These travel journals are like small suitcases, brimming with the city's palpitations: whispers, seething sounds, uncertain detours and surprising corners. Paper, pencil and pen sketch out the time being recounted, the time of present memories and stories both lived and imagined. A dialogue between three characters: a narrator, a reader, and an author; a female author and a female reader; and a musical, sonic author: the Cairo journals! A podcast produced and edited by Carole Potier; original texts and narration by Jérôme Bettant. Contact: Podcastcp@proton.me Painting: Mireille Wagner Introductory text: Fabienne Cattin & Carole Potier Ces carnets de voyage sont de petites valises qui se gorgent et se nourrissent des palpitations de la ville : murmures, bouillonnements, détours incertains et recoins surprenants. Le papier, le crayon et le stylo dessinent le temps raconté, celui des souvenirs présents et des histoires vécues ou imaginées. Un dialogue à trois personnages : un narrateur, lecteur, auteur; une autrice, une lectrice; une autrice musicale et sonore : les carnets du Caire ! Un podcast produit et réalisé par Carole Potier; textes originaux et lecture, Jérôme Bettant. Contact: Podcastcp@proton.me Peinture de Mireille Wagner Texte introduction : Fabienne Cattin & Carole Potier Les Sons : The Sounds : Camille Saint Saens, concerto pour piano n°2 , Fazil Say, piano, Orchestre national de France dirigé par Kristjan Järvi, 2014Antonio Vivaldi, concerto for solo baroque violin and strings in G Minor, L'Estate, RV 315, performed on original instruments by Cynthia Miller Freivogel and the Early Music ensemble Voices of Music, 2017The Eagles, Hotel California, 1976, Moyun, reimagined on the Traditional Chinese GuzhengGuide Bleu de l’Égypte, Hachette, Paris, 1950, p. XXMaurice Jaubert, générique et ouverture, in Marcel Carné, Hotel du nord, 1938Alexandre Desplat, The Alpine Sudetenwaltz, in The Grand Budapest Hotel, Wes Anderson, 2014Atmosphère, scène Arletty et Louis Jouvet, Hotel du nord, 1938, Marcel CarnnéAlexandre Desplat, Up The Stairs Down The Hall, in The Grand Budapest Hotel, Wes Anderson, 2014Leroy Anderson, The Typewriter, 1950, oeuvre pour machine à écrire et orchestre, Miguel Roa Solista: Alfredo Anaya, Orquesta y Coro de "Voces para la Paz" (Músicos Solidarios) 2011 Auditorio Nacional de Música de MadridAlexandre Desplat, Cleared Of All Charges, in The Grand Budapest Hotel, Wes Anderson, 2014Alexandre Desplat, Mr Moustafa, in The Grand Budapest Hotel, Wes Anderson, 2014The Eagles, Hotel California, 1976, Medivet channel, solo acoustic guitar, 2018Fazil Say, piano et composition, Black Earth, Karaoke Topeka, op.8. Black Earth was inspired by Kara Toprak, a popular song in Turkey. The composer of the song, Aşık Veysel (1891-1973), was one of the last great Turkish balladeers and the final link in a thousand-year traditionContact : Podcastcp@proton.me
