Life Litter

Jill

Life Litter is about things left behind — and how they connect. Essays read aloud by the author. www.lifelitter.org

  1. 05/28/2024

    Lost time

    Do you have a cave? If you live in Paris, you might. In that case, you will pronounce it like what a whale does when it gives birth. Or what Bostonians do to a turkey at Thanksgiving. Cahhhhve. It’s kind of a basement but French people will tell you, actually, a basement is a “sous-sol” (literally: under-soil), a place that can also serve as living quarters. La cave is something else entirely. It’s the cellar, the larder, the storage place. It’s where you keep your extra bits and pieces, dry goods, wine bottles perhaps. In Paris, my sister says, the caves must be full of treasures. Ski boots and escalade equipment from early attempts up Mont Blanc, maybe. Ancient film reels from the ’30s, rows of dusty vintages. Perhaps a lost Manet, or two. It’s where people keep all the forgotten, lost bits of themselves. If you want to go in search of lost time in Paris, you could do worse than starting in a cave. My sister’s building has a cave, shared by the building’s occupants. You descend into the cave via a coffin-size lift with a folding accordion door. It’s pretty creepy down there, especially when you have to go alone. A cave full of lost time is a scary thing. I’ve just come back from Paris. Actually, I’ve been twice this month and stayed with my sister both times. My sister is my artistic bellwether. I can generally tell my latest piece is a stinker if I don’t hear from her the morning it goes out. Usually: silence. She’s a busy woman and much, much cooler than me (she has tats and, as I say, lives in Paris). But I know I’m onto a winner if I get a message with a one-liner quote from the latest piece, a "lol” or (every once in awhile): “loved it”. Those good ones have usually been fermenting in drafts and notes for awhile. Sometimes, they just need time to acquire the right flavour and come together. In fact, the Notes app on my phone is like my own personal little cave. It’s where I keep the lost, forgotten bits of myself. It’s full of treasures, and plenty of stinkers too. Many of the recent ones are Paris-flavoured, so it makes sense to share them here. They may impart the flavour of the thing, but not the real time in Paris. I’ve never read Proust (time is short and À la recherche du temps perdu is long) but I’m familiar with the key bits: the flavour of the tea-dipped madeleine as an entrée to memory; his bed-bound boyhood illness; the sea of images, swimming on the walls of his bedroom cave. If I had to come up with a Proustian equivalent childhood-memory taste-trigger, it would be cheese Doritos and an ice-cold orange soda. Perhaps we were less discerning in upstate New York in the 1990s than Paris in the 1880s. But I digress. If you think about the past, light falls on certain images in the memory cave and the rest floats in shadow. I’ve written this before, even (especially?) in Paris. Writers are lamplighters, the lampiers, shining little cones of brightness in the depthless black. If art is a lamp-lit cone into the past, the disconnected images can never be more than a simulacrum of lost times. And of course, the only way to experience Paris is to … experience Paris. — In Paris, I suddenly feel certain I am a person who might wear floaty skirts and little strappy sandals in day-to-day life, completely forgetting that I live in the UK. My sister buys me delicious breads and cheeses that cloud the senses. She takes me to brocantes—that’s flea markets, to you—that only the locals know. I browse rows of impossibly chic cast-off clothes and imagine I might be the kind of woman who wears orange palazzo pants, with thigh-high slits, or hand-embroidered Italian loafers. For just a second, I toy with the new Jill who smokes a Gauloise (or is it a Gitanes?) and gazes disdainfully at my clown self from behind chic, dark glasses. A slang word for “junk” in French, I learn, is “bazaar”. My son finds a mini-crossbow that he must have. It fires bottle corks. My sister gives me a wink, wanders off and presents it to him as we’re leaving. They try it out and she accidentally shoots it across the brocante. “I lost one of the corks.” “That’s ok.” He is sanguine. “You guys get through a lot of wine.” — Speaking of clowns, we went to an actual circus in Paris. It was kind of by accident, in a kids’ amusement park. The first act was a male juggler, in tight trousers. Not several degrees removed from “dishy”. I raised eyebrows at my sister. “One for the mums.” Next up was a pole dancer. You think I’m joking but I’m not. She wore a smoking hot bikini and looked strong enough to rip me limb from pathetic non-pole-dancing limb. She pulled splits and planks, Superwomaning and shimmying up and down the pole in nought but glitter and a smile. I turned wordlessly to my sister. “One for the dads.” She nodded, sagely. — We ate lunch in a perfect brasserie, the kind with one or two daily specials, where you can get a great steak at lunchtime and a lengthy wine menu. We ordered a café gourmand (literally: ‘greedy coffee’), which is basically the greatest contribution ever made to the world of desserts: an espresso and a selection of doll-house versions of many desserts. Tiny creme brûlée, diminutive brownie, pocket-sized rice pudding. “What’s this?” I poked one of the offerings. “It’s compost.” That’s my son. He’s just been given a tour of the dessert menu by my sister. “I think you mean compôte.” The older gentleman at the next table folded his paper and whistled for his dog, which had been cavorting happily on the other side of the restaurant while its owner dined. The man got up with a nod to the waitress. She held up his half-finished bottle of wine as he turned to exit, and a cork. “À demain?” “À demain.” He must live nearby, in an apartment above this narrow street. This is his living room, and his dining room combined. — Books are more interesting than people. No, that’s not what I mean. Books are like the best bits of people. You get all the insights without the annoying habits of the real world. You develop fondness for inhabitants of the written world who would, in real life, get right up your nose. Just think about Proust. He was insufferable and all about self-promotion, writing up his own reviews and paying for their publication, via third parties. If he was on Substack today, you know he’d be the one shamelessly self-promoting and paying a Substack luminary to get featured in their latest round-up. Another reason I haven’t bothered to read Proust yet. Also, that guy in the restaurant with the dog? Probably an entitled swine. And me? You might imagine from the above snapshots that I’m likeable. I’m not, trust me. I have a strong tendency towards prickly suspicion. It’s not endearing. It would take very little to tip me over from awkward-defensive to completely-detestable. There was a girl at school who picked up on this once. It was the night we finished exams. At a bonfire party on the beach in south Dublin, she cornered me, with another girl. Now, context: both of these girls intentionally cultivated ‘misfit’. I wasn’t in their gang, nor was I one of the vapid, popular pretties. I was a bit… hard to place. Well, this girl cornered me, with a pal and, bolstered by a few drinks, annihilated me. “Why are you such a bitch?” “Wh-what?” I was a bit shit-faced and half-smiling, thinking she might be joking. She was not joking. Her eyes were cold, blue. Her nostrils flared slightly, scenting blood. “No, really.” Mock scientific interest. “Like, it’s a really interesting question. Why are you such a complete and total bitch? Why do you think that is? Do you think it’s something in you or what?” I was 17. — Getting the train back from Paris, I had an awkward encounter as we were waiting to board. For reasons I can’t quite fathom, everyone stands to one side of the departures lounge in the Eurostar terminal at Gare du Nord, even if the train hasn’t been called yet. What this means is you can join the line but not be quite sure it is a line for the right train. You can’t be sure that you won’t, given a momentary lapse in attention, be swept away to the wrong train. “I’m not sure if this is for the 11:12 train,” I muttered to my son. “It is.” Said the woman behind me, authoritatively. I turned to thank her and was dumbstruck. I knew her. “Thanks… er… I know you.” Brain-mouth instant connection. Why am I like this. She looked at me without any cognition, zero expression. It was definitely her. Now that I’d started, I had to finish. “…Is your name Jennifer?” Well, it was her: the terrifying female partner from the law firm where I trained, now the head of the whole department. Speaking of intelligent women, perceived as fearsome and detestable. When we were trainees, everyone knew that the seat with Jennifer was the seat to avoid. You would be worked all night and well into the next day. You would be tasked with keeping track of endless documents. You would be the one in the office on Sundays. There were rumours she once stapled a trainee’s tie to his folder, threw a book at another’s head. It was a truth universally acknowledged that she had for breakfast each day one lightly-roasted and totally exhausted trainee lawyer. When I qualified, I was seated with her associate, a woman a few years older than I, who had just returned from maternity leave. She had a neat bob, a perpetual sniffle and an absolutely relentless capacity to absorb work and churn out lawyerly copy at 3am. A career as Jennifer’s lieutenant had turned her into an automaton—with a crappy immune system. We had a mild exchange of pleasantries—what a funny coincidence this was, updates on the team and do please give my best to so-and-so. She was nice. It was a pleasant moment. She’s not an irredeemable bitch: she’s just smart a

    16 min
  2. 03/06/2024

    Geek House

    “ … and they will read our diaries to find out what we were … ” Joel and I had a fight the other day about AI. Not a debate: a fight. I’m reading Bleak House at the moment — a novel about a protracted argument — so this seems appropriate. At least the Jarndyces were rowing over a pot of gold. We had a fight about AI. What a thing to fight about. What dorks. I’m kidding, of course. Joel is my thought partner. With him, I think externally. But the thing is we really do disagree about AI. I don’t… like AI. I don’t trust it. I have yet to be impressed with its output, apart from in language translation. Everything I read from ChatGPT sounds like plausible word-murals that run on and on, sentence after plausible sentence, without telling me anything. “Blah-di-bla is an important cultural phenomenon because… so-and-so is one of the most important historical figures of the 20th century… It was a time of great social change …” Yawn af. I am generic, benign narrator. Hear me roar whimper something bland and inoffensive into the conventional wisdom echo chamber. And the photo or video garbage? Joel showed me an Internet thing (believe the kids call them “memes”) of a slip-on fake finger above a six-fingered hand. “Wear extra fingers,” it says. “Photo and video evidence will be inadmissible as it will appear to be AI-generated.” Ha-f*****g-ha. It was supposed to be a joke. I tried to laugh. But it wasn’t funny. I could hardly breathe. You can deep-fake me doing bad things. I can do bad things, whenever I want, and just claim it’s a deep-fake. You’ll never know what’s real and what’s not. No one will. Maybe it won’t even matter, because the fake stuff will be more real to more people than the real stuff. Now, Joel loves AI. ChatGPT is basically a third member of our relationship. He asks it everything: what to cook, where to eat, how to say “green beans” in French. We’ve talked about this before. We differ big time. He thinks, one day, AI will be conscious and function just like us. I don’t. Which of us is right? Joel was raised in a homeschooling Christian family and is now the most dedicated atheist you’ll ever meet. He thinks we (humans) are nothing more than an intricate web of clicking machine parts. We perceive and think and exist and have sex and fart and blink and close our eyes to be transported elsewhere only because each atom in each cell is oiled just right and talks to all the other oily parts just so and they all click and whir in harmony, until one day — pfffft, bang — they don’t. And we blink out, like a pixel on your flatscreen. Never to exist again. I am a rational person. I can parse a sentence and flip a document like a pancake. But I can’t explain why this doesn’t sit right with me. A collection of machine parts? Surely I am more than my machine parts. I had laser eye surgery about 12 years ago. It was the kind of laser surgery where they tell you to lie back, keep you wide awake and do all the surgery on the surface of your eye, no cornea-cutting. Numb to my, well, eyeballs, I watched what looked like panes of glass or translucent ice being pushed across the surface of my eye. It was exactly like lying at the bottom of a swimming pool, watching disturbances ruffle the surface. Those machine parts of my eyeball had nothing to do with me. I was way behind-beneath-inside them. Do I believe in God? No. Do I believe in “souls”? Probably not. I believe when this run of consciousness is run, we’re done. Whatever we’ve put out there, whatever we’ve worked on, for better or worse gets added to humanity’s great sandpile. That — right there, whatever’s left behind — is the something of me that sits apart from the oily machine. “Take what it is you do. That’s how you’ll be remembered when your travelling days are through.” Do I believe ChatGPT can contribute to the sandpile? No. That’s what we were arguing about. It was about art. “Is ChatGPT art?” he asked. Not talking about its output, mind, but ChatGPT itself. Joel said yes, thinking of the code that produces it. I said no, ChatGPT is a tool. It may be well-crafted, the code even written in aesthetically pleasing ways — but it has been created with an optimisation metric in mind. It’s optimising, improving, helping us do something. That makes it, fundamentally, a tool, not art. Shout me down. Go ahead. “Tools can be art. Craftspeople are artists, etc.” Well, sure. But a tool performs a function — art is the extra. Hell, it’s right there in the name: exTRA. Art is the feeling, not the function: the emotion layered on top of the function. ChatGPT can process all the novels ever written — and it can process all the secondary literature that’s ever been written about those novels. It can tell me who exactly Mr George is in Bleak House and why he seems to know Esther (no spoilers please, I’m neck deep). But until the woman nursing the dead baby makes ChatGPT feel something, it has no capacity for art. It can’t add anything exTRA. We could argue the point until the cows jump out of Guernica and come home, until Jarndyce v Jarndyce is resolved. Where ChatGPT is a conventional wisdom echo chamber, art challenges conventional wisdom. They are diametrically opposed. Art communicates a feeling, an emotion. It shakes you out of convention, makes you feel what you wouldn’t otherwise feel. Tools can do that, sure, but if you use them to cut wood, eat your breakfast or answer a question about green beans, they are — primarily, at root — tools, not art. What about a novel? A novel is pure art. A (good) novel doesn’t pretend it has any job to do — it puts you behind the eyes of others and makes you feel. It is all exTRA: time-wasting, inefficient. Women’s books, goes the traditional perception: un-serious books without a serious purpose. “As long as there’s a world we’ve got to sing those folks the truth.” The only truth is everyone’s truth: not some condensed, consolidated bland approximation — but the noisy mess of everyone’s contradictory truths at once. Plus a little exTRA on top. Which is why ChatGPT will never be art. It’s why all of the essays telling me who so-and-so was and about places X, Y and Z with no individual perspective are bland as f**k and boring to read (not that I read them — straight to unsubscribe). As ever, Lauren Hough said it already: So, actually, maybe I do believe in souls after all. Just don’t tell my atheist boyfriend. On an entirely different note, here’s an awkward old offering from the annals you might have missed. On this day last year: This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.lifelitter.org/subscribe

    10 min
  3. 01/27/2024

    Germany calling

    ⬅️ READ PREVIOUS I got an unexpected email the other day. It reminded me that deliverance arrives in unexpected ways, at unexpected times. Let me explain. Earlier this week, deliverance came at the dentist’s. About three months ago, I went for a long overdue check-up and the dentist did an X-ray. “Oh, you have a cavity. You’ll need a filling.” I was surprised. I’d made it to the ripe old age of 38 without ever once having my teeth drilled. This was my first ever cavity. “Are you sure?” I was dismayed. “Yes.” She pointed to a dark patch on one of my premolars. “Right there.” She booked me in for a filling a week later. I went home and flossed, in that totally pointless way we all do after a dentist visit — and a large piece of something green came out of the gap where she said I had a hole. I went downstairs, brandishing my tooth-gunk, and told Joel. “So?” “So, I don’t think it was a cavity. I think it was just some crap stuck in my teeth.” “So...?” “She’s booked me in for a filling next week. I’ve never had a filling before. I’m scared.” “Tell her. Tell her you went home and flossed and there was something there and it might have been what she saw on the X ray.” So, when I went back for my filling, I told her. She was sceptical as f**k. We looked at the X ray together. There was definitely a dark patch. I pleaded my case. Was she sure it was a cavity? Like, absolutely sure? Could it be the food? Just, because, you know, my teeth have always been pretty good… Even I was rolling eyes listening to myself. She must hear this all the time. You can’t negotiate with dental decay, I could hear her thinking. But, it was 7pm on a weekday. She looked at her watch. “Ok, if you’re reluctant, let’s just monitor it. We’ll book you in for a check-up in three months and see if the hole’s got any bigger.” Cut to my three-month check-up yesterday. Another X-ray, a different dentist, I braced for the bad news. I’m sure you saw this coming. THERE WAS NOTHING THERE. Nothing. Not a whisper of a thing. My teeth are fine. She was going to drill my perfectly healthy tooth. Now, I’m not really sure what the moral of this story is. Don’t trust medical professionals? Go with your gut over years of scientific training? These are not usually messages that resonate with me nor ones I would seek to pass on. But still. I don’t know what else to say. She would have drilled my perfectly healthy tooth — if I hadn’t questioned it. So, maybe, what I mean is: try? Don’t just mindlessly give up. Keep your brain at least partly engaged and query things? It’s always worth a try. I said that last week about the pub too, didn’t I. Undone by our failure to get the grant, awash in woe that threatened to lacerate me at the ankles and sweep me, bleeding from leg stumps, off my feet. I tried to console myself that it was still worth trying. Hey, I told myself, at least I got some decent newsletters out of it. Well, this week we had a meeting. A meeting about the pub. Hope, it turns out, has not fled. The meeting was very positive. We are, it turns out, not the only ones who want to save the pub. Just the lesson I needed in hope. I’ll say nowt more in case it all comes to…. well, nowt. But maybe I’ll have some good news to share about the pub soon. I know I keep saying it but, this time, for real: watch this space. So, good things come in triplicate, right? Deliverance from the dentist’s drill, the whisper of possible deliverance for the pub — and what’s the third? Back to that email. It was the kind of email that usually I wouldn’t even open. The sender was “noreply” and it was addressed “Dear Ms/Mr”. Not promising. But the first line… I screamed for Joel and called the number, quickly. “Fundbüro, Wuppertal.” “Do you speak English?” “A little bit, yes.” In perfect English. “I just got your email. I think you have something of mine.” This is what the email said: MY SUITCASE!!!! Remember?! An incredibly efficient telephone conversation there followed, with a kind man in Nord Rhine Westphalia. He named books in my suitcase: books I assumed I’d never see again. I said yes, yes, they’re mine. There were a few tears (mine, not his). The upshot was the promise of a registered delivery to my home address. It cost 58 Euros. “He is heavy,” said my new friend in Wuppertal. I hung up the phone and turned wordlessly to Joel. He hugged me. I cried a little more. “You know what this means, don’t you?” I wiped my nose. “I get my notebook back with all my drawings! My books! And that damn ski jacket I already replaced..” “Nope.” He shook his head. “It means he probably saw your dildo.” So, two months after losing it off a train somewhere in the vast, unknown workings of the German rail network, my suitcase is rolling its way back into my life from who-the-f**k-knows-Wuppertal. It hasn’t arrived yet — so there’s no knowing what’s still in it — but I’ll keep you posted. Frankly, as long as the dildo is still there, Wuppertal can keep the rest. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.lifelitter.org/subscribe

    8 min
  4. 12/05/2023

    Mouth music

    “Oh please give us something for the little bird’s wake …” The Wren in the Furze, The Chieftains There’s certain music that speaks of my childhood, and of Christmas. The Chieftains’ album The Bells of Dublin is the perfect Venn diagram overlap of the two. Have you ever heard the album? Go have a listen. I made Joel listen to it this weekend. It’s very… below-decks-on-the-Titanic. He liked it, but with a bit of a shrug. I said: it’s because you’re not Irish, and winked at my son. If you are even a bit Irish, this music speaks to your soul. The music is beautiful but with a dark belly to it, the kind that you only hear when you pay attention, when you listen to the words. I always listened to the words when I was little. I always paid attention. I still missed things. There’s a home video from when I was about three or four. My sister is little, still a baby. My dad is dancing me around the living room to the Chieftains. My sister plucks at his leg and he lifts us both up. It’s a classic warm family moment, captured on film. No one would ever know anything is amiss, even if they paid attention. It’s right there on video, evidenced for all: happy family. You never know what’s real and what’s not. I struggle to parse what’s real and what’s not, especially when I peer back. The music I loved though, I know it’s real. It’s music made to put a spring in your heel. That’s in the song called The Wren in the Furze. I remember my dad told me it was about the birds having a competition to see who could fly the highest and be crowned king of all the birds. The tiny wren hid in the feathers of the eagle and just when the eagle had flown as high as it possibly could and all the other birds had fallen away down below, the wren popped up out of its feathers and flew just that little bit higher. But the air was too rarefied up there. The wren plummeted down into the furze, dead before it hit the ground. “The wren, oh, the wren, he’s the king of all birds. On St. Stephen’s Day, he got caught in the furze.” The Wren Boys were the musicians, going door to door on Stephen’s Day (that’s Boxing Day, in England, the day after Christmas) singing the song about the wren, begging for a penny or a big lump of pudding or some Christmas cake. “A fistful o’goose or a hot cup o’tay. And then we’ll all be going on our way.” My dad never told me there’s an even darker story here. Tradition had it that, before they went round singing, the Wren Boys would hunt down a real wren and tie it to a pitchfork. A druidic cultural hangover, this mid-winter sacrifice of the wren, the bird that sings when the days are shortest. In Wales, they tell the story of a woman long ago who led the men down to the river where they all drowned. She turned into a wren and flew away, but is still hunted this time of year. “So it’s up with the kettle and it’s down with the pan, won’t you give us a penny for to bury the wren.” The words of the song made me sad when I was little: the poor wren. I knew without knowing. There was more darkness in that song than I could perceive. Mixed in with the lyrics are nonsense words. In jazz, it’s called scatting. In Irish, lilting — or port a'bhéil: mouth music, tunes from the mouth. There’s a deep thrumming heartbeat of a bodhrán. The piping call of a flute answers it. This song is music made to put a spring in your heel. It’s a load of nonsense wrapped around a good story. At its core is a dark, frightening truth. It can be made into a thing of beauty, this dark, nonsense life. Like all good tunes. But there’s no escaping the darkness. All we can do is sing a little mouth music when the days are shortest. Then we’ll all be going on our way. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.lifelitter.org/subscribe

    5 min
  5. 11/20/2023

    Vienna

    One minute it was there, the next minute it was gone. My suitcase, pinched off a train somewhere between Paris and Vienna. Did it contain items that will cost me thousands to replace? Yes. Are they of even limited commercial value to anyone else? Probably not, apart from a Patagonia jacket (eBay onsell value: circa 200 bucks). Was there anything irreplaceable in it? Not really — apart from my sketch notebook, containing the originals of this Venn diagram, this Venn diagram, this map of Oxford and many other drawings besides. Do I realise that this is a hard-core first world problem and I need to just shut the f**k up and make my peace with it? Yep, thanks, already have. It’s gone, let’s move on. Now, it might be the lost suitcase but Vienna instantly disagreed with me. Like when you eat something rancid and have a big bacterial vomit, the first few hours left a lingering bitterness. It was 5:57pm when I alighted from the train, sans suitcase, and 6pm on the nose when I tried to get into a still-bustling pharmacy in the train station. A woman marched to close the door on me. “Please. I just need a toothbrush.” “No! We are closed!” She moved in front of the door, barring entry, affronted to her core that I presumed to enter the pharmacy at 6pm and 20 seconds. “Please.” I tried one more time. “I lost my bag and I have nothing.” She would not be moved, physically or emotionally. The whole establishment watched with mild interest. “No, the pharmacy is closed now! You must leave.” So I grabbed her shoulders and brought her face to my knee with a crunch. Not really. I just glared at her for a long moment to let her know she won’t ever be getting into my pharmacy after hours and stalked off, to a night of dental decay. Straight to the hotel, rather than eat on the way, I ended up getting off a stop early in a strangely deserted neighbourhood. Several men gave me appraising up-and-downs. I whispered to myself “still got it”. Later, I realised that quiet neighbourhood was the red light district. I also realised I hadn’t been propositioned and wasn’t quite sure how to take that. At the hotel: did they have any rooms with tubs? Did they f**k. I begged the kind lad on reception to please give me a room on the quiet side. The noisy side faced the Prater — which appears on maps as an expansive, tranquil parkland when you book the hotel — but is, in reality, a neon-lit acres-wide amusement park, echoing with the thunder of rollercoasters and screams. I tapped to unlock my room on the quiet side. A blast of cold air smacked me in the face. The balcony door was wide open. The room was dark. A masked chainsaw-wielding lunatic lurched gently from the curtains. Quickly, I stepped back to the hallway and closed the door. I had to exert extra force against the steady breeze coming in off the balcony. I went back down to reception. An older Italian couple were checking in. “And we booked the breakfast, right?” “Yes I recommend you to go upstairs and let staff know.” “But we booked it?” “Yes, you booked it, but to reserve a table, it is best to let them know.” “Ok.” “So we take payment ahead of time. That will be 366 Euro.” Ten minutes of faffing with different cards and tapping and not authorised and insert here and maybe try this card and urgent conversations in Italian between husband and wife. I felt my life force draining away. Finally, they paid. “Ok, and we paid for breakfast too right?” “Yes, but please let them know upstairs.” “Oh, upstairs?” “Yes, you have to let them know upstairs.” “For breakfast?” “Yes.” Eventually they exhausted their repository of inane questions and shuffled off. I explained the situation. The kind chap switched me to a different room, one without lunatics behind ominously swaying curtains. In the meantime, I asked for a dinner recommendation and, without hesitation, he recommended a place five minutes walk away. “Best Viennese food in town! You will eat so much and sleep for 12 hours!” “Great! That sounds perfect.” They were full. So, I ended up at a Chechen restaurant where they served me meat-stuffed dumplings in carrot sauce and cherry-coloured tea in little glasses, with a basket of sugar-dusted fried pastry. It was unexpectedly lovely and just when I was thinking maybe I’ve been a bit hard on Vienna and really it’s quite alright, it was time to pay. Cash only. — The next evening, I went to the opera. Not the real opera — let’s not get carried away. Even if I had access to my full wardrobe, I don’t have anything suitable for the Vienna National Opera House. Get real. No, the one I went to is the Volksoper or People’s Opera. It’s a couple stops away from the frothy centre of the Inner Ring, in a neighbourhood where the best food option I could find was a Vegan burger place. In any case, I was in no way prepared for even the quiet grandeur of the People’s Opera. Bag still AWOL, no shops or pharmacies open on a Sunday, no deodorant to be had. I was easily the stinkiest and most raggedy person there by a country mile. I’ve never felt more country in my life. No big deal, just me: the scruffiest, most unwashed person in the Vienna Volksoper. The lady checking tickets gave me a bollocking for having a backpack with me. It was too big. It must be checked in the cloakroom. She would not be moved. I sensed a theme. I tried to explain that I had lost my suitcase and all my other worldly possessions. This small backpack contained everything I had left — my wallet, passport and laptop — and, if I lost it too, the consequences were unthinkable. I would be reduced to roaming the streets of Vienna for the rest of my days. Can you imagine. Nothing. She had nothing. She lost everything. Every single thing. She lives in Vienna now, in a box. She’ll find her way home, someday. I point blank refused to check it and, when she turned away, sneaked upstairs and hid my backpack under my seat. Anytime the upper level steward came near, I shifted my leg in front of it, lest she give me yet another bollocking (so many bollockings and it was only day 2!) Anyway the dancing was fine. It was opening night for this modern ballet production: contortions, costumes, some nice music. Nothing overtly memorable. Except this: You know that scene in The Sound of Music, at the end of the Salzburg folk festival when they’re announcing the runners up, third prize and then second prize, ahead of the Von Trapp Family Singers? Remember how each act takes an *inconceivably* long time on stage bowing to the audience and to themselves and shaking hands and accepting plaudits and the applause just goes on and on? And on? Now, I always thought that was for comedic and dramatic effect: to make it more plausible that the Von Trapp Family Singers had time to slip out and go hide in the Abbey, behind those elaborate gates, while Sister Berthe and Sister Margaretta steal the distributor caps from the Nazis’ cars. (Great movie, fight me.) Well, I’m here to tell you that this is not dramatic embellishment. This is, absolutely, true to life, drawn from reality, accurate as f**k. The Austrians really *really* like a curtain call. Boy oh boy, do they like it. I’m telling you this, so you’ll be forewarned and forearmed, as I was not. Clapping goes on for a minimum of ten minutes. Really, a full ten minutes, at least. Count that out and try clapping the whole time, without pause. Your hands will be ringing — throbbing painfully — as were mine. Each performer, on their own and then in every possible permutation and combination of twos, threes, fours, fives, sevens, comes forward (multiple times) for their own bow and wave. Then the whole line, together. Twice. You think I’m exaggerating but I’m not. Go to the opera in Vienna, I dare you. Then, just when I thought they must be done — surely, they must be done now! — someone ran off and fetched someone in the wings: a director or choreographer. And they ran forward for their own little bow. Then that person joined the line and they all had another bow together. Then, someone else was fetched from the wings, and the process repeated, I kid you not, about four more times. Through it all: radiant, ecstatic, unwavering applause. I was weary. I’ve never felt like more of a foreigner and had to stop myself trying to catch a neighbour’s eye to have a shared moment of disbelief at how completely farcical the whole thing was. But I dared not. They take it really seriously and, well, this is Austria. Someone might just step up behind me and take me out with a silencer, for lack of applause stamina, and offences against the dictat on opera bag size. — Day 3 found me searching out a Viennese coffee house. I read lies good things about Cafe Jelinek, seit 1910, and set off there in the rain. It’s at the far end of tatty Mariahilferstrasse, down a couple side streets, so finding it was no mean feat. When I walked in, the two women working there looked me over — and continued what they were doing. No flicker of acknowledgement, nothing. I hovered dripping wet in an an awkward space, next to the coffee bar, in between some tables. There were plenty of empty spots so I pointed to one, questioning, preparatory to sitting down. One of the women gave me a hand up, now wait just a second there pal, kind of motion. And continued what she was doing. For the next ten minutes. Now, under usual circumstances, I’d have taken this as my cue to f**k off. Things can only go downhill from here. But it’s pissing down and not understanding the language or why she might be making me stand there made me hesitate. I was still standing there when a customer brushed past me to pay. The woman behind the counter turned to her and they conversed in rapid, enthusiastic German. She paid, turned smiling to leave and noticed me still standing there, with what I can

    22 min
  6. 10/17/2023

    Getting paid to waste the days

    “My heart in hiding …” — The Windhover, Gerard Manley Hopkins I went for a walk today. It’s been a long Covid-y week and it felt great to pull on my boots and head up the hill in front of my house. I’ve got a few thoughts rolling in my head and I’m wondering if the walk will make any of them any clearer. Reader, I leave that to you to judge. One of the things I kept thinking about was an interview I read in last month’s The Atlantic with Sam Altman, the CEO of OpenAI. One bit really stuck for me: So, OpenAI is working on artificial bodies for artificial intelligence. This, to get around the issue of AI only being able to recycle what we feed it. Altman wants to release AI into the world to have its own experiences and generate its own insights about those experiences, just like we do. Right now, the problem he has is that AIs are incapacitated. They are just … standing still. I wonder why they are bothering to give AI its own body. There are enough bodies already moving around this world. I think about how everyone’s phones cumulatively build up a picture of an event, seen from a hundred sets of eyes. I think about Apple Health telling the truth of our lives, tracking our heart beats at the precise moment we saw that picture of our ex. Joel also told me there’s something called Life Streaming, where people stream their life, wear something that records everything so they can play it back. It captures conversations and moments: a dash cam of your life. I think back to times we’ve argued and how I’ve wanted to film him so he can see what I see. What an invasion that would be. Will life streamers need to procure my consent before dash camming the experience of meeting me? What kind of consent will I need to give for an AI bot to draw conclusions about me when I pass it on the street? Today was the first morning of frost. Crimson clover was splashed about in reckless abundance and inedible red haws, everywhere. There were rosehips in the hedges and still some purple blackberries on the north facing slopes. It was a bad year for berries, no sun. I know you’re not supposed to eat blackberries after Michaelmas but I decided to risk it. I pulled a couple and they were delicious, perfect. A bot wouldn’t know, I thought to myself, how good the berries are right now. Or would it? I saw a butterfly alight on a leaf in the hedge near me and stopped. Edged closer. What insights would a bot have here? I noticed the central dark patch and the spots around its edge. How the velvet of its thorax had texture and rippled like bioluminesce, as if underwater. I was reminded of something I read once about butterflies. There are some rare butterflies that display asymmetry; one wing, the long-tailed male pattern and the other, the shorter-tailed female mosaic. It’s called bilateral gynandromorphy; half-male, half-female. Now, bilateral gynandromorphs are vanishingly rare: that rare phenomenon wherein some butterflies exhibit asymmetry in their wings, a mixing of male and female. This is another thing I was thinking about on my walk: gender roles, in all their much-contested nonsense. I work full-time, as does Joel. For me, it’s never been an option not to. I had to feed my baby and give him a home. My job is a means to an end: the only end worthwhile enough to tempt me into corporate hallways. Would I rather have stayed home with my baby? Yes. One million times, yes. I appreciate this is not the case for all women, some of whom long to return to work. I’m not trying to speak for all women. I can only speak for myself, and imperfectly at that. Would I rather have stayed home with my baby, when he was a baby? Yes. Are there other women who would rather chew their arms off than stay home? Also, yes. We are all different. Now that I’ve made it through the hell flames of early motherhood, that cuts such a swathe through the working female populace, I feel a great responsibility to keep at it. But, to whom do I feel that responsibility, I wonder? — I listened to a guy at the sushi counter in London recently talking to a much younger colleague — an intern, I think. Talking to is wrong: he talked at, or over, her all through lunch. An uninterrupted stream of empty-speak about hitting numbers and clients and certain contacts being gold and inviting them to the Oktoberfest event tonight because they’re untapped gold and this is the way to hit those big sales numbers. Wide eyed, she said: “I don’t know how Rachel does it.” The implication is clear: Rachel is obviously older, obviously juggling children and home stuff. “Well,” significant look from him. “With a lot of help from her friends.” “Oh really?” I cottoned on to her then. She isn’t being wide-eyed. She’s driving in the knife: the silly, little, turkey-voting-for-Thanksgiving bitch. He is lofty, instructive. “Her days are numbered. There comes a time, you know, managing a team and being a revenue generating team, when some people are just spread a bit too thin. I try and steer clear of the politics of it all, you know, but that’s just how things are.” He pauses for a bite of sashimi. “But don’t worry. You don’t need to worry about that for a long time.” — I’ve just had Covid (or something identical to it; lateral flows inconclusive) and didn’t work last week. It gave me a lot of time to think. A lot of things I’ve read here on Substack have also made me think: Jason at Weirdo Poetry wrote this gorgeous poem 2 and someone else wrote something beautiful about how finite our time is. I am so conscious of time slipping away at this time of year. The wind gets chillier, strips leaves from trees. My shelves of books sit glimmering; I want to gorge on them. I don’t have time. I want to cook and organise the house and get my papers in order and transcribe The Notebooks and I want to write, write, write. There’s a book, or several, that beckon from my brainfolds. Cicero said if you have a garden and a library, that’s all you need. And someone to pay the mortgage, I think. — I’ve taken a step closer, slowly, to the butterfly. She’s not moving but I know if I go within arms reach she’ll be gone so I stay just beyond and look. She opens her wings and gives herself generously to my eyes. I stand for a long time. Every so often she shifts a little as if to show me a different angle, a new magnificence to her. I notice the ends of her antennae are bright white and glow as if imbibing electric impulses from the air. A spider abseils into my face and is off again to the hedge, having looped a web string to me and back. I wonder how long I would have to stand here to be overcome entirely by cobwebs. Having stood so long, it’s hard to leave. I’m wary of disturbing her if I turn now. I consider stepping delicately off, slowly, as I would from the locked eyes of a tiger. Just a photo, I think, to remember the moment and get my phone out. I take a picture and she snaps her wings shut, as if affronted. And she’s gone. I feel a great loss and remind myself it’s just a butterfly. And she’s fine. But the feeling lingers. It’s getting cold and I wonder how long she has left. She is my days slipping away, the days I am paid to waste. She is my baby son, gone forever. She is me too, long gone and replaced with a bot in this field. A hundred years from now, a bot stands in my place having whatever thoughts it is a bot might have. At the top of the field I hang a right to loop back home and there’s a red kite hawk circling lazily. It seems to follow my progress, circling with me along the top of the field. I realise after awhile it’s looking to see what I flush out with my tramping steps: what little creatures flee my path. My son once asked me why don’t our skeletons grow wings? I wonder if the AI bots Sam Altman is working on will have wings. In the British Museum a couple weeks ago, I banged on to Joel about how much I love museums because it lets you see how things used to be. He looked at these Assyrian murals. “Hey look — they used to be able to fly!” I think I did too. I imagine days of no work: a walk like this to clear the mind and hours to spin my thoughts together. Maybe marshalling thoughts could be a more revolutionary act than confounding gender stereotypes in a corporate world. A season feels like it’s drawing to a close. A new season beckons. I’ve stood still for a long time. But it’s not too late to move. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.lifelitter.org/subscribe

    14 min
  7. 10/14/2023

    008 — Ski season

    ⬅️ PREVIOUS ⬅️ ⬅️ READ FROM THE BEGINNING I grew up on skis. Let me explain. In upstate New York, the temperature falls below freezing in November and usually doesn’t re-emerge until March. We had a thermometer outside the kitchen window. Winter mornings, I would check it. Minus 10 or 20 was pretty normal. I remember it being minus 40 sometimes. On those days, you had to make sure your neck warmer was tucked up under goggles and gloves under jackets at the wrists, so not an inch of skin was exposed. A frost ring would form at your mouth and nose through the layers of fleece. Snow days, when the plough couldn’t dust the roads fast enough ahead of the school buses, were routine. When it snowed, the snow stayed for months. It’s cold in winter. In places like this, with snow and hills, skiing is commonplace. Now, I’m not saying skiing is a cheap and accessible sport. It’s not. Even with snow and hills, skiing remains intransigently a sport for the privileged. What I am trying to say though is that it is a less rarefied sport in the US than the UK. There’s no snow in the UK, not really, and no hills either, come to think of it. That means that only the very wealthiest can afford regular excursions to the Alps. But, in the US, when I was a kid, skiing was the kind of thing you might do on weekends or after-school, instead of football (read: soccer) or karate. You might be lucky enough to get lessons and a season pass at the local slope. Or you might beg your mom for twenty bucks for a day’s lift pass and borrow a friend’s skis. Or you might just find an icy hill and build a booter to ride over and over again with your buddies, sharing beers and snowboards. If you live in a hilly place, covered in snow, you will find ways to play in it. When you are old enough, if it means that much to you, you will pack up your truck with your dog and your snowboard and head west, to try the real mountains in Colorado, and beyond. I grew up in this kind of a place. That’s why skiing for me is like breathing, like walking. I’ve done it for as long as I can remember. Actually, that’s not strictly true. I can remember things that happened before I learned to ski. I remember the morning my sister was born. I remember everyone rushing around, I remember being told to go get dressed. I was two. They didn’t know that my mom still dressed me every day. I remember sitting, angry, alone and confused, on the floor in front of my closet not knowing how to get dressed and trying to take something off a hanger but I couldn’t reach it. Then being rushed out the door, still in my pyjamas to go to the hospital to see my mom and the baby. I remember wanting my mom so much and not being able to have her because the baby. I remember someone being angry at me for wanting her. I remember the scary goat in the back garden. I couldn’t set foot within the circumference of her permitted range of movement. I’m reliably informed we got rid of the goat before my sister was born. I remember lying in my stroller for a nap in the back garden. Waking mesmerised by the lacework of leaves and light overhead. There was a bird feeder, busy with red cardinals and yellow and black chickadees. I remember sudden pain, falling out the back of the stroller. My mom said I was less than a year old when that happened. I remember other things too, other pains. I definitely remember that first day of skiing. I was three. Not wanting to go, the biting cold, the heavy boots, the heavier skis. Trying to lift each leg to sidestep up the red carpet. It was an actual strip of carpet in those days and we had to walk sideways up it. We were so hardcore. Kids today with their motorised “magic carpets” don’t know they’re born, I swear. The instructors were like aliens, in huge goggles and neck warmers, impossible to see and harder to understand. “Make a wedge. Wedge, wedge, wedge.” This was before everyone realised it would be easier to teach kids to make a pizza slice with their skis than a foundational tool of mechanical engineering. I remember hating it, then not hating it, then gliding and staying upright, then loving it. I couldn’t get enough. I was flying! Flying free and fast. That feeling has never left me, and shows no signs of leaving still. Skiing is my happy place. Floating up through trees to the top of a mountain, flying down, repeating. The whole mountain bending and arcing beneath me. The smell of snow and pines and wood fires. It is a moving meditation. It is my home. When I ski, I ski with wings. And I was fast. I am fast. Last winter in Italy, Joel clocked me cruising at 63 mph. It didn’t even feel fast. I’ve definitely gone faster. The thing is, because it gets so cold in upstate New York, you don’t so much ski snow as compacted ice. I grew up skiing on expansive blue sheets of ice as the accepted norm and I’d liken it to skiing on slippery concrete. If you can ski the ice faces of upstate New York, in minus 40, you are well-seasoned to ski comfortably in most other places (except maybe, you know, Antarctica). As for powder, what is this Elysium? As a kid, I finished all the levels of ski school by the time I was ten. Parallel turns, slaloms, tuck jumps, 360s — I was done. Once, I woke up and it was snowing. It wasn’t a snow day though; the ploughs had been through. My mom said to pretend I was sick and stay in bed. She packed my little sister off to school and the two of us went skiing. If it was winter and I wasn’t in school, odds are I was skiing. I would just lap the same three runs at our tiny local hill over and over again. Faster and faster. Probably hundreds of times a week. I won first place in the race at the end of ski school. The next fastest kid was awarded fourth place, because there was that much of a margin between my time and hers. I remember her shiny expensive racing helmet and the red, angry face of her dad, struggling to congratulate me. I didn’t wear a helmet or have tight racing trousers. I had a pom pom hat. Did I want to race? I did, but we were moving to Ireland soon, what was the point of starting racing now. This is all context. When I started in Oxford, I’d barely skied in years. After moving to Ireland at 12, I probably only went a handful of times in my teens. Ireland is even flatter and has even less snow than the UK. Once, age 14, on a visit back to my hometown in the States, I’d gone back to the slope where I’d learned to ski. I knew those runs like my own face, like a face I’d forgotten I had. Night skiing, under the orange floodlights, I remember hearing a guy whoop behind me, a snowboarder, followed closely by a girl in turquoise, a skier. It was Luke (remember him?), followed by his then-girlfriend, the most popular, blonde and impossibly beautiful girl in my old grade. Watching the two of them, so sure about who they were on territory that should have been mine, was like a hot knife in the gut. I still wanted Luke, still, the same wanting from when I was 11, when he had blue hair and a lunch tray in the cafeteria. Later that evening, he rode the chairlift up with me, just once. I don’t remember what we said. I remember looking across at him, just once on that one chairlift ride, to see him smiling and joking. I don’t remember a word he said to me, just remember staring in wonder at how close and beautiful his face was. Remember thinking he was so cool. I caused a lot of drama on that trip by kissing someone else, a someone with a girlfriend. Spoiler: I knew he had a girlfriend. I knew her too, I was staying with her. I just … didn’t care. Because 14 year olds are selfish. Because 14 year old me was selfish. Because I couldn’t have what I really wanted. And what 14 year old relationship is sacred enough not to sabotage, if it will be sabotaged, by another 14 year old? But I digress. At Oxford, years later, scrounging for extra-curricular activities, I heard there was a ski club. I heard it was venerable, one of the oldest sporting clubs in the country. And the annual Varsity ski races with Cambridge? Older than the Winter Olympics. I thought maybe I should join and gamely signed up. Had I ever raced before? Nope, but I was willing to give it a go. What I hadn’t appreciated is quite how… posh… skiing is in the UK. Like I said, in the States, it’s a bit more makeshift, a bit more just a backdrop to living in a hilly, snowy place. In the UK, it is the territory of only the most privileged elite; the people in the UK who are good enough to race may not have grown up on the slopes, but they had chalets, multiple trips a season and private instructors since they could walk. In Oxford, I was on the same ski team as (I shit you not): an Austrian baroness, an Italian countess and an exclusive selection of persons with various levels of title and entitlement. Remember the person I wrote about with the seventeen iPhones and six iPads or whatever? Guess where I knew them from? Yep, ski club. Anyway, so I learned how to race (we trained on the dry slope in High Wycombe, which has long since burned down or been burned for the insurance or whatever) and I ended up on the team competing against Cambridge at the Varsity Races in Tignes. Cambridge beat us that year — they had a girl who grew up in Switzerland, which trumps upstate New York every time, as it turns out — but I was still the fastest girl on the Oxford team. Which pissed off the Italian countess whose fastest time I snatched no end. Not bad for a gal from upstate New York who grew up skiing the little 500 ft slope a few minutes from her house. Did you see the map at the top? That’s the spot. Anyone, even by UK standards, would call it a hill but for locals it goes by the much more elevated name of Willard Mountain and, in my head, it will always be that. Really though, it’s just a hill in upstate New York, five minutes from the Vermont border. I hesitate to say that ar

    19 min
  8. 09/27/2023

    Relics

    I wrote this week about a weird old hobby of mine: When I lived by the river in London, I used to go mudlarking – a bit obsessively – along the Thames foreshore. Mudlarking is kind of amateur archaeology, basically looking for cool things in the mud and pebbles along the riverbank. The detritus of 2,000 years since Roman ‘Londinium’ is plastered in the mud; things that people dropped centuries ago, off boats, off jetties, intentionally or accidentally, getting into boats fleeing the Great Fire of London in 1666. Romans, Saxons, Tudors, Victorians, you name it. From my mudlarking days, I have a very impressive collection of pottery through the ages, countless clay pipes (the cigarettes of former times) — and even an ammonite fossil. This is all true. Years ago, I lived in Wapping and then Rotherhithe with my husband and young son. Wapping is a gentle curve and Rotherhithe a sharp spur of land that stick out into the Thames in east London, before the great bend at Limehouse, around the Isle of Dogs down to Greenwich. I took up mudlarking — with one eye on the past — when I saw the end of my marriage approaching. At the time, I worked long hours and had a small child. Those places had the inestimable value of being close to work. I used to walk down the river each morning — and, in the evening, ran home to put my son to bed, before returning to the office. That stretch of river is positively dense with humanity. Captain Kidd was tarred and feathered here, left to rot and be overcome by the tides. Turner’s mistress ran a public house off Wapping Green. Captain Cook married a local girl. Beyond the lights of Tower Bridge, past the ruins of Edward III’s fourteenth century moated hunting palace, there’s a teetering house next to the Angel pub from which Princess Margaret was reputed to have conducted a steamy affair with a naval officer back in the ‘60s. Old frigates were dismantled and stripped down here. At low tide, you can walk on carpets of ancient nails that held together keels and hulls. Once, I found in the mud a bowl, shattered but still intact. Did some cuckold throw it at his cheating wife, who ducked, so it sailed out the window into the soft mud? I pulled from the silt as many pieces as I could find — slicing my thumb severely enough to warrant a tetanus booster — and spent hours trying to piece them back together again, in a heroic but ultimately pointless effort at kintsugi. It’s quiet under the old warehouses now. They’re all multi-million pound flats, owned by bankers. — One day, at a pub along the river, I met a man who was having a quiet pint, with an array of clay pipes laid out in front of him. “What are those?” “Cigarettes, of the old days.” He told me they’re everywhere, down on the foreshore, because people would chuck them away all the time, like cigarette butts. As soon as he said that, I couldn’t unsee them. I couldn’t step more than a metre on any city beach without coming up with a handful. My marriage fell to pieces. I took up mudlarking on that great foreshore, littered with the remnants of thousands of lives. What is it that Lara Maiklem says? Mudlarking is time travel. Crunching underfoot, you can hear the screams, the crying baby and the shattered crockery with every step. Rare amidst the fragments, perhaps a wedding ring. It wasn’t just time travel for me; it was invisibility. Mudlarking was a commitment to erasing my significance in the immensity of time. I trawled the Thames foreshore, turning interesting stones, blowing sand from clay pipes. Magpie-ing any bright sherds of pottery, the occasional chunk of Roman amphorae. Finding old shoes, broken bottles — and, once, this rubber wall-mounted dildo. Another day, I turned with my toe an unusually smooth wattled orb — and was greeted with concentric spiral staircase ridges inside. It was an ammonite. They died out with the dinosaurs 65 million years ago. Holding it now, it’s still cold and heavy in the hand: bright red where a corner chipped away in the churn at Rotherhithe beach. Half a mile from Tower Bridge, and 65 million years in the tides. I tramped the foreshore like a woman possessed, tracking the tide and waiting for it to be on the turn, to leave, to be on the way out, always looking to see what was left behind. The suffering I unleashed? Two millenia of Londoners and their cares made it seem so paltry. What was it in the cosmic span of London’s pain. It wouldn’t last. — After that, I lived for a time with the man I left my husband for. Eventually I left him too. He told me he joined a Marxist book club, when he realised his own marriage was falling apart. Taking up a hobby was something to do, to fill the hours until middle years. Eventually it became clear that we had nothing in common — as if “Marxist book club” couldn’t have already told me that. He spouted gibberish at me one evening in the car about the violence of JK Rowling; called me a TERF when I ventured that maybe it was fair enough to have women-only swim hours in public pools in east London. He, a corporate lawyer, told me I was “complicit” in not yearning for a violent revolution. Castigated me for a lack of idealistic zeal when I said maybe men are more prone to idealistic fervours. That maybe women ultimately care more about protecting our babies than political philosophy. When he moved out, I packed up all the stuff he’d left behind — and came across his notes from the book club. Neat little black Moleskines: title, author, terse comments. Bullet points and underlines. Page after pointless page. I added it to the pile of stuff for him to collect, next to his work folders and bags of protein powder. — You may have noticed, I have a bit of an obsession with the things we leave behind. If I think about the word “leave”, it feels inherently contradictory. It means leave out, or leave in. It means to take leave, to leave off: to be released. It’s a Janus word, a hydra with two heads facing in opposite directions. It means leave it behind because it doesn’t matter, or keep it safe because it does (“leave it alone”). If something’s left, it’s gone — or it’s still there. If I leave something, I get rid of it — or I retain it. It’s the things that go away, and those that remain. Like Janus, it’s got one eye on the past — what’s already left — and another on the future — what will be left, and endure. The reason for this contronymic confusion is that the word “leave” has a confused etymology: it comes from two very different Proto-Indo-European roots, with two very different meanings. One is ‘leip’: to stick, adhere, continue, persevere. Joining ‘leip’ (which gave birth to ‘life’ and ‘lively’) and ‘men’ (a root which lives on in ‘immanent’) we get remain. Things that are left are remaining. They continue and persevere. The other Proto-Indo-European root is ‘sleg’: to be slack or languid, to loosen, to leave off. Things that have left have slackened, shuffled off, gone loose. They are gone. — I lost my sunglasses last weekend in Paris. They were brand new and not cheap. One minute they were on the table at a wine bar, where we drank with my sister and her family, while the children climbed lamp posts. The next minute I was emerging from the Metro a few stops away, a little bit shit-faced, searching pockets, patting my head and they were gone. They were not, it turned out after a quick call, still on the table at the wine bar. They were not, we discovered, in any of our bags. They were not, to be clear, on my face — which has happened before, more than once, when I’ve been looking for them. They were just … gone. Now, I don’t really care about my sunglasses. They’re just sunglasses. I wore a sun hat instead. The loss of my sunglasses is not a big deal to anyone, apart from me — and even then, only in the most self-interested navel-gazing kind of way. But. As this is an essay about the things we leave behind, and what that means to me, it seems appropriate that I … left something behind. My sister offered some consolation: “They weren’t even that nice anyway.” Like all the unimportant shit we leave behind. — While I was in Paris, I read Buried by Professor Alice Roberts, about what we leave behind in graves. Cheerful! It’s a detailed examination of what we can glean from remains: some friable bone shards, a jaw, skull, teeth. Maybe the metal buckle of a long-disintegrated belt or the iron cross-bar of a shield or chest plate. We all leave behind a bone inventory. Mandible, clavicle, tibia, fibula — all present and accounted for. But we are more than a list of things: there’s always a bit more. Maybe a garden is the thing we leave behind. In the village, one of my friend’s dads did just that: left a garden, full of fruiting trees. An apple tree takes years to fruit. Those trees are forty feet high and laden with fruit. They are venerable. That is a legacy to leave behind. Robert Macfarlane wrote — was it in The Wild Places? I can’t remember — about the artist up in Scotland who wanted to entomb a skeleton inside a rock. He wanted to echo an intact human down through the ages. But that isn’t how it works. When we go the bits of us that are left get recycled, reused, reimagined. Our bone inventory loosens. Maybe we are eternalities, with brief excursions in different bodies. Maybe we are just momentary agglomerations of loosely oiled neurons; pithy monkeys. — I gravitate to things — weird things, in unexpected places — and might not know why. Sometimes they feel like a thread that I know but have lost, a long time ago. It feels hard to pick it back up again in a life, like I only follow it for a short time then lose it and spend the next life trying to pick it back up again. Like a dream memory, it floats just out of reach. Certain things stri

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About

Life Litter is about things left behind — and how they connect. Essays read aloud by the author. www.lifelitter.org