies, the troubled release of The Geese and the Ghost, and writing the title track of Gemini. Further information Anthony Phillips website, Gemini – Pieces For Piano Podcasts also available: Anthony Phillips (2019), Tony Banks (2024),  Tony Banks (2019), Steve Hackett (2022), Steve Hackett (2020), Bill Bruford, Chester Thompson This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms If you like what I do please support me on Ko-fi The post Anthony Phillips, Genesis, A Life In Music appeared first on The Strange Brew .

    1h 27m
  2. May 18

    Mark Webber – Pulp

    Mark Webber has been with Pulp for so long that his story and the group’s are almost the same thing. He started out as a teenager in Chesterfield with a fanzine called Cosmic Pig, booked Pulp at the local Conservative Club in 1986, became their tour manager with his dad’s old briefcase, and eventually found himself on stage with a Stylophone. Jason Barnard takes him through it all: the years of playing to twenty people outside Sheffield, the last minute Glastonbury headline, the Brit Awards controversy, recording Different Class,This Is Hardcore, Scott Walker producing We Love Life, and the chilly end in Rotherham in December 2002. Then there’s the return. The 2023 shows that were supposed to be just fourteen nights, More recorded in three weeks on a tight budget, and Mark’s daughter finally getting to see him play. Recorded live at The CAT Club on 23 October 2025. The audio is recovered and a bit muddy, but worth the effort. Further information I’m With Pulp, Are You? – Soft Cover welovepulp.info Support The Strange Brew Podcasts also available: Nick Banks – Pulp, Bee Gees’ Main Course with Bob Stanley, The Making of The Human League’s Dare, Stephen Street – producer, Artmagic: Richard Oakes of Suede and Sean McGhee This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms If you like what I do please support me on Ko-fi The post Mark Webber – Pulp appeared first on The Strange Brew .

    1h 19m
4.5
out of 5
58 Ratings

About

Rock music from the mid 60s onwards - podcasts, features and much more

You Might Also Like