Like Whatever

Heather Jolley and Nicole Barr

Join Heather and Nicole as we discuss all things Gen-X with personal nostalgia, current events, and an advocacy for the rights of all humans.  From music to movies to television and so much more, revisit the generational trauma we all experienced as we talk about it all. Take a break from today and travel back to the long hot summer days of the 80s and 90s.  Come on slackers, fuck around and find out with us!

  1. Is There A Doctor In The House

    6D AGO

    Is There A Doctor In The House

    A dark true-crime binge and a stack of holiday catalogs aren’t the setup you’d expect for a joy-soaked tour through novelty music history, but that’s exactly where we go. We start with the emotional whiplash of the week—Gacy’s psychology, DNA breakthroughs, and why missing kids get dismissed—then pivot to therapy, Florence + The Machine’s pagan-tinged lyrics, and the everyday grind of USPS life. From porch-light PSAs to why tipping your mail carrier matters, the real world sneaks into the headphones before we flip on the neon and dive into Dr. Demento. We grew up with the Funny Five blaring from bedroom radios, a tape recorder at the ready. Here’s the origin story: Barry Hansen, record collector turned musicologist, builds a syndicated cult show that revives novelty music and accidentally launches a legend. Weird Al Yankovic’s My Bologna climbs the request charts, and a career is born. Along the way we unpack the craft that hides inside the chaos: Fish Heads going from absurdist earworm to SNL and MTV staple, They’re Coming to Take Me Away bending tape speeds and sirens into a manic spell, and Yoda navigating permissions from George Lucas and Ray Davies to become a live-show anthem. Even the classics keep surprising us—Hello Muddah, Hello Fadduh turns real camp letters and a ballet melody into a generational in-joke; The Lumberjack Song proves Python brilliance can be written in 15 minutes; and Chuck Berry’s only U.S. number one is the gloriously scandalous My Ding-A-Ling. What emerges is a love letter to the weird songs that taught a generation how to laugh, how to question the rules, and how to turn lowbrow into lasting culture. If you remember Walkmans, mixtapes, and Sunday-night radio, this one will hit the nostalgia switch. If you’re new to Dr. Demento, you’ll leave with a playlist and a grin you can’t shake. Enjoy the ride, then tell us: which novelty track belongs at number one on your Funny Five? Subscribe, share with a friend who still knows all the words, and leave a quick review so more Gen X ears can find us. Send us an email Support the show #genx #80s #90s https://youtube.com/@likewhateverpod?si=ChGIAEDqb7H2AN0J https://www.tiktok.com/@likewhateverpod?_t=ZT-8v3hQFb73Wg&_r=1

    1h 24m
  2. Mixtape For The Recently Deceased

    OCT 31

    Mixtape For The Recently Deceased

    The wind howled outside, and we took the hint: time to build the ultimate Gen X Halloween playlist and see what memories come crawling out. We kick things off with the messy joy of spooky season—script swaps, bonus codes, and the kind of inside-baseball friendship banter that only happens this time of year—then settle into the songs that turn October into a world of its own. From Talking Heads’ Psycho Killer and the sued-but-still-iconic A Nightmare on My Street to Bauhaus’s cathedral-dark Bela Lugosi’s Dead and Ministry’s outsider anthem Everyday Is Halloween, we trace how certain tracks didn’t just soundtrack parties; they gave people a place to belong. We cut across the aisle, too. Yes, MC Hammer’s Adam’s Groove is delightfully terrible and historically fun. Oingo Boingo’s Dead Man’s Party gets the deep-read it deserves as a danceable meditation on mortality, while Edgar Winter Group’s Frankenstein proves that instrumentals can be stitched into monsters and still top the charts. And then there’s Thriller. We talk Quincy Jones, Vincent Price’s iconic laugh, that record-shattering video directed by John Landis, and the way a single song can scare you at nine years old and still make you dance in your kitchen decades later. Along the way, we check in on Jamaica facing a brutal storm, nerd out about weather mechanics, debate the national anthem, and read a 1984 diary entry that turns April Fool’s pranks into time travel. If you crave a Halloween special with personality—equal parts goth history, pop trivia, and candid life—this one’s for you. You’ll walk away with a curated playlist, a few wild facts to drop at parties, and maybe a reason to defend your favorite spoon. Hit play, build your own spooky queue, and tell us: which track is non-negotiable on your Halloween list? Subscribe, share with a friend who still knows the zombie choreography, and leave a review to help more Gen X ghosts find us. Send us an email Support the show #genx #80s #90s https://youtube.com/@likewhateverpod?si=ChGIAEDqb7H2AN0J https://www.tiktok.com/@likewhateverpod?_t=ZT-8v3hQFb73Wg&_r=1

    1h 15m
  3. Please Be Kind, Rewind

    OCT 24

    Please Be Kind, Rewind

    Pop the tape, hear that whirr, and step back into the glow of a Friday night video run. We unpack the magic of VHS-era rituals—debating picks under fluorescent lights, scanning cover art for clues, trusting the clerk’s scribbled staff picks—and then follow the trail that turned neighborhood browsing into a streaming scroll. From VCRs and the Betamax vs VHS showdown to rapid rewinders, tape splicing, and late fees, we map how home viewing became a social ritual as much as a technology shift. Then we zoom out and tell the Blockbuster story like a rollercoaster: the scale, the data, the guaranteed new releases, and the clean family branding that pushed mom-and-pop shops aside. It’s a masterclass in expansion… until the format flips. DVDs streamlined shipping, Netflix removed late fees, and streaming erased the last mile. We revisit the fateful moment Blockbuster laughed off a $50 million Netflix acquisition, why Total Access arrived too late, and how the 2008 downturn turned leases and late-fee dependence into liabilities. By the time the dust settled, bankruptcy had closed most doors, leaving one outpost in Bend, Oregon, as a living postcard from the browsing era. Between personal counter stories, awkward back-room chores, and genre love letters to Ghostbusters, Fright Night, and Ferris Bueller, we ask what we really lost when aisles vanished: the serendipity of discovery, the talk with a neighbor, the feel of a night out that started with a plastic case. Streaming gave us access and convenience; the old stores gave us ceremony and community. We think there’s room to keep both spirits alive. Enjoy the nostalgia, learn the business pivots, and share your rental-era memory: the title you chased, the cover that tricked you, the late fee that still stings. If this took you back, follow, rate, and share the show—and tell a friend who always grabbed the last copy before you did. Send us an email Support the show #genx #80s #90s https://youtube.com/@likewhateverpod?si=ChGIAEDqb7H2AN0J https://www.tiktok.com/@likewhateverpod?_t=ZT-8v3hQFb73Wg&_r=1

    1h 23m
  4. What A One-Derfilled Podcast

    OCT 17

    What A One-Derfilled Podcast

    A year goes by fast when you build a ritual around friendship. We clink mimosas, raid the bagel plate, and trace the thread that brought us here: a weekly hour that forces life to slow down long enough to talk, laugh, and actually catch up. From a pink Hello Kitty diary found in a move to the choice to delete hundreds of photos, we explore what memory means to Gen X now—what we keep, what we toss, and why patience felt different when film took two weeks to develop. Then we turn up the volume. One hit wonders are our birthday cake, and we slice into the songs that still light us up: Right Said Fred’s I’m Too Sexy (with that stealth Taylor Swift writing credit), Matthew Sweet’s Girlfriend and a hard detour into artist health care, Carl Douglas’s Kung Fu Fighting and its B-side origin, Dexys Midnight Runners dethroning Billie Jean with Come On Eileen, Ray Parker Jr.’s Ghostbusters and the Huey Lewis lawsuit, EMF’s Unbelievable with its Andrew Dice Clay sample, Boys Don’t Cry’s I Wanna Be A Cowboy, Buckner & Garcia’s Pac-Man Fever, and Len’s Steal My Sunshine riding a disco loop into summer. It’s trivia, chart stories, lawsuits, rave field notes, and the strange alchemy of a chorus that outlives a career. We chew on tech, too. One of us uses AI to spitball titles and scripts; the other side-eye squints at synthetic charm. We share a hiring heads-up about AI-written resumes getting flagged and talk about where tools help creativity and where they flatten voice. In true Gen X fashion, we make room for both skepticism and utility, then pivot to MTV’s shrinking music footprint, the club nights that shifted from goth to industrial to rave, and why some hooks never get old. Thanks for riding with us for fifty-two straight weeks. If you smiled, sang, or argued with your speakers, hit follow, share the show with a friend, and drop us a note with your favorite one hit wonder or favorite episode. Your picks might soundtrack year two. Send us an email Support the show #genx #80s #90s https://youtube.com/@likewhateverpod?si=ChGIAEDqb7H2AN0J https://www.tiktok.com/@likewhateverpod?_t=ZT-8v3hQFb73Wg&_r=1

    1h 23m
  5. OCT 10

    Good Grief We Are The Trombones Now

    A pop lyric can flip your mood, a true-crime twist can spark outrage, and a simple comic strip can outlive its creator by generations. We dive headfirst into that messy middle where culture meets memory: one of us swooning over Taylor’s newest hooks and audacious lines, the other craving the ache of her sadder eras; both of us stuck on the question that won’t let go—what happens when a show like Monster: Ed Gein chooses drama over documented fact? The debate gets spirited as we weigh accuracy against entertainment, why victims’ stories deserve care, and how we reset our brains with a comfort watch when the gore lingers. From there, we time-travel to Peanuts at 75 and unpack how Charles Schulz built a universe from tiny moments: a kite-eating tree, a baseball loss, a dog with delusions of grandeur. We talk Snoopy’s polarizing charm, Woodstock’s mysterious species, Franklin’s quiet milestone for representation, and why Schulz ended the strip on his own terms. Along the way we wander through parades and Mummers lore, the strange warmth of holiday specials, and the way certain characters become family even when we swear we don’t like them. It’s personal, nerdy, and very Gen X: a love letter to pop, a side-eye at lazy storytelling, and a salute to the minimal comic that somehow said everything. If you’ve got thoughts on Taylor’s best mode, whether Monster went too far, or if Snoopy is iconic or insufferable, we want to hear them. Subscribe, share with a friend, and leave a quick review so more curious people can find us. And tell us in the comments: which classic actually aged well—and which one should’ve stayed in the attic? Send us an email Support the show #genx #80s #90s https://youtube.com/@likewhateverpod?si=ChGIAEDqb7H2AN0J https://www.tiktok.com/@likewhateverpod?_t=ZT-8v3hQFb73Wg&_r=1

    1h 17m
  6. OCT 3

    She Doesn't Even Go Here

    What if one date could hold a lifetime of cultural whiplash? We start with birthday football bliss, a raw story about losing a friend’s elderly dog, and that awkward post-count tension at work—then spiral into the pop culture rabbit hole October 3rd always seems to crack open. From kids’ TV confessions (Reading Rainbow without LeVar, Teletubbies dread, SpongeBob joy) to a Springsteen biopic sighting and a halftime-show debate, we map the lines between “not for me” and “still respect it.” There’s Taylor Swift brunch-planning, Reputation-era outfits, and the case for using pop songs as therapy shorthand. Then we time-jump. Lincoln’s Thanksgiving proclamation gets a fresh read. Mr. Ed trivia trots out a second horse. We dive into McCartney and Jackson’s Say Say Say—charts, remixes, and the fateful dinner talk that nudged Michael toward publishing power. The temperature spikes with Madonna’s Erotica era and Sinead O’Connor’s SNL protest: tearing the Pope’s photo, saying “fight the real enemy,” and paying the price years before the Church faced its abuses. We revisit the OJ verdict as a mall-TV memory and weigh it against what we now know about CTE—without excusing harm or ignoring victims. The heart of the episode is Dee Snider vs the PMRC: Senate theater, parental advisory labels, and the long shadow of moral panics on music and speech. We argue for a harder kind of free speech—defending expression you dislike while standing up for those harmed by hate and exclusion. Along the way, we cheer the Berlin Wall’s fall, wink at the Mean Girls “It’s October 3rd,” and end on real life: looming shutdowns, essential work, and making sure people still get mail, meds, and meals. If you’re Gen X or Gen X at heart, this is a warm, messy mixtape of protest, pop, and memory. Hit follow, share with a friend who remembers the roller rink, and leave a review telling us which October 3rd moment still lives rent-free in your head. Send us an email Support the show #genx #80s #90s https://youtube.com/@likewhateverpod?si=ChGIAEDqb7H2AN0J https://www.tiktok.com/@likewhateverpod?_t=ZT-8v3hQFb73Wg&_r=1

    1h 23m
  7. Gender? It's Just A Jump To The Left

    SEP 26

    Gender? It's Just A Jump To The Left

    Slip into your fishnet stockings and get ready to do the Time Warp! We're celebrating the 50th anniversary of The Rocky Horror Picture Show, the boundary-pushing cult classic that transformed from theatrical flop to cultural phenomenon through the power of midnight screenings and passionate fandom. From the creative genius of Richard O'Brien (who played Riff Raff and wrote the original stage show) to Tim Curry's magnetic performance as Dr. Frank-N-Furter, we explore how this quirky horror musical tribute became one of cinema's most enduring experiences. Did you know Susan Sarandon filmed while seriously ill on freezing sets? Or that the skeleton in the iconic clock was real? We dive into fascinating behind-the-scenes stories about costume designs, production challenges, and the famous lips that open the film. Originally titled "They Came From Denton High" and rejected by critics, Rocky Horror found its audience through audience participation. What other film inspires viewers to dress up, shout callbacks, and throw props at the screen? As one of the first mainstream productions to showcase fluid gender identities, the film's message of self-expression continues to resonate with generation after generation of viewers. As original stars Barry Bostwick, Nell Campbell, and Patricia Quinn embark on a 50th anniversary tour across North America, we reflect on how Rocky Horror transcended its B-movie inspirations to become a celebration of outsiders everywhere. Whether you're a veteran who's seen hundreds of midnight screenings or a curious "virgin" who's never experienced the Time Warp, join us for this deep dive into the sweet transvestite from Transexual, Transylvania who changed cinema forever. Send us an email Support the show #genx #80s #90s https://youtube.com/@likewhateverpod?si=ChGIAEDqb7H2AN0J https://www.tiktok.com/@likewhateverpod?_t=ZT-8v3hQFb73Wg&_r=1

    1h 11m
5
out of 5
6 Ratings

About

Join Heather and Nicole as we discuss all things Gen-X with personal nostalgia, current events, and an advocacy for the rights of all humans.  From music to movies to television and so much more, revisit the generational trauma we all experienced as we talk about it all. Take a break from today and travel back to the long hot summer days of the 80s and 90s.  Come on slackers, fuck around and find out with us!