The excitable boy built a cage from the bones of the girl the chorus never mentions. This episode looks at the artificial women tech culture builds, and at the women inside that culture who come to carry its values as their own. Content note: This episode discusses a song that depicts sexual violence and murder. Warren Zevon’s “Excitable Boy” ends at a grave. The boy digs up the girl he killed and builds a cage out of her bones. The last episode followed the chorus that excused him. This one follows the person the chorus never mentions. It begins with the artificial women of technology culture, from Pygmalion and ELIZA to today’s AI companions. Then it turns to a harder question. One of the voices singing that chorus belonged to a woman, so what does it mean when women help sing it? Through the myth of Athena, born from her father’s head after he swallowed her mother, and Marion Woodman’s idea of the father’s daughter, the episode asks how success inside a culture can turn into identification with it. It also asks what it would take to see one’s inheritance as an inheritance. In this episode * The cage of bones, and the old fantasy of the feminine without a will of her own * Ani, ELIZA, and the anima projected onto a screen that never pushes back * Athena, Metis, and the mother the father swallowed * The difference between adapting to a culture, endorsing it, and identifying with it * A clinical story about success, approval, and a face that became the air * The problem in Jung’s own gender theory, and why the episode keeps the pattern while setting that theory aside * Why AI trained on human approval resembles the father’s daughter, and where the analogy stops * Why rebellion can be as unconscious as compliance All clinical material is composite. No individual patient is identifiable. References Aeschylus. (1977). The Eumenides. In R. Fagles (Trans.), The Oresteia. Penguin. Hesiod. (2006). Theogony (G. W. Most, Trans.). Loeb Classical Library, Harvard University Press. hooks, b. (2013, October 28). Dig deep: Beyond Lean In. The Feminist Wire. Leonard, L. S. (1982). The wounded woman: Healing the father-daughter relationship. Swallow Press. Rowland, S. (2002). Jung: A feminist revision. Polity. Sharma, M., Tong, M., Korbak, T., Duvenaud, D., Askell, A., Bowman, S. R., ... Perez, E. (2024). Towards understanding sycophancy in language models. International Conference on Learning Representations. https://arxiv.org/abs/2310.13548 Singer, T., & Kimbles, S. L. (Eds.). (2004). The cultural complex: Contemporary Jungian perspectives on psyche and society. Brunner-Routledge. Wehr, D. S. (1987). Jung and feminism: Liberating archetypes. Beacon Press. Weizenbaum, J. (1966). ELIZA: A computer program for the study of natural language communication between man and machine. Communications of the ACM, 9(1), 36–45. Woodman, M. (1982). Addiction to perfection: The still unravished bride. Inner City Books. Zevon, W., & Marinell, L. (1978). Excitable boy [Song]. On Excitable boy. Asylum Records. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit mdaine.substack.com