New Books in Performing Arts

Marshall Poe
  • 4.2 (5)
  • Performing Arts
  • Updated Daily

This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field. Discover our 150+ channels and browse our 28,000+ episodes on our website: ⁠newbooksnetwork.com⁠ Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: ⁠https://newbooksnetwork.substack.com/⁠ Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

  1. 6d ago

    Michelle Bigenho and Henry Stobart, "Heritage Fever: Law and Cultural Politics in a Decolonizing State" (Oxford UP, 2025)

    The early twenty-first century ushered in a period of change in Bolivia. The country welcomed its first Indigenous president, a new constitution, and a profusion of laws that recognized individual music and dance expressions as intangible cultural heritage. Using cultural heritage lawmaking as a window through which to view the de-centered workings of the Indigenous-focused Plurinational Bolivian State, Heritage Fever: Law and Cultural Politics in a Decolonizing State (Oxford University Press, 2025) by Dr. Michelle Bigenho and Dr. Henry Stobart unpacks the myriad motivations for heritage making in this this politically transformative moment. Heritage Fever reorients UNESCO-driven heritage debates towards a different set of questions—a pivot the authors call “heritage otherwise.” These inquiries focus on how citizens use law to frame expressive culture and engage their new state. Through grounded case studies, Bigenho and Stobart reveal how competing claims over cultural expressions stimulate aficionado research and produce an abundance of cultural activities. Managing these productive conflicts often involves strategic uses of scale within the country's new political autonomies, even as old-style nationalisms lurk beneath a plurinational sheen. One case study highlights imagined Indigenous autonomy as bolstered by decolonizing historiography that predates the Plurinational State by several decades. Privileging the stories told by those who championed or who were bureaucratically involved in the respective heritage-making campaigns, Heritage Fever's research draws from the authors' combined fieldwork in Bolivia over the last 30 years, recent multi-sited fieldwork conducted as a team, and ethnographic interviews conducted with Bolivians involved in heritage-making projects. Contributing to legal anthropology, critical heritage studies, ethnomusicology, and anthropology of the state, Heritage Fever looks beyond intellectual property frames, opens new perspectives on archival thinking, reflects on decolonizing practices in expertise and knowledge production, and uncovers the agency of mid-level citizens in a decolonizing state. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

  2. Jul 24

    Ashton Lazarus, "Performing Transgression: Crowds and Bodies in Heian Japan" (Harvard UP, 2026)

    What happens when performance defies social and political boundaries? Performing Transgression: Crowds and Bodies in Heian Japan (Harvard University Press, 2026) offers a new cultural history of non-elite spectacle in Heian Japan (794–1185), uncovering how performances on the margins—boisterous dengaku music and dance, daring sangaku acrobatics, and the infectious lyrics of imayō songs—challenged and fascinated the aristocracy. Ashton Lazarus reveals how these unruly arts were documented by the very elites they unsettled, appearing in historical chronicles, diaries, prose, poetry, and illustrated scrolls. More than mere precursors to later forms like noh and kyōgen, these performances formed a dynamic cultural force with real political impact. By tracing their influence through literary studies, performance studies, and historiography, Lazarus rethinks the interplay between politics, class, and culture in Heian Japan. Performing Transgression illuminates how acts of defiance and creative expression resonate across time, offering fresh insights into the ways performance bridges the vanished past and the present. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

  3. Jul 19

    Anja Foerschner, "Female Art and Agency in Yugoslavia, 1971–2001" (Bloomsbury, 2024)

    In Female Art and Agency in Yugoslavia, 1971–2001 (Bloomsbury, 2024), Anja Foerschner offers a compelling exploration of the women artists, curators, scholars, and activists who shaped the cultural landscape of Yugoslavia and its successor states. Drawing on both original research and existing scholarship, she traces the emergence of the New Art Practice of the late 1960s and 1970s, highlighting the pivotal role of Belgrade’s Student Cultural Centre, where women were instrumental in forging a progressive artistic and curatorial vision. Through insightful examinations of performance art, video art, and the development of feminist thought in Yugoslavia, Foerschner reveals how the region carved out a distinctive place within the international postwar avant-garde. Situating Yugoslav feminism in dialogue with Western and neighbouring contexts, she sheds new light on the complex intersections of art, politics, and social change. By exploring artistic responses to the breakup of Yugoslavia in the 1990s, and the enduring political dimensions of cultural production, this book invites readers to reconsider the legacies of activist art and their resonance in our present time. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

  4. Jul 10

    Yiddish Tangos and Klezmer Mambos

    This panel discussion will explore the remarkable influence of Latin American music and dance on the culture of Yiddish speaking communities in the United States. Ronald Robboy will discuss Latin American musical influences upon Yiddish theater composers, including Sholom Secunda, Abraham Ellstein, and Alexander Olshanetsky; Sonia Gollance will discuss the popularity of dances like the Tango and Mambo in the Borscht Belt, as exemplified by movies like Dirty Dancing and Mamboniks; and Josh Kun will discuss the influence of Latin American music on post-war Jewish music and the influence of Jewish music on U.S. Latino/a artists. This event forms part of Carnegie Hall’s Nuestros sonidos festival. This panel discussion originally took place on March 10, 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

  5. Jul 7

    Krzysztof Rowiński, "Failure Narratives Beyond Redemption: Twentieth Century Literature and Film" (Routledge, 2026)

    Today’s guest, Krzysztof Rowiński, is the author of Failure Narratives Beyond Redemption: Twentieth Century Literature and Film (Routledge, 2026). This book focuses on the concept of non- redemptive failure, a type of failure that is not part of a larger narrative of success or narrative redemption, with attention to how the concept functions between literature, critical theory, and other fields. Examining literature and film from mid- twentieth- century Poland, Italy, and the United States, it traces productive effects of failure which cannot survive into the future, yet have an important, transformative impact in the moment in which they occur. The book engages with the work of John Williams, Pier Paolo Pasolini, and Bruno Jasieński, proposing a theory of failure at the intersection of literary study, performance theory, and political thought. In discussing these examples, the book examines the place of failure in the broader context of modern and contemporary US American, Italian, and Polish literary and cultural traditions. Because of its interdisciplinary potential, this study might appeal to readers in art history, philosophy, political theory, and other fields within the humanities and social sciences. Failure Narratives Beyond Redemption offers a framework that could not only spotlight the contribution of literary studies to the topic, in the form of narrative analysis but also become part of the theoretical apparatus for further research in these fields. Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

  6. Jun 27

    John Kapusta, "Self-Realization Nation: How Artists of the Creative Counterculture Made a New America" (U California Press, 2026)

    John Kapusta's Self-Realization Nation: How Artists of the Creative Counterculture Made a New America (U California Press, 2026) is the story of an unexpected group of performing artists who led one of the most influential artistic movements in contemporary American history. After World War II, personal fulfillment emerged as a defining American cultural ideal. Self-realization--the quest to become our authentic selves--remains a powerful part of American culture and arts today. In Self-Realization Nation, John Kapusta provides a lively cultural history of how an overlooked movement of musicians, dancers, and actors championed the ideal of self-realization. These performers, who spanned many backgrounds, identities, genres, and artistic styles, became what he calls the creative counterculture. Artists as varied as Sonny Rollins, John Cage, Anna Halprin, Alice and John Coltrane, and Pauline Oliveros shared an approach to creativity focused on letting go of limiting beliefs and subverting oppressive social norms. Through colorful vignettes, Kapusta reveals how these artists made their art and how their approach spread beyond the performing arts to influence such fields as psychology, education, and wellness. Ultimately, these creative counterculturists came to define a new vision of an America where everyone was free to be themselves, together. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

  7. Jun 19

    James O'Leary, "The Middlebrow Musical: Between Broadway and Opera in 1940s America" (Oxford UP, 2025)

    The premiere of Oklahoma! in 1943 is commonly called a “turning point” in the history of the Broadway musical. Often characterized as the first integrated musical―meaning that the songs and other elements of the show are integrated into the story―James O’Leary offers a different interpretation of Oklahoma! and other musicals at the beginning of Broadway’s Golden Age in The Middlebrow Musical: Between Broadway and Opera in 1940s America (Oxford University Press, 2025). Contextualizing his discussion within debates among US critics, O’Leary argues that the negotiation between operatic and popular music, and between frothy comedy and more serious themes mark the musicals he analyzes as examples of the middlebrow. Through detailed archival work, O’Leary uncovers the crucial critical networks that originally theorized a middlebrow approach to culture, beginning in the literary circles of Van Wyck Brooks and Archibald MacLeish, and radiating outward to major theater and music critics including Brooks Atkinson and Olin Downes. These writers believed American culture had splintered into factions, which in turn divided American audiences: highbrow art, which they regarded as obscure and elitist; folk art, which they found provincial and alienating; and popular culture, which they considered merely commercial. Blending these kinds of art, they argued, could draw together a fractured society into mutual understanding (if not necessarily agreement) by situating the most sophisticated ideas within longstanding expressive traditions, accessible to all. O’Leary finds in Oklahoma!, Beggar’s Holiday, and Street Scene a new kind of musical comedy that embraced American politics and weighty stories in ways not seen before 1943. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

  8. Jun 16

    Cheryl Thompson, "Staging Blackface in Canada: Public Amusements, Variety Shows, and Racial Acts in an Age of Imitation, 1898-1919" (Wilfrid Laurier Press, 2026)

    In the early twentieth century, as variety shows flooded Canadian stages, new forms of blackface, inspired by modern forms of amusements, changed the theatre. In this era marked by progressive social reforms, the stage embodied the modern ethos of imitation, mimicry, and change. Staging Blackface in Canada: Public Amusements, Variety Shows, and Racial Acts in an Age of Imitation, 1898-1919 (Wilfrid Laurier Press, 2026) covers a moment when Canadians did not produce professional theatre, but they built amusement parks, wrote songs, and produced records. As the stage (drama), and its variants (burlesque, light opera) adapted elements from the new stages (amusement parks, social dance, and film), the modern culture popularized forms of blackface that impacted white, Anglo-Protestant, and English-speaking audiences, and drew theatrical criticism. This book explores a twenty-year period in Canada’s history when there was no media regulation, and no mandate to promote Canadian culture. Through an examination of theatrical reviews, images, and textual records, Staging Blackface in Canada locates how the Canadian stage became a playground for ethnic jokes, racial caricature, and women’s emancipation. It also locates some of the first Black musicals and operas to appear on Canadian stages. This episode also mentions a previous Additions to the Archive episode with assistant curator of New York City’s Poster House museum, Es-pranza Humphrey, and her exhibition “Act Black: Posters From Black American Stage & Screen.” You can find Cheryl at her website, on Instagram, and on LinkedIn And check out her previous appearances on the Additions to the Archive podcast and Substack. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

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This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field. Discover our 150+ channels and browse our 28,000+ episodes on our website: ⁠newbooksnetwork.com⁠ Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: ⁠https://newbooksnetwork.substack.com/⁠ Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

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