Kobi One Podcast

Kobi One

Finally! You got here! I'm Kobi One, a nickname earned when I lost my first testicle to cancer. I played music on the streets, squatted houses all over Europe and now im a father, a captain and a guide in medieval Ghent. Hop in kobione.substack.com

  1. Strange Origins - Lucifer

    28 июн.

    Strange Origins - Lucifer

    https://buymeacoffee.com/kobecooman3 The Codex Gigas Some men would gladly die, give up their life, for a chance at greatness. So what if you already know your life will be taken from you, and you haven’t reached that greatness yet. Would you call upon the devil and give up more than your life alone? Herman decided that yes, earthly greatness was worth your eternal soul. And so came about the creation of the codex gigas. Try this one on for size, but be careful, it’s definitely xxl. The codex gigas can be found today in the national library of Sweden, Stockholm. It weighs 74 kgs. For the pages, 320 of them, 160 donkey skins were used. To be able to open this book, you need two people at the least. According to modern calculations it would have taken one man between 25 to 30 years to create. Yet the myth surrounding its creation begs to differ. Herman the recluse was a monk who had broken his vows and would see punishment in its most narrow way, immurement. Literally walling somebody up. They would be walled into a cell with a window for light to read by and receive food by. They could stand, kneel and pray or lie down. They got to read and eat. Herman would never write again. He makes a deal with the abbot, to give him one extra night wherein he would produce a book of such grandeur, it would give honor and respect to the monastery for all eternity. As morning approached, the book was nowhere near finished. Herman makes a deal with somebody else, the Devil. By the time Herman and the Devil were through the book contained close to all important knowledge of the day, around the 13th century. The book includes: * The complete Latin Vulgate Bible, both Old and New Testament * Josephus: Antiquities of the Jews * Josephus: The Jewish War * Isidore of Seville’s encyclopaedia Etymologiae * The Chronicle of Bohemia by Cosmas of Prague * A calendar * Medical texts * A guide to exorcisms * A list of the brothers of the Podlažice monastery * Various shorter texts on topics including alphabets and other reference material * And ever more remarkable, the only known full-length medieval portrait of the Devil himself on page 290, and the Heavenly City depicted on the facing page. What is missing: 10 to 12 pages containing information too dangerous to be allowed to roam freely. Herman makes a deal with the Devil and leaves the only known full-length medieval portrait of said Devil in his contemporary shape as a thank-you note. Now, all of what you just read is most likely nothing but a myth. The reality is, I think, almost more unbelievable. One of the details that made so many people believe this myth, even though no original source was ever found, is that the handwriting for the entire book is steady and unchanged. If one man wrote it, he defied aging or accidents or all the things that would obviously alter a person’s handwriting, for three decades. Nobody could believe it. And that might be one of the saddest things afflicting modern man. Our incapacity to believe that civilisations before us were capable of feats of such grandeur, they outshine both our personal achievements as our collective achievements. The pyramids were built by aliens, the codex gigas was written by the devil and even Robert Johnson, the famous blues guitarist, had to sell his soul to be able to play the guitar that well. There is a pattern here. Mankind, or one of its representatives, achieves greatness, and years later the Devil, or occasionally other potential culprits, run off with the honor. So too it was with the missing pages containing the information too dangerous to be released. They probably never existed neither. The more likely explanation there is that they contained the Benedictine Rule, the code of conduct governing monastic life, removed quietly when the manuscript changed hands between monasteries. Yet once more the Devil claiming his prize after the facts. Where the hell did he come from? One of the first mentions of a devil-like persona is the Hebrew ha-Satan, which means something along the lines of ‘the accuser’ or ‘adversary’. The ‘ha’ functions as a role or job description without actually naming the entity. His job was close to modern day prosecutors, but by Godly employ. In the book of Job, he is the one who is tasked, by God, to test Job’s righteousness. Ha-satan was not perpendicular to or in contrast with God. There was no dichotomy between good and evil. The ancient Hebrew texts portray more of a holistic way of viewing religion. God is all, good and evil are but manifestations of the same divinity. And then, the Jews were taken into Babylon. When Cyrus the Great, the great Persian ruler, went on his rampage of epic proportions and vanquished the Lydian kingdom in the west, he stretched out his empire all the way till the shores of the Aegean sea. All that now stood before him was the colossal power of the neo-babylonian empire, the head of the snake, the main force behind the mesopotamian civilisation. You might remember the mesopotamians from gifting us the world’s oldest customer complaint in cuneiform tablets. Imagine being immortalized as that guy that sold low quality ish back in the day. Woops. I digress. The Persians start getting biblical on the Babylonians and install Persian rule and zoroastrianism, which has nothing to do with Antonio Banderas in a mask mind you. The captive jews spend 50 years under zoroastrian rule and the Tanakh starts incorporating things such as the zoroastrian Ahura Mazda, pure good, and Ahriman, pure evil. Ideas such as cosmic dualism, free will, final judgment, heaven and hell were not featured in Hebrew texts until the confluence between the Jews and the Persians occurred in old Babylon. God’s persecutor becomes a representative of the dark side. The split between good and evil came through conquest, war and blood. How fitting. Lucifer The origins for the term lucifer is one of the worlds oldest recorded burns. It was actually a political poem, which sounds mutually exclusive to me, mocking the king of Babylon. Soon as he rose to power, he lost his empire to the Persians, hence the name Helel ben Shachar, Shining One, son of the Dawn. ’T was a poetic reference to the morning star, Venus, which rises brilliantly, only to disappear short after, at sunrise. The king of Babylon, too, rose to power quickly and brilliantly, and he too fell just as quickly. From Hebrew to Greek to Latin, the concept and description was handed down and translated manifold times. The translations stayed quite accurate across many generations and languages, until the chroniclers of the new testament. They started using the image of a star falling from heaven as a metaphor for Satan’s expulsion, connecting it to the passage of Isaiah in the bible. Lucifer was Latin for morning star or light-bearer and was thusly connected to Venus. In other words, Lucifer was still a wink towards the fallen Babylonian king. Early Christians then started associating this roast on a king who rose brilliantly and fell with the falling of that angel we came to know as Satan or, now also, Lucifer. It was a misattribution, but it stuck. It was then popularized by a man believed by some to have been a closet-satanist, Milton and his epic poem ‘Paradise Lost’. Milton’s poem reads like a Greek epic wherein the devil takes the place of the hero, or better yet, the anti-hero. The poem depicts Satan’s fall from heaven and subsequent journey and struggles. We find Satan traversing the boundless deep and facing many adversaries, amongst others the main men themselves, God and even Death. The opinions here differ. There are some claiming that the framing of Satan as the protagonist in this 17th century Hero’s Journey gives way to sympathy for the Devil. There is others who view this as Milton saying that if even Satan can be personified into a hero, maybe our view on what a hero entails is wrong and should be re-examined. With a writer this great, I am tempted to believe that, his personal beliefsystem aside, he just found a great story and ran with it, whichever direction it would lead to. Until now, there wasn’t a lot of POV’s on Satan’s journey. I will use Dante as contrast. In Dante’s inferno Satan is a large, looming monster that feels more mechanical than anything else. He is purely one side of the Godly coin, there is no personality to ‘it’. Milton’s Lucifer however is overflowing with personality, dynamic, charismatic, easily liked even. This is supposedly fuel for the ‘Milton loved Satan’ argument. Personally, I believe once more that Milton once more saw a character that was as of yet, underdeveloped and could use his entree into the world of actual characters with something to say, think and feel. This gives way to the possibility that Milton understood evil to be different from Dante’s description. Hell does not feel evil in Dante’s world, it just is, it is part of the universe in which we roam. Milton’s is more malevolent. Evil perpetrated by someone we can sympathize with lies, as an idea, much closer to the reality of evil. Where the devil did he get his looks from? Like so often with the Catholic Church, its inspiration was almost entirely drawn from the civilisations they were conquering and assimilating, just like the Romans did with Greek Gods and somewhat like the Assyrians did to everybody, though the Assyrian version was way cooler. I might one day write on these civilisations, but there is already an abundance of good podcasts there so I will just say that the way they tackled competing civilisations and their respective gods was simply wild. Even their capital city became an actual deity. I recommend you check out History Time or Fall of Civilisations if your interest is piqued. The modern day devil is mostly a Frankenstein’s monster of pagan gods, such as Pan and the satyrs, all horns and cloven hooves. His red complexion can be traced back to Roma

    26 мин.
  2. The electric dance

    25 июн.

    The electric dance

    Sailing under humanities banner, I am left to wonder. If life indeed is pointless and serves no other purpose then the self-preservation and multiplication of itself, and if the present truly is nothing more then the advance of the past eating away at the future, does it not seem like an almost intolerable shame to live it, only to be consumed by our own immaterial imagination? As if we are strolling through life consciously wearing a blindfold woven from our dreams and desires while all around us the world gently catches fire I am become destroyer of worlds, humanity quotes, for whenever we choose to open our eyes, a multiverse of probabilities collapses in on itself and we are left to perceive only one reality. Thusly seeing sapient lifeforms crawling through this reality, the only one of a ceaseless multitude of universes, with their eyes closed and their ears plugged into the shallow waters of their own silly consciousness, seems to take its toll upon my heart. If life is pointless, and all of humanities attempts to give it meaning have ended up with the world we see around us today, would it not be better, or indeed wiser, for us to stop trying to force meaning onto a meaningless world and instead embrace it as what it is. A land of uncertainty is a land of oppurtunities. Logic defies meaning by forcing it to fit inside a nice, easy, understandable package and thusly capitalising it. For whoever took the time of reading this hoping for a direction or conclusion, my apologies but your reading has been in vain. This was my analogy of life. Pointless though with some luck, interesting enough.Now dance, the electric dance Life is tough, but we are tougher!! Subscribe for more POWERRR This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit kobione.substack.com/subscribe

    6 мин.
  3. 21 июн.

    A Chronicle of Crowns

    FIND ME ON SUBSTACK TIKTOK BUYMEACOFFEE ====>>>>>>> KOBI ONE Every single man in her life had brought her closer to ruin and had plotted to take from her everything, sanity included. It was all she had left to think about now. Endlessly wandering these corridors of the Royal Palace of Santa Clara in Tordesillas, Spain, time had left this once so fine a mind as to be almost void, nothing but some grief and a lot of cold hatred. Whenever she sat in her chaise-longue, here in this prison of a room, she was confronted with the ghost of one of these men. Just outside her window, but ten metres removed from her windowpanes, lies her dead husband, Philip the Handsome. May he rot in anguish. For her, there is no escape, no solace, no refuge. She has lost all but her life and she will hold on to it for as long as she can, even if it is just to spite the men that still live. Intermezzo The woman you have just met, imprisoned in a Royal Palace, is none other than Juana la Loca. She will sit in this palace for 46 years with almost no visitors, no contact with the outside world and absolutely no freedom. This is her epic and extremely tragic story. Buckle in. Act One — Maximilian and the Wedding Machine He didn’t get this far without having to suffer for it at the hands of the people of Bruges first, during the initial rebellion against Habsburg take-over. But now that he had ironed out every fold in this finely woven tapestry of Flemish cloth, it was Habsburg business as usual. The wedding machine kicks back into fifth gear and Europe shakes in its boots, while shaking those very same boots to a political game of musical chairs. Maestro, cue the wedding music. The Habsburg motto of the era: Bella gerant alii, tu felix Austria nube. Let others wage war. You, happy Austria, marry. Max would stay true to this established Habsburg tradition. His firstborn is a man some of you will already know as he who accidentally gave way to ‘Flamenco’, the name we gave to that fiery dance and music of the Andalusian Roma gypsy’s. This is mentioned in my first installment of Strange Origins. His name is Philip the Handsome. A nickname easily earned when one stems from the Habsburg dynasty, a family known for many things. Beauty not being one of them. In the spirit of full disclosure and honesty, the chroniclers, such as Venetian ambassador Querini, indeed describe him as to be genuinely beautiful. Readers of my latest Sunday article will know the worst king to have ever lived, which was roundabout his actual nickname, Louis XI, who tried to steal the regions of the fallen Burgundian duke. Now in direct opposition of Maximilian, who married this duke’s daughter and reclaimed all the territories for himself. To undermine the authority of Maximilian and his now firstborn son, he spread rumours that Philip was in fact a girl. Medieval gossip, surviving the tooth of time. Oddly enough, later on in his life, during his actual reign, Philip the Handsome would foster relationships with France, in stark opposition to his very anti-French father, Max. Max’s daughter was named Margaret, later known as the Lady of Mourning, which bodes well for her love life, does it not? The nickname was given to her by her own court poet, which is a job I am willing to take if you are employing. She earned the nickname by jumping out of a window after her second husband, Philibert of Savoy, dies. She was saved and had her husband’s heart embalmed to keep it with her forever. She vowed then and there never to marry again and became a very successful and respected woman in politics. All this leads me personally to believe she was much more clever and cunning than most historians give her credit. I believe the window-jumping and coincidental surviving was all staged as a political move towards independence, claiming her right to not be married off again in her father’s political aspirations and if so, Margaret, I applaud thee. Her first marriage explains her father’s resentment for the French and her own resentment towards her father and fight for independence. To calm both sides of the Burgundian borders, the French king on one side and soon to become Holy Roman Emperor, Maximilian of Austria, on the other, Max married off his daughter to Louis XI’s Dauphin, which indeed means both dolphin as does it mean the firstborn of the French king. She was sent off to the French court to be raised there, at the age of three. So she just tragically lost her mother and is now sent to a different country to be raised by a family that was hitherto a mortal enemy of hers, at the age of three. Dang these middle ages… Worst of all, nine years later, Max makes a political move that Louis XI didn’t like all that much so Louis calls off the wedding and sends Margaret packing, back “home” after nine years. She is now twelve years old. Fernando and Isabella — The Other Side of the Deal Back in Spain, the country is being united under one crown for the first time in its history, not counting old Rome or the Visigoths for technical reasons. The king of Aragon, named unsurprisingly Fernando, married the queen of Castilia, Isabella and they each ruled over their own regions, while establishing one empire. As of yet, two crowns. These would merge into one in just a generation. When Isabella and Fernando take back Granada and such from the Muslims, from the Moors, Europe rejoices. This is the first time since the fall of Constantinople that a Christian emperor manages to kick the Islamic infidels off of mainland Europe. Isabella is also the woman that would finance the trip overseas of none other than Columbus himself. All the spoils and riches that would flow to Spain afterwards can be accredited to Isabella. She is yet another phenomenally successful woman from the middle ages with claim to her name both the discovery of the Americas and the first defeat of the Muslims since the fall of Constantinople. Here their children in birth order: Isabella (eldest daughter), Juan (the heir, Prince of Asturias), Juana (third child, second daughter), Maria, and Catherine, who will become Catherine of Aragon, first wife of Henry VIII of England. Isabella and Fernando take a look across the borders and find Maximilian looking back at them. Nothing but those pesky French in between them. France would become stuck in a medieval, political, wall of death. The Double Wedding — 1496 The deal was made, they somehow managed without having read Trump’s book ‘The Art of the Deal’, amazing. The arrangement was as follows: Philip marries Juana of Castilia. Margaret marries Juan of Castilia. Two Habsburgs into Spain, two Trastámaras into the empire. France encircled on two sides without a single battle fought. While growing into his role as a leader, Philip the Handsome danced a beautiful, and historically extremely boring, rope-dance between his Spanish engagement and his pro-France stance. His Spanish princess, Juana, sailed from Laredo in August of 1496 with a fleet of 120 ships and 15,000 soldiers. A massive storm completely derails the schedule, wrecks big parts of the fleet and totally destroys one ship, killing its 700 passengers. She actually goes through hell the moment she sets forth towards this marriage of hers. Eventually Juana does indeed arrive, presumably at the port of Antwerp, where her soon to be husband is not even awaiting her. She travels with her entourage to Lier, modern day Belgium, where finally they meet. And the historians would have us believe that soon as their eyes lock ZAP electricity sparks. She is 16 years of age, he is 18, they are both chronicled to have been beautiful and intelligent. A priest is demanded on the spot to wed them there and then. The consummation of the wedding was also derailed from its schedule and accidentally managed to happen before the actual wedding. Must have been a medieval glitch in the matrix. Love was in the air, for Juana, that is. For Philip it was more a sexy start to a political marriage. The reality, sadly enough, was that Philip would never be able to fully comprehend his beautiful and extremely intelligent wife’s past and how it led her into his arms. She grew up in a dogmatic and extremely strict religious culture. She was the type of intelligent that does not fare well with dogmas. Though receiving the best education medieval Europe had to offer, or maybe because of it, she estranged from the church as far as politically possible and with it estranged from her family. Something obvious to us today, seeing as we have a paper trail of her parents paying a spy to actually stalk her and assess her piety. She gets a golden ticket out of this rotten family and the first thing that happens to her is witness 700 people die in bloody agony. She arrives in a world vastly different from hers where she recognizes nothing and then, the man she is betrothed to just stirs something in her soul. She is home now, here, with him. And he shows every sign of feeling the exact same way, for now. It would not last. Part Two — Juana, Who She Actually Was Childhood and Character Juana was born in Toledo, Spain on the sixth of November, 1479. Strawberry-blonde hair, blue eyes, fair skin, she looked a lot like her mother. She inherited from her mother more than just her looks alone. The same strong, independent disposition that led her mother to the top might well be what caused the first rift between her and her parents, mostly with her father. Her father had married Isabella for clear political and military purposes but had not counted on such a strong adversary of a wife. His wife kept ‘undermining’ his authority, so his youngest child, who was already last in line and acted so much like her troublesome mother, would never be meant to wield any power. Not if he could help it. Her education was exceptional. Isabe

    1 ч.
  4. 14 июн.

    Arras

    We arrive once more at the gates of Nancy, France and witness the defeat of the army of Charles of Burgundy. The fall of one man set into motion so many entangled events, most of them grandiose in nature, it reminds me of the 2000’s domino craze. The fall of Charles the Bold was almost exactly like one of those televised Guinness world record domino attempts. Only with a bit more blood. One easily overlooked dot in a sea of connecting points is the city of Arras. As the Duke of Burgundy falls, the French leave no time at all to start picking at the borders and pushing into Burgundian territory. The French king then was Louis XI, later called ‘le roi le plus terrible qui fut jamais’ — the most terrible king that ever was. Honestly, there have been an extreme amount of terrible kings and who knows, I might one day set up a real contest. But as far as evil monarchs go, Louis XI contended nicely. The Burgundian cities were proud and loyal. The last standing duke might have fallen but his daughter still lived and would soon be wed to the Habsburg Maximilian, allowing the Duchess to officially resume control. They would not yield to Louis. Louis had some ideas as to persuading these cities. In the city known as Beaune, he offered people the choice between crippling taxation or death. The city Dôle he had burned to ashes, inhabitants and all. But Arras, also known as Atrecht when belonging to the Low Countries, was Louis’ pièce de résistance. When the city chose in favour of their Burgundian dynasty, the French stormed the gates and razed the walls. Louis vowed to have the city entirely erased. He was mayhaps a sorry excuse of a human being generally, but he was indeed a man of his word. In the year 1479, every single citizen of the city was banished and expelled. The city was endowed with different privileges, given a new coat of arms and city seal and even renamed to Franchise, which back then meant something along the lines of exemption or right to asylum. Round about 12,000 men, women and children, mostly cloth traders and artisans, were taken from all over France and moved into this new city. Entire families were ripped apart. All of this was done in but three months, a remarkable feat for the 15th century. The experiment was an absolute disaster. The rebellion had left the city in rags and ruin. Its newfound inhabitants came from all possible corners of France and today, someone from Paris has a hard time understanding a farmer from La Giettaz next to the French Mont Blanc. So imagine fifteenth century people, from a time where there was no such thing as standardised French, having to understand each other, let alone live together in a city. To make matters worse, most cities had been asked to pay for the moving of their former citizens into Franchise. So instead of sending the promised merchants and artisans, the cities chose to get rid of their beggars, drunks and mentally unstable. If they were having to pay, might as well get something out of the deal, right? In less than a year of its existence, the fit of body and mind ran for it and abandoned the city. Those that remained, well, you by now get the point, the city would have scored badly on your average travel guide. As you might know from my Chronicle of Crowns series, Maximilian and the Burgundian Duchess do get married and Maximilian takes control over the Flemish regions and fourteen years after this catastrophic experiment starts, the city is handed to the Habsburgs and all former inhabitants are allowed to return. The Long Tail Arras spends another two centuries passing between hands before finally becoming French for good in 1659. The resentment for French royalty by now so ingrained into its history, that the city produces a man that would see an end to the French kings forevermore. Another Max to feature in yet another Chronicle of Crowns at a later date, one about, you might have guessed, the French Revolution. I guess you will have to tune in to the Kobi One podcast again if you want to find out who Maximilien Robespierre is. See you then. You can sub for free make me happy This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit kobione.substack.com/subscribe

    8 мин.
  5. 8 июн.

    De omgekeerde wereld - rebooted

    Lately, I’ve found myself captivated by what, for lack of a better word, I will refer to in Flemish as de omgekeerde wereld. The Middle Ages were like a double-edged sword, wielded with great care and expertise via tradition, hierarchy and religious lore. Those were the arms wielding the blade. And with the blade itself, a status quo was put in place. To keep it in place, a pressure valve was installed. De omgekeerde wereld, the flip-side of the medieval coin. The carnival. The feast of fools. A clear and well defined cultural space wherein the rules did not apply, where the lowest could mock the highest and potty humour ruled supreme. There are, of course, some wonderfully colourful examples of this. Take the droleriën, or misericords, of Liège. These are small carved ledges on the underside of folding choir seats. When the seat was raised, the ledge allowed a monk or clergyman to lean while appearing to stand during long services. Because they were hidden from view, carvers had great freedom. Which is why they are filled, very much in the spirit of de omgekeerde wereld, with fantastical, humorous and grotesque imagery. Creatures defecating, demons grinning, the sacred and the absurd sharing the same piece of oak. The picture at the top of this piece now makes more sense. Here in Ghent, our most notable tribute to de omgekeerde wereld is Nestor, one of Belgium’s many Manneken Pis statues. A small boy, cheerfully urinating, installed as a permanent fixture in one of Europe’s most beautiful medieval cities. He has been there for centuries, a remnant of times passed. Then there is the famous jester, Triboulet. At the moment of this story he served King François I of France. Amidst celebrations, where beer and wine had run rather wildly, Triboulet, courage generously supplemented by drink, smacked the king firmly on the bottom. I always imagine the scene like a drama. The music stops. People freeze. The breath leaves the room. Suspense so sharp it could cut through steel. And the king proclaims: TO THE GALLOWS WITH YOU, unless you produce an apology to outshine this atrocity. The jester looked at his king and said: “I am so dreadfully sorry, Sire. I thought you were the queen.” He kept his head. We know not the queen’s opinion on the matter. But there it is, clear as day. Humour as a pressure valve, because without it, the whole thing collapses. Which brings me to now. The hierarchy still exists but it has become much less linear or clear. The powerful once relied on tradition and extravagant displays of wealth to uphold the illusion of power. De omgekeerde wereld upheld the illusion of freedom. These two things harmonised. The worlds intersected and the machine kept running. Now we have people who wield world-shaping power through global policy, through central banks, through algorithms. This kind of power doesn’t need tradition to sustain itself. And so de omgekeerde wereld quietly disappears. Everything becomes clean. Being tolerant or moral comes to mean only saying things that could not possibly hurt anybody’s feelings. Cancel culture becomes the norm. Add into the mix the brewing uncertainties of our time and what you have is a pressure cooker, full of explosive ingredients, with no valves in place. The whole thing might collapse. It has happened before and at some point, it will happen again. Now, many of you might be cheering this on. But students of history will notice a pattern. Hierarchy worms its way back into the mix regardless, a new system born from the ashes of the old. I strongly believe in building new communities from the ground up alongside all that exists. Revolution leads to a power vacuum that quickly fills. Durable communities, built slowly from the ground up, is what we should be striving for. But that takes time, and the pressure is building. Bring back the potty humour. Speak truth (and poop) to power. Cultivate tolerance by taking responsibility for your own emotions rather than policing everyone else’s. It is high time to install that pressure valve. Bring back the jesters, say I! You know you want more you kinky history nerd you This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit kobione.substack.com/subscribe

    7 мин.

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Finally! You got here! I'm Kobi One, a nickname earned when I lost my first testicle to cancer. I played music on the streets, squatted houses all over Europe and now im a father, a captain and a guide in medieval Ghent. Hop in kobione.substack.com