HDTV and Home Theater Podcast

HT Guys
  • 4.7 (360)
  • Technology
  • Updated Weekly

The HT Guys, Ara Derderian and Braden Russell, are Engineers who formerly worked for the Advanced Digital Systems Group (ADSG) of Sony Pictures Entertainment. ADSG was the R&D unit of the sound department producing products for movie theaters and movie studios. Two of the products they worked on include the DCP-1000 and DADR-5000. The DCP is a digital cinema processor used in movie theaters around the world. The DADR-5000 is a disk-based audio dubber used on Hollywood sound stages. ADSG was awarded a Technical Academy Award by the Academy of Motion Picture Arts and Sciences in 2000 for the development of the DADR-5000. Ara holds three patents for his development work in Digital Cinema and Digital Audio Recording. Every week they put together a podcast about High Definition TV and Home Theater. Each episode brings news from the A/V world, helpful product reviews and insights and help in demystifying and simplifying HDTV and home theater. Our email address is hdtvpodcast@mac.com

  1. 22h ago

    Podcast #1270: 2026 Network TV Season/Series Premieres

    On this week's show we compiled a list of fall 2026 network TV season/series premieres for ABC, NBC, Fox, and CBS, organized by network and then by premiere date.  We also read your emails and take a look at the week's news. News: LG responds to findings about Smart TV spying Roku Makes Big Changes to Its Free Live TV Channel Guide on Roku TVs & Roku Players TCL sues Samsung, alleging false advertising of 'Mini LED' TVs Yamaha introduces the compact B200A soundbar with Dolby Atmos 2026 Network TV Season/Series Premieres On this week's show we compiled a list of fall 2026 network TV season/series premieres for ABC, NBC, Fox, and CBS, organized by network and then by premiere date. Sports (NFL, college football) and most news/magazine shows are omitted unless they were listed as a season premiere in the official rollout. Dates and slots come from the networks' 2026 fall calendar. ABC Tuesday, September 15 Dancing with the Stars — Season 35 (Night 1 of 2), 8 p.m. R.J. Decker — Season 2, 10 p.m. Wednesday, September 16 Dancing with the Stars — Season 35 (Night 2 of 2), 8 p.m. Friday, September 25 20/20 — Season 49, 9 p.m. Sunday, September 27 America's Funniest Home Videos — Season 37 (two-episode premiere), 7 p.m. The Wonderful World of Disney (Inside Out 2), 9 p.m. Wednesday, September 30 Scrubs — Season 2 (two-episode premiere), 8 p.m. Shark Tank — Season 18 (two-episode premiere), 9 p.m. Friday, October 2 Celebrity Wheel of Fortune — Season 7, 8 p.m. Wednesday, October 7 Abbott Elementary — Season 6, 8:30 p.m. Who Wants to Be a Millionaire — Season 5 continuation, 9 p.m. Thursday, October 15 9-1-1 — Season 10, 8 p.m. 9-1-1: Nashville — Season 2, 9 p.m. Grey's Anatomy — Season 23, 10 p.m. NBC Thursday, September 17 The Traitors: New Blood — Series premiere (two hours), 8 p.m. An all-civilian US season of the social-deduction reality series in which Alan Cumming hosts 22 everyday Americans at a Scottish castle as hidden Traitors secretly eliminate Faithfuls while the group races to unmask them and split (or steal) a prize of up to $250,000. Monday, September 21 The Voice — Season 30 (Night 1 of 3), 8 p.m. Line of Fire — Series premiere, 10 p.m. A family of law enforcement agents become targets of a mysterious assassin after a U.S. Marshal falls in the line of duty, forcing them to use their expertise to protect each other. Tuesday, September 22 The Voice — Season 30 (Night 2 of 3), 8 p.m. Wednesday, September 23 The Voice — Season 30 (Night 3 of 3), 8 p.m. Friday, September 25 Dateline NBC — Season 35, 9 p.m. Saturday, September 26 Saturday Night Live — Season 52, 11:30 p.m. Wednesday, October 7 Chicago Med — Season 12, 8 p.m. Chicago Fire — Season 15, 9 p.m. Chicago P.D. — Season 14, 10 p.m. Thursday, October 8 Law & Order: SVU — Season 28, 9 p.m. Law & Order — Season 26, 10 p.m. Friday, October 23 Happy's Place — Season 3, 8 p.m. Newlyweds — Series premiere, 8:30 p.m. A free-spirited woman and a buttoned-up professor get married impetuously after a whirlwind courtship. Monday, November 2 St. Denis Medical — Season 3, 8 p.m. The Fall and Rise of Reggie Dinkins — Season 2, 8:30 p.m. Fox Monday, September 21 Celebrity Name That Tune — Season 6, 8 p.m. Celebrity Weakest Link — Season 2, 9 p.m. Tuesday, September 22 Best Medicine — Season 2, 8 p.m. Doc — Season 3, 9 p.m. Wednesday, September 23 The Floor — Season 6, 8 p.m. 99 to Beat — Season 2, 9 p.m. Thursday, September 24 Hell's Kitchen — Season 25, 8 p.m. Special Forces: World's Toughest Test — Season 5, 9 p.m. Sunday, September 27 The Simpsons — Season 38, 8 p.m. Animal Control — Season 5, 8:30 p.m. Universal Basic Guys — Season 3, 9 p.m. Grimsburg — Season 3, 9:30 p.m. CBS Sunday, September 13 60 Minutes — Season 59 (special time after NFL), ~7:30 p.m. Wednesday, September 23 Survivor — Season 51 (two-hour premiere), 8 p.m. Wednesday, September 30 The Amazing Race — Season 39 (Night 1), 9:30 p.m. Thursday, October 1 The Amazing Race — Season 39 (Night 2), 9:30 p.m. Sunday, October 4 Marshals — Season 2, ~8:30 p.m. Tracker — Season 4, ~9:30 p.m. Monday, October 5 FBI — Season 9, 8 p.m. CIA — Season 2, 9 p.m. Harlan Coben's Final Twist — Season 2, 10 p.m. Tuesday, October 6 NCIS — Season 24, 8 p.m. NCIS: New York — Series premiere, 9 p.m. - Legendary NCIS Agent Sam Hanna returns to his NYC hometown field office, teaming with a roguish agent to lead a new team on high-stakes missions defending one of the world's most vital cities and ports. NCIS: Origins — Season 3, 10 p.m. Thursday, October 8 Georgie & Mandy's First Marriage — Season 3, 8 p.m. Eternally Yours — Series premiere, 8:30 p.m. - Follows the journey of a married vampire couple struggling to accept their daughter's human boyfriend, after being together for 500 years. Elsbeth — Season 4, 9 p.m. Cupertino — Series premiere, 10 p.m. - A scrappy lawyer takes on a powerful tech giant in a high-stakes legal battle, navigating the cutthroat world of Silicon Valley while fighting for justice and the little guy's rights. Friday, October 9 Sheriff Country — Season 2, 8 p.m. Fire Country — Season 5, 9 p.m. Boston Blue — Season 2, 10 p.m. Thursday, October 29 Ghosts — Halloween special (two episodes), 9 p.m. Thursday, December 10 Ghosts — Christmas special (two episodes), 9 p.m. A number of other series (High Potential, The Rookie, Will Trent, Shifting Gears, Ghosts Season 6 proper, Matlock, American Idol, The Bachelor, Baywatch reboot, etc.) are held for midseason 2027 and are not on this fall list. Always check local listings; NFL overruns can shift Sunday start times.

    Podcast #1270: 2026 Network TV Season/Series Premieres

  2. Sep 11

    Podcast #1269: Is Your LG Smart TV Listening to You? and Dolby AC4

    On this week's show we look into an article that alleges LG's Smart TVs are listening in on your conversations even when the screen is off. We also do a quick rundown on what Dolby's AC4 is and where you can experience it. We also read your emails and look at the week's news. News: Streaming Is Raising Prices Faster Than Cable Ever Did More than half of consumers want live TV and streaming in one package  LG Smart TVs caught listening even with the screen off Stan from Pittsburg sent us a link to an article (LG Smart TVs caught listening even with the screen off) at FlatpanelsHD claiming LG smart TVs collect more data than many owners realize — including with the screen off. What the investigation found LG TVs use ACR (automatic content recognition): they snapshot what's on screen, including HDMI sources, for ad targeting. FlatpanelsHD notes this has been industry-wide for years, not unique to LG. The TVs scan the local Wi‑Fi network, identify other devices, and send back data such as IP address, location, and nearby network names. Voice features can transcribe speech after "Hi LG." The mic can stay active 10–15 seconds after silence. Researchers reported recording/transcription even with the display off, and that locally stored data can upload later when the set reconnects (including for a firmware update). That last point is presented as conflicting with LG's claim that its TVs "do not collect, record, or store ambient conversations." LG had not commented when the article ran. Flatpanel's Recommendation Turn ACR off if you can, or take the TV off the internet and use an external streamer (Apple TV, or Roku.). Firmware can be updated via USB instead of online. ACR is an old, industry-wide problem and it's unclear why the article focused only on LG. They still argue the mic/network findings are worth attention. They also link their earlier piece ranking Apple TV 4K as stronger on privacy because it doesn't do this kind of viewing tracking. Update - In a statement sent to Tom's Hardware, LG said "The claims made in the recently published video are not true. LG TVs process voice data only when the voice button on the remote control is pressed and held, or when a wake word such as 'Hi LG' is recognized after the user has activated the Far-Field voice recognition feature. Other than these instances, the TVs do not collect or record ambient conversations. (If the wake word is not recognized, no voice data is transmitted to the server; the audio processing for wake word detection is performed locally on the device and is immediately deleted.)" Dolby AC-4 One of our listeners, Scott, sent an email asking us to discuss Dolby AC-4 so that is what we are going to do today! Dolby AC-4 is Dolby's next-generation audio codec for broadcast and streaming. It was designed as a clean-sheet replacement for the older Dolby Digital family, not as a tweak of it. Compared with Dolby Digital Plus, AC-4 aims for similar or better quality at roughly half the bitrate. It natively handles channel-based audio, object-based Dolby Atmos, dialogue enhancement, loudness control, multiple language tracks, and different renderings for speakers vs. headphones in one bitstream. There are several profiles/levels: Level 3 — the version widely built into TVs (broadcast/OTT Atmos-style delivery). Level 4 — fuller Atmos metadata, including headphone/head-tracking features. IMS (Immersive Stereo) — a stereo-plus-metadata flavor used for Atmos music on phones and headphones. Is it backwards compatible? No. An AC-4 bitstream cannot be decoded by a Dolby Digital (AC-3) or Dolby Digital Plus decoder. Old AVRs, soundbars, and TVs that only know DD+ (AC-3) will not play AC-4. What is compatible is the playback path in new TVs and set-top boxes. Those devices decode AC-4 internally, then output whatever the next box needs: PCM stereo, AC-3, DD+, or Atmos over HDMI. So the living-room chain can still work; the codec itself is not drop-in compatible with older Dolby formats. Services that must reach mixed old/new hardware still send DD+ or AAC as a fallback. Devices that support it AC-4 decoding is common in UHD TVs shipped since about 2017, especially models that already license Dolby Audio (Dolby has said it is in a large majority of new UHD TVs). Early public commitments came from Samsung, Sony, and Vizio; it is also in many Android TV / Google TV platforms and some Amazon Fire TV devices. It is not universal: Pre-~2017 TVs, most older soundbars/AVRs, and a lot of cheap streaming sticks do not decode it. ATSC 3.0 ("NextGen TV") tuners are the main over-the-air path in the U.S.; tuner support is still incomplete across brands and model lines. Most consumer AVRs still expect Atmos via DD+ JOC (Joint Object Coding) or TrueHD, not a raw AC-4 bitstream from the source. Note - JOC  allows an Atmos-capable TV, soundbar, or AVR to use the "JOC" metadata to build the immersive mix. An older DD+-only device ignores the extra data and just plays the core 5.1 Studios and television Broadcast is the main home. AC-4 is an official audio system for ATSC 3.0 in the U.S. and is adopted by DVB in Europe. NextGen TV stations can (and some do) use it for Atmos, dialogue enhancement, and multiple presentations. Immersive AC-4 on U.S. OTA is still uneven; many 3.0 stations have not yet gone full Atmos. Streaming is later. Netflix, Disney+, Apple TV+, and most other major video services still deliver Atmos as Dolby Digital Plus + JOC. Peacock has publicly committed to AC-4 (alongside Dolby Vision 2), with rollout described as later in 2026. Atmos music already uses AC-4 IMS on several apps. Studios still master Atmos the same way. The delivery codec is chosen per platform: cinema TrueHD, most streaming DD+ JOC, NextGen TV and a few future streamers AC-4. AC-4 is in the pipeline; it is not yet the default living-room streaming format.

    Podcast #1269: Is Your LG Smart TV Listening to You? and Dolby AC4

  3. Sep 4

    Podcast #1268: Ara's New Setup First Impressions

    On this week's show Ara gives his impression of the new gear installed into his new home. We talk Internet, Home Networking, Automation, and Home Theater in an action packed show. We also read your emails and take a look at the week's news. News: Apple TV Hikes Prices SVS Releases SoundPath Multi-Band Wireless Audio Adapter Roku ups premium hardware with launch of its first OLED TVs Sonos Welcomes Beam Ultra and Sonos Ace Ultra to its System Ara's New Setup First Impressions Starlink Performance - We had no issues while we were in TN. The entire week no said anything about slow speeds and our streaming was no different than when we are in CA. I tested speeds from time to time and results varied but the slowest speed (22 Mbps) never impacted TV viewing.  Ubiquity Network Management - this is a different world! I am still exploring all the things you can do. But the system is setup like a business. You have a network and wireless access points. I have four. One on Channel 11, two on 6, and one on 1. It was setip so the channels are far apart and don't overlap.  MyQ & Honeywell (matter compatible) thermostats go offline from time to time. I restart the wifi access point and they come back.  Third Reality Garage Door Opener - 2.4 GHz, Scene Management Mantel Mount MM815 Motorized Drop Down & Swivel TV Mount - $700 The MM815 is a remote-controlled drop-and-swivel TV mount. Press one button to lower the TV to eye level and rotate it as needed. It comes with an RF remote, is silent, and has two memory presets. Sony BRAVIA 7 II PRO True RGB 4K HDR Google TV with Gemini (Model Number K75XR70PRO)-  $2300 The Sony BRAVIA 7 II PRO is Sony's 2026 mid-range True RGB Mini-LED TV (65 inches and up) with independently driven red, green, and blue backlight LEDs, XR processing, and about 2,000 nits of peak brightness for stronger color volume and contrast than a typical white Mini-LED. It is 4K at 120 Hz, supports Dolby Vision and Dolby Atmos, and has HDMI 2.1 gaming features (VRR, ALLM, 4K/120). Google TV includes Gemini for voice search and recommendations, plus AirPlay 2. The Pro bundle adds a three-year replacement warranty, a backlit rechargeable remote, extra Sony Pictures Core credits, and an enhanced Voice Zoom 3 dialogue mode; picture hardware is the same as the standard 7 II. Sonos Arc Ultra - $1099 The Sonos Arc Ultra supports Dolby Atmos that has a 9.1.4 driver layout and Sound Motion woofer to produce wide, height-enhanced surround and stronger bass from a single bar. It connects to a TV with one HDMI eARC cable, supports Wi-Fi, Bluetooth, AirPlay 2, and the rest of the Sonos ecosystem (including optional Sub and rear speakers), and can be controlled with the TV remote, Sonos app, touch controls, Sonos Voice Control, or Alexa. Trueplay tunes the sound to the room, and AI speech enhancement is meant to keep dialogue clear. It is a long, low-profile bar (about 46 inches wide) sold in black or white. Sonos Sub 4 - $899 The Sonos Sub 4 is a wireless subwoofer for Sonos S2 systems, pairing with current soundbars and speakers to add bass down to about 25 Hz. Two inward-facing 5-by-8-inch woofers and dual Class-D amps use a force-canceling layout so the cabinet stays relatively still and the bass stays clean. It has the same slot-style shape as earlier Subs, in black or white matte, and can stand upright or lie on its side. Updates over the Sub 3 include Wi-Fi 6, a faster processor, more memory, lower idle power, and a slightly lighter cabinet; setup is through the Sonos app, with optional Ethernet. Two Sub 4s can be used with the Arc Ultra. Audio Advice - I'll be in Franklin in October for a SVS/Audio Advice Event. Details to come

    Podcast #1268: Ara's New Setup First Impressions

  4. Aug 28

    Podcast #1267: Nick Brown and Smith Freeman of SVS Sound

    Nick Brown and Smith Freeman of SVS Sound On today's show we have an interview with Nick Brown (VP of Marketing) and Smith Freeman (Senior Director of Product Management) at SVS Sound.  We discuss their new Auto EQ, the upcoming Soundbar and general audio chat. SVS Launches First-Ever Soundbar and New 3000 R|Evolution Series Subwoofers at CES 2026 SVS AUTO EQ Frequently Asked Questions

    Podcast #1267: Nick Brown and Smith Freeman of SVS Sound

  5. Aug 21

    Podcast #1266: Ara's New Setup

    On today's show we discuss Ara's new family room TV and Audio setup and what his plans are for the future. We also read your emails and look at the week's news. News: Marantz Introduces The CINEMA Series 2 Receivers Dolby Vision 2 HDR Is Officially Arriving On Certain Hisense TVs Nearly A Third Of U.S. Homes Get TV Only Via Streaming Peacock hikes prices for fourth straight year, this time by $3 Other: Theatrium - A home Assistant or HomeKit Dashboard for your AppleTV Parts List for Ara's New Home Family Room: Mantel Mount MM815 Motorized Drop Down & Swivel TV Mount - $700 The MM815 is a remote-controlled drop-and-swivel TV mount. Press one button to lower the TV to eye level and rotate it as needed. It comes with an RF remote, is silent, and has two memory presets. Sony BRAVIA 7 II PRO True RGB 4K HDR Google TV with Gemini (Model Number K75XR70PRO)-  $2300 The Sony BRAVIA 7 II PRO is Sony's 2026 mid-range True RGB Mini-LED TV (65 inches and up) with independently driven red, green, and blue backlight LEDs, XR processing, and about 2,000 nits of peak brightness for stronger color volume and contrast than a typical white Mini-LED. It is 4K at 120 Hz, supports Dolby Vision and Dolby Atmos, and has HDMI 2.1 gaming features (VRR, ALLM, 4K/120). Google TV includes Gemini for voice search and recommendations, plus AirPlay 2. The Pro bundle adds a three-year replacement warranty, a backlit rechargeable remote, extra Sony Pictures Core credits, and an enhanced Voice Zoom 3 dialogue mode; picture hardware is the same as the standard 7 II. From RTINGS: Pros: Great black levels with minimal haloing. Bright details in HDR stand out incredibly well. Fantastic SDR brightness helps it overcome glare during the day. Fantastic upscaling and great low-quality content smoothing. Colors are incredibly bright and vivid. Cons: Dark scenes are hard to see during the day. Sonos Arc Ultra - $1099 The Sonos Arc Ultra supports Dolby Atmos that has a 9.1.4 driver layout and Sound Motion woofer to produce wide, height-enhanced surround and stronger bass from a single bar. It connects to a TV with one HDMI eARC cable, supports Wi-Fi, Bluetooth, AirPlay 2, and the rest of the Sonos ecosystem (including optional Sub and rear speakers), and can be controlled with the TV remote, Sonos app, touch controls, Sonos Voice Control, or Alexa. Trueplay tunes the sound to the room, and AI speech enhancement is meant to keep dialogue clear. It is a long, low-profile bar (about 46 inches wide) sold in black or white. Sonos Sub 4 - $899 The Sonos Sub 4 is a wireless subwoofer for Sonos S2 systems, pairing with current soundbars and speakers to add bass down to about 25 Hz. Two inward-facing 5-by-8-inch woofers and dual Class-D amps use a force-canceling layout so the cabinet stays relatively still and the bass stays clean. It has the same slot-style shape as earlier Subs, in black or white matte, and can stand upright or lie on its side. Updates over the Sub 3 include Wi-Fi 6, a faster processor, more memory, lower idle power, and a slightly lighter cabinet; setup is through the Sonos app, with optional Ethernet. Two Sub 4s can be used with the Arc Ultra. Master Bedroom: Sony BRAVIA 3 II 4K HDR LED Google TV (Model Number K55XR30M2) - $798 - The Sony BRAVIA 3 II is Sony's 2026 entry-level 4K LED set, sold from 43 to 100 inches. It uses a direct-lit LED panel, a 120 Hz refresh rate, and the XR processor for color, motion, and upscaling. HDR covers Dolby Vision, HDR10, and HLG. All four HDMI ports are 2.1, with 4K/120, VRR, and ALLM. It runs Google TV with Gemini, AirPlay 2, and Chromecast, plus built-in speakers that pass Dolby Atmos and DTS:X to a soundbar. The picture is good in bright rooms; but as you would expect, the contrast and HDR are limited compared with higher BRAVIA models. If you are going to use this for anything more than casual viewing or you are really critical of picture quality you may want to look elsewhere. But for those on a budget or used in a secondary room, it's a solid TV.

    Podcast #1266: Ara's New Setup

  6. Aug 14

    Podcast #1265: Garage Doors - AV Receivers - Atmos in the Family Room

    On today's show we discuss Ara's garage door plan for integrating it into HomeKit, we help a listener decide on which receiver to buy, and we ask whether Atmos is worth it for a family room. We also read your emails and take a look at the week's news. News: Get YouTube TV For Just $67.99 a Month Down From $82.99 For The Rest of 2026 How many subscribers do major live TV streamers have? Other: Bingebuster  THIRDREALITY Smart Garage Door Opener Last week I discussed my garage door situation where MyQ does not integrate with Apple's HomeKit. I explained that I will be using a solution called ratgdo (Rage Against The Garage Door Opener). A few of the listeners emailed and suggested that I look at the ThirdReality Smart Garage Door Opener). Available at Amazon for $50.  Issues for me: When you install it in Apple home it installs as a lightbulb.  I added it to Home Assistant first because I knew Apple HomeKit was going to treat it like a light instead of a garage door. In Home Assistant, it shows up as a light entity, with the on off state following the tilt sensor. To make it behave like a real garage door, I created a Template Cover helper and set the device class to Garage. For the state, I used the template to report open when the light is on and closed when it's off. Then I set the Open and Close actions to call the light.turn_on service on the light entity, so pressing Open or Close in Home Assistant is basically the same as pressing the garage remote button. After that, it shows up and behaves like a garage door inside Home Assistant, with the right open/closed status based on the tilt sensor. It's mechanical. Batteries After Jorge's email,I am now looking past these issues and considering this solution. And yet another listener provided even more fuel for this fire! David writes in and says: Most door operators have a provision for a wall mounted pushbutton ( the same one used for years).  It's a momentary pushbutton closure. There is a cold contacts switch which operates in the Matter smart home standard.  As a result it works in all the various smart home systems.  It's a Shelly 1 Mini Gen 4 device…about $25.   I have installed mine into my Apple HomeKit system to operate my Genie garage door opener.  There is no sensing of the position of the door in the Shelly 1 Mini Gen 4 - it is only for operating the door. I have used the IKEA "MYGGBETT" door/window sensor ($10) to sense the position of the door - it is also Matter compliant.  It is the usual magnet/reed switch pair.   I have used this sensor to also trigger a light inside my house to signal an open garage door. The Apple Home automation could be written to close and open door after 10 PM.  Or close a door open for more than 1 hour. Marantz, Denon, or Onkyo • Marantz Cinema 70s • Denon AVR-X2800H • Onkyo TX-RZ30 Onkyo TX-RZ30 Pros 9 amplified channels (supports 5.2.4 or 7.2.2 Atmos) Full-bandwidth Dirac Live included (major value) THX Select + IMAX Enhanced certified Dual independent subwoofer outputs + full pre-outs Strong power (~100W/ch) and generally excellent reviews for sound and value Cons Dirac setup can be finicky Onkyo's past reliability reputation still in the back of my mind Denon AVR-X2800H Pros Reliable, polished, user-friendly experience Solid Audyssey MultEQ XT room correction Good, balanced sound and strong HDMI features Much better reliability and support Cons Only 7 channels (max 5.2.2 Atmos without external amps) No Dirac (Audyssey is good but not as advanced) Marantz Cinema 70s Pros Slim, stylish design that fits media cabinets Marantz sound  Pre-outs for future expansion Cons Lower power (~50W/ch) — best for smaller/efficient speakers Only 7 channels More expensive relative to performance and channel count Recommendation: Onkyo TX-RZ30 It delivers the most meaningful advantages for the money — 9 channels, including full Dirac Live, THX certification, and independent dual subs. The Denon is the safer "set-it-and-forget-it" choice if you prioritize polish and reliability, while the Marantz is best if you specifically need a slim form factor. For performance and value in a modern Atmos setup, the RZ30 is the clear winner right now. Is Atmos Worth it for a Family Room? Yes, Atmos is usually worth it in a typical family room — but with some practical caveats. Why it's worth it The overhead effects (rain, helicopters, debris, ambiance) add noticeable immersion even in a normal living/family room. A lot of modern movies, streaming shows, and games take advantage of it. Realistic expectations for a family room The "wow" factor is more subtle than in a dedicated theater. You're not going to get the same dramatic height effects you hear in a big cinema. Placement matters a lot. Up-firing Atmos speakers work okay if your ceiling isn't too high or absorbent, but actual in-ceiling or on-ceiling speakers sound better. Aesthetics Committee — extra speakers on or near the ceiling are more noticeable in a shared family space. Bottom line recommendation If you are starting from scratch and have access to wire ceiling speakers do it. If you don't have access you won't miss too much. Skip if the budget is tight, ceiling placement is difficult, or you mostly watch TV/sports rather than movies. A solid 5.1.2 Atmos setup is the sweet spot for most family rooms. You'll get most of the benefit without needing a full 7.1.4 layout.

    Podcast #1265: Garage Doors - AV Receivers - Atmos in the Family Room

  7. Aug 7

    Podcast #1264: Family Room - 5.1 vs 7.2 what makes sense?

    On today's show we take a look at your family room and decide whether a 7.2 system is worth it over 5.1. We also read your emails and catch up on the week's news. News:  How Valuable Is TV to Smaller, Independent Cable Operators? DirecTV and EverPass reach new deal to keep NFL Sunday Ticket in bars after threatening split Other: Rage Against the Garage Door Opener (ratgdo) Family Room - 5.1 vs 7.2 what makes sense? Most of us don't have a fully dedicated theater room to fully deck out with a 7.2.4 Atmos system. Most of us have family rooms and would like some sort of a surround sound experience beyond a low end sound bar. The question we get asked a lot is whether a 7.2 system will provide a noticeably better experience than a 5.1 system. So today we answer that question. Spoiler, in most family living rooms, a well-set-up 5.1 system is the smarter choice. A 7.2 system only becomes clearly better if you have good space behind the seating and can place the rear speakers properly. Let's get into it. Pros of Going 7.2 Better immersion - The two extra rear speakers create a more continuous sound field. Sounds that move from front to back (or circle around you) feel smoother and more realistic. Improved envelopment - You get a stronger sense of being "inside" the movie instead of just having sound coming from the sides. Smoother bass (the .2) - Two subwoofers reduce bass peaks and nulls. This is often the biggest real-world improvement over a single sub. More seating flexibility -  Multiple people can enjoy better surround effects even if they're not in the exact sweet spot. Future-proofing - Many modern receivers can use the extra channels for Atmos height speakers later if you decide to expand. Cons of Going 7.2 Space requirements - You need room behind the main seats for the rear speakers. If your sofa is against the back wall (very common), the rear speakers end up too close and the benefit largely disappears. Higher cost - Two extra speakers + a second subwoofer + possibly a more expensive receiver adds significant cost. Harder placement - Getting the rear speakers at the right height, distance, and angle is more difficult in a shared family room. Diminishing returns in smaller rooms - In rooms under about 15x15–16x18 feet, the extra speakers can actually make the sound less coherent if they're too close together. More clutter & wiring - Extra speakers and cables are harder to hide in a multi-purpose family room. Content reality - Most streaming content is still mixed in 5.1. True discrete 7.1 tracks are less common outside Blu-rays Rules of Thumb for a Family Room If your sofa is against the back wall you are realistically looking at a 5.1 system since the rear speakers have nowhere to go. If you have 3 feet or more behind you, 7.2 may be worthwhile. If you can't fully afford a proper 7.2 system you will be better served with better speakers and a great subwoofer. Bottom Line For a typical family room: A high-quality 5.1 almost always delivers more enjoyment for the money and effort. Only go 7.2 if you have decent space behind the seating and are willing to spend more for the extra immersion and smoother bass. Next week should we discuss if Atmos is worth it in a family room?

    Podcast #1264: Family Room - 5.1 vs 7.2 what makes sense?

  8. Jul 31

    Podcast #1263: 2026 Value Electronics TV Shootout

    On this week's show we breakdown the Value Electronics 2026 TV Shootout and see who the new King TV is. We also read your emails and look at the week's news. News: LG is cracking down on smart TV apps that quietly turn your TV into a secret proxy Streaming Execs Say Roku Most Important CTV Platform for Home Screen Visibility Comcast has Lost Over 600,000 TV Customers So Far This Year & 232,000 Internet Customers Other: LG TVs are better than they've ever been — here's what they're doing right, what they're doing wrong, and what needs to change in 2026 2026 Value Electronics TV Shootout Summary Value Electronics (Scarsdale, NY) held its annual expert-judged TV Shootout on July 18, 2026. All sets were professionally calibrated and compared side-by-side against reference Sony BVM-HX3110 mastering monitors. Judges scored attributes (contrast/grayscale, color accuracy, processing, shadow detail, motion handling, bright-room performance, etc.) on a 1–5 scale for both SDR and HDR. Combined averages determine the rankings.  OLED Category (65-inch flagships) Samsung QN65S95H (QD-OLED)  — Combined (SDR + HDR) average 9.3 → King of OLED TV and overall King of TV for 2026. Highest scores in both SDR and HDR; won the majority of categories. Ended Sony's seven-year winning streak. $2500 at Amazon Sony K65XR80M2 (Bravia 8 II / QD-OLED) — Combined average 8.0 Close runner-up with strong, consistent performance in both SDR and HDR. $3000 at Amazon LG OLED65G6WUA (W-OLED / tandem) — Combined average 7.0 Solid but finished a clear third. $3300 direct from LG Micro RGB (True RGB Mini/Micro-LED LCD) Category (75-inch flagships)  This was the first year the shootout included a dedicated Micro RGB / true RGB-backlit LCD category. Sony K75XR90M2 (Bravia 9 II) — Combined average 7.9 → King of Mini/Micro RGB TV. Dominated most categories in both SDR and HDR. $3400 at Amazon Samsung MRN75R95H — Combined average 6.2 Clear second place. $4500 direct from Samsung LG 75MRGB95BUA — Combined average 5.2 Finished third. $4500 direct from LG Key Takeaways OLED still generally outperformed the new Mini/Micro RGB LCD technology overall. Samsung's S95H QD-OLED was the standout performer of the event by a healthy margin. Sony's new true RGB Bravia 9 II proved the Mini RGB approach is highly competitive (it even beat LG's G6 OLED and was competitive with Sony's own OLED in some HDR aspects). LG placed third in both categories. The event highlighted how close the top flagships have become, while still showing meaningful differences in accuracy, processing, and real-content performance under calibrated conditions.

    Podcast #1263: 2026 Value Electronics TV Shootout
See All (842)

4.7
out of 5
360 Ratings

About

The HT Guys, Ara Derderian and Braden Russell, are Engineers who formerly worked for the Advanced Digital Systems Group (ADSG) of Sony Pictures Entertainment. ADSG was the R&D unit of the sound department producing products for movie theaters and movie studios. Two of the products they worked on include the DCP-1000 and DADR-5000. The DCP is a digital cinema processor used in movie theaters around the world. The DADR-5000 is a disk-based audio dubber used on Hollywood sound stages. ADSG was awarded a Technical Academy Award by the Academy of Motion Picture Arts and Sciences in 2000 for the development of the DADR-5000. Ara holds three patents for his development work in Digital Cinema and Digital Audio Recording. Every week they put together a podcast about High Definition TV and Home Theater. Each episode brings news from the A/V world, helpful product reviews and insights and help in demystifying and simplifying HDTV and home theater. Our email address is hdtvpodcast@mac.com

Information

  • Creator
    HT Guys
  • Years Active
    2005 - 2026
  • Episodes
    842
  • Rating
    Clean
  • Copyright
    Copyright © 2025, HT Guys. All rights reserved.
  • Show Website
    HDTV and Home Theater Podcast

You Might Also Like