Jazz Bastard Podcast Patrick Burnette

After a couple episodes away, we return to the New York Times list of best jazz albums of 2023 and finish it off.  It's happier days for the most part.  The boys acknowledge that these selections are all, more or less, actually jazz, and some are even pretty enjoyable.  Jonathan Suazo – RICANO; Mendoza Hoff Revels – ECHOLOCATION; Micah Thomas – REVEAL;  Matana Roberts - COIN COIN CHAPTER FIVE: IN THE GARDEN.

For some fans, the story of jazz saxophone begins with John Coltrane.   This episode, the boys interview Owen Broder, who gives propers to Coltrane's old boss, Johnny Hodges.  Mainstay of the Duke Ellington band and lover of lettuce and tomato sandwiches, the Rabbit (as he was known) possessed the most sumptuous sound ever heard from an alto saxophone and knew every microtone of the territory between each note of the scale.  Owen talks about his Hodges Front and Center duology, other projects in the pipeline and his influences on alto and baritone sax among other topics in this interview.  Owen Broader:  HODGES FRONT AND CENTER:  VOLUMES 1 & 2.  

Many years ago, bastard Mike suggested that our anniversary shows feature groups comprised of as many members as the anniversary was of years.  How's that for a mouthful (mindful?)  Anyway, good idea until right about now.  Eleven is an awkward number unless you're fielding a footie team, and the boys have some issues finding albums that fit the bill or even glance in the direction of this anniversary. Next year, all bets are off.  Nat Adderly – THAT’S RIGHT;  Bobby Selvaggio – STORIES, DREAMS, INSPIRATIONS; Gil Evans – PLUS TEN;  Jeff Lorber and Mike Stern – ELEVEN.  IN a very special Pop Matters, Mike mocks the Cocteau Twins and Pat (with Mike's help) questions the sanity of Atlantic Records latest deluxe reissues.

Join our intrepid but grumpy explorers Mike and Pat and they continue their journey through the New York Times Top Ten list of Best Jazz Albums from 2023.  The boys look at three more albums off the list and once again have questions about the selections.  Then they discuss an album from 2023 not on the list, and, naturally, emit rainbows.  We don't recommend you make a game of drinking whenever one of them calls "category error" unless you have a high tolerance for alcohol - and bastardy.  Chief Xian aTunde Adjuah - BARK OUT THUNDER;  Enji – ULAAN; Ambrose Akinmusire - OWL SONG; Myra Melford – HEAR THE LIGHT SINGING. 

Humans love making lists, and it's likely this activity will continue until the cockroaches take over.  (Cockroaches mostly love hiding under cabinets).  Some humans on the New York Times made a list of the top 10 jazz albums of 2023.  Pat and Mike take about three selections from that list and one other interesting release from that recently past year. Do they take issue with some of the NYT's choices?  They wouldn't be bastards if they didn't.  Jaimie Branch – FLY OR DIE FLY OR DIE FLY OR DIE (WORLD WAR); Kassa Overall – ANIMALS; Zoh Amba – THE FLOWER SCHOOL; Lafayette Gilchrist – UNDAUNTED.

This episode's title is a wee bit misleading.  The boys don't meet Mr. Mahavishnu (John McLaughlin, of course) but rather Matt Phillips, long-time listener to the podcast who just happened to write a very good book on the famous fusion guitarist called "John McLaughlin - From Miles and Mahavishnu to the 4th Dimension."  The book covers the whole of McLaughlin's recorded career - not just his best known years with the Mahavishnu Orchestra - and our conversation is also wide-ranging.  And, no, Mike hasn't turned into a robot. He just sounds like one because recording zoom is trickier than it seems.