Smash/Cut

xander adams
  • ٤٫٨ (٢٩)
  • فنون
  • يتم التحديث أسبوعيًا

a sound art podcast exploring form and drama

  1. ٠٨‏/٠٥‏/٢٠١٩

    Quick Rising

    a memory from the Great Flood of 2016 in Baton Rouge, Louisiana from Rachel Shiff-Arnold ************** Audio Production/Sound Design: Alexander Charles Adams Consulting Editors: Margaret Laurena Kemp & Laine Farber Special Thanks: Eleanor McDowall ~~~~~~~~~~ www.smashcutthepodcast.com twitter.com/SmashCutCast instagram.com/SmashCutCast

    ١٥ من الدقائق

  2. ٠١‏/٠٥‏/٢٠١٩

    into the main~frame!

    i made this in 11th grade and i totally stand by it... well sit by it... on the floor. --Xander **************** "Produced" by Alexander Charles Adams Consulting Editors: Margaret Laurena Kemp & Laine Farber ~~~~~~~~~~ www.smashcutthepodcast.com twitter.com/SmashCutCast instagram.com/SmashCutCast

    ٦ من الدقائق

  3. ٢٤‏/٠٤‏/٢٠١٩

    A Cave Carol

    A Cave Carol comes from a two-minute audio clip Lainey sent Xander after a date with her ex about two years ago. With words and distance, it's become much more. Written with words scratched out and re-written to make sure it's *exactly* what it means. ************* Writer: Laine Farber Audio Producer/Sound Designer: Alexander Charles Adams Consulting Editor: Margaret Laurena Kemp ~~~~~~~~~~ www.smashcutthepodcast.com twitter.com/SmashCutCast instagram.com/SmashCutCast

    ٩ من الدقائق

  4. ١٧‏/٠٤‏/٢٠١٩

    It's a Commitment

    "It's a Commitment: A Dance Dialogue" is an audio story composed of dialogue between Drs. Brenda Dixon Gottschild and Halifu Osumare recorded in 2015 at University of California, Davis by theater professor Margaret Laurena Kemp. It is a rare dialogue between two black dance scholars talking about their individual roads to dance, which illuminate the East and West coasts in the 60s and 70s for young, black, women dancers.  ************** Audio Production/Sound Design: Alexander Charles Adams Executive Producer/Consulting Editor: Margaret Laurena Kemp Consulting Editor: Laine Farber ~~~~~~~~~~ www.smashcutthepodcast.com twitter.com/SmashCutCast instagram.com/SmashCutCast

    ٢٤ من الدقائق

  5. المقطع الترويجي للموسم ٥

    Coming... Time Capsule

    today we announce a special return a little radio series on pieces from our junk drawers and dusty boxes first new ep released on Apr 17, 2018 ~~~~~~~~~~~~~~~~~~~~~~ www.smashcutthepodcast.com twitter.com/SmashCutCast instagram.com/SmashCutCast

    ٥ من الدقائق

  6. ٠١‏/١٠‏/٢٠١٨

    La Fumée Fatale

    A young woman who has never had a cigarette fights the self-destructive urge to pick up the first cigarette. Along the way, she finds out what she's really craving. Produced by Monique LaBorde (Transom 2018) Prompt Third Coast Short Audio Doc 2016 Challenge Father: Robert LaBorde  Smoker in Circle: "J.J.", Harry Waznack Friend: Yagmur Menzilcioglu ~~~~ Smash/Cut is produced by Alexander Charles Adams with editor Laine Farber twitter.com/SmashCutCast instagram.com/SmashCutCast facebook.com/SmasCutCast www.smashcutthepodcast.com

    ٣ من الدقائق

  7. ١٧‏/٠٩‏/٢٠١٨

    "Deborah"

    Produced by Alexander Charles Adams Interview Magic by Laine Farber twitter.com/SmashCutCast // smashcutthepodcast.com In New Orleans, the Sewage and Water Board has left roads in extreme disrepair. Potholes are seemingly permanent fixtures, practically community members. The people of New Orleans have taken to decorating potholes, giving them names, creating social media trends and profiles, and making them more than facts of life.  But what happens when a particularly notorious pothole... gets filled?  This satire story "Deborah" tells the tale of the St. Ann/Burgundy (pronounced ber-GUN-dee), and her untimely demise.  Special Thanks to the People of the Fruit Loop and Greater Foolish Area of New Orleans

    ٥ من الدقائق

  8. ٢٩‏/٠٨‏/٢٠١٨

    rags and birds

    Producer: Alexander Charles Adams Words from the Producer: This piece was made in reverse. I found this guitar lying on the gold couch in the Ragdale house living room. All of us got so used to leaving our possessions out because we felt so trusting, but somehow, we never lost the need to comment on doing it, like announcing "oh my goodness I left my laptop in the other house" to the room and then not moving and kept chatting. Anyways, so this guitar. It was tuned differently, D something... anything I struck on it sounded generally nice. I can't play guitar. I've never played guitar. But this made me sound so good. I pulled out my phone and recorded myself for a little while, playing with it. Making chords and fiddling with the strings. And finally running my fingers down the fretboard. When I listened back to the recording, I became obsessed with it. I listened to it over and over again as I walked the Ragdale grounds trying to get unstuck or feel something new about being there. It felt so much like the Ragdale in my head but all on a little tape. I decided to interview each of the residents about their experiences for the same length of time as the unedited guitar tape and set to create a piece where our experiences were composed to the guitar; composed to how I saw Ragdale.

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a sound art podcast exploring form and drama

المعلومات

  • صناع العمل
    xander adams
  • سنوات النشاط
    ٢٠١٦ - ٢٠١٩
  • الحلقات
    ٢٥
  • التقييم
    فاضح
  • حقوق النشر
    © Copyright Smash/Cut Podcast
  • موقع البرنامج على الويب
    Smash/Cut