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Instant Classics

Vespucci

Join world-renowned classicist Mary Beard and Guardian chief culture writer Charlotte Higgins for Instant Classics — the weekly podcast that proves ancient history is still relevant. Ancient stories, modern twists… and no degree in Classics required. Become a Member of the Instant Classics Book Club here: https://instantclassics.supportingcast.fm/

  1. Who's Afraid of Lupercalia?

    17 GIỜ TRƯỚC

    Who's Afraid of Lupercalia?

    If you were to go back in time to 15 February in Ancient Rome, you might see marauding packs of naked men surging through the streets. If you were particularly unlucky one of them might whip you with a piece of goat skin. This was the Roman festival of Lupercalia. In this episode, Mary and Charlotte ask: what on earth was all this about? What did Lupercalia mean to the Romans? And what was the real purpose of any festival to the Romans?  Despite its mind-boggling oddness, Lupercalia is better documented than many other Roman festivals. This is partly because the Romans themselves didn’t know really what it was about. Lupercalia was something that seemed to have always been celebrated, but opinions varied - then as now - as to what it meant. The wolfiness of lupercalia, and the suggestion the ritual began in the cave where Romulus and Remus were believed to have been suckled, implies it may have been a way for the Romans to connect with their murky origins - an example of the city performing its own past. But even this is contested.  One thing is clear: despite the date, Lupercalia had nothing to do with modern Valentine’s Day - unless, of course, your idea of romance is running naked through the streets flailing a piece of animal skin… @instaclassicpod for Insta, TikTok and YouTube @insta_classics for X email: instantclassicspod@gmail.com Mary and Charlotte recommend some further reading: The Lupercalia is one of Roman religious festivals discussed in Mary’s book, with John North and Simon Price, Religions of Rome (Cambridge UP pb, 1998) volume 2 (with translation of the main ancient texts, including a section of Pope Gelasius’ pamphlet). Mary also discusses how to understand Roman festivals more widely in her chapter in C. Ando (ed.), Roman Religion, Edinburgh Readings in the Ancient World  (Edinburgh UP, pb, 2003). Shakespeare’s Lupercalia is in his Julius Caesar Act 1, scene 2 Instant Classics handmade by Vespucci Producer: Jonty Claypole  Video Editor: Jak Ford Theme music: Casey Gibson   Learn more about your ad choices. Visit podcastchoices.com/adchoices

    47 phút
  2. Villain, Victim... Double Agent? The Many Lives of Helen of Troy pt 4

    12 THG 2

    Villain, Victim... Double Agent? The Many Lives of Helen of Troy pt 4

    Greece gave way to Rome and the Roman Empire too declined, but Helen of Troy survived. Forever young and relevant, she has been reimagined by generation after generation. In the last episode of this mini-series, Mary and Charlotte look at Helen’s enduring appeal in the modern age.  They show how she appeared in the poetry of medieval bards, inspired playwright Christopher Marlowe to create one of the most famous lines in English literature (the face that launched a thousand ships) - and how Shakespeare, not wanting to be outdone by Marlowe, said her face launched ‘over’ a thousand ships.  Mary describes some of her favourite 19th century paintings of Helen - and discusses the problem of how you paint a face that, by definition, is more beautiful than the face of any artist model. Charlotte talks about how that problem continues in cinema (with a side anecdote about asking Brad Pitt the wrong question at the launch of the film Troy).  Finally, Charlotte and Mary compare some of their favourite Helens in modern literature, including Margaret Atwood’s Penelopiad (2005), Pat Barker’s The Silence of the Girls (2018) and Natalia Haynes’ A Thousand Ships (2019) @instaclassicpod for Insta, TikTok and YouTube @insta_classics for X email: instantclassicspod@gmail.com Paintings referred to:  G Moreau, Helen at the Scaean Gates https://commons.wikimedia.org/wiki/File:Helene_a_la_porte_scee_-_gustave_moreau_-_2.jpg F. A Sandys, Helen of Troy https://www.liverpoolmuseums.org.uk/artifact/helen-of-troy (The original magazine illustration from which the painting is excerpted: https://collections.vam.ac.uk/item/O783702/illustration-to-helen-and-cassandra-print-sandys-frederick/ ) E de Morgan, Helen of Troy: https://www.demorgan.org.uk/collection/helen-of-troy/ Instant Classics handmade by Vespucci Producer: Jonty Claypole  Video Editor: Jak Ford Theme music: Casey Gibson   Learn more about your ad choices. Visit podcastchoices.com/adchoices

    56 phút
  3. Villain, Victim... Double Agent? The Many Lives of Helen of Troy pt 3

    5 THG 2

    Villain, Victim... Double Agent? The Many Lives of Helen of Troy pt 3

    What happened to Helen after the Trojan War? Mary and Charlotte pick up the trail of mythology’s most famous femme fatale as she makes the long journey home from Troy. The big question at the end of the previous episode was whether her husband Menelaus would kill her as revenge for betraying him with Paris.  Needless to say, her charms win out and, after a long stop in Egypt, where she acquires some amazing accessories, they return home to Sparta. Just in time for Telemachus, son of Odysseus, to arrive and ask them if he knows where his father is? The Helen of The Odyssey Book 4 takes us by surprise. She and Menelaus have settled into a rather humdrum domestic companionship. And it raises the question: was all that fighting and bloodshed worth it? For this?  Just as fascinating as Homer’s surprise depiction is a theory embedded in Greek texts that Helen never actually went to Troy, but sat out the whole affair in relative safety in Egypt. The Helen people saw on the ramparts of Troy was simply an eidolon - an image.  Mary and Charlotte show how the true nature of Helen - villain, victim or double agent? - provided an endless source of debate, and opportunities for creative flights of fancy, in the ancient world. Finally, they look at a few of the different accounts of her final years.  @instaclassicpod for Insta, TikTok and YouTube @insta_classics for X email: instantclassicspod@gmail.com Mary and Charlotte recommend some further reading: In addition to the reading recommended for the earlier episodes: The whole tradition of the phantom of Helen is discussed in detail by Norman Austin in Helen of Troy and her Shameless Phantom (Cornell UP, 2018) Helen and Menelaus in Sparta feature in Book 4 of the Odyssey (with a detailed recent discussion by J Burgess in The Oxford Critical Guide to Homer’s Odyssey, ed Christensen (Oxford UP, pb, 2025)) Herodotus’ account is at his Histories 2, 112 ff Euripides’ play Helen is available online here https://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0100 though it is a rather old-fashioned translation (be warned!)  and there is a full performance (by students) on YouTube here: https://www.youtube.com/watch?v=-MVyAZbRaK0 Emily Wilson translated Euripides’ Helen as part of a recommended (if you want to go for it) fat selection of Greek plays in recent translation: The Greek Plays: Sixteen Plays by Aeschylus, Sophocles, and Euripides (Modern Library Classics, pbck, 2017) edited by Mary Lefkowitz and James Romm Instant Classics handmade by Vespucci Producer: Jonty Claypole  Video Editor: Jak Ford Theme music: Casey Gibson   Learn more about your ad choices. Visit podcastchoices.com/adchoices

    45 phút
  4. The Odyssey #12: King Alcinous throws a feast

    2 THG 2 • CHỈ NGƯỜI ĐĂNG KÝ

    The Odyssey #12: King Alcinous throws a feast

    Mary and Charlotte launch into Book 8 to find Odysseus still at the Phaeacian palace. King Alcinous has promised to help Odysseus get home, but first - there’s going to be another feast. A bard is brought out who massively fails to read the room by singing about a huge row Odysseus once had with Achilles - which causes Odysseus to burst into tears (to be fair: Odysseus still hasn’t revealed his name, so the bard wasn’t to know!) Alcinous comes to the rescue by shutting the bard up and proposes a sporting competition instead. Odysseus asks to abstain - he just wants to go home - but a local noble called Euryalus taunts him, saying he’s making excuses because he’s hopeless at sports. Justifiably riled, Odysseus grabs a discus and… slays all Phaeacian records. He goes on to proclaim his talent in any number of sporting and fighting techniques. Alcinous, worrying that his party is going awry again, decides to bring the bard back to have another go. And on the cliffhanger of a bard’s song, Mary and Charlotte park the second half of Book 8 until next time. Please have your say in the Book Club channel on our discourse site Or send your thoughts to instantclassicspod@gmail.com Instant Classics handmade by Vespucci Producer: Jonty Claypole Executive Producer: Natalia Rodriguez Ford DOP - Ben Warburton Camera Operator - Dan Sturgess Video Editor: Jak Ford Theme music: Casey Gibson

    31 phút
  5. Villain, Victim... Double Agent? The Many Lives of Helen of Troy pt2

    29 THG 1

    Villain, Victim... Double Agent? The Many Lives of Helen of Troy pt2

    When Paris, a Trojan prince, abducted Helen of Sparta, the Greeks came in hot pursuit and besieged Troy for ten years. But what was Helen’s role in all this? Was she really kidnapped, or did she elope? And whose side was she really on during the ensuing war? Mary and Charlotte turn to a variety of ancient texts to explore these questions.  In Homer’s The Iliad - the longest and greatest account of the war - Helen isn’t even one of the main characters. She watches Paris and Menelaus fight a duel in her name, draws the admiration of old men, and spends some sexy time with Paris. In The Odyssey, we find out about her role in the final episode of the war - the Trojan Horse. Here she appears more of a double agent: secretly communicating with Odysseus, but also tormenting his soldiers.   In Virgil’s Aeneid, she is a hate figure and a focus of murderous fantasies for the hero Aeneas. Finally, Mary and Charlotte look at The Trojan Women by Euripides, where Helen defends herself as a victim of the gods and her own beauty. Menelaus plans to slaughter her, but we know by the end of this play that is unlikely. What happens next is the focus of the next episode! @instaclassicpod for Insta, TikTok and YouTube @insta_classics for X email: instantclassicspod@gmail.com Mary and Charlotte recommend some further reading: The key sections of the Iliad that feature Helen are Book 3 (where she appears 4 times), Book 6, 342 ff and towards the very end of Book 24. Helen herself and Menelaus tell her story of the war in Odyssey Book 4, esp. 220ff. Aeneas’s outburst against Helen is in Virgil Aeneid Book 2,  567 ff.  Key modern works on Helen and her role in myth and literature are: Ruby Blondell, Helen of Troy: Beauty, Myth, Devastation (Oxford UP, pb, 2015) Bettany Hughes, Helen of Troy: Goddess, Princess, Whore (Pimlico, pb, 2013) Instant Classics handmade by Vespucci Producer: Jonty Claypole  Video Editor: Jak Ford Theme music: Casey Gibson Learn more about your ad choices. Visit podcastchoices.com/adchoices

    50 phút
  6. Villain, Victim... Double Agent? The Many Lives of Helen of Troy pt 1

    22 THG 1

    Villain, Victim... Double Agent? The Many Lives of Helen of Troy pt 1

    Sex goddess. Whore. Temptress. Adulteress. Victim. Helen of Troy has been called many things. In the run-up to Christopher Nolan’s adaptation of The Odyssey later this year, amidst swirling rumours about who is playing Helen, Mary and Charlotte look beyond the labels and ask: who was Helen really and what role does she play in myth?  This isn’t an easy question to answer. Accounts of Helen’s character and life come from myriad sources - many of which contradict one another. In the first episode of our four-part series, Mary and Charlotte look at Helen’s early years. She was born of a rape, when Zeus, disguised as a swan, forced himself upon Leda, Queen of Sparta. The young Helen was married to Menelaus, brother of Agamemnon, and became queen of Sparta. The trouble began hundreds of miles away and the so-called Judgement of Paris.  Paris was the son of King Priam of Troy. In a high-stakes wedding game (think opening scene of The Godfather), he was asked to choose which of the goddesses Hera, Athena and Aphrodite was most beautiful. Aphrodite bribed him by promising he could have the most beautiful mortal woman in the world, conveniently forgetting that Helen was already married. Paris went to Sparta to collect his prize. He waited for Menelaus to depart the scene, then took Helen to Troy. Whether she eloped or was abducted has been debated ever since. And so… the Trojan War. @instaclassicpod for Insta, TikTok and YouTube @insta_classics for X email: instantclassicspod@gmail.com Mary and Charlotte recommend some further reading: There are many ancient accounts of the Judgement of Paris and the events leading up to it. You can find the parody of Lucian here (it’s the last of his Dialogues of the Gods): https://www.theoi.com/Text/LucianDialoguesGods1.html A more standard ancient account of Helen’s back story, her marriage and the judgement of Paris is given by Apollodorus (or Pseudo-Apollodorus!), writing during the Roman empire, see esp. 3. 10. 7 ff and Epitome 3: https://www.theoi.com/Text/Apollodorus3.html#10 and https://www.theoi.com/Text/ApollodorusE.html#3  For modern discussions of Helen (relevant to this and our later episodes): Ruby Blondell, Helen of Troy: Beauty, Myth, Devastation (Oxford UP, pb, 2015) Bettany Hughes, Helen of Troy: Goddess, Princess, Whore (Pimlico, pb, 2013) Instant Classics handmade by Vespucci Producer: Jonty Claypole  Video Editor: Jak Ford Theme music: Casey Gibson Learn more about your ad choices. Visit podcastchoices.com/adchoices

    41 phút
  7. The Odyssey #11: Odysseus at the Phaeacian Palace

    19 THG 1 • CHỈ NGƯỜI ĐĂNG KÝ

    The Odyssey #11: Odysseus at the Phaeacian Palace

    Nausicaa takes Odysseus to her parents’ palace on the island of Phaeacia. The palace is awash with gold and silver. Odysseus is overawed, yet there is something slightly unsettling and odd about this kingdom… Odysseus throws himself at the feet of Queen Arete and King Alcinous and asks for her help returning home. He gives a brief recap of his story, focusing on the recent imprisonment on Calypso’s island, but selectively leaving out episodes that might show him in a dishonourable light. The ever polytropos Odysseus is also careful to compliment the king and queen on their delightful daughter Nausicaa. Alcinous misreads the situation and offers his daughter’s hand in marriage, despite not even knowing Odysseus’ name. He also offers to help Odysseus return home. Book 7 ends with Arete and Alcinous going to sleep in their bed, while Odysseus beds down on the porch - thinking, hoping, for his own reunion with his wife. T Van Nortwick’s The Unknown Odysseus (Michigan UP, pb, 2020) is a specialised study of the different versions of Odysseus we find in the poem; but he has quite a lot to say about the encounter with Nausicaa, esp. Chap 2. Just out is The Oxford Critical Guide to Homer’s Odyssey, edited by Joel Christensen (Oxford UP, pb, 2025). It includes useful chapters on Books 6 and 7 (and the other books of the poem that we have discussed) Please have your say in the Book Club channel on our discourse site Or send your thoughts to instantclassicspod@gmail.com Instant Classics handmade by Vespucci Producer: Jonty Claypole Executive Producer: Natalia Rodriguez Ford DOP - Ben Warburton Camera Operator - Dan Sturgess Video Editor: Jak Ford Theme music: Casey Gibson

    31 phút
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Join world-renowned classicist Mary Beard and Guardian chief culture writer Charlotte Higgins for Instant Classics — the weekly podcast that proves ancient history is still relevant. Ancient stories, modern twists… and no degree in Classics required. Become a Member of the Instant Classics Book Club here: https://instantclassics.supportingcast.fm/

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