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Advertising Production Academy
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All about the world of advertising and marketing through a production lens.

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    Ep. 32 - Schedules: Building Your Timeline

    This episode dives into one of the most essential tools in advertising production: the schedule. Learn what a timeline really is, how to build one starting from delivery and working backwards and the key milestones to include. From buffers and weather holds to version control and locking stakeholder time, this practical guide will help ensure your next campaign runs smoothly from brief to delivery.

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    Ep. 31 - Treatments: The Director's Sale Pitch

    Ever wondered how a director convinces an agency or brand that their vision is the one to trust? In advertising production, it often comes down to a single document - the treatment. In this episode, we break down what a treatment really is. A director’s visual and written pitch that sells the idea, builds trust and makes the creative feel inevitable. From the opening paragraph that hooks a client, to the mood boards, casting choices, locations, wardrobe, production approach and post-production style - we unpack what separates an average treatment from one that wins the job. Featuring insights from industry heavyweights like Heath George, Nat Taylor, Wilf Sweetland and Nigel Camilleri, we explore how treatments are used in competitive bidding, what makes them unforgettable and the evolving role of AI in creating them. If you’ve ever wanted to understand the secret weapon behind getting a director greenlit, this episode will take you inside the process.

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    Ep. 30 - Tim Potter: Director & Actor

    Tim Potter is a director who started out on the other side of the camera, working as an actor before taking the self-taught path into directing. In this episode, Tim shares how he made the shift - building a reel from scratch, pitching unpaid spec spots to real clients and writing his first treatment in Word without even knowing what a treatment was. He talks about early insecurities - faking it, second-guessing and holding back from asking too much. Then realising that the right questions are part of the job - a sign you’re engaged, not unsure. We talk about Justin Riordan, a US comedy director whose approach to treatments and PPMs reframed what a pitch could be. Big energy, personal connection, storytelling with intent. Lessons that stuck and reshaped how Tim thinks about presenting the work. We also talk about timelines, pressure, and why it’s less about having all the answers and more about having the right people around you.

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    Ep. 29 - Briefing: Where It All Begins

    A good brief doesn’t just kick off a job - it shapes how well that job runs. In this episode we unpack what makes a clear, complete and production-ready brief. From job numbers and deliverables to usage, scripts, moodboards, approvals and more - this is the foundational doc that every project flows from. Whether you’re briefing a director, production company or editor, this one’s for agency, brand and production teams alike. Tools mentioned: Briefing templates and creative reference checklists available now at adproacademy.com.au

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    Ep. 28 - Budget: The Invisible Brief

    In this episode, we dive into one of the most important (and misunderstood) parts of production - the budget. It’s not just a number. It’s the invisible brief that quietly defines what’s possible and how creative ideas take shape. We talk through when budgets arrive, how to ballpark early, and what it means to scale a concept into reality. From contingency planning and value conversations to building trust with teams and clients, we unpack how producers can use money as a tool - not a roadblock. Plus, we share practical advice, personal lessons and some smart thinking from past guests including Victoria Connors and Kat Cooke. If you’ve ever wondered whether the idea comes first or the budget does… this one’s for you.

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    Ep. 27 - JH Walker: Director @ Clockwork Films

    JH Walker is a storyteller who doesn’t just direct, he conducts. JH joins us for a raw, honest chat about what it means to hold onto humanity in a world driven by deadlines, deliverables and now AI. He talks about why writing your vision down - distilling it into words and pictures - isn’t just about selling a treatment. It’s about testing your thinking. Making it legible. Making it real. We dive into what happens on set when chaos strikes and the director becomes the ringmaster and why a good producer isn’t just a project manager but a shield, a translator and an ally. JH also opens up about his love/hate relationship with AI - a tool that can now mimic his visual style with eerie accuracy. Which leads to the big questions: What is creativity when everyone can make it? And what’s the meaning of something being unique if nothing we see feels unique anymore? This episode is about more than making commercials. It’s about fighting to bring truth to the frame and reminding ourselves why we got into this in the first place.

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    Ep. 26 - Victoria Conners: Executive Producer @ Eric Tom & Bruce

    Victoria Connors is a producer and business owner with over 30 years in advertising production. Vic has had front row seats to how the industry has truly changed from the shift to digital to the rise of flexible hybrid creatives. We talk about how production roles have evolved, why no but is often the right answer and how Eric, Tom and Bruce builds jobs with a good, better, best model. There's insight into the questions worth asking upfront. The value of collaboration over ego and why good producers don't just take direction, they ask why, clarify intention and spot the gaps before they become problems. Victoria also discusses the pressure of high stakes shoots, the gaps she sees in today's producers and what it really means to have your crews back when things go wrong.

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    Ep. 25 - Pat Langton: Founder @ Hook Creative Studio

    Pat Langton has been a Creative Director, an ECD, run his own agency, sold it, started a new creative studio and somewhere along the way picked up producing too. It’s rare to find someone who’s navigated the agency world, client expectations, the creative process and production with such hands on experience. Pat’s story is one of evolution. From his early days at RMIT to working at big shops like Ogilvy and McCann and then taking the leap into business ownership -twice - he’s gathered a ton of lessons along the way. We get into all of it: what it’s like selling your “baby,” how he’s challenging the traditional agency model, and why he thinks it’s time for a serious shake-up in the way we work.

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حول

All about the world of advertising and marketing through a production lens.

المعلومات

  • صناع العمل
    Advertising Production Academy
  • سنوات النشاط
    ٢٠٢٤ - ٢٠٢٥
  • الحلقات
    ٣٢
  • التقييم
    فاضح
  • حقوق النشر
    © Advertising Production Academy
  • موقع البرنامج على الويب
    Make The Logo Bigger