The Band: A History

Pantheon Media

٤٫٧ (١٧١)
تاريخ الموسيقى
يتم التحديث شهريًا

Exploring the history of Canadian-American roots rock group, The Band.

قبل ٥ أيام · إضافة

Review: Robbie Robertson's Insomnia

In this mini episode, we dive into Robbie Robertson’s Insomnia — a vivid, late-life reflection from one of rock’s most self-mythologizing figures. Less a memoir and more a cinematic vignette, Insomnia captures the years between 1976 and 1980, when Robertson drifted through post-Band life alongside artists, filmmakers, and excess. The song played during the episode is entitled "At Last" from Scorsese's Raging Bull, produced by Robertson and performed with his former bandmates Richard Manuel and Garth Hudson. Learn more about your ad choices. Visit megaphone.fm/adchoices

١١ من الدقائق
٢٢ سبتمبر

The Band is Back!

In this episode, we revisit The Band’s unexpected 1983 reunion six years after The Last Waltz. With Robbie Robertson absent, Levon Helm, Rick Danko, Richard Manuel, and Garth Hudson came together once again, proving their music still carried power and soul. We trace their individual journeys in the late ’70s and early ’80s, the spark that brought them back, and the raw energy of their “The Band Is Back” tour. From theatre gigs and surprise Bob Dylan appearances to sold-out shows across Canada, Japan, and the U.S., this was more than a comeback, it was a second life. Learn more about your ad choices. Visit megaphone.fm/adchoices

٢٨ من الدقائق
١٥ سبتمبر

Cahoots Revisited

On the 54th anniversary of Cahoots, we hear The Band’s most grown-up record. Less legend, more real life. We stay with six songs, “Life Is a Carnival,” “When I Paint My Masterpiece,” “Last of the Blacksmiths,” “Where Do We Go from Here?,” “The Moon Struck One,” and “The River Hymn.” Work, doubt, change, and faith said plainly. Learn more about your ad choices. Visit megaphone.fm/adchoices

١٣ من الدقائق
١٦ يوليو · إضافة

Odds & Ends: Get Up Jake

In our series Odds & Ends we dig into Band deep-cut, “Get Up Jake”. You’ll hear how a scrappy LA studio outtake grew into a live showstopper on Rock of Ages, and even survives as a raw hotel-room demo. We’ll break down its driving groove, Helm’s backbeat, Danko’s bouncing bass and that shout-along chorus and compare the lean, two-minute studio take to the full-throttle live version and the stripped-down Calgary jam. Learn more about your ad choices. Visit megaphone.fm/adchoices

١٩ من الدقائق
٩ يونيو

Interview: Stephen Lewis Returns

Stephen Lewis returns to explore his new book Richard Manuel: His Life and Music, from the Hawks and Bob Dylan to The Band. We explore the life and struggles of Richard Manuel, diving into his early years, his role in the Band, and the toll fame took on his confidence. We talk about the dual identity Richard held—as both a gifted performer and a deeply sensitive songwriter. The conversation covers the highs and lows of Richard’s career: the creative energy he brought to the group, his battles with addiction, and the tensions that shaped the band’s relationships. They examine the challenges of collaboration, how personal issues affected the music, and the impact of the 1980s on artists like Richard. Make sure you pre-order the book today. Learn more about your ad choices. Visit megaphone.fm/adchoices

١ س ١٤ د
٢٢ أبريل

Levon Helm '82

Levon Helm’s move to Capitol Records in the early '80s was his final shot at keeping his musical vision alive. His bold choice to record at the iconic Muscle Shoals Sound Studio represented his commitment to authentic Southern rock at a time when synth-pop and MTV hits dominated the airwaves. Featuring a remarkable lineup of musicians, his second solo album, simply titled "Levon Helm," embodied his dedication to musical honesty over commercial success. Songs like "You Can't Win 'Em All" and "Money" showcase Helm’s gritty realism and uncompromising style. Learn more about your ad choices. Visit megaphone.fm/adchoices

٥٣ من الدقائق
٢٤ يناير

Music for Our Lady Queen of the Angels

This episode pays tribute to the late Garth Hudson, whose recent passing reminds us of his monumental impact on music and sound art. We explore his groundbreaking work, Music for Our Lady Queen of the Angels, created for the 1980 Los Angeles Bicentennial. A pioneer of experimental sound art that set the standard for generations, Hudson reshaped the possibilities of sound, leaving a truly unique legacy. Rest in peace, Garth Hudson. Learn more about your ad choices. Visit megaphone.fm/adchoices

١ س ١٥ د
٢١ يناير

Rest in Peace Garth Hudson

In this special episode, I pay tribute to the late Garth Hudson, a true legend in the music world. Known for his innovation, unparalleled creativity, and distinctive style, Garth was more than just a musician—he was a visionary who left a mark on the industry. I reflect on his extraordinary career, his contributions to iconic music moments, and the unique legacy he leaves behind. Learn more about your ad choices. Visit megaphone.fm/adchoices

١١ من الدقائق

مشاهدة الكل (٧١)

٤٫٧

من ٥

‫١٧١ من التقييمات‬

Fantastic podcast

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Powpowsteamy

My dad introduced me to The Band when I was in middle school. I’ve always been fascinated with their music and history ever since. This podcast relives one of the greatest bands of all time and I’m really glad I stumble upon this informative show. I’ve only had time to listen to a few select episodes but can’t wait to dive in more. Thanks for the time and effort put in to each episode!
Guy banned me on social media

١٧ أكتوبر

I don’t want to work 🥁

The guy posted an article about Todd Rundgren saying Robbie was a snob, I commented that maybe working with Robbie was too much like work, you know, because of the Todd Rundgren song where he sings about not wanting to work… apparently that was an attack and I’m a troll. I apologized in a message on another platform and was banned from there as well. Either way, he lost a podcast listener today. Unsubscribed
Missing the whole poing

٧ يناير

AugustWest62

Your review of A Complete Unknown is off base. Dylan was objectively NOT political in his life and to criticize the movie for not being political is ridiculous.
Last Waltz

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RocknRollGary

Really enjoyed your recent Last Waltz podcast. It was very insightful. One thing, I think you should have compared the film to the concert film getting all the attention this year, Stop Making Sense which came out about 10 years later. I think the director of that one, the late Jonathan Demme, was definitely influenced by The Last Waltz. Notice though that he had no interviews in the film, just the music.