Let's Face the Music

Ryan Breegle / We Own This Town

The stories behind the standards of the Great American Songbook.

Episodes

  1. 03/02/2021

    "Tea for Two"

    For an ode to innocence and domestic bliss, the story of “Tea For Two” surprisingly leads us to financial embezzlement, the Manson murders, a dilapidated East Hampton mansion, and heroin addiction. But no dramatic life event should overshadow the talent and spirit of vocalists Doris Day, Anita O’Day, and Edith Beale; each woman brought something unique to “Tea For Two.” And in telling the story of the song, we are treated to the insights of legendary Nashville jazz pianist Beegie Adair. Sources: “Tea For Two,” Marion Harris, 1924 “Let Me Off Uptown,” the Gene Krupa Band with Anita O’Day and Roy Eldridge, 1942 “Tea For Two,” Duke Ellington, 1943 “Tea For Two,” the Gene Krupa Band with Anita O’Day, 1946 “It’s A Great Feeling,” Doris Day, 1949 “Tea For Two,” Doris Day, 1950 “Have You Met Miss Jones,” Ella Fitzgerald, 1956 “Let’s Face The Music and Dance,” Anita O’Day, 1956 “Tea For Two,” Anita O’Day, 1958 “Tea For Two (live at the 1958 Newport Jazz Festival),” Anita O’Day, 1958 “Pillow Talk,” Doris Day, 1959 “The Way You Look Tonight,” Anita O’Day, 1959 “Have You Met Miss Jones,” Anita O’Day, 1960 “The Way You Look Tonight,” Ella Fitzgerald, 1963 “God Only Knows (instrumental),” The Beach Boys, 1966 “Tea For Two,” Edith Beale from the film Grey Gardens, 1975 “Tea For Two,” Beegie Adair and Jack Jezzro, 2010 Dick Cavett, March 1979 The Tomorrow Show with Tom Snyder, January 1980 60 Minutes, June 1980 Fresh Air with Terry Gross, 1987 “Anita O’Day: Yesterday and O’Day,’ Lara Pellegrinelli Jazz Times April 25, 2019 Singing Jazz: The Singers and Their Styles, Bruce Crowther and Mike Pinfold Heroes and Villians: Essays on Music, David Hajdu High Times, Hard Times, Anita O’Day “Doris Day’s Public Image,” Hadley Freeman The Guardian May 14, 2019 The Poets of Tin Pan Alley, Philip Furia Theme Songs “Let’s Face The Music And Dance,” Ella Fitzgerald, 1958 “Let’s Face The Music And Dance,” Nelson Riddle, 1966

    38 min
  2. 11/24/2020

    "They Can't Take That Away From Me"

    On this episode of Let’s Face The Music, we hear early versions of “They Can’t Take That Away From Me” that left those involved bitter and disappointed. And we find out from Nashville composer and arranger Larissa Maestro how Ella Fitzgerald and Louis Armstrong were able to bring new life to the tune, one of the last songs George Gershwin ever wrote. Sources: Philip Furia, Ira Gershwin: The Art of the Lyricist, 1996 Charles Waring, “Cheek To Cheek: Celebrating The Perfect Partnership of Ella and Louis,” April 9, 2010 Tad Hershorn, Norman Granz: The Man Who Used Jazz for Justice, 2011 Michael Feinstein, The Gershwins And Me, 2012 Tom Maxwell, “The Story of Ella and Louis: 60 Years Later,” Nov 7, 2016 audio: Fred Astaire “They Can”t Take That Away From Me,” 1937 Fred Astaire “Shall We Dance,” 1937 Shall We Dance excerpts 1937 Ella Fitzgerald and Louis Armstrong “You Won”t Be Satisfied (Until You Break My Heart),” 1946 Thelonious Monk “Nice Work If You Can Get It,” 1947 Frank Sinatra “They Can”t Take That Away From Me,” 1954 Ella Fitzgerald and Louis Armstrong “They Can”t Take That Away From Me,” 1956 Ella Fitzgerald and Louis Armstrong “Stompin At The Savoy,” 1957 Jimmy Smith “”S Wonderful,” 1957 Art Pepper “Fascinating Rhythm,” 1957 Ella Fitzgerald “The Song Is Ended,” 1958 Ella Fitzgerald “They Can”t Take That Away From Me,” 1959 Oscar Peterson Trio “Easter Parade” 1960 Norman Granz, interview with Binny Lum, 1960 Louis Armstrong, Desert Island Discs, BBC, 1968 Ella Fitzgerald, interview with Bill McNeil, 1971 Michael Feinstein, Broadway or Bust, PBS, 2012 Theme Music: “Let”s Face The Music And Dance,” Ella Fitzgerald, 1958 “Let”s Face The Music And Dance,” Nelson Riddle, 1966

    43 min
  3. 11/10/2020

    "My Favorite Things"

    How did experimental saxophonist John Coltrane take a popular song from musical theater and transform it into a work of jazz transcendence that would go on to be a radio hit? More importantly, why did he even try? On this episode of Let’s Face The Music, we trace the origins of “My Favorite Things” from The Sound Of Music on Broadway to a New York City jazz club then back to The Sound Of Music on the silver screen. Taking us on this journey are pianist Michael Feinstein, Dame Julie Andrews, and Nashville saxophonist Bruce Ervin. Sources: Ingrid Monson “Doubleness and Jazz Improvisation: Irony, Parody, and Ethnomusicology,” 1994 Scott Anderson “My Favorite Things,” 1996 Lewis Porter John Coltrane, 1998 Blair Jackson, “Classic Tracks,” 1999 Caryl Flinn The Sound of Music BFI Film Classics, 2015 Tom Santopietro The Sound Of Music Story, 2015 Library of Congress Magazine, May/June 2018 audio: “Getting To Know You,” Marni Nixon, The King & I, 1956 “My Favorite Things” Percy Faith, 1959 “My Favorite Things” Mary Martin, 1959 Julie Andrews The Garry Moore Show, 1960 “My Favorite Things” John Coltrane, 1960 “Giant Steps,” John Coltrane, 1960 “Naima,” John Coltrane, 1960 “Tonight, Marni Nixon, West Side Story, 1961 Julie Andrews and Carol Burnett, Julie and Carol at Carnegie Hall, 1962 “My Favorite Things” Jack Jones, 1964 “Show Me,” Audrey Hepburn / Marni Nixon 1964 “Exit Music” My Fair Lady, 1964 “Grand Waltz” and “My Favorite Things” The Sound Of Music, 1965 Oscar Hammerstein interview with Tony Thomas, 1960 Julie Andrews The Dick Cavett Show, 1971 Julie Andrews Michael Parkinson 1974 Michael Feinstein Library Of Congress, 2014 Julie Andrews Home Work, 2019 Theme Music: “Let”s Face The Music And Dance,” Ella Fitzgerald, 1958 “Let”s Face The Music And Dance,” Nelson Riddle, 1966

    40 min

Ratings & Reviews

5
out of 5
6 Ratings

About

The stories behind the standards of the Great American Songbook.